#浮世絵

[useyourimagination2020]

月岡芳年 / Tsukioka Yoshitoshi

(via 写真1/3｜“最後の浮世絵師”月岡芳年の展覧会が富山県水墨美術館で、“大胆な構図と鮮やかな色彩”約200点を紹介 - ファッションプレス)

[orchidblack]

Hiroshige, Foxes Meeting at Oji (1857)

[pestpruf]

Consider 葛飾’s 蛸と海女 (Octopodes and the Sea Woman).

“My wish comes true at last, this day of days; finally I have you in my grasp!”

[elenalecart]

Returned to my favorite graphics and Japan. I grew up in a city located between China and Japan, so the influence of Asia could not pass me by. Cartoons, food, clothes and other little things in life were tightly intertwined with "Russian culture".

You can gobble up potatoes with go bao zhou, or snacking on "Korean" carrots , he-he. I miss Chinese cuisine… I'm hungry. Ha-ha))) Thoughts are lost.

I apologize if the signature is unclear and written incorrectly. The first word is my name, Elena. The second, after dot, means forest (LEC in runglish), which is a word composed of the first letters of my last name (L), first name (E), and patronymic (C).

____

"180 days of waiting"

digital art, symbolism, 2025

[whalesfromspace]

Somewhere between the drifting stars and abandoned seaside towns, little black cat, called Noir found his kingdom: a crumbling rooftop, a lukewarm cup of coffee someone left behind, and an endless view of fools chasing imaginary fortunes.

Noir is not bitter. He’s just realistic. He knows that dreams float, but debts sink. That hope is a fine thing — until it asks for rent.

When asked what he believes in, he says: “Concrete. Fish. Naps. The rest is optional.”

Noir doesn’t chase anything anymore. Not luck. Not love. He just sits. Watches. Judges a little. And sometimes, if you’re very lucky (or very unlucky), he’ll hiss you the hard truth you needed to hear.

[atsushifukui]

「浮世絵現代」展

4月22日から東京国立博物館で開催される「浮世絵現代」展に参加します。

...........................................

浮世絵の制作技術を継承する彫師・摺師をかかえる工房兼版元のアダチ版画研究所が現代のアーティストと創造した「現代の浮世絵」を一堂に紹介する展覧会『浮世絵現代』が東京国立博物館の表慶館で開催されることになりました！1970年代から近年まで約50年にわたり制作させていただいた85名のアーティストの木版画約160点をご紹介いたします。漫画家、デザイナー、建築家を始め、様々なジャンルのアーティスト、クリエーターたちと現代の彫師・摺師によって生み出された作品を通じて、現代から未来につづく伝統木版画の可能性をご鑑賞ください。

Exciting news! The Adachi Institute of Woodcut Prints, a printmaking studio where today's artisans bring traditional ukiyo-e techniques to life, is thrilled to present the exhibition "Ukiyo-e In Play" at the Tokyo National Museum's Hyokeikan from April 22 to June 15, 2025. This dynamic exhibition features approximately 160 woodcut prints created through collaborations between 85 artists from diverse fields such as manga, design, and architecture, and Adachi's skilled carvers and printers, spanning from the 1970s to recent years. Don't miss out on seeing how tradition continues to innovate!

『浮世絵現代』@ukiyoeinplay 

＜展覧会概要＞

［会期］ 2025年4月22日(火)～6月15日(日)

［会場］ 東京国立博物館　表慶館　@tnm_pr

[noticiasarquelogicasjaponesas]

Sean Bienvenidos, japonistasarqueologicos a una nueva entrega sintética, en la cual mencionaremos una de las muchas obras de Hiroshige, del cual ya hablamos en una publicación, pero no publique ninguna obra, ahora llego el momento dicho esto pónganse cómodos que empezamos. - Características Año: 1852 - 1858 Título: Itsukushima in Aki Province. Estilo: Ukiyo-e - Espero que os haya gustado os deseo una feliz semana y nos vemos en próximas publicaciones de Japón. - ようこそ、ジャポニスタサルケオロジコスの新しい合成配信へ。その中で、広重の多くの作品の一つを紹介します。その作品については、すでに出版物で話していますが、私は作品を出版していません。今、その時が来ました。そう言って、あなた自身を快適にして、始めましょう。 - 特徴 年：1852年～1858年 タイトル：安芸国厳島（あきこくいつくしま 様式：浮世絵 - お気に召していただけたなら幸いです。今週もよろしくお願いします。また、今後の日本の出版物でお会いしましょう。 - Welcome, japonistasarqueologicos to a new synthetic delivery, in which we will mention one of the many works of Hiroshige, of which we already spoke in a publication, but I did not publish any work, now the time has come, having said that, make yourselves comfortable and let's begin. - Features Year: 1852 - 1858 Title: Itsukushima in Aki Province. Style: Ukiyo-e - I hope you liked it, I wish you a happy week and see you in future Japan publications.

