saviorofdandysuits

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@jonmartinweek I got too lateeeee >:'((

day final: au day, good omens x tma lets goooooooo

Jon supposed to said "Angel" but he like how Martin's face lighted up when he said his name so yeah!

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Fucker (a Good Omens repaint of Peter Paul Rubens’ Judith with the Head of Holofernes)

I meant to finish and post this last week, but work and Squid Game themed Roblox games kinda got in the way…

(Originally I had Az holding a certain author’s severed head like in the Rubens piece, but I got informed by a few friends that that could be technically classified as a death threat on the off chance he saw, so since the last thing I need is law problems, I changed it to a book)

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Aziraphale manipulating someone into giving him what he wants (by parting with a book):

Aziraphale manipulating someone into giving him what he wants (by parting with Crowley?):

I honestly don't know but it struck me the other day:

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doodle featuring retirement hobbies and the husbands subjected to them

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Slowly savouring & making my way through 100 Queer Poems. I'm not quite half-way through and marking my favourites. Can you tell it's going well? 😅😄

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Let's start the 2nd day of beautiful October 🍂 with some more collages I created in September. I could write essays about how wonderfully both actors, Michael Sheen and David Tennant portray their characters. And isn't it strange that even though I'm a bit more drawn to Crowley, it's Michael Sheen who I'm drawn to when it comes to the actors themselves. But none the less, I love them both and it gives me great joy to create these collages...

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organizing my art folder I found this one drawing sitting there for months bc I didn't like how it turned out and meant to come back to it later but never did lol

but on second thought I guess it looks fine so I might as well post it now 😅

also I've been pretty much MIA these past few months bc life (good and bad) and tbh it was nice, so I'll mostly stay that way, I think... pop back now and then, whenever I finish more drawings lol

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mum said it’s my turn to do the good omens + text posts meme pt. 5 (pt.1 / pt.2 / pt.3 / pt.4)

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About that time loop story…

Neil Gaiman's favorite trope

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i was falling asleep and thought of this so now it’s like 3am jesus i need to go to sleep ok bye

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If Michael Sheen investigating illegal toxic waste dumping and possibly getting poisoned from it and David Tennant telling politicians to fuck off because of their behaviour towards trans youth and taking down Prime Ministers isn’t the most Crowley/Aziraphale coded thing I’ve ever heard then I don’t know what is.

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Minisode connections, again

I'm working on decoding the chiastic structure of Good Omens season 2. It's taking a long time because there's a bunch of crap going on -- not the least of which is I think I found two different structures, so that's fun -- also, I have to work and do human stuff, so I can't just sit around working on Good Omens all day, every day.

But something I noticed while counting beats to find the middle (middleS, plural, but that's another meta):

It's already been pointed out by others that the magic act in the Nazi Zombie Flesheaters minisode echoes the Big Break Up and Kiss scene -- which it certainly does.

But the Restoring Job's Kids to Life in Front of a Bunch of Angels scene also echoes both of those scenes.

First and foremost, they are all around sixty beats long. (About the same rate as a resting human heartbeat, interestingly. What else is 60 beats per minute, I wonder?)

Second, in each scene, something (someone) signals the start of it. In Job, the angels applaud just before Aziraphale enters late. In 1941, Mrs. H tells Aziraphale to get on with it. In the Kiss scene, the Metatron tells Aziraphale to go and tell his friend the good news.

In all three scenes, Aziraphale enters stage right and turns to his left.

In Job, Crowley murmurs to Sitis, "trust me." In 1941, Aziraphale mouths to Crowley, "trust me." I think in the Kiss scene, "trust me" is more implied by both of them. It starts out murmured, then gets mouthed, and by the end, is unspoken entirely.

In all three scenes, Aziraphale explains to Crowley what needs to happen. "It would be really helpful if you were an expert on human births. Gabriel here witnessed the first human birth." "Aim for my mouth, shoot past my ear." "He said I could appoint you as an angel."

In all three scenes, Crowley takes a shot and Aziraphale backs him up. Job: "Reach into his robes and pull out three ribs." *Aziraphale miracles the kids into kids again.* 1941: *Shoots the gun at Aziraphale* *Aziraphale catches the bullet* *Kisses Aziraphale to give him the records from Heaven.* "I forgive you."

All three scenes end with Aziraphale having successfully fooled his audience.

Now, I already figured out that the scenes that are supposed to parallel the Resurrectionists minisode are missing. Even Crowley knows they're missing. Time has jumped forward past some important events. I don't know what was supposed to happen to echo Resurrectionists, but something is, and it's gone. I think it matters, though. Otherwise, why would we have this:

All three minisodes on the matchbox. The box itself is from the Resurrectionists pub, it has a verse from Job on it, and the verse is 41:19 -- or, if you reverse the numbers Verlan style (which is like Pig Latin, but what they do in France -- thank you @noneorother!) 1941. I strongly suspect the verse itself may very well have to do with the missing scenes that should mirror the Resurrectionists minisode.

But I wonder why Job, 1941, and the Kiss all line up and echo each other, while the Resurrectionists is the odd one out. I feel like whatever scenes have been jumped over probably line up with something big and important that happens elsewhere in the story. Threes are very important in storytelling, a rule that should never be bent or broken. I really wonder HOW the missing scenes got jumped over -- did God do it? Did Aziraphale or Crowley do something which caused it? Given how Crowley reacts to it happening, I would say if so it was inadvertent. Is time out of whack for some reason? It keeps jumping forward, why is that? Did someone else force them past the missing scenes? Ugh, I don't know.

Several people have pointed out to me now that the 1941 minisode has a lot of wedding night symbolism in it, and I see that the Job minisode has a lot of first date symbolism in it, too! Ha! Including Crowley and Aziraphale out in the desert by themselves when they encounter Job talking to God -- what the heck were they doing out there? Making out, maybe? Is that why Aziraphale comes rushing in through the door late when the other angels arrive? Busy smooching your new crush, Aziraphale? The Kiss scene seems to be a divorce, but it's actually a long-married couple who can read each other like a book being forced apart.

So if Job is a first date, and 1941 is a wedding, and the Kiss is a (forced) divorce, what is the Resurrectionists? What comes between a first date and a wedding? Traditionally, in love stories, a break-up has to come between those things. But other than Crowley being dragged back to Hell and forcing them separate, and then their argument over the holy water when he comes back, I'm not sure I see Resurrectionists as representing a break up. Does it? Maybe . . . ? And maybe more important, what comes after a wedding but before a divorce? Would we say kids? Mundanity and boredom? Infidelity? Given that it's a forced divorce, I wouldn't say those last two things. But kids then? What else could it be? Hmm.

Does the Resurrectionists minisode and whatever its missing echo is have to do with that progression in a relationship? Or given that Job, 1941, and the Kiss all echo beautifully and Resurrectionists does not, is that something outside their relationship and the progression of it?

Anyhow. More investigative work to be done here.

In between doing alive human stuff, I'm on the case.

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so proud I could screaming😭🩷✨

• Together in the South Downs • [finished]

I'm like... absolutely tickety-boo!🥹

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uppies!!

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Good Omens + Text Posts

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it ends, as it started, in a garden