llesbianwrites

[llesbianwrites]

Don't Call Us Dead, 1 in 2, Danez Smith.

[llesbianwrites]

[llesbianwrites]

If a scene feels flat and you can't figure it out, ask yourself:

• What can MC smell? Is there an ocean breeze, sweat, a cinnamon roll fresh out the oven?

• What can MC hear, besides the dialogue? Is a bird singing, river flowing, a car speeding, clock ticking?

• Can they taste something, even if they're not eating? Previously drunk alcohol or juice, aftertaste of a cigarette, smog, too instense perfume?

• Can they feel something on their skin? Rough clothes or delicate material, blowing wind, an allergy or a rash, grass that theyre laying on?

• What does the character see, besides other characters? Is the room dark or is sunlight coming in nicely? Are the colours vibrant or dull? Are there any plants?

• What's the weather? Is it snowing and the cold is making goosebumps appear on their arms? Is it hot and sweaty and clothes are clinging to their body?

• HOW DOES IT MAKE THEM FEEL? To any of the above.

Do they like the smell of cinnamon rolls or are they weirdos (I'm a weirdo, I don't fit in).

Does the clock ticking calm them down or annoy them?

Do they enjoy the aftertaste of a cig and like how dirty it makes them feel?

Are they sensitive to touch and how their clothing feels on their skin or are they indifferent?

Would they enjoy the scenery more if it was more sunny out, because they're afraid of the darkness?

Do they like it snowy or are they always cold and hate winter?

Come on, give them persoanlity, likes and dislikes, don't be scared to make them people and not only likeable characters.

[llesbianwrites]

setting up a tiny detail in one chapter to pay it off in the next few chapters feels sooo devious like oooh i can't wait to write the small little reference here that 70% of readers will miss but 30% of readers will cheer for

[llesbianwrites]

characters raised to be tools

Weapons. Trained, tested, forged in steel and fire. Failure is an inevitability that ends in death. Pain should not be felt--it should be recognized, familiar, and inconsequential

Martyrs. In the form of servants and princes, of leaders and underdogs. If blood is necessary, the martyr will lift their hands and offer it all

Shields. Like tempering a sword, but only to bear and not to lash out. Wounds are medals--not symbols of pride, but symbols of worth. A pretty shield is useless; scars mean a job well done

Experiments. Raised on the cold comfort of a lab table. Restraints are only necessary when they're not in their right mind. Is it honorable, to be twisted beyond recognition? Or is it just a necessary evil?

Monsters. Cruelty, caution, and regarding one as a creature beyond reasonable thought is tempering in its own right. But if you keep a leash at the right length, perhaps the massecre won't reach you. One can hope.

Idols. Pretty face, pretty name, pretty hands around their shoulders and throat. There to seduce, manipulate, force any feeling to come to the surface and twist it to their favor. Any genuinity stays locked behind the guilded cage that surrounds their pretty little heart

Trophies. Status and wealth and the traditions that keep someone at their heels, on their knees, to display and serve and decorate one's ballroom.

Sacrifices. Drenched in honorable clothes, prepared and adored and cleansed. The gift of hope at the cost of one's life. Is it taken with no fight? How can you escape the ropes you were born in?

[llesbianwrites]

Character asks!

These are more focused on the background stuff rather than the usual "what would the character do in XY situation" kinds of asks. I've been looking for something like this for quite a while and in the end decided to make my own. Feel free to use, go wild, enjoy

What was the original thought that led to the creation of this character?

How long was the process before the character reached its final version? (or a version that would be clearly recognizable as the character?)

What was the first thing you decided on, the character's name, appearance, personality or their role in the story?

And reverse, which one of the four things did you struggle with the most?

How did you choose their name and why? Was it simply based on vibes or is there any specific meaning behind the name? Are the reasons behind their name different in- and out of universe?

What was the thought process behind their appearance? Did you go mostly for the aesthetic or are there other reasons they look the way they do?

What is an aspect of their appearance that you like the most?

What is the origin of their personality? And let's be honest - how much of it is projecting?

How big is their role in the story? Do they make a frequent appearance or are they a character with little "screentime" but big influence? Or are they just a favourite background guy?

What is their main character arc in the story? Where do they start and how do they develop? Do they get a happy ending or is their story a tragic one?

Is there any existing character from other media that your character resembles? Was the resemblance intentional or was it a coincidence?

Do you have a playlist for the character? What songs do you associate with them and why?

Do you have a voice claim for the character? What do you imagine the character sounds like?

Do you have any quotes tied to the character, either from the story itself or from another source that fit them?

Have you ever made a moodboard for them?

Is there any memes or running jokes associated with the character, both in- and out of universe?

Are there any motifs or symbols associated with the character? How are they represented, in their design, personality or in some other way?

Does the character have other characters connected to them? Do you have a family tree and "offscreen" connections made up for them or do they exist in a vacuum purely for the purpose of the story?

What is your general favourite thing about the character? What is your least favourite?

Bonus question: share any additional thoughts, art, favourite scenes, anything you've been waiting for a chance to ramble about

[llesbianwrites]

so I’m looking at short story publishers (fantasy)

Tor, cream of the crop. 25 cents a word. Stories can be read for free (YES). Slowish response time at ~3 months. Prefer under 12k, absolute maximum is 17.5k. Don’t bother if it’s not highly professional quality. SFWA qualifying.

Crossed Genres. 6 cents a word. Different theme each month (this month’s is “failure”). Submissions must combine either sci-fi or fantasy with the theme. Response time 1 month. 1k-6k, no exceptions. SFWA qualifying.

Long Hidden, anthology from CG. 6 cents a word. 2k-8k, no exceptions. Must take place before 1935. Protagonist(s) must be under 18 and marginalized in their time and place. Must be sci-fi/fantasy/horror. Deadline 30 April. Response by 1 October.

Queers Destroy Science Fiction. Sci-fi only right now, author must identify as queer (gay, lesbian, bi, ace, pan, trans, genderfluid, etc, just not cishet). 7.5k max. Deadline 15 February. Responses by 1 March. You can submit one flash fiction and one short story at the same time. (My network blocks the Lightspeed site for some reason, so I can’t get all the submission details. >_>) Probably SFWA qualifying?

Women in Practical Armor. 6 cents a word. 2k-5k. Must be about 1) a female warrior who 2) is already empowered and 3) wears sensible armour. Deadline 1 April. Response within three months.

Fiction Vortex. $10 per story, with $20 and $30 for editor’s and readers’ choice stories (hoping to improve). Speculative fiction only. Imaginative but non-florid stories. 7.5k maximum, preference for 5k and under. (I kind of want to support them on general principle.)

Urban Fantasy Magazine. 6 cents a word. 8k max, under 4k preferred. Must be urban fantasy (aka, the modern world, doesn’t need to be a literal city). 

Nightmare. 6 cents a word. 1.5-7.5k, preference for under 5k. Horror and dark fantasy. Response time up to two weeks. SFWA and HWA qualifying.

Apex Magazine. 6 cents a word. 7.5k max, no exceptions. Dark sci-fi/fantasy/horror. SFWA qualifying.

Asimov’s Science Fiction. 8-10 cents a word. 20k max, 1k minimum. Sci-fi; borderline fantasy is ok, but not S&S. Prefer character focused. Response time 5 weeks; query at 3 months. SFWA qualifying, ofc.

Buzzy Mag. 10 cents a word. 10k max. Should be acceptable for anyone 15+. Response time 6-8 weeks. SFWA qualifying.

Strange Horizons. 8 cents a word. Speculative fiction. 10k max, prefers under 5k. Response time 40 days. Particularly interested in diverse perspectives, nuanced approahces to political issues, and hypertexts. SFWA qualifying. 

Fantasy and Science Fiction. 7-12 cents a word. Speculative fiction, preference for character focus, would like more science-fiction or humour. 25k maximum. Prefers Courier. Response time 15 days.

Scigentasy. 3 cents a word. .5-5k. Science-fiction and fantasy, progressive/feminist emphasis. Fantastic Stories of the Imagination. 15 cents a word. 3k maximum. Any sci-fi/fantasy, they like a literary bent. (psst, steinbecks!) They also like to see both traditional and experimental approaches. Response time two weeks. 

Beneath Ceaseless Skies. 6 cents a word. 10k maximum. Fantasy in secondary worlds only (it can be Earth, but drastically different—alternate history or whatever). Character focus, prefer styles that are lush yet clear, limited first or third person narration. Response time usually 2-4 weeks, can be 5-7 weeks. SFWA qualifying.

Clarkesworld. 10 cents a word up to 4000, 7 afterwards. 1-8k, preferred is 4k. Science-fiction and fantasy. Needs to be well-written and convenient to read on-screen. Appreciates rigour. No talking cats. Response time 2 days. SFWA qualifying.

Orson Scott Card’s Intergalactic Medicine Show. 6 cents a word. Any length. Science-fiction and fantasy (along with fantastic horror). Good world-building and characterization. Clear straightforward prose. Response time three months. Yes, OSC is editor-in-chief. SFWA qualifying.

Interzone. Sub-pro rates if anything (but highly respected). 10k max. Short cover letter. Science-fiction and fantasy.

[llesbianwrites]

genuinely something so delightful about getting obsessed with your own characters. what do you MEAN I can turn my headcanons for my characters into Official Real Lore. that's so fucking cool are you serious

[llesbianwrites]

[llesbianwrites]

early morning writing hack (real) (it's been working for about a month now):

think about the scene you're going to work on that morning not when you sit down to write, but the previous evening. this is daydreaming but with purpose. think about what might happen and how the characters feel about it. get excited. don't write a single word.

go about your evening normally, doing whatever else you do. your subconscious is a slow cooker and while you do other stuff, it's working on your idea for you.

get up early, like an hour before you'd need to start your day if you were cutting it close. everyone else in the world is snoozing their alarm, so no one can bother you rn. you're free! no one can judge your writing, not even you!

(optional i guess but it really helps me) unless the first few words of your scene are already clear in your mind, warm up. I've abandoned the idea of warm-up drabbles or whatever the hell people recommend. instead, I pull up a story by someone whose writing I love, and I type out a fragment of it in a blank doc, reading the words out loud as I go. this wakes up my writing brain as I become aware of how their prose and dialogue work their magic, when and where they reveal new information, how each detail leads to the next. I'd advise doing this with work that is of high quality and purposeful, so you can learn their tricks, but I'm not the boss of you.

write!!!!!!!

don't stop to judge if it's good or not!! it's too early for that shit!! if the draft sucks you can fix it later but you need the draft done first!!

do stop once yesterday evening's daydreaming prep has run out and you're out of steam. (sometimes the momentum can reveal the next part of the story you hadn't actively considered yet, but don't depend on it.) if you hit a wall where you have no idea how to continue, or it's still too vague to put words down, trying to push through will only bring frustration. and even if you do manage to write a bit more, the chances you'll end up scrapping it later because it doesn't fit are significant. just call it there, you're done.

take a minute to appreciate what you accomplished. you now have words you didn't have yesterday. you won the day, and meanwhile everyone else is still asleep, the absolute losers

if you use a word tracker, go ahead and input your word count for the day. maybe you got a lot done, or maybe you didn't; it's a victory either way. on mornings when I've been struggling, writing and then erasing and writing again, if I'm too pissed off to check the word count I just put down a symbolic number, like 50 words. it may not look like much, but when I look at the month's stats it feels good to have proof that I showed up and did the thing even when it was hard.

now you can start your day. and frankly at this point I don't give a shit how annoying my day is, because I already did the thing I care about getting done, so I'm not going through work resenting every task for stealing brain juice I could've used for writing in the evening. "I'll write when I'm done with work" is the ADHD hubris devil speaking.

and now it's the evening and you're free to daydream again!! and use absolutely zero brain power!! wheee!!

[llesbianwrites]

hyperfixation please stay with me long enough to complete the project. hyperfixation do not fade. hyperfixation finish what you started for the love of god

[llesbianwrites]

If you had to brutally narrow it down to just one, who’s your favourite of your original characters?

[llesbianwrites]

love characters who are like "this is how the world works. this is how it has to be (because if i'm wrong i have to face what i've done // if i'm wrong i have to face whats been done to me) "

[llesbianwrites]

[llesbianwrites]

Going insane about kicked dog with rabies type characters

[llesbianwrites]

I'm convinced mama dragons carry their babies around in their mouth for protection, like how crocodiles do...

[llesbianwrites]

20 examples of periodic solutions to the three-body problem