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De México para el mundo. 

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SHARE their names.

SAY their names.

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Nunca había entendido porque decían que la piramide de Cholula tiene la base más grande hasta hoy.

↬ bit.ly/Grandes_Pirámides_deMéxico ↫

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Mission District, San Francisco on edge. A Latino investigator sifting through the suspicious circumstances of a fatal fire in a residential hotel finds himself face to face with greed, corruption and his own personal demons. A SF Noir Films Production, produced by Louis F. Dematteis and Dante Betteo, adapted by Dante Betteo from a short story by San Francisco Poet Laureate Alejandro Murguia. Additional original material by Richard Montoya, directed by Dante Betteo. Starring Richard Montoya, Veronica Valencia, Geoff Hoyle, Pearl Wong, Vincent Calvarese, Brian J. Patterson, James Hiser, Melinna Bobadilla, Sean San Jose, Christopher White, Don Lacy, Michael Torres and David Klein. Filmed entirely in San Francisco and San Mateo counties, California, USA. 2014.

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Brown and Proud!!! A lo Chicano!!

𝔅𝔯𝔬𝔴𝔫 𝔞𝔫𝔡 𝔓𝔯𝔬𝔲𝔡

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Tradiciones, máscaras y temores 👹👺

Artista: bit.ly/Tareack

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On the set of “Que Viva Mexico”

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The Life & Times Of Frida Kahlo (2005) dir. by Amy Stechler // Frida Kahlo from an unsent letter to Diego Rivera

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Esto es lo más chido que he visto en la lucha libre!

Holy shit! 

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LA RAZA: Photos From the Chicano Movement of the ’60s and ’70s

The ‘LA RAZA’ photo exhibit runs through February 10, 2019 at the Autry Museum in Los Angeles

Published in Los Angeles from 1967-1977, the influential bilingual newspaper La Raza provided a voice to the Chicano Rights Movement. La Raza engaged photographers not only as journalists but also as artists and activists to capture the definitive moments, key players, and signs and symbols of Chicano activism.

The archive of nearly 25,000 images created by these photographers, now housed at the Chicano Studies Research Center at UCLA, provides the foundation for an exhibition exploring photography’s role in articulating the social and political concerns of the Chicano Movement during a pivotal time in the art and history of the United States.

LA RAZA is the most sustained examination to date of both the photography and the alternative press of the Chicano Movement, positioning photography not only as an artistic medium but also as a powerful tool of social activism. Read more here.

Photos: La Raza archives, The Autry Museum

Music: El Chicano, “Viva Tirado”

Video edited by @thinkmexican

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During dark times, artists have the most powerful of weapons to transform reality. That is our talent, our craft, our ideas, and the art we use to represent them. Thank you to everyone who showed up!! Let's keep fighting for human dignity beyond borders and supporting our communities. #Breakdownbordersintorubble #FamiliesBelongTogether #artsprocession #art #artist #colors #flowers #ourchildrenaresacred #march #Missiondistrict #mapp #music #myart #like #love #beautiful #poetry #portrait #l4l #illustration #mural (at Mission District, San Francisco)

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El arte de casa.

Talavera

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Today in: Mujeres chingonas de la revolución mexicana.

“La Adelita” came to be an archetype of a woman warrior in Mexico during the Mexican Revolution. An Adelita was a soldadera, or woman soldier, who not only cooked and cared for the wounded but also actually fought in battles against Mexican government forces. In time the word adelita was used for all the soldaderas, who became a vital force in the revolutionary war efforts. The term La Adelita has since come to signify a woman of strength and courage.

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“Y en la copa de otros labios, vuelve a embriagarte de amor”

Artista Joel Bernal #neomexicanismos

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“Chiquilla: ¿Sabes una cosa? He llegado a saber, después de muchas vueltas, que tienes los ojos azucarados. Ayer nada menos soñé que te besaba los ojos, arribita de las pestañas, y resultó que la boca me supo a azúcar; ni más ni menos, a esa azúcar que comemos robándonosla de la cocina, a escondidas de la mamá, cuando somos niños. También he concluido por saber que los cachetitos, el derecho y el izquierdo, los dos, tienen sabor a durazno, quizá porque del corazón sube algo de ese sabor. Bueno, la cosa es que, del modo que sea, ya no encuentro la hora de volverte a ver. No me conformo, no; me desespero. Ayer pensé en ti, además, pensé lo bueno que sería yo si encontrara el camino hacia el durazno de tu corazón; lo pronto que se acabaría la maldad a mi alma. Por lo pronto, me puse a medir el tamaño de mi cariño y dio 685 kilómetros por la carretera. Es decir, de aquí a donde tú estás. Ahí se acabó. Y es que tú eres el principio y fin de todas las cosas. Juan”

— Carta de amor de Juan Rulfo a Clara Aparicio

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Tejedora de cruces de palma. Mañana de Domingo de Ramos, en San Cristóbal de Las Casas. / 2017 Foto de Ariel Silva.

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Diablos, Ermitaños, Pastor en la pastorela de Ihuatzio, Michoacan, Mexico