quatrainofthoughts

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there is a love in which i will always know you, just incase you forget.

love elizabeth s.

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fireflies lighting up a rural Pennsylvania field at dusk

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‘Aquarium Bath’ by Arnold Mammarella & Marcy Voyevod

Scanned from ‘Before and After: Bathroom Makeovers’ (2006)

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Tramway in Prague by Jakub Schikaneder (Czech, 1855–1924)

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Flower Lamps

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Mississippi Masala  (1991) | dir. Mira Nair

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Tweet of the year imo

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grieving the person you used to be

marian keyes// ?// bigger than the whole sky, taylor swift// fiona apple// @inkskinned// would've, could've, should've, taylor swift// father, the front bottoms// @inanotherunivrse// ?// memento mori, crywank// @dakotajohnsongf// @ryebreadgf// quote: deathless, catherynne m. valente edit:? // bojack horseman s6 e16// a pearl, mitski// would've, could've,should've, taylor swift// ?// @fridayiminlovemp3 // ?// @heavensghost

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"Still Life with Potatoes" by Aleksandr Konyashin (1969)

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greenwood cemetery

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greenhouse study spot. this month is impossible. I push on.

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“Two fears dominate this Gothic world, the fear of terrible separateness and the fear of unity with some terrible Other. They are embodied in two classic formulas of the ghost story: the heroine’s terrifying discovery that she is all alone and her subsequent discovery that -horror of horrors! - she is not alone.”

— Perils of the Night: A Feminist Study of Nineteenth-Century Gothic; Eugenia C. Delamotte

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I need more notebooks, more books and more hours in the day 🖊️ reblog is ok, don’t repost/use

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perfect light in my apartment after a big storm

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Cinderella dir. Clyde Geronimi, Wilfred Jackson, Hamilton Luske, Ben Sharpsteen | 1950