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Royal Pigeon

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Visual development for Atlantis: The Lost Empire by Marcelo Vignali

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me running after my pets to see what’s in their mouths

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today’s warmup:

cyberpunk Windblade humanformer

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Billie Lurk

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yabba dabba dook

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Babadook Nukem

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We

Are the Crystal

JAA’Ms

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Cultivate Saplings

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A home where my dragon and riders from previous posts can live!

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Final for our rendering class. We could either redesign a character from our teacher’s game, Moon Hunters, or invent some environment assets. I almost did environments buuuuut I love character stuff and it’s been a long week. This character is the Ritualist, who uses hymn-based void magic, basically.

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One of our two end of term workshops was with Serge Meirinho, who worked on Child of Light. We got to redesign Aurora as a new evil queen and a new young princess for a theoretical sequel, and then we took those designs and did some box art. 

I wanted to do a story where Aurora didn't become DARK when she became evil, but instead became brighter as her rule became absolute and her judgement of darkness harsher. Fig was born from a fruit tree in a graveyard that began to grow when Aurora and the firefly passed by the graveyard early in Child of Light ("don't they know stone seeds won't grow" or something to that effect was said, iirc.) Where Aurora's light is absolute, Fig provides shade and refracts its whiteness into color using the ornamental crystal shield that came from the grave of an old warrior from which the tree that bore her grew.

I recently caught up on Steven Universe and I think that shows through in my big queen/little hero size difference on the box, hahahaa

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cleaned this up a little

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the power in my building went out for a bit today so I used that to go to @synstudio‘s biweekly figure drawing session

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But then the goddess grey-eyed Athena had still more plans.

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Some gestures