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JURASSIC PARK 1993, dir. Steven Spielberg
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Batman Returns (1992) dir. Tim Burton
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THE MUMMY 1999 — dir. Stephen Sommers
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PADMÉ AMIDALA Star Wars: Episode II - Attack of the Clones (2002)
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DAKOTA JOHNSON as Nina The Lost Daughter (2020) dir. Maggie Gyllenhaal
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JURASSIC PARK 1993, dir. Steven Spielberg
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Academy Award Winners for Best Cinematography: 1996 — John Toll, ASC Braveheart (1995) Directed by Mel Gibson Aspect Ratio: 2.39 : 1
Braveheart was a huge production, for which members of the Irish Army Reserve had to be enlisted as extras to produce those spectacular battle scenes. As soon as I mention the obstacles he had to face to shoot it, however, Toll shoots me down. “There were no obstacles and no problems. Only challenges. The challenge on that film was the scale. We had to come up with a way to shoot it in a way that it accentuates the idea of scale, trying to maintain the idea that there were thousands of people involved in that event, while we were working with hundreds of people. During the battle itself, we had to have people edge-to-edge in the frame, there could be no empty spaces. That took quite a bit of doing.” — Cinephilia & Beyond
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The Hunger Games: Catching Fire (2013) dir. Francis Lawrence
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SUPERMAN & LOIS LANE Justice League Unlimited 2.09 | "Question Authority"
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Season 2, Episode 12 “Divided We Fall” JUSTICE LEAGUE UNLIMITED (2004–2006)
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In death there are no accidents, no coincidences, no mishaps, and no escapes.
Final Destination (2000) dir. James Wong
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Sophie Thatcher as Natalie Scatorccio YELLOWJACKETS | 2.08 It Chooses
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THE MUMMY 1999, dir. Stephen Sommers
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Mama’s here!!
I’m gay so obviously a Leyendecker inspired piece was bound to happen
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When they're first introduced, Smoke is wearing a tweed suit with a flat cap that's typical of an Irishman, while Stack is wearing a fedora with a pinstripe suit accessorized with gold bits that lean into a more Italian style. This hints that the brothers dress appropriately to blend in with both the North Side Gang and the Chicago Outfit back in the city. [x]
SINNERS (2025) dir. Ryan Coogler
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