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Itâs like itâs second nature
The nature of my mind
My fingers find the grooves
Amongst the knobbled pine
I think I liked it better
when I didnât know
Iâm a liar
Iâm a lying liar
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To me youâre an orchid,
Heart in my throat in a hot house.
Spotted freckles along your petals,
Donât grow where I canât reach.
Orchid otherwordly,
I donât feel like I can breathe,
The misting machines are suffocating me.
And these tourists taking pictures,
Donât see what I see,
Their blurry photos make me want to scream.
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They make it to the Wheelers and Eddie is surprised at his nerves. Are they really going to let him in the house? Though all charges were dismissed, do you really let a suspected murderer into your house?
They ring the doorbell and Mike answers the door to Eddieâs relief. He ushers them in so Eddie decides to ask, âarenât your parents going to be freaked that Iâm here?âÂ
âThey arenât home.â A knot in Eddieâs chest unclenches. Mike leads them all to the basement where the horde is waiting. Theyâre all busy in conversations but acknowledge them both as they go to sit down and to Eddieâs surprise Steve sits next to him.
âOkay, okay! Everyone shut up!â Dustin says, standing up and walking in front of everyone, waving his arms.
It does work and the room falls silent.
âWeâre here today to discuss our options for defeating Vecna. Ideas?â
A hand goes up and Eddie follows it to Robin.
âAre we sure heâs not dead?â
A boy, Will, Eddie strains to remember, speaks up, âheâs definitely still around.â Oh yeah Nancy had explained to him how this kid was somehow in tune with the upside down. Eddie did not envy him as he remmebered the chill in the air there, the constant feeling like someone was sneaking up behind-
âI have a question,â can a sure voice.
âYes, Erica?â Dustin says.
âWho put you in charge?â
A quick Steddie study
Eddie knocks on the surface of the door and steps back, putting his weight on one foot. He waits impatiently, tapping his foot until the door finally creaks open, revealing Steve. His hair is swept back and yet somehow also falling in his face in its usual fashion.Â
âHarrington,â Eddie says, âbusy?â
Steveâs brows furrow, he glances back into the house when muffled talking issues from behind the door.
âJust a friend,â he yells before stepping forward making Eddie stumble back. He closes the door behind himself, âwhatâs going on?â
Eddie puts his hands on his hips, âcanât pay my best bud a visit?â
âUh, no thatâs not what I-â
âRelax Harrington, they sent me to get you, and by âtheyâ, I mean a bunch of kids who helped us beat an interdimensional mon-â
Steve leaps forward, covering Eddieâs mouth with his hand. âAre you crazy?â he grits out in a whisper, âsomeone could be listening.â
Eddie pushes his hand off, frowning, âitâs not like anyone can hear us out here.â
âYouâd be surprised,â Steve says, glancing around.
âOkay,â Eddie says, stretching the word out, âanyway you coming or not?â
Steve fixes him with a stare, his tone still hushed, âthis is serious shit okay. You donât know about what,â he says the next word so quietly Eddie strains to hear it, âthe government, has done to cover this stuff up. They donât like us poking around in it.â
âWell considering Hawkins basically cracked open, expelling the depths of hell, I think they have bigger fish to fry than a bunch of kids.â
âIf only,â Steve says, hopping down the steps and shoving his hands in his pockets.
Eddie takes this as his cue to follow.
âWhatâs going on? What do they need?â Steve asks him.
âThey want to have a little brainstorm about our good friend Vecna. Hey Steve, I uh, havenât told you where weâre goingâŠâ Eddie says to Steveâs back.
âOh shit, yeah,â Steve stops, turning to wait for Eddie, âlead the way.â He spreads out an arm, gesturing for Eddie to go ahead and Eddie hates the way it makes his stomach flip.
âCome on,â he says, annoyed. Fuck Steve Harrington and his hair and his tight jeans and his manners. And no Eddieâs head does not respond âwith pleasureâ.
They walk in silence for a bit, Eddie struggling to find something to say in the quiet surrounding them.
Itâs Steve who breaks it, âso youâre into all that Dungeons and Dragons stuff?â
Eddieâs eyes widen, âI donât know whatâs weirder, that weâve fought off Demo-bats together or that Steve Harrington, king of Hawkins High is asking me about my hobbies.â
âCome on dude youâve got to drop that high school stuff, Iâm not that guy anymore.â
âYou donât remember me from school do youâŠâ Eddie promised himself he wouldnât ever bring this up, that he would let bygones be bygones. How embarrassing.
