sketchgoatsketch
sketchgoatsketch
Sketch 🐐 Sketch
20 posts
Main account is sketchgoat
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sketchgoatsketch · 11 days ago
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˚✧₊⁎❝᷀ົཽ≀ˍ̮ ❝᷀ົཽ⁎⁺˳✧༚
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sketchgoatsketch · 21 days ago
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Mfw everything I draw is an elephant
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sketchgoatsketch · 25 days ago
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“You don’t have to use every crayon in the box” is the best advice I ever ignored
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sketchgoatsketch · 1 month ago
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Me ten minutes after meeting you:
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sketchgoatsketch · 1 month ago
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Help, I can’t stop painting elephants ™
This is part of a larger piece I’ll post to @sketchgoat on Wednesday. It might have another elephant. This is to get you hyped. Be hyped. Alright, calm down. See you then
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sketchgoatsketch · 1 month ago
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It’s a trick its always a trick
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sketchgoatsketch · 1 month ago
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MC Ride
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sketchgoatsketch · 2 months ago
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TIL
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sketchgoatsketch · 2 months ago
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Man mantis’ always look like they trippin
True
What if they was like that but had huge boobs
You know, I don’t think-
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-you don’t have to share all your “art”
Hot trippy mantis ain’t gonna sell itself, she trippin
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sketchgoatsketch · 2 months ago
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(╹◡╹)
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sketchgoatsketch · 2 months ago
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Chitoge Kirisaki
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sketchgoatsketch · 2 months ago
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Tap tap
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sketchgoatsketch · 2 months ago
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Another old phone drawing - this one really just comes to life
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sketchgoatsketch · 2 months ago
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Another one from 21. Lots of times I’ll just start painting and eventually pareidolia kicks in. It’s done a lot of heavy lifting for my most abstract work, i rarely have an end in mind when I start.
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sketchgoatsketch · 3 months ago
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20201, probably a late night again, procreate mobile, a manic episode, and a dream (not pictured)
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sketchgoatsketch · 3 months ago
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Sometimes when I can’t sleep I, go figure, start painting. Finger-painting like yeah it’s going to suck, just free to fuck around
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sketchgoatsketch · 3 months ago
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This was a warm-up I did one day to practice some digital techniques I wanted to transfer to a real canvas. So, when I work in the abstract, depth and weight are very important. Usually I achieve depth like shown here, where I’ll just copy/paste one line on top of itself, then transform it by placing it right above or below the original. To create depth then, I change the opacity to this copied line to make it a "shadow." The gradient boxes help to break up what can otherwise be just a jumbled mess and give you somewhere to focus. The color change also helps with line weight, the cool/warm illusion of color doing some heavy lifting. This piece isn’t anything stellar, but it was a decent warm up for what I was looking to achieve.
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