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Heidi Norton, The Museum Archive (dedicated to Edward Steichens Delphiniums MOMA 1936) 2014

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John Cage, 10 Rules for Students and Teachers

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Bruce Nauman - For Beginners (all the combinations of the thumb and fingers), 2010

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Uta Barth at Andréhn-Schiptjenko

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Jan Dibbets at Barbara Gladstone

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Ed Ruscha, from “Various Small Fires and Milk” 1964, artist book

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New Catalogue, from “Various Fires,” 2003

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Aron Gent 

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Photography is, and has been since its conception, a fabulously broad church. Contemporary practice demonstrates that the medium can be a prompt, a process, a vehicle, a collective pursuit, and not just the physical end product of solitary artists’ endeavors. Addressing that multifarious terrain is a hefty challenge for most museums and galleries, and a genuinely impossible task for those who continue to believe photography is best sliced into monographic exhibitions and sometimes into classic genres and themes. (What other medium is still exhibited so regularly in those dreadfully tired categories “landscape,” “portraiture,” and “still life,” as per forty years ago?)

Charlotte Cotton, “Nine Years, A Million Conceptual Miles” / Aperture Magazine (Spring 2013)

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SUBMISSION:

Hayden Myrick

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Michele Abeles, “#4,” 2012, archival pigment print, 83.8 x 63.5cm

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Heat-work, 2013

Torch, clamp, record books, clay.

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Christopher Williams at Gisela Capitain

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Erika Larsen

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New Work - © Jaclyn Elizabeth (2012)