Art ref sideblog for @firstdegreefangirl. At this point, not original tutorials, but I'm keeping track of stuff I think might be useful in the future
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fat bodies, fat anatomy, and how body fat tends to work should be taught as standardly as skinny anatomy and how muscles work in art courses. fat bodies are not an outlier. fat bodies are not a minority and theyre not abnormal or wrong. fat bodies are normal and they belong in art teaching spaces as commonly as other anatomy, because fat bodies ARE normal anatomy. people have diverse bodies and there will never be a single body type that encompasses the "normal body type"
tldr; fat anatomy should be taught as a staple in art courses just like any other anatomy. this is fact <3
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5x06 || 11x02
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Unmute !
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🚨New 9-1-1 season 4 trailer! Coming to us on 1/18🚨
When I tell you I am scared I really mean I am SCARED 😬 there’s so much to unpack
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Lucy’s second day on the job does not go to plan…
01x01 The Rookie
#LOOK AT HER GO#his brilliant girl#lucy chen#tim bradford#chenford#the rookie#the rookie s1#otp: just doing my job#welcome to avenue queue
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#look how they look at each other#I love them#chenford#lucy chen#tim bradford#otp: just doing my job#the rookie#the rookie s2#welcome to avenue queue
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youtube
Happy holidays; my family is just coming off of Hannukah and gearing up for Christmas; work has been frantic, and my house is a mess. I’m sorry I haven’t been posting, but I haven’t even had time to refreshing my queue.
I know I’m not a big blog, but I’m happy that this blog gets regular engagement, and it’s fun sharing the Simu love with you all. I hope to be back and regularly updating in the new year.
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Hello i hope you are doing well! I was just wondering if you had any advice re: writing kissing/sex/etc scenes effectively without making it sound super clinical and "insert tab x into slot y"? I know there's a balance to be struck between writing out all the physical bits vs what your audience actually needs to get the gist of the scene, and you do it so well in your writing.
sorry for the delay answering this! first i’d like to direct you to @star-sky-earth‘s tips for good sex writing. truly, she is the master of smut, and her breakdown is better than anything i can tell you.
here are some big-picture thoughts i have about sex writing, in no particular order:
recently i’ve been asking myself of the purpose and function of sex scenes. when i started writing, every sex scene de facto had to be pornographic, with the intention of reader arousal. over the last several years i’ve really stepped down from that idea, because most of the time i’m writing sex scenes to
unveil character
increase or release romantic/sexual tension
explore some facet of sexual identity and intimacy.
with that in mind, i haven’t necessarily been artfully describing throbbing cocks or slick folds lately. i’m more interested in the lead-up and consequences of a sexual interaction between characters. i’ve been practicing what i call the gloss-over and fade-to-black, where i either summarize the scene or skip it entirely. it felt a little bit like a self-betrayal the first time i did it, because i always like to read sex scenes even if i’m not reading them as porn. i’ve been playing with a “less is more” approach to sex.
in original writing, particularly literary writing, i think smut can sometimes be a hard sell (see: taking years to publish my short stories, which are all very, uh, porny). i had to practice writing sex as exactly how you put it, insert tab x into slot y. i think there’s something to be said for sex writing that is the opposite of pornographic, but also isn’t cringe, you know? like writing sex that is an honest and loving portrayal of the act. sometimes i think that’s hotter than throbbing cocks and slick folds. by that i mean, keeping the sex scene exactly the same sort of narration as the rest of the story, just another thing that happens in a greater conflict (pwp notwithstanding).
in a romance, sex or the first kiss is the highest-stakes moment. it’s the scene where characters are the most vulnerable. the greatest stakes most stories are capable of are creation and destruction. creation being sex, in either a literal baby-making way, or a metaphorical “creating a relationship together” kind of way. destruction being, of course, death. romances and comedies tend to end in creation; tragedies in destruction. so the first kiss, the first time having sex, and the wedding are all narratively emblematic of one of the greatest possible stakes. death and failure fall at the opposite end of the spectrum.
so, with all that said, i think sex writing very much comes down to the sentence-level construction. here are some smaller-scale thoughts:
in terms of genitalia epithets, personally i’m not fond of any words other than cock, cunt, and clit, with the occasional dick thrown in. i don’t mind other epithets when i read, but i just don’t like them for my own writing. let’s use “cock” as an example. “cock” is a noun, which means it’s either the subject or object of a sentence, which in turn means it’s the thing doing the action or receiving the action (pun, sorry). as the subject, it would be “his cock throbbed.” as the object, it would be, “he touched his cock.” navigating the naming of genitalia is i think one of the hardest (sorry) thing about porn writing. i try to use “cock” et al very sparingly, because when it comes up (sorry) it’s more jarring/surprising. that means i have to construct sentences around nouns which, as you might imagine, is difficult. often, when cock is the object, i’ll refer to it as “himself” instead, which i’m sure has a fancy rhetorical term i can’t think of right now (update: metonym. it’s called a metonym). (and i’m sure some linguist or rhetorician has probably written a whole paper on how problematic it is to refer to genitalia as one’s entire person). for example, “he stroked himself.” out of porn context, you get a very ambiguous image. one can stroke any part of one’s body. however in context, even though it’s not directly stated, we can assume he is, in fact, jerking it.
