interstellarouroboros

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Lightning L-Drago and Gravity Perseus/Destroyer

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Did for whatever reason...

I had an idea to create an American boy group that's k-pop trained similar to katseye. I might post member profiles tomorrow. idk.

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The Aesthetic of Resistance: Why Some Western Leftists Support a Regime Which is Everything They Claim to Hate

(Dedicated with appreciation and admiration to literally every single Iranian person I've ever met for educating me.)

A vocal current within the Western Left has become inept at recognizing abuse of power…when it speaks in the language of 'resistance.'

Objectively, Iran isn't a scrappy underdog challenging imperialism. It's a repressive regime that embodies everything the Left claims to despise.

A Theocracy Run by Religious Extremists

If you believe in the separation of Church and State, the regime isn't an ally.

Iran is ruled by unelected clerics who claim divine authority and answer to nobody.

The Supreme Leader, currently Ayatollah Ali Khamenei, is not an elected politician. He's a religious messianic figure with ultimate say over everything from military policy to women's clothing.

The Guardian Council is all male, conservative religious fanatics who regularly disqualify moderates, reformists, or women from participation in any public matters.

This is textbook authoritarian theocracy, a system where dissent is heresy and religious doctrine is law. There is no religious freedom in the Regime's Iran.

They Stone Women. Yes, Still.

The regime's laws on women would make the Taliban proud.

Women must cover their hair and bodies in public.

They cannot sing solo in public.

Their testimony in court is worth half that of a man.

They need male permission to travel, study, or even get a passport.

And yes, they have been stoned to death for adultery — in the 21st century.

When 22-year-old Mahsa Amini was arrested in 2022 by Iran's morality police for allegedly wearing her hijab improperly, she was beaten to death in custody. Her murder sparked mass protests, which the regime crushed with bullets and mass arrests.

There is no question what the response would be if a US state like Alabama enforced such laws. The outrage would be deafening and justified. So why does that same righteous fire for justice seem to extinguish itself somewhere over the Atlantic? What principle justifies this selective vision?

If you chant "ACAB" as a denunciation of state violence and the enforcement of oppressive norms as a moral principle, consistency demands you cast that same critical gaze towards the Regime and it's morality police.

These enforcers serve as agents of the state's ideological control. They target women for unveiled hair, arrest dissidents for defying religious codes, and violently suppress basic civil liberties.

If your anti-authoritarianism stops at Tehran's border because it feels geopolitically inconvenient to criticize a state opposed to Western influence, you're not anti-authoritarian and are not promoting moral principles. You're just performing selective, aesthetic outrage.

Solidarity, if it means anything, must extend to all those resisting state oppression, not just those who fit your aesthetic of revolution.

They Kill Gay People. By Law.

Iran's government executes gay people.

In public.

For being gay.

As state policy.

Consensual same-sex acts between men are punishable by death. Between women? Up to 100 lashes. The regime often forces gay and trans Iranians into exile, prison, or coerced surgery.

This isn’t some rogue judge. This is the actual legal code of the Islamic Republic.

Iran's LGBTQ+ rights record makes Putin look like RuPaul.

Yet somehow, the same activist movements that cover their feeds in rainbows during Pride Month can't seem to work up a single post about Iran's state-sanctioned homophobia.

If your pride doesn't cross al borders, it's not pride. It's an aesthetic, just branding and performance. You can't claim to support LGBTQ+ liberation while ignoring the regime's brutal state-led persecution...unless your solidarity is only for show.

Real allyship doesn't flinch when it's inconvenient or challenges your preferred villains. Pride isn't pride if it's selective and intersectionality is meaningless if you use it to excuse abuses in one nation...which you'd condemn in another.

They Crush Labor Movements and Workers' Rights

Iran doesn't just jail journalists and students. It jails bus drivers.

Labor unions are illegal. Strikes are illegal. Demanding back pay is treated as "national security sabotage."

Teachers, steelworkers, truck drivers — anyone who organizes is beaten, arrested, or disappeared. In 2023 alone, dozens of labor activists were sentenced to multi-year prison terms for trying to negotiate wages or demand safety protections.

You can't champion the "worker’s struggle" while turning a blind eye to a regime that jails, tortures, and executes labor organizers.