[shisasan]

Tsukioka Yoshitoshi, Yugao Chapter from the Tale of Genji [1886]

[tokyoliveexhibits]

館外展示「出張！江戸東京博物館」会　期　2025年2月22日（土）～2月26日（水）　会　場　東京都美術館　ロビー階第4公募展示室、1階第4公募展示室、2階第4公募展示室（東京都台東区上野公園 8-36）※会場は江戸東京博物館ではございませんので、ご注意ください。休室日　なし観覧料　無料アクセス　JR上野駅「公園改札」より徒歩7分、東京メトロ銀座線・日比谷線上野駅「7番出口」より徒歩10分、京成電鉄京成上野駅より徒歩10分ホームページ　https://www.edo-tokyo-museum.or.jp/news/exhibition-news/39675/visiting-edohaku-2...

[holiovy]

スサノオ

海や雨など、水の運行を司るスサノオが、簸川(ヒノカワ)の洪水の象徴とされる ヤマタノオロチを退治する場面です。

スサノオが自らの荒御魂を鎮圧する様とも、天地や火水など、陰陽のエネルギーの交換を表しているとも解釈できます。

Susanoo In this scene, Susanoo, who governs the movement of water such as the sea and rain, defeats the Yamata-no-orochi, symbolizing the flood of the Hinokawa River. The scene can also be interpreted as a representation of Susanoo's subduing of his own fierce spirit, or the exchange of yin and yang energies, such as heaven and earth, fire and water.

[chezcelle]

Wonder Woman & Superman in Ukiyo-e style, generated with Freepik

[useyourimagination2020]

Ukiyoe kitty

(via 「ハローキティ展」“キティとわたしの50年”をテーマに“史上最多”グッズ展示、東京国立博物館で開催 - ファッションプレス)

[otarulove]

〈本棚から一掴み693〉

浮世絵　菊地貞夫　著

カラーブックス　COLORBOOKS

#マルカ川島商店　#本棚から一掴み

#浮世絵　#菊地貞夫　著

#カラーブックス　#COLORBOOKS

[pestpruf]

Consider 広重's 長久保宿 (Nagakubo Post Town).

[elenalecart]

Just finished a seemingly non-erotic but actually still erotic illustration 😂

Spirals (belt) in wu xing painting denote the element of water (Yin energy, female). The manifestation of the emotions of "Water" is tenderness.

The position of the hands form is a triangle, with the upwards apex, symbolizing the masculine principle, directed towards the blossoming peony.

A blossoming, fragile flower envelops a finger - an allusion to lust, sex. The color of a peony can be interpreted in different ways, red is the color of a joyful event, pink means naive love, bright feelings. The peony itself is associated with wealth, prosperity, but I was attracted to it as a symbol of beauty.

Colors, shape, movement, blush on the body and cheeks, soft lips, a half-open kimono. Yes.

____

"Tomoko Maeda's first flower"

digital collage, 2025

The collage featured an illustration by Yayoi Kusama and on traditional patterns

[whalesfromspace]

Long ago, when the world was still young, it was said that dreams floated freely across the skies and seas. But as humans grew restless and doubtful, the stars of dreams began to fall — sinking deep into the unseen oceans of the world.

To protect these lost dreams, the gods created the Dream Whale (夢想魚), a creature as old as the first breath of wind. Covered in the shimmer of forgotten wishes, it roams the vast night waters, gathering dreams that still flicker with hope.

Only the rare Infinite Dreamers (無限の夢見る者たち) — those who never give up their imagination — are granted the honor to ride upon its back, fishing for stars with lines woven from pure belief.

It’s said that if a Dreamer catches a single true star, their deepest wish will come to life — not through magic, but by reigniting the lost wonder inside their own heart.