Steve frowns, ânoâŠbut I didnât exactly hang in the best circles in high school.â
Eddie lets out a derisive snort, âno kidding.â Steve waits, watching and Eddie gets nervous under his gaze. âI used toâŠsee you around the school, especially in the cafeteria, we sat two tables away from each other.â Way to sound creepy Eddie, like you spent all of high school watching Steve Harrington.
âTo be fair I was in the same class with Robin and I had no idea who she was when we met. I wasnât exactlyâŠfocused on others back then, I was kind of a self centered piece of shit.â Steve has his eyes on him again.
Eddie doesnât know why he doesnât shut up, âI meant it when I said I was jealous of you. You fit in so well, no one ever questioned if you belonged for even a moment.â Everyone in school, everyone in this whole fucking town seemed to think it was their duty to remind Eddie just how much he didnât belong.
âIs that what it looked like to you?â Steve says, âbecause everyday I felt like an imposter. It was all just a show.â
âThe Steve Harrington Show,â Eddie says, smiling around the words, âthe hair, the looks, the bod.â Please shut up.
To Eddieâs surprise Steve laughs. And itâs a rich sound. When Steveâs laughter dies out he finds Eddieâs eyes, âbasically, yeah. But it was all just bullshit.â
Eddie thinks of Steve sitting on top of the lunch table, laughing. Of him walking the halls. Of him at pep rallies in his uniform.
âGuess things arenât always like they seem,â Eddie says quietly.
They fall into a silence and Eddie is surprised to find itâs not an uncomfortable one.Â
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Aged up Loâak wip
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Just got out the hospital and Iâm scarier and angrier than ever đđ Really didnât want to do a stint in grippy socks vacation, now really donât want to do the healing that comes after but if you think Iâm not gonna whole ass it youâve got another fucking thing coming
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Oliver steps forward hesitantly into Charlotteâs space. The way his palms start to clam up and his nerves rush to his stomach, makes it feel like sadistic self-inflicted betrayal.Â
He tries not to flinch when his fingers brush her delicate wrist, taking it his hand to steady it and bringing his other to the belted clasp of the watch. The leather is sleek and smooth outwardly but the inner side is almost confusingly soft for leather. He unclasps the pointed metal piece and watches with a shameful interest as the band falls away, running like water against skin until itâs cradled and lightly clasped in his hand as though heâs curiously afraid to really hold it. They both slowly look up and their eyes meet in the middle in a heart topping searing moment. Against everything in him, Oliverâs eyes fall and submerge in the desire of her lips his gaze finds itself resting over.
Her lips lie together lightly but as though they could part at any moment and tell him everything he wants but is afraid to hear. Theyâre shaded with a paisley beige eased pink. So light it feels both like a hand laid over a thigh or unconsciously smoothing comfort thatâs wanted but afraid to be voiced.
He forces his eyes back up and finds her expressive eyes so wide with something resembling hopeful anxiety, he feels like a bared open wound.Â
He takes a step back and holds out the watch still cradled in his palm. His eyes catch on the underside of the band where words are imprinted.
âThank you,â she says quietly, taking it from him, careful for fingers not to linger.
She is setting it down on the table when he works up the courage and levels his voice enough to speak.
âWhat do the words say, if I may ask.â
She looks up and gives him a soft smile colored with an accepted sadness. Her eyes are such a lovely pale blue he thinks heâll move forward and just let himself drown like he wants to.
âYou donât have to tell me,â he gets out before she can speak.
âItâs quite alright,â and his stomach flips as he watches her smile warm into a completely honest one, her eyes creasing with her delight but maybe really his own. âMy mother gave me this watch. She raised my little sister and I and I always had such admiration for her grace.â
She sounds a lot like you. âYou have a sibling?â
The smile breaks into a feeling of resignation. âI did. Unfortunately she passed.â
âI see.Â
Iâm sorry.â
âIt was a very long time ago. I got the engraving put in after she died.Â
âReturned to peace but forever alive within.âÂ
âThatâs beautiful.â And he means it, and he can see that she knows it.Â
âItâs a way to keep the good memories but always remember my duty to keep her memory alive by making this a world she could have only known love in.â
âThat must be a heavy burden at times.â
She looks up, genuinely caught off guard.
she waves off the correct assumption, âItâs truly not. Itâs one I want to carry.â
He nods but doesnât say anything.