generally speaking, in non-porn narration, i’m not fond of adjectives. again, i’m speaking to my own style here, and not prescribing it for others. but it’s taken me a lot of time and thinking to figure out how to construct my own writing style and i made the executive decision to use adjectives somewhat minimally (explaining why is probably a separate post). however, when it comes to sex scenes, i let myself use them a lot, as a treat. adjectives can concisely develop and complicate images. “cock” doesn’t tell me much about what image to conjure. “red, swollen cock wet at the tip” tells me a whole lot about what said cock looks like. here, red and swollen are adjectives and “wet at the tip” is an adjectival phrase. developing images is key to an arousing sex scene. imagery establishes physical response without resorting to “it felt good.” there’s nothing wrong with “it felt good” but if you’re trying to get your reader off, “red, swollen cock wet at the tip” is going to do a better job of it.
now to verbs. verbs are my favorite because they neatly package (sorry) action and imagery together. the word “thrust” conjures a different image than “grind.” both, however, push the scene along. once you establish that the fuckening is happening, you don’t really have to do much else. when you watch porn proper, you get however many minutes of said thrusting, and that’s what, for some people, is alluring. however, in writing, you can’t really write that exactly as it happens. it would be “he thrust. he pulled out. he thrust. he pulled out.” and nobody wants to read that. presumably. maybe someone would dig that, idk.
so instead of “he thrust x100″ or whatever, you use verbs to notate changes in the scene. on a big scale, it would involve changing position. on a smaller scale, it might be, colloquially speaking, “hit the spot that made him see stars.” each change, or verb, is usually increasing the tension to lead to the (literal) climax of the scene. the number and scale of the changes dictates the explicitness and pacing of the scene. the bigger the change in a single verb, the less explicit and shorter your scene will be; the smaller the verbs, the longer and more explicit it becomes. for example, “he got undressed” is different than describing an entire paragraph of removing each article of clothing. “she came” is different than describing each wave of orgasm, etc. which you choose depends entirely on, as i mentioned earlier, the purpose and function of the scene.
okay so that’s enough about the nitty gritty of sex writing. i’d be remiss to spend so much time theorizing about sentence-level construction without giving you an activity or exercise as practice. so here’s how you might start out writing a sex scene if you’re totally lost. please note, this is not a rule, or even a guideline. it’s an experiment to help you get words on a page so you can revise it into something better.
try out a paragraph with a sentence of each of the following, in this order:
action: character A does something to character B
reaction: character B reacts (moan, crying out, etc.)
image: dependent on what POV character is seeing, but the point is to pause in the action to describe something
repeat
if you stick to this too closely, you’ll definitely sound clinical, but also if you keep this pattern in mind, at least you’ll get a scene down. when you go to revise, you can move things around, throw in some dialogue, and most importantly, internal narration. internal narration during the sex scene is the key to moving forward whatever the actual plot of the story is (if applicable).
god i hope this makes sense. if it doesn’t, feel free to drop back in and ask for clarification. anyway, happy porning!
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How to Draw Hands by zephy.fr
Support the artist and follow them on instagram!
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Soft Sentence Starters
bc i need inspiration
“I’ll protect you.”
“You always duck away when you smile.”
“Like I expected, you’re much comfier than my pillow.”
“I’m nervous too.”
“Do you like it?”
“Let me hug you.”
“Piggy back ride?”
“I want to kiss all of the freckles on your cute face.”
“Can you keep holding my hand, please?”
“Wait, the tears are good tears?”
“I think you look cuter with me.”
“I won’t forget this moment.”
“This is where we first met isn’t it?”
“I’ve always wanted to thank you, but was never sure how.”
“If you’re happy then okay.”
“Let’s share.”
“It wouldn’t be the same without you.”
“Everything ends up being about you somehow.”
“It tastes like…. You tried…. I’ll eat it. It’s a good attempt. Really.”
“Why are you hiding against me like this?”
“I heard you weren’t having that great of a day… These are your favorite candies, right?”
“Ah, the puppy dog face. Check mate, huh?”
“Quit poking my sides; you know I’m ticklish!”
“Your hair is sticking out everywhere. Cute.”
“Wait, let me get a picture of you there.”
“If you need my shoulder, or my hand, or a hug-”
“Kiss me again.”
“I’m sorry, but it was too funny for me to intervene.”
“It doesn’t matter what they think, I just care about what you think.”
“You can ask me as much as you want, I’ll say I love you each time.”
“I’m glad you were here with me.”
“That trip looked hilarious– but also kinda painful; you okay?”
“I called you because I can’t fall asleep.”
“I let you win.”
“You look good in it.”
“Don’t look away from me.”
“I’m not jealous, I’m just practicing my pout.”
“I just want to hug you.”
“You’ve kissed me like fifty times today.”
“You love me.”
“Can we be alone for a bit?”
“The stars wish they were as bright as you.”
“You make me cliche, but I love it I guess.”
“I’d feel better if you kissed me.”
“You’re overthinking– I’m yours. That’s all I want to be.”
“You’re my favorite.”
“You want to take another selfie?”
“I’d let you if you asked.”
“Since it’s you, I’m gonna let it go.”
“My only regret is not telling you I loved you sooner.”
send a sentence and a name!! x
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There are a few exceptions to this, but 99% of the time: yes
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Reblog if you are a fic writer who welcomes moodboards, playlists, remixes, art and any other type of gift based on your stories.
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Steve saying: "Can I talk to my friend...out there?"
Nothing has made me feel so at peace with my inner child like this. Thank you, Steve ❤
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whenever people are like “SKETCHING CIRCLES IN SAI IS SO HARD” im like
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Quick Tip to Draw Straight Lines & Avoid Shaky Hand Lettering by Sean McCabe
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skin color ref because some of yall non-black poc and whites keep fucking up as if yall don’t know there’s other shades of brown when u racebend for woke points or something
(non-black artists please reblog)
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