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[sinorim-pisani]

so ok yeah fine i watched gravity falls again and read the book of bill

[sinorim-pisani]

tl;dr a theory/headcanon on why halfas are so powerful

I AM USING MARIE CONDO STANDARDS: IF CANON DOES NOT SPARK JOY, I THROW IT OUT!

Alive and dead; that is the thing that sets halfas apart. And honestly, why would that make them more powerful? If anything, being half-human should make them weaker, unable to take more hits without dire consequences. However, I propose this: 1) Halfas are so powerful because the human side of them allows them to change.

Ghosts are by nature set in their ways. Their identity will always orbit around the person who they were when they die and to try and be someone else is just as damaging to a ghost as being unable to do their Obsession. It's feasible for a short while, but an extended period will hurt them. This means that powers that are locked behind being compatible identity-wise will forever be out of their reach. An electricity core ghost trying to learn to make fire? Forget it! A shadow core ghost attempting to learn temporal manipulation? Ridiculous! But halfas' identities are still changing! They can grow and become someone else outside of who they were when they died. And like all living persons, they can shove themselves into being someone they are not with a lot less damage than a ghost. So a halfa like Vlad, who has a fire core, pulling on the manic energy and restlessness of a lightning core long enough to make ectoplasmic lighting is on the table. The sheer amount of different powers that Danny learns is a by-product of this. 2) Halfas can rely on their human half to do things that full ghosts cannot do, the most powerful of which is the Ghostly Wail. Remembering their death is one of the worst things a ghost can do. They are after all creatures that spawned from the dying wish of a person to stay alive just a little longer, please! Ectoplasm is highly sensitive to emotions and they are made of it, so remembering your death is basically going through it again, pain included.

But halfas are also made of flesh and blood. The brain can go through extremely traumatizing experiences and still keep functioning. Ghost-speak (or at least the version of ghost-speak analyzed by @sinorim-pisani in their linguistic anthropology post) is feeling made sound, radiated out by a ghost's core. The Ghostly Wail is a halfa screaming all of their emotions, their memories, the intrinsic experience of dying out for every ghost to hear.

Remembering death hurts for a ghost, badly enough that the Wail shoving the experience of dying right at them would End most ghosts on the spot. But halfas can remember their death, can face it without Ending, and can force other ghosts to re-live it through ghost-speak, even if it still hurts the halfa. Those reasons are why halfas are in a league of their own.

[sinorim-pisani]

“thank you dan mora” we all say in unison

[sinorim-pisani]

Superman insta admin is really out here posting about superbat. On company time.

[sinorim-pisani]

Dani

[sinorim-pisani]

It’s so funny to me that we call Clockwork, Vortex, Nocturne and Undergrowth ancients. They gave out their actual titles of “Master” but it’s not spooky enough for us

[sinorim-pisani]

pumpkin spice candles soon

pumpkin lattes soon

pumpkin everything

[sinorim-pisani]

I was asked to draw hot woman for women's day, so🎀

[sinorim-pisani]

Okay y'all, going forward, this is what we're doing.

Shit's scary, I know. But we absolutely cannot afford to surrender to that fear, because that benefits the GOP. They want us to feel powerless, because they know we are not powerless. That's why they have so many shills and bots discouraging people from voting.

We will not demoralize ourselves and each other by doomposting in our moments of panic. If we have a panic attack, that's okay. But we are not going to spread that fear to other people in public. We will save our most scared thoughts for our private journals and close friends. And we will support our friends who are feeling hopeless.

We will remember that spreading awareness of Project 2025 and Agenda 47 has been hurting Trump. And we will continue to do this.

We will remember that right now, our only option is Biden, because without ranked choice voting, getting a third party candidate in is simply impossible. We might not like it, but that's why we're going to push like hell for ranked choice voting once we get his pruny old ass in to office for a second term. (And thank God, he can't have more than a second term; the Democrats will have to find someone else afterward.)

We will not spread conspiracy theories. Conspiracy theories are the weapon of the enemy. We don't need them.

We will not publicly mock Trump in all of this. Making Republicans feel even more victimized is a losing strategy. "But it's my blog-" I'm sorry, are you playing for political keeps or are you just here to fuck around and put everyone's life in even more danger?

We will emphasize the ways that Project 2025/Agenda 47 will hurt everyone. And we will keep talking about it.

We will remember that the UK and France have already avoided far right takeovers in their elections.

All right? You got that? Because we got this if we stick together and keep at this. Shit's bad right now but that doesn't mean it has to be bad forever. We got each other, and we can do this.