âWell,â she says breaking the silence awkwardly, should we finish getting ready? I mean not together of course! Separately. You at your house, me here-
âI understood, Detective.â
She breaks into laughs of genuine delight and Oliver tries to fight the pride that wants to bubble up.
#detectivestory#oc#mywriting#writing#book#story#screenplay#screenwriting#basedoffof#seehowtheyrun#Sorcha is an icon
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Knives out and Glass Onion work bc it brings the role of mystery solving detective out of brooding tortured genius and back to its rightful place as Friendly Weirdo In a Little Outfit
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Too old to hold hands,
But youâd hold theirs.
Too fat to wear that,
But youâre allowed to wear yours.
Too out there to be acceptable,
But the leaps in logic you take are larger than mine.
Too strange to be accepted,
But your rules donât add up.
Too weird to be tolerated,
But youâre happy to ignore most things.
Thank god heâs nothing like you.
Winner up or runner up?
Hard to tell,
When youâre losing either way...
Which do you prefer?
Your dignity or your sanity?
You canât have it both ways,
But youâd take it in any shape or form,
This I know.
Why?
Because he told me so.
No one dies with a happy ending,
I mean,
Maybe if you die while getting a blow job.
But that is a very niche instance.
Bohemian king,
Humble ruler,
Flower laid over your heart.
As delicately placed as your hand on my soul,
As the shape I take in your arms.
Kindest of touch,
Softest of temperament,
Do I really get the honor,
To lay my head next to yours each night?
Youâve ruined my life.
Do it again.
Where did I go wrong to end up with you?
Please tell me!
Iâd make the same mistake again and again.
No reason!
Iâm asking for a friend!
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âitâs a beautiful thing to be understood, but a powerful thing to understand yourself.â
â iambrillyant
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Sarah Kay, from âAnd Foundâ, No Matter the Wreckage
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we've been holding onto the old self, these days. the wolf girl. the weird little kid. the strange wildling that would run through forests, our knees all skinned.
we remembered the magic of our loose teeth, how we used to know how to talk to trees. we're taking god out of the church and prying worship from the dirt. making our lives about using the finer things, about just-trying. the leisurely enjoyment of laziness, lawlessness, of leaving the dishes undone. of enjoying food without apology, of showing off our naked body, of kissing her. call it hedonism, sure.
always knew something else about ourselves. spent our whole lives hushed up; told we're made wrong. that's fine, these days. we used to know how to cast spells on the clouds. we have always been a little bit of lightning. the moss will teach us the soft hand - here's how to belong.
relearning magic. a little beautiful necromancy: you gave me nothing but bones. i still made a family.
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A co-worker of mine was standing outside with me during a break from customers to share a cigarette with me, and told me about how he had lost his brother that he was close with some years ago. He told me about how they used to be in a band together with some friends, and how ever since he'd died, he hadn't played any music because he'd been too scared and anxious. I told him about how I'd lost my brother to suicide some years ago.
I went home and pulled out an old tiny wooden box my brother had given me before he'd died. I'd been using it to store guitar picks I'd collected over the years, including one guitar pick that used to be his. I haven't played the guitar since he'd died, my hands are too small to play some of the chords, so I play bass and piano instead.
I went to work the next day and gifted my brothers old guitar pick to my co-worker. I told him that it'd been sitting in a box for ten years unused, and would probably sit there for longer if I kept it there. Told him that I thought he deserved to have it, because I bet he could put it to better use than I ever would. Told him I didn't feel like it was coincidence that me and him would cross paths with each other in our lives, and that it seemed suiting that we had these similar experiences but split in two halves. That somehow, I felt like he was meant to have the guitar pick. I told him that I knew he'd not played guitar since his brother died, but that if he ever decided to play again one of these days, maybe he'd be able to honor both of our brothers by using that guitar pick.
He almost cried. He thanked me. Then he went home that night and for the first time in years he played the guitar.
I don't know what the meaning of life is or what my purpose is, but I do believe that love and human connection is one of the most important things in life. It's finding ways to tell strangers you love them and share experiences with others. I think it's all just about love.
