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x751206 · 14 days ago

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#異

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na1129 · 2 years ago

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きんようび通信No.６７５📚

２０２３年１１月２４日

▲今年も４０日ほどになりました。年末まで行政交渉や取り組みが立て続けにあり、気が付けば大晦日になってしまったといういつもパターンになりそうです。考える余裕がなくなる前に、２０２３年「今年の漢字」＜１２月１２日（火）京都・清水寺で発表＞を予想してみました

▲一つ目は「戦」。２年続けて同じ漢字が選ばれたことはありませんが、イスラエルによるガザ地区への軍事攻撃がそう感じさせます。報道される映像を見るたびに、胸が苦しくなってきませんか。一刻も早く止めなければ、そのために自分に出来ることを進めたいと考えています

▲二つ目は「増」。物価高による支出増で生活の苦しさが広がっています。国民に期待されていないのに、建設費用が５００億円増額された大阪万博は一刻も早い中止の判断をすべきです。その場しのぎの「増税・減税」で、結局目指すは防衛費増という政治も終わりにしないとい��ません

▲三つ目は「異」。今年の夏の暑さは異常でした。今月・夏日が観測されたのに一気に秋を通り越して冬が来たのも驚きで、急激な変化は心身ともに堪えます。豊かな自然と歴史のある南西諸島での戦争準備は、異様な光景でした。憲法から考えることを定着させていくことが必要です

▲他には、「虎・八・翔」等が上位に入るかも。夢や希望を持ちたい気持ちの背景には、安心して暮らせる世の中であって欲しいとの願いがあります。一人ひとりが尊重される「いのち輝く世界」を作るには、まだまだやることが沢山ありますね。引き続き力を尽くしてしてこうと思います

【今日は何の日⭐️】

【今週の一句📝】

酒飲み🍺🍶🍷川柳

悪すぎる

政治の筋を

変えないと

【今週の歌🎸】

・GLIM SPANKY…Glitter Illusion

１５日に発売となったグリムスパンキーの新しいアルバムから。ライブ行きたいです😆

youtube

【今週のグルメ情報😋】

・辛来飯��カーライス）…地下鉄堺筋本町駅から徒歩５分

研修会の昼食で立ち寄ったお店。スパイシー、ルーおかわり無料、巨大寸胴鍋、当たりでした🍛

【追伸📮】

誕生日まであと５日です。プレゼント🎁、これからどっと届くかな😌

#きんようび通信 #今年の漢字 #戦 #戦争やめろ #増 #万博中止 #物価高 #異 #異常気象 #いのち輝く世界

#きんようび通信 #今年の漢字 #戦 #戦争やめろ #増 #万博中止 #物価高 #異 #異常気象 #いのち輝く世界 #Youtube

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lordofwaifus · 4 months ago

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Priscilla Barielle ❤️❤️

Anime: "Re:Zero"

More on my Patreon !!

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gabbyp09 · 3 months ago

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objectheadzine · 2 months ago

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TRAVEL is our topic for the Object Head Zine 2026 edition! Take a plane to the mountains, sail across the ocean to a different country, take a road trip to grandma's house! Traveling isn't just modes of transportation; it's anything that is usually transported from one location to another. Going to the store is a form of traveling, commuting to work is traveling! ALL submissions will be accepted so long as they follow the guidelines below. Each person has a limit of up to 3 submissions. This will be a DIGITAL ZINE ONLY and will be available free upon completion (donation optional). The guidelines are as followed:

Illustration-quality works in either digital or traditional mediums. Both colour and b/w acceptable; background required. *BG can be as simple as a pattern or colour block! Avoid utilizing a camera to submit your images, please use a scanner.

The default size will be 6″x9″, 300 dpi (1800px x 2700px) but feel free to go larger or smaller, so long as it follows those proportions, within reason. Please work in a vertical format.

For consistency’s sake, keep faces to a minimum (You can have eye(s) or you can have mouth(s) but don’t have both in a humanoid arrangement.

Please go for original characters (or fanart of your friend’s characters).

If you want to include humans, that’s fine as well but keep the ratio of people to object heads 1:1. Same goes for non-travel object heads. If you want to include both travel object heads and humans in your image, make sure the majority goes to travel object heads!

Content should be at most PG-13: Romance is fine but after hours business should not be implied, Blood is fine but no gore. In the end, use your common sense.

Feel free to draw a comic or just an illustration! A comic counts as one submission.

Note that if a submission does not meet the above guidelines, I will either reject your submission or suggest improvements that would help your piece fulfill them. Please email me at objectheadzine(@)hotmail(.)com if you have any further questions and I’ll do my best to reply promptly. If you do not receive a message from me within a few days, please send it again. We’re also available on twitter. Join us as well on the official Object Head Zine discord chat! Click here to be invited into the chat.

Final pieces submitted should be either in PNG or a one layer PSD file format. Also send in your email/website/name you’d like to be credited as. (Feel free to omit emails if that is more comfortable). When you’ve finished your piece(s), you are allowed to post them to your blogs as long as you link back to the zine blog!

SUBMIT YOUR PIECES USING EITHER THE FORM LINKED [HERE] OR EMAILED TO THE OBJECT HEAD ZINE EMAIL (LISTED ABOVE). DO NOT SUBMIT TO BOTH.

Feel free to sign up for the mailing list if you want to keep up with object head zine related updates.

THE DUE DATE FOR SUBMISSIONS IS OCTOBER 8TH.

#object head #object heads #object head zine #objecthead #objectheads #objectheadzine #異形頭

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ponlypone · 2 months ago

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REACHING THE UNREACHABLE

Reinhard has been alone, shouldering the extremely heavy burden of defending the