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bcs + succession

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This is a compiled list of some of my favorite pieces of short horror fiction, ranging from classics to modern-day horror, and includes links to where the full story can be read for free. Please be aware that any of these stories may contain subject matter you find disturbing, offensive, or otherwise distressing. Exercise caution when reading. Image art is from Scarecrow: Year One.

PSYCHOLOGICAL: tense, dread-inducing horror that preys upon the human psyche and aims to frighten on a mental or emotional level. 

“The Frolic” by Thomas Ligotti, 1989

“Button, Button” by Richard Matheson, 1970

“89.1 FM” by Jimmy Juliano, 2015

“The Yellow Wallpaper” by Charlotte Perkins Gilman, 1892

“Death at 421 Stockholm Street“ by C.K. Walker, 2016

“The Ones Who Walk Away from Omelas” by Ursula K. Le Guin, 1973

“An Empty Prison” by Matt Dymerski, 2018

“A Suspicious Gift” by Algernon Blackwood, 1906

CURSED: stories concerning characters afflicted with a curse, either by procuring a plagued object or as punishment for their own nefarious actions.

“How Spoilers Bleed” by Clive Barker, 1991

“A Warning to the Curious” by M.R. James, 1925

“each thing i show you is a piece of my death” by Stephen J. Barringer and Gemma Files, 2010

“The Road Virus Heads North” by Stephen King, 1999

“Ring Once for Death” by Robert Arthur, 1954

“The Mary Hillenbrand Cassette“ by Jimmy Juliano, 2016

“The Monkey’s Paw” by W.W. Jacobs, 1902

MONSTERS: tales of ghouls, creeps, and everything in between.

“The Curse of Yig” by H.P. Lovecraft and Zealia Bishop, 1929 

“The Oddkids” by S.M. Piper, 2015

“Nightmare at 20,000 Feet” by Richard Matheson

“The Graveyard Rats” by Henry Kuttner, 1936

“Tall Man” by C.K. Walker, 2016 

“The Quest for Blank Claveringi“ by Patricia Highsmith, 1967

“The Showers” by Dylan Sindelar, 2012

CLASSICS: terrifying fiction written by innovators of literary horror. 

“The Tell-Tale Heart” by Edgar Allan Poe, 1843

“The Interlopers” by Saki, 1919 

“The Statement of Randolph Carter“ by H.P. Lovecraft, 1920

“The Damned Thing” by Ambrose Pierce, 1893

“The Legend of Sleepy Hollow” by Washington Irving, 1820 

“August Heat” by W.F. Harvey, 1910

“The Black Cat” by Edgar Allan Poe, 1843

SUPERNATURAL: stories varying from spooky to sober, featuring lurking specters, wandering souls, and those haunted by ghosts and grief. 

“Nora’s Visitor” by Russell R. James, 2011

“The Pale Man” by Julius Long, 1934

“A Collapse of Horses” by Brian Evenson, 2013

“The Jigsaw Puzzle” by J.B. Stamper, 1977 

“The Mayor Will Make A Brief Statement and then Take Questions” by David Nickle, 2013

“The Night Wire” by H.F. Arnold, 1926 

“Postcards from Natalie” by Carrie Laben, 2016

UNSETTLING: fiction that explores particularly disturbing topics, such as mutilation, violence, and body horror. Not recommended for readers who may be offended or upset by graphic content.  

“Survivor Type” by Stephen King, 1982

“I’m On My Deathbed So I’m Coming Clean…” by M.J. Pack, 2018

“In the Hills, the Cities” by Clive Barker, 1984

“The New Fish” by T.W. Grim, 2013

“The Screwfly Solution” by Racoona Sheldon, 1977

“In the Darkness of the Fields” by Ho_Jun, 2015 

“The October Game” by Ray Bradbury, 1948

“I Have No Mouth, and I Must Scream” by Harlan Ellison, 1967 

HAPPY READING, HORROR FANS!

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hands are how we touch the world. they’re tactile, sensual.

hannibal. touch . season 2 |   season 1

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R.I.P Alexi Laiho

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i mean just look at him..

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[x]

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Austin Amelio & Norman Reedus |  austinamelio

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Jerry and Layne ❤️

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Making broken arms look hot since 1990

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“Welcome home, Dwighty boy! I gotta say, it is damn good having you back!”

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“you’re my brother”

/rick and daryl/ /andy and norman/

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3x09/7x04/7x09

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Rainer Maria Rilke, Letters to a Young Poet (tr. by Stephen Mitchell), originally wr. in 1902 - 1908

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REBECCA (2020) Dir. Ben Wheatley

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celta vigo vs fc barcelona | 01.10.20 (photo by miguel ruiz/fcb)

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a half cat half psychopath man © krokorobin

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Richard Siken, “Snow and Dirty Rain,” Crush (2005) // Ocean Vuong, On Earth We’re Briefly Gorgeous (2019)

[”We have not touched the stars, / nor are we forgiven, which brings us back / to the hero’s shoulders and the gentleness that comes, / not from the absence of violence, but despite / the abundance of it.”

“All this time I told myself we were born from war—but I was wrong, Ma. We were born from beauty. Let no one mistake us for the fruit of violence—but that violence, having passed through the fruit, failed to spoil it.”]