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I hope Ken and his crew give off the Zoolander male models vibes, heads empty.
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Who's third wheeling,
You or blue?
Charcuterie spread,
Is goat cheese the best?
Heâs all about new experiences,
And experiments,
How high can you drop a wrapped egg,
Before it shatters?
Prescribed bed rest.
Awkward white elephant,
Itâs tradition every year!
Converse on my wish list?
What! Itâs on yours too?
I just love fascinating intercourse.
Hair long enough to move.
Christmas-lights-phobia.
Exposure therapy is the only way!
For the sake of science!
Iâm a supporter of the arts too!
Even if I sometimes think Vermeer is full of crap.
But you better know heâs not.
Because I trace coffee imprints,
From just enough sun.
Weird noses,
Are just so much more fun.
And weird is my favorite,
I have to go powder my nose.
Here! Catch this thorn covered rose!
You saved me a coke? Oh darling!
How did you know?
You told me so...
Have a coke, I mean joke!
Why did the harlot speak French?
To stick it to Marie Antoinette.
Custom tailored Christmas ornaments.
Some heartfelt and homemade,
Some that have long anticipated holiday cheer.
Letâs hide the ugly ones in the back,
They have to go on even if theyâre trash!
In this house we believe in second helpings,
Unless you want to skip the meal altogether.
I hated those plates anyways,
Just like expectations!
Because youâll never be happy,
with anything we do or donât do,
Because you think love is conditional,
Like you.
Well someone went waaaaay out of their way,
To let me know itâs okay,
That I think it might be unconditional,
And thatâs okay.
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Int. Castle - Night
Hurried footsteps sound down the hall. A couple of castle guards enter the hallway, they are clearly in search of something. They hear a sound down the hall and take off.Â
A closet doorway in the hallway opens and a girl sticks her head out, surveying for sounds of trouble. She exits and starts making her way down the hall. She is clearly very on edge.
She is looking behind her when she trips over an artifact in the hallway, the sound is deafening. She closes her eyes in complete frustration before shouts can be heard in the distance and runs for it.Â
The guards are gaining on her, thatâs when she gets an idea. She opens a large window and climbs onto the ledge. She edges her way across the ledge so that sheâs hidden. She looks down and it is a sheer drop into icy, rocky, churning waters.Â
It is clear to us that she doesnât know what to do next.Â
Guard
Hey!
A guard on the wall spots her. She rushes across the ledge almost slipping. She takes a deep breath and keeps going. Sheâs rounding the corner when sheâs met with a guard.
Guard
Someone shouldnât be out of bedâŠ
More guards join him. He advances towards her and she steps back hurriedly towards the edge.
RenĂ©eÂ
Stop! Or Iâll jump!
The guards laugh and continue.
The camera gives her a moment of peace. She has resigned herself to what she must do.Â
She presses her fingers to her lips. Closes her eyes and then lets herself fall backwards. She plummets down into the sheer water.
Ext. Beachside - Day
The sky is overcast and grey, the beach uninviting.
There is a figure on the water's edge. Itâs the girl. She is deathly pale and not moving.
The screen flashes with snippets of a scene. A funeral procession, a room cast in low level light. A woman at the window looks back towards the viewer.Â
The girl gasps, sitting up and immediately turning to the side and vomiting up sea water. The force of it makes her cry out in pain. She brings her hand to her side and it comes back bloody.
She looks at her trembling hands and then all around her nervously, she is deathly afraid.Â
She gets up shakily, almost falling over and runs for the shelter of a structure of rocks. She climbs them to get a better view and spots a small rural village.
EXT. Rural town - day
The girl is trying to get through the alleyways without being spotted. She spots a clothesline.
EXT. center of town - day
She has changed clothes and now wears something appropriate for the setting. She wears a coat and relies on it heavily to hide her face.
The town is bustling. Vendors yell and haggle, people all walk with a sense of purpose. She is in the way, people knocking into her.
We close in on her reactions. She is mesmerized. Itâs dirty and busy but she is enraptured by the beautiful things. A group of excited children buying candy, fresh produce, spices, anything you could want, people laughing and smiling.Â
Suddenly her smile drops when she spots a woman on the street grabbing onto people, she's hysterical.
She canât help herself, she asks the vendor next to her.