[sinorim-pisani]

DPXDC prompt. Dead on main. Singer! Phantom x Red Hood!Jason

Laws are easily changed if businessmen smell money.

Paulina and Sam suggest Danny to try to become a singer in order to change society's opinion about ghosts a little. In the end, the otherworldly sound of his voice can at least be used for the benefit of Realms.

And it seems like the Everlasting Trio is really liked by the public. At first they just release a few songs (Exams kill, Battle with myself, What an Autopsy Won't Show, Among the stars). But a mysterious atmosphere mixed with understandable teenage problems begins to take over teens playlists. Their fans want more and more.

So, when under the pressure of the public and profit-hungry bigwigs all bans on the presence of ecto creatures in the United States are lifted, the Trio goes on their first Tour.

~~~~~

Jason stumbles upon Phantom's songs completely by accident. It was painful to hear them for the first time but at the same time it was as if he could breathe again because he had found someone similar. Someone who understands, and who doesn't judge him for coming back wrong. Jason listens to his voice on repeat and the rage seems to recede and subside. There is sadness of loss and fear in the songs but most of them end bringing some hope and this thought gives Red Hood more strength not to break down for another day. and then another, and another..And one day, the green eyes in the mirror do not scare Jason but shows him that he belonging to something more. Todd can't explain it more precisely, but it was as if the waters of Lazarus inside him had calmed down and he was no longer enemies with them. He even jokes with Tim that he is finally rest in peace and ready to live a full undead life when his brother (God, his lil brother whom he wanted to hurt recently because of his own stupidity), asks him about his strange behavior.

~~~~~

Jason forgets how to breathe again. His favorite band, and most importantly his favorite vocalist, is coming to Gotham with a concert. For many years now, none of the nonresidents have dared to take such a risk, but it seems like Phantom has absolutely no instinct for self-preservation. Well, as a true fan, Red Hood will do his best so that none of the gothamites spoil the Trio's impression of their first concert here. Danny is beside himself with excitement. Their concert in the hometown of the Red Hood was approved. Of course, there is no chance that he would be able to meet such a busy vigilante but Phantom continues to dream. If he'll fly a little over the city instead of sleeping after rehearsals, maybe he'll get an autograph from at least one member of the bat clan.

~~~~~ Phantom: Thank you very much Mr. Nightwing sir. Just sign it for.. Nightwing: For a Phantom, right? Huh, I recognized you, my brother has poster in his room. Nice hairstyle by the way. Danny*urgently*: Which one of them?

Nightwing: Jeez, and I thought it was just a stage image. Ghosts are kinda creepy. Terribly persistent, to be precise. And yeah, Jason, he absolutely not against you as a vigilante. You can safely ask Phantom to sign your helmet, I promise. Man was so happy when find out you're listening to his songs, you have no idea.

Jason *holds out a hand*. Nightwing: What? Jason: If you dared to meet Phantom before me, then where is my autograph? Nightwing: Em..oops? I gave him mine if it helps.

Jason: *sounds of an angry lazarus demon*.

[sinorim-pisani]

danny phantom ?!?!!! and you might be like woah whos this eyeball guy??? its my non reference trying to remember what the observants looked like (fail) but they ugly ah hell so im keeping it

[sinorim-pisani]

Writing Character CHANGE

Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.

There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)

So with this post, I'll be teaching you MY personal tips regarding this subject!

*The Basics*

Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!

A couple of flaws.

How your character views themselves at first.

Your character's morals/ideals and how they think.

These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!

*Change*

Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!

"During character development, your character should grow."

This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.

While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.

Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.

*Negative/Passive Change*

Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!

No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.

If not, then did they really grow?

Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!

*Positive Change*

Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.

Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.

"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.

What am I talking about? Here's an example!

Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.

That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?

He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.

*Different Changes*

As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.

So listen up, because I feel like no one really talks about this.

Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.

Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?

See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!

*SUMMARY*

In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.

Growth = Maturing (gaining a better sense of who they are and the world they live in.)

NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!

For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.

YOUR CHARACTER SHOULD NOT BE PERFECT!

They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.

I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!

Happy writing~

3hks <3

[sinorim-pisani]

Writing Tips Master Post

Character writing/development:

Character Arcs

Making Character Profiles

Character Development

Comic Relief Arc

Internal Conflict

Character Voices

Creating Distinct Characters

Suicidal Urges/Martyr Complex

Creating Likeable Characters

Writing Strong Female Characters

Writing POC Characters

Building Tension

Plot devices/development:

Intrigue in Storytelling

Enemies to Lovers

Alternatives to Killing Characters

Worldbuilding

Misdirection

Consider Before Killing Characters

Foreshadowing

Narrative:

Emphasising the Stakes

Avoid Info-Dumping

Writing Without Dialogue

1st vs. 2nd vs. 3rd Perspective

Fight Scenes (+ More)

Transitions

Pacing

Writing Prologues

Dialogue Tips

Writing War

Writing Cheating

Worldbuilding:

Worldbuilding: Questions to Consider

Creating Laws/Rules in Fantasy Worlds

Book writing:

Connected vs. Stand-Alone Series

A & B Stories

Writer resources:

Writing YouTube Channels, Podcasts, & Blogs

Online Writing Resources

Outlining/Writing/Editing Software

Writer help:

Losing Passion/Burnout

Overcoming Writer's Block

Fantasy terms:

How To Name Fantasy Races (Step-by-Step)

Naming Elemental Races

Naming Fire-Related Races

How To Name Fantasy Places

Ask games:

Character Ask Game #1

Character Ask Game #2

Character Ask Game #3

Miscellaneous:

1000 Follower Post

2000 Follower Poll

Writing Fantasy

[sinorim-pisani]

Let's talk about killing off characters.

Killing off characters is a dramatic device often used to advance the plot, create tension, or evoke emotional responses from readers or viewers. We love doing it. The initial shock, the mourning after. The effects of it on the other characters. It's fun.

Nevertheless, you can still achieve the desired impact on your plot and characters without necessarily resorting to fictional murder.

Here are some alternatives to drive the plot forward:

Character Transformation: Instead of killing off a character, you can have them undergo significant personal growth or change. This could involve overcoming challenges, facing moral dilemmas, or undergoing a shift in beliefs or values. Their transformation can still drive the plot forward and impact other characters. (I especially love it when the transformation is negative—like when a traumatic experience of some sort completely strips a character of their soul. But that's a sentiment for another day.)

Betrayal or Conflict: Introduce betrayal or conflict between characters that challenges relationships and creates tension. This can lead to significant plot developments and character arcs without resorting to death. And it can be cause for quite a lot of angst.

Separation or Estrangement: Have characters physically or emotionally separated from each other, causing tension and driving the plot forward as they strive to reconnect or deal with the consequences of their estrangement.

Sacrifice without Death: Characters can make significant sacrifices that don't necessarily involve their death. This could be sacrificing personal goals, relationships, or values for the greater good or to achieve a specific objective.

Injury or Disability: Instead of killing off a character, you can incapacitate them through injury or disability. This will create challenges for the character and those around them, leading to character development and plot progression as they're forced to adapt to their new circumstances.

Redemption Arcs: Characters who have committed wrongdoings can undergo redemption arcs where they seek forgiveness, make amends, or strive to become better individuals. This can drive the plot forward while also adding depth to the character. Keep in mind that this may not be a suitable alternative to death for some characters—for instance, the protagonist forgiving their abusive parent despite all they were forced to go through may evoke a sense of indignation rather than admiration for their supposed selflessness.

Revelations or Secrets: Introduce revelations or uncover secrets that have significant impacts on characters and their relationships. This can lead to conflict, tension, and plot twists without the need for death.

Forced Alliances or Unexpected Partnerships: Characters can be forced into alliances or partnerships with unlikely allies, leading to interesting dynamics and plot developments as they navigate these new relationships.

Loss of Power or Status: Characters can experience a loss of power, status, or reputation, which can drive the plot forward as they strive to regain what they've lost, seek revenge on those responsible, or adapt to their new circumstances.

Time Constraints or Pressure: Introduce time constraints or pressure situations that force characters to act quickly and make difficult, split-second decisions that may end up being quite regrettable later on. This can raise conflicts of who's to blame, or what should have been done.

I feel like I strayed off a little, but there you have it. Hope this was helpful! ❤

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[sinorim-pisani]

Doodle of an idea I had where Danny’s iris and pupil are shattered (in his ghost form most noticeably) on the side of his face where the electricity of the ghost portal initially struck the hand that flipped the switch and travelled up his arm. Thoughts? Also, white or black eyelashes?

[sinorim-pisani]

Sooooo hello everyone I'm Juli and I don’t know how tumblr works (because I found the internet in 2016)

I needed a place to dump my DP art, sketches, doodles, warmups (you get it) without having it all between my business stuff on my insta and figured here would be the perfect spot. let’s see if that was a good idea