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The JSTOR Art Project 

I’m PUMPED to share this poster with you–It’s one of my favorite pieces I’ve completed in the past year. I was asked by JStor to create an image of a student’s desk…and to, basically, have fun with it. I filled the space with treasured objects from my studio, from my memories, and from my own research projects on JStor. I included some detail shots because this poster was HUGE and I was able to get really detailed. 

Detail 1: An excerpt from a quote that is very important to me. Detail 2: Some book spines, including a sneak peak of the spine of Compass South (our first story, Hope! :)) Detail 3: A ticket stub that is very important to me. (and I only wish I owned that skull) Detail 4: Pluche, or the Love of Art–a good book and you should read it.

 This poster will be distributed to school libraries and institutions across the country.

In addition, JStor also came to my studio and filmed a little interview with me about the poster. If you are interested in seeing my adorably low-budget studio space and my pink-potato face, you can watch it here. (edit: or below)

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sometimes I need just this

if anyone EVER asks why you like beyonce or they say they don’t understand the hype… just show them this 

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Springfield from Bart vs. the Space Mutants, by Imagineering.

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me when im sleepy and need to go to bed:

I refuse

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Jim Burns - The Miranda Object

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when ur boldly going and ur jam comes on

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Frog Eyes: “Joe with the Jam” Pickpocket’s Locket (2015)

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REVOLUTIONARY ROAD WARRIORS: Epic Redemption in the Radical Mainstream

Power is everywhere therefore nowhere, diffuse rather than pervasively hegemonic. ‘Constructed’ seems to mean influenced by, directed, channeled, as a highway constructs traffic patterns. Not: Why cars? Who’s...

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Dream About Me

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how can I explain why it's safer when I feel alone. and what has been done can never be undone. so take your sad song and sing it to the next life.

Grouper (Liz Harris), “Clearing,” Ruins

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Nicki is out here dropping KNOWLEDGE

“Women are uncomfortable talking about money. I know it’s taboo to discuss it at work. Technically, you shouldn’t, but you need to know what people around you are making. Otherwise, you’re not going to know what you’re worth. You have to ask questions. ‘What is this person getting?’ Do your research. I’ve always been pretty competitive in terms of my pay.”

“I didn’t [set out] to write a personal album, but The Pinkprint came at a very crucial time in my life. I realized that people can up and take off at any given moment. As women, we are vulnerable and emotional, and that’s OK. I had to learn quickly that if you don’t have a sense of self, you can be destroyed by a man. You can be destroyed by a relationship. I had to ask myself, ‘Who am I? Is this good enough?’ I had to approve of myself and my skills.”

“I demand that I climax. I think women should demand that. I have a friend who’s never had an orgasm in her life. In her life! That hurts my heart. It’s cuckoo to me. We always have orgasm interventions where we, like, show her how to do stuff. We’ll straddle each other, saying, ‘You gotta get on him like that and do it like this.’ She says she’s a pleaser. I’m a pleaser, but it’s fifty-fifty.”

QUEEN

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