RenĂ©eÂ
Whatâs she doing?
The vendor is disinterested.
VendorÂ
She says the guards took her husband.
Blank
What? Why would they do that?
The vendor now becomes interested.
Vendor
They say he was involved with the underground movement. Not sure why sheâs so torn up about it if her husband was probably a you know.
She is extremely taken aback and tunes out the vendor looking back at the desperate woman.
She leaves the vendor and his rambling and keeps on her way.
Ext. Bar - day
She enters.
Int. Bar - day
The bar is not a welcome sight. Letâs just say itâs filled with people sheâs never seen before.Â
She walks up to the counter.
RenĂ©eÂ
Excuse meâŠ
Her voice is entirely droned out by the commotion.
Someone cuts in over her, leaning past her and placing a hand on her shoulder.
Kene
Rai!Â
Barmaid Rai
What!
Kene
Heâs trying to order!
The man looks back at her.
Kene
âWhat do you-â
He stops in complete surprise.
She panics thinking he's recognized her and backs away, her hood slipping down. She backs into the back of a chair, nearly toppling a man over. Heâs angry at first but stops when he sees her.
Drunk man
âNow what is someone as lovely as you doing somewhere like here?
RenĂ©eÂ
âNo Iâm-
He grabs her wrist pulling her in.
RenĂ©eÂ
âLet go of me!â
Kene
âLet Go.â
Itâs the man from earlier.
The two men stare each other down. The drunk man stands, trying to intimidate the other man.
âWhy donât you stay out of things that donât concern-â
The man stops at the sound of a blade and looks down to find one digging into him.
âLet. Go.â
The man lets go.
Kene grabs her wrist and drags her out of the bar as she tries to get him to let go.
He drags her to the side.
KeneÂ
What are you doing?
RenĂ©eÂ
âWhat am I doing? What are you doing! Who do you think you are?â
She rips her arm out of his grasp. She starts stalking back towards the bar but he pulls her back again.Â
RenĂ©eÂ
âGet off of me!â
Kene
âAre you insane? Do you know what theyâd-â
He goes quiet.
Kene
âDonât go in there again.â
Her shock is palpable at the seriousness with which he says it.
He lets go of her and reaches for her hood. She flinches back but he gently takes her hood and raises it, placing it back on her crown. He gives her a wink and a smile, before taking a couple steps backwards and turning back around heading in another direction.
She is puzzled but then seems to get an idea and runs after him.
âHey!â
He turns around and she runs the rest of the way up to him. He waits.
âI needâŠsome kind of transportationâŠdo you know where I might find something?â
âIn Arsul?â He laughs and keeps walking.
She cuts his path off and reaches into the top of her dress.
We close in on Keneâs surprised face.
She pulls out a necklace, holding it up in front of him.
RenĂ©eÂ
âIâll pay.â
His eyes go wide and he grabs it out of sight.
Kene
âAre you insane? Flashing something like that around here?â
RenĂ©eÂ
âWill you help me or not?â
He drags her into an alley and inspects the necklace.
RenĂ©eÂ
âI need to get to Evelin.â
Heâs distracted by the necklace but then fully processes what sheâs said.
Kene
âEvelin? Thatâs seas away from here.â
RenĂ©eÂ
âWhich means we better get going.â
She tries to say it confidently but it does not work.
He stares at her in confusion but then bemusement.
Kene
âIâll take you to Kirth and no farther.â
She starts to object.
Kene
âAnd Iâll get you on a boat that will take you the rest of the way. One where you wonât beâŠyou knowâŠâ
She stares at him in confusion. He stares back in the same manner.
Kene
âWhere did you say you were from?â
âOsreet.âÂ
She's not convincing at all.
âYou know what, I donât care.âÂ
He starts walking and she follows closely behind.
âBut wherever you stole this from, it better not get us into more trouble than weâre already in.â
âI did not steal it!âÂ
Her reaction does not warrant the situation.Â
âSo you come from Osreet? The capital most well known for its shitty farming and you expect me to believe this is a family heirloom?â
She looks like she's going to argue but lets it go and keeps walking.
âUm, itâs this way?â
She turns around stalking off in the other direction.
He keeps walking in the other direction. But calls over his shoulder.
Kene
âYouâre gonna lag behind!â
Sheâs annoyed but runs to catch up with him.
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