josie-cat-666

[josie-cat-666]

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[josie-cat-666]

My mom kept complaining that all of a sudden the Beatles are back and they're fucking everywhere and they're so obnoxious and were practically having an orgy in her garden under a cucumber leaf and that's when I realized she meant spotted cucumber beetles and not Paul McCartney

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To The Painters of Pompeii - Jordan Bolton

My first book ‘Blue Sky Through the Window of a Moving Car’ is out now! Get it here - https://smarturl.it/BlueSky

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haven't posted a selfie here in forever so here ya go 💜

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BYE BYE BEAUTIFUL! DON'T BOTHER TO WRITE!

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idk thinking about how sometimes you have to show up for people you aren't that close to, because sometimes you're just the person who's there. sometimes you invite a new friend to a party and end up having to sit with them through a panic attack. sometimes you run into an acquaintance on their worst day and they need to talk about what happened. sometimes someone is crying in a stairwell and you're the only one around to ask if they're okay. and none of this is "trauma dumping" or whatever the fuck it's just being there for people because you're the one in the room with them.

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playing stupid games i can't wait to see what kind of prizes they have

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People still tend to lump JK Rowling in with the category of ~problematic artists~ and I need everyone to understand that is not the problem with her. She is not comparable to anyone who wrote a piece of fiction you hate, or someone who made rude comments in 2015 and has since learned better.

She is far more like Elon Musk. She is a radicalized person with an extreme amount of social and financial power, and for YEARS she has been using that power to try to influence her government into hurting vulnerable people, on purpose. And she has succeeded. THAT is the problem with her, and THAT is why spending money on her books is so dangerous, not because her books aged badly.

Critiquing her work is fine, of course (I personally was never a fan so I really don’t care) but you NEED to understand that fiction is not the main issue here. And I truly think acting like she’s the same as the rest of any giant list of ~problematic creators of the week~ waters down how dangerous she is.

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this has been in my head for weeks

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Art by: Hajime Kusajima 2003

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BARBARA STANWYCK in LADY OF BURLESQUE (1943) | dir. William A. Wellman

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RINA YAMASHITA 🩸🩸🩸

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It's a cliché to say that Tolkien's experiences in WWI affected all aspects of his writing, how he wrote about friendship and grief, how he wrote about desolate blasted landscapes. But I wish someone who knows more about Tolkien's military career could help me understand how Tolkien related to retreats. His description of Faramir keeping his people together on the retreat from Osgiliath is one of the best-written sequences in the trilogy, and hardly anyone remembers it. It's about a desperate retreat, and a leader whose presence, whose strength manages to keep it from turning into a rout. There's something very vivid in the descriptions: don't break formation, don't start running or they'll pick you off one by one, keep together, keep moving, hold all of that fear at bay. Tolkien describes that retreat as genuinely heroic, a superhuman act of will, one that exhausts Faramir almost to death, and Denethor still does not accept it as heroic because it's a retreat. It saved men but it lost territory, therefore in his eyes it's a failure.

Tolkien has strong opinions about heroic retreats, in the Silmarillion he sometimes gives the retreat-through-the-dangerous-wilderness plotline to female characters (Emeldir, Idril), he always writes them with respect. Sometimes, getting out of there and keeping most of your people alive is a great act of valour. I feel like he must have had a personal experience about what it means to retreat, and what it means to hold a retreat together, and what it means to get no thanks for it.