If your solidarity skips over Iranian workers because it complicates your anti-imperialist narrative, that’s not internationalism, it's performative ideological convenience. You don't get to wave the red flag for workers' rights while ghosting the ones bleeding for it under a theocratic police state. Labor solidarity isn't real if it ends where the slogans get uncomfortable.

They Colonize and Militarize Their Neighbors

The Islamic Regime of Iran is not just a local bully. It's a regional empire.

It bankrolls and controls violent militias in Lebanon, Syria, Iraq, and Yemen not to support anyone's liberation, but to spread its own political and religious dominance.

In Lebanon, Hezbollah functions as an Iranian outpost that undermines democratic politics, murders critics, and uses civilians as human shields.

In Syria, Iran helped Assad murder hundreds of thousands of people, including with chemical weapons, just to keep Assad in power as an ally on Israel's border.

In Iraq, Iranian-backed militias have assassinated reformists, hijacked politics, and turned protests into bloodbaths.

In Yemen, Iran arms the Houthis, prolonging one of the world’s worst humanitarian crises so it can poke Saudi Arabia from afar.

If any other country did this, the Left would call it neo-imperialism. When Iran does it? It's "resistance."

You can't claim to stand against imperialism and ignore Tehran's regional warlords. If empire is wrong when it’s Western, it's still wrong when it wears clerical robes and claims to operate under the banner of "resistance."

They Practice Ethnic and Cultural Domination

Iran itself is not a culturally unified state. It's a multi-ethnic empire where Persian Shi'a identity is imposed from the top down.

Kurds are surveilled, imprisoned, and gunned down in the streets.

Baluchis live under occupation-like conditions, with entire towns attacked by the military.

Ahwazi Arabs are denied clean water and education in their own language — in the very province that produces most of Iran’s oil.

Azeris, Turkmen, and others are pressured to assimilate and punished for cultural expression.

Baháʼís, Sunni Muslims, Christians, and Zoroastrians face discrimination, harassment, and systemic exclusion from public life.

The regime bulldozes indigenous cemeteries. Bans non-Persian names. Executes poets and religious leaders.

And yet the Western Left doesn't call this apartheid or colonialism.

If your anti-colonialism skips over this because it clashes with your chosen narrative, then it's not principle. It's just performance.

The Iranian Regime Censors Everything and Jails Everyone

There is no freedom of press. No freedom of religion. No freedom of speech. None.

Journalists are imprisoned for reporting the truth.

Filmmakers are banned or exiled.

Internet access is filtered, throttled, and monitored by the state.

Peaceful protests are met with bullets and mass arrests.

Torture is standard. Forced confessions are routine.

When students protest, they get shot. When families demand answers, they get threats.

Iranian prisons are filled with feminists, union leaders, teachers, students, environmentalists, atheists, reformists, and even children.

Where is the Western Leftist solidarity for them?

You rally for free speech and civil liberties at home, so why the silence when Iran shoots students and jails teachers for demanding the same?

A regime that censors art, criminalizes dissent, and tortures activists is authoritarian.

If your solidarity evaporates the moment it's inconvenient for your narrative, it was never about justice. It was about fashion.

You can't be both pro-liberation and mute about the Regime's prisons overflowing with feminists, filmmakers, and kids. Either stand with the oppressed everywhere or stop pretending you have any moral principles.

If the Regime Wasn't Anti-American, You’d Hate It

The reason some progressives give Iran a pass is because it opposes the US and Israel.

That's it.

If it were a Christian theocracy executing gay people, torturing minorities, and colonizing its neighbors,they'd see it for what it is: a violent, fascist, patriarchal, ethno-nationalist police state.

But because it wears the right aesthetic, they (either through dishonesty or pure ignorance) mistake the Regime as seeking justice.

It’s not.

The Regime Is What the Left Says It's Fighting

It's everything they claim to stand against:

Misogyny

Homophobia

Theocracy

Anti-labor authoritarianism

Militarized ethnonationalism

Colonial violence

Censorship, repression, torture, and propaganda

So the next time someone chants slogans lifted from Tehran, ask yourself: do they know what they’re endorsing? Or are they just cheering for the empire they want to believe is innocent...because that narrative appeals to them.

The regime isn't the voice of the oppressed.

It's just another boot on 90 Million Iranian necks...and millions more in the region.

Sources and Further Information:

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i wanna collect more metal fight beyblades but I can't get a job...

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Took a while but I got 'em!

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5 Tiny Writing Tips That Aren’t Talked About Enough (but work for me)

These are some lowkey underrated tips I’ve seen floating around writing communities — the kind that don’t get flashy attention but seriously changed how I write.

1. Put “he/she/they” at the start of the sentence less often.

Try switching up your sentence rhythm. Instead of

“She walked to the window,”

try

“The window creaked open under her touch.”

Keeps it fresh and stops the paragraph from sounding like a checklist.

2. Don’t describe everything — describe what matters.

Instead of listing every detail in a room, pick 2–3 objects that say something.

“A half-drunk mug of tea and a knife on the table”

sets a way stronger tone than

“There was a wooden table, two chairs, and a shelf.”

3. Use beats instead of dialogue tags sometimes.

Instead of:

"I'm fine," she said.

Try:

"I'm fine." She wiped her hands on her skirt.

It helps shows emotion, and movement.

4. Write your first draft like no one will ever read it.

No pressure. No perfection. Just vibes. The point of draft one is to exist. Let it be messy and weird — future you will thank you for at least something to edit.

5. When stuck, ask: “What’s the most fun thing that could happen next?”

Not logical. Not realistic. FUN. It doesn’t have to stay — but chasing excitement can blast through writer’s block and give you ideas you actually want to write.

What’s a tip that unexpectedly helped with your writing? Let me know!! 🍒

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Just to remember

🧩 How to Outline Without Feeling Like You’re Dying

(a non-suffering writer’s guide to structure, sanity, and staying mildly hydrated)

Hey besties. Let’s talk outlines. Specifically: how to do them without crawling into the floorboards and screaming like a Victorian ghost.

If just hearing the word “outline” sends your brain into chaos-mode, welcome. You’re not broken, you’re just a writer whose process has been hijacked by Very Serious Advice™ that doesn’t fit you. You don’t need to build a military-grade beat sheet. You don’t need a sixteen-tab spreadsheet. You don’t need to suffer to be legitimate. You just need a structure that feels like it’s helping you, not haunting you.

So. Here’s how to outline your book without losing your soul (or all your serotonin).

—

🍓 1. Stop thinking of it as “outlining.” That word is cursed. Try “story sketch.” “Narrative roadmap.” “Planning soup.” Whatever gets your brain to chill out. The goal here is to understand your story, not architect it to death.

Outlining isn’t predicting everything. It’s just building a scaffold so your plot doesn't fall over mid-draft.

—

🧠 2. Find your plot skeleton. There are lots of plot structures floating around: 3-Act. Save the Cat. Hero’s Journey. Take what helps, ignore the rest.

If all else fails, try this dirt-simple one I use when my brain is mush:

Act I: What’s the problem?

Act II: Why can’t we fix it?

Act III: What finally makes us change?

Ending: What does that change cost?

You don’t need to fill in every detail. You just need to know what’s driving your character, what’s blocking them, and what choices will change them.

—

🛒 3. Make a “scene bucket list.” Before you start plotting in order, write down a list of scenes you know you want: key vibes, emotional beats, dramatic reveals, whatever.

These are your anchors. Even if you don’t know where they go yet, they’re proof your story already exists, it just needs connecting tissue.

Bonus: when you inevitably get stuck later, one of these might be the scene that pulls you back in.

—

🧩 4. Start with 5 key scenes. That’s it. Here’s a minimalist approach that won’t kill your momentum:

Opening (what sucks about their world?)

Catalyst (what throws them off course?)

Midpoint (what makes them confront themselves?)

Climax (what breaks or remakes them?)

Ending (what’s changed?)

Plot the spaces between those after you’ve nailed these. Think of it like nailing down corners of a poster before smoothing the rest.

You’re not “doing it wrong” if you start messy. A messy start is a start.

—

🔧 5. Use the outline to ask questions, not just answer them. Every section of your outline should provoke a question that the scene must answer.

Instead of: — “Chapter 5: Sarah finds a journal.”

Try: — “Chapter 5: What truth does Sarah find that complicates her next move?”

This makes your story active, not just a list of stuff that happens. Outlines aren’t just there to record, they’re tools for curiosity.

—

🪤 6. Beware of the Perfectionist Trap™. You will not get the entire plot perfect before you write. Don’t stall your momentum waiting for a divine lightning bolt of Clarity. You get clarity by writing.

Think of your outline as a map drawn in pencil, not ink. It’s allowed to evolve. It should evolve.

You’re not building a museum exhibit. You’re making a prototype.

—

🧼 7. Clean up after you start drafting. Here’s the secret: the first draft will teach you what the story’s actually about. You can go back and revise the outline to fit that. It’s not wasted work, it’s evolving scaffolding.

You don’t have to build the house before you live in it. You can live in the mess while you figure out where the kitchen goes.

—

🛟 8. If you’re a discovery writer, hybrid it. A lot of “pantsers” aren’t anti-outline, they’re just anti-stiff-outline. That’s fair.

Try using “signposts,” not full scenes:

Here’s a secret someone’s hiding.

Here’s the emotional breakdown scene.

Here’s a betrayal. Maybe not sure by who yet.

Let the plot breathe. Let the characters argue with your outline. That tension is where the fun happens.

—

🪴 TL;DR but emotionally: You don’t need a flawless outline to write a good book. You just need a loose net of ideas, a couple of emotional anchors, and the willingness to pivot when your story teaches you something new.

Outlines should support you, not suffocate you.

Let yourself try. Let it be imperfect. That’s where the good stuff lives.

Go forth and outline like a gently chaotic legend 🧃

— written with snacks in hand by Rin T. @ thewriteadviceforwriters 🍓🧠✍️

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

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Dear Writers who can’t stop comparing themselves

Me, you, and probably every writer ever...

☽ Someone else’s success is NOT your failure. Just because they got there fast doesn’t mean you’re slow, you’re just on your own weird little timeline, doing your weird little writer things, and that’s fine. You're not late, you're just... you. And that’s more than enough.

☽ You don’t see the mess behind the masterpiece. That perfect book? It probably had 49 drafts, six meltdowns, two deleted subplots, and at least one sob session over a blank page. You’re not broken for struggling, you’re just in the middle of the part they edited out.

☽ The age thing is IRRELEVANT. Some people write bestsellers at 19. Others don’t write anything until they’re 39. Or 57. Or 83. That doesn’t make it less magical. It just makes it yours. (Seriously, google late-blooming authors, it’s comforting as hell.)

☽ If you’re comparing your draft to a finished book... Please, stop, NOW. That author had editors, proofreaders, beta readers, deadlines, caffeine-induced panic, probably a spreadsheet or two. You’re not comparing apples to apples. You’re comparing a soft, screaming baby draft to a book that went through glam boot camp.

☽ Your voice isn’t supposed to sound like theirs, I mean it’s not supposed to sound like anyone else. That’s the point. You don’t need to be the next [I dont know, J.K.R or Stephen King (Fun fact=I love both)...]. You just need to be the first you.

☽ Your writing might be exactly what someone else needs. Like, exactly. The right story at the right moment can feel like a lifeline, so don’t keep yours locked away because you think it’s not “enough.” It is, you are.

☽ You’re not going to grow by tearing yourself down. Being cruel to yourself doesn’t make you a better writer, it just makes the work heavier to carry. Be kind to yourself, especially on the days the words won’t come (And they will come, I promise).

☽ Someone out there probably reads your stuff and goes: “Damn. I wish I could write like that.” You might never know who, but they exist and they mean it.

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Repros. Next is Flame Sagittario and Dark Bull

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A minecraft story game but...

Imagine a minecraft story game like mcsm, but as an anthology. Think square's final fantasy or live a live.

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Is this good advice?

Quick question for writing inspiration: do you ever think of a story you like or dislike, brainstorm a bunch what-ifs about said story to the point it's not the same and go off of that? Or am I just a hack?

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Project 2025 ain't gonna roll out all at once. So what we're gonna wanna do is make passing each individual part of it as difficult as possible, so there's less to undo once we finally get this country back on the rails.

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What should I do?

I want to start writing again, but I haven't done it in a long time. (Like, 5 years) I have an idea for a story, but I don't know how to realize it.

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Where do I start?

I want to create a webcomic, but I don't where to start, what materials I need, etc? Anyone got any advice/tips?