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Wang Yibo's 10th debut anniversary - the list of acting works and unimportance of cql/untamed

Before diving into the exciting events on the horizon, like the Milan Fashion Show and the latest episodes of Exploring The Unknown this weekend, let’s take a moment to go back to Yibo’s 10th debut anniversary, which we celebrated just a few days ago. As we remember, the highlight was the wrap-up photo shared by Yibo Official, beautifully showcasing his impressive body of work in both acting and music singles.

One notable aspect of the list of acting credits is its comprehensive nature, encompassing every role Yibo has taken on - not only those that have been aired but also those that remain unseen and may never be. Upon examining the list, it becomes apparent that some credits stand out, featured in larger font or bolded to signify their significance in Yibo's acting journey. The elevated titles closely align with the projects Yibo himself emphasizes as milestones or expresses fondness for, reflecting his personal connection to these key roles.

It's no surprise that Hidden Blade claims the top spot, regarded as an undisputed masterpiece by critics, audiences, and fans alike. Even Yibo himself considers it his most significant acting experience.

The second spot is firmly claimed by War of Faith, Yibo's important, mainstream drama, which, in my opinion, showcases his most mature performance. Surprisingly, third place goes to Exploring The Unknown! Although it’s a documentary, it provides Yibo with a rich experience that rivals many dramas and films.

In the accompanying photo, I’ve highlighted the first eight most important works featured by Yibo Official.

I find the emphasis placed on these works to be both expected and entirely understandable. Those who closely follow Yibo are already aware of the works that hold significance for him, as well as those that have faded into obscurity.

Therefore, I am not at all surprised to find cql/untamed written in smallest, almost illegible characters and positioned on this list alongside unfinished and unreleased works. This placement reflects Yibo's own approach, which we have been observing over the past few years.

It's somewhat amusing how certain individuals appear to be exaggerating the significance of the mere presence of cql in Yibo's body of work.

Neither Yibo, nor Yibo's fans (mtjjs) ever aimed to erase the drama's existence. Yibo includes it because it is a natural part of his acting journey; many fans continue to appreciate cql and Lan Wangji's character, because it's Yibo's work.

All Yibo and his mtjjs are doing is setting the drama the status it deserves - a past work that holds no bearing on Yibo's future acting projects.

Honestly, this is a slap to those who view cql as more than just a bygone work. It has become evident that for Yibo, this drama holds little significance anymore; he has clearly moved on and has left it behind.

Just as cql is merely a previous job, xz is simply a former colleague. There is no compelling evidence to suggest otherwise.

It's clear that the past is unchangeable, even if it has brought along its share of traumas and problems. However, it is possible to downplay and overlook that past, and that's precisely what Yibo and his team chose to do during the celebration of his 10th debut anniversary.

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Why do mtjjs use green to support Yibo? 💚

Please check this beautiful post 💚

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What's the goal of making and posting such edited photos if not fooling unaware people, deliberately spreading misinformation and creating the wrong impression about Wang Yibo's private life? Are you a fan of Wang Yibo or a fan of fake version of Wang Yibo created to fulfill someone's shipping fantasies? You decide.

The photos marked as fake are merely edited. Please be advised.

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Wang Yibo 2023 Birthday project #7

百里弘毅

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"Cap gesture" & "raised fist gesture" - my comment to the recent bjyx cpn theory

One of the many reasons why mtjjs (Yibo's fans) dislike bjyx/yizhan cpfs so much is that they associate every little thing Yibo does with the other guy (xz), thus diminishing and depriving Yibo of his individuality and uniqueness. If it was just one thing every once in a while, I think most of us would just roll our eyes and let go, but when it happens every day, with every project, performance, commercial, etc., it's very hard to ignore. When you add to this our rational thinking and the knowledge that it's all a lie and that the theories these people create are made up out of thin air, irritation sets in.

Think about it, if you like someone a lot, you won't be able to calmly watch someone try to "erase" your favorite person by presenting them as someone else's shadow.

One of the mean ways to belittle individuality is to identify each little gesture with another person, especially if these are related to the personality and interests that define the essence, the core of this exact human being. Especially the gestures repeated since childhood, which are thus sweet memories, should be sacred.

Why am I writing about this now? I was frustrated to see cpfs trying to identify part of Yibo's dance at One and only promotional event with an unrelated person. It's about the „cap gesture".

The first thing is that this gesture is probably a natural part of the choreography and thanks to the video from another dancer, we can see the context.

"Cap gestures” are quite characteristic for dance / music styles like hip-hop and krump, less for breakdance, but such a fusion of styles is not unusual. When we add Yibo's roots - he's a dancer who started as a b-boy to change his dance style to hip-hop later, we can clearly see the sense of incorporating such a gesture into the choreography.

The "cap gesture” was also often used by Yibo in his childhood.

(here supercute video of 12yo Yibito 🥹)

Cpfs try to convince you that the gesture Yibo did during Ono dance is not a "cap gesture", but more like "finger glasses" (and thus imitating the xz’s gesture), but I don't think it resembles it at all.

We know that Yibo is a professional with a deep knowledge and understanding of streetdance, so to assume that he would incorporate a gesture that has little to do with streetdance into the choreography at such an important moment (promotion of his breakdance film) seems very unlikely.

The second thing I want to mention is another part of cpn. I mean the „raised fist gesture” that Yibo often uses in his performances, and which is also something that cpfs like to „link” to xz.

Well, my question is: was this gesture invented by xz and therefore is it completely unique for him? Answer: of course not! The gesture is a universal symbol of resistance and unity, the first appearance of which dates back to the mid-nineteenth century!

In addition, we also know that Yibo is an anime lover, and this gesture is characteristic of the popular anime "One piece" that Yibo likes.

(gesture from the anime versus Yibo's performances 😉)

(Yibo as his fav character from One Piece anime - Zoro, in Shu Uemura OP campaign)

To speculate that using this gesture would have anything to do with a former coworker is totally irrational. Please, be serious 😂

As for the fact that the „same” gestures appeared in the xz’s Doujin video a day later.. I don't feel like being attacked, so all I could say is that if you take the time and do some research, you'll quickly notice that the "Yibo first, xz later" "pattern” is repeated in 90% of cpn, be it issues of clothes, behavior, posting etc.. Draw your own conclusions! Jiayou! 😉

(Why do I comment on this? Cause I can 😉✌️)

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