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🫵 YOU. STOP WHERE YOU ARE

say something nice about prev!!! find something cool about them!! give their blog a skim!!

compliments are FREE TO GIVE so GIVE THEM OUT. pls. thamnk. (⁠◍⁠•⁠ᴗ⁠•⁠◍⁠)

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i don’t usually (if ever?) post my own art on here, but i’ve been in my feels recently about my beloved (and now brutally deceased) ttrpg character. so i need to share the most perfect art i’ve ever done of them

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dnd games r like fandoms with 5 people in it and we are all soooo fucked up about the last episode, no one else will ever understand

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Christian Dior RTW SS 1998.

Model: Amber Valletta.

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Clay pipes recovered from the Thames, used by sailors and workers in the 16th–19th centuries. Recovered by Jason Sandy

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🍖 How to Build a Culture Without Just Inventing Spices and Necklaces

(a worldbuilding roast. with love.)

So. You’re building a fantasy world, and you’ve just invented: → Three types of ceremonial jewelry → A spice that tastes like cinnamon if it were bitter and cursed → A holiday where everyone wears gold and screams at dawn

Cute. But that’s not culture. That’s aesthetics.

And if your worldbuilding is all outfits, dances, and spice blends with vaguely mystical names, your story’s probably going to feel like a cosplay convention held inside a Pinterest board.

Here’s how to fix that—aka: how to build a real, functioning culture that shapes your story, not just its vibes.

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🔗 Culture Is Built on Power, Not Just Style

Ask yourself: → Who’s in charge, and why? → Who has land? Who doesn’t? → What’s considered taboo, sacred, or punishable by death?

Culture is shaped by who gets to make the rules and who gets crushed by them. That’s where things like religion, family structure, class divisions, gender roles, and social expectations actually come from.

Start there. Not at the embroidery.

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2.🪓 Culture Comes From Conflict

Did this society evolve peacefully? Was it colonized? Did it colonize? Was it rebuilt after a war? Is it still in one?

→ What was destroyed and mythologized? → What do the survivors still whisper about? → What do children get taught in school that’s… suspiciously sanitized?

No culture is neutral. Every tradition has a history, and that history should taste like blood, loss, or propaganda.

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3.🧠 Belief Systems > Customs Lists

Sure, rituals and holidays are cool. But what do people believe about: → Death? → Love? → Time? → The natural world? → Justice?

Example: A society that believes time is cyclical vs. one that sees time as linear will approach everything—from prison sentences to grief—completely differently.

You don’t need to invent 80 gods. You need to know what those gods mean to the people who pray to them.

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4.🫀 Culture Controls Behavior (Quietly)

Culture shows up in: → What people apologize for → What insults cut deepest → What people are embarrassed about → What’s praised publicly vs. what’s hidden privately

For instance: → A culture obsessed with stoicism won’t say “I love you.” They’ll say “Have you eaten?” → A culture built on legacy might prioritize ancestor veneration, archival writing, name inheritance.

This stuff? Way more immersive than giving everyone matching earrings.

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5. 🏠 Culture = Daily Life, Not Just Festivals

Sure, your MC might attend a funeral where people paint their faces blue. But what about: → Breakfast routines? → How people greet each other on the street? → Who cooks, and who eats first? → What’s considered “clean” or “proper”? → How is parenting handled? Divorce?

Culture is what happens between plot points. It should shape your character’s assumptions, language, fears, and habits—whether or not a festival is going on.

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6. 💬 Let Your Characters Disagree With Their Own Culture

A culture isn’t a monolith.

Even in deeply traditional societies, people: → Rebel → Question → Break rules → Misinterpret laws → Mock sacred things → Act hypocritically → Weaponize or resist what’s expected

Let your characters wrestle with the culture around them. That’s where realism (and tension) lives.

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7.🧼 Beware the “Pretty = Good” Trap

Worldbuilding gets boring fast when: → The protagonist’s homeland is beautiful and pure → The enemy’s culture is dark and “barbaric” → Every detail just reinforces who the reader should like

You can—and should—challenge the aesthetic hierarchy. → Let ugly things be beloved. → Let beautiful things be corrupt. → Let your MC romanticize their culture and then get disillusioned by it later.

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📍 TL;DR (but like, spicy): → Culture is not food and jewelry. → Culture is power, fear, memory, contradiction. → Stop inventing spices until you know who starved last winter. → Let your world feel lived in, not curated.

The best cultural worldbuilding doesn’t look like a list. It feels like a system. A pressure. A presence your characters can’t escape—even if they try.

Now go. Build something real. (You can add spices later.)

—rin t. // writing advice for worldbuilders with rage and range // thewriteadviceforwriters

Sometimes the problem isn’t your plot. It’s your first 5 pages. Fix it here → 🖤 Free eBook: 5 Opening Pages Mistakes to Stop Making:

🕯️ download the pack & write something cursed:

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Hand-forged whaling harpoon, 18th century

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Twiggy - early 1970s

Justin de Villeneuve

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Juansen Dizon, i am the architect of my own destruction

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Im gonna be so real can yall actually talk about ways we can support trans women in the UK instead of giving all the attention to fucking JKR. I already know that Harry Poter sucks, I wanna know how to actually HELP people. Something something you have to love the oppressed more than you hate the oppressor

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TOMBSTONE 1993 | dir. George Pan Cosmatos

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Val Kilmer as Doc Holliday TOMBSTONE (1993) — dir. George P. Cosmatos

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Three Photographs of men with nautical tattoos, the first was tattooed by "Sailor Patsy" (America, ca. 1924) and the last two by “Sailor Youlee” (Baltimore, ca. 1918) and by "Sailor Jerry" Collins (Honolulu, ca. 1935)

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Reading Rosetti's Life of Keats becomes an occassion for Owen to admit that he has 'more than once turned hot and cold and trembly over the first haemorrhage scene'. Still speaking of Keats he continues:

'But I never guessed till now the frightful travail of his soul towards Death; never came so neat laying hold of the ghastly horror of his mind at this time. Rossetti guided my groping hand right into the wound, and I touched, for one moment the incandescent Heart of Keats'

Religious ecstacy has become literary ecstacy, and like the former, the latter seems to be predicated upon sado-masochistic sexuality. Pleasure is gained from probind wounds, which in turn give access to the beloved's 'heart'.

From Taking it Like a Man: Suffering, sexuality, and the War Poets Brooke, Sassoon, Owen, and Graves, Adrian Caesar.

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all of your friends need a sort of creature or fellow associated with them., so you can send them images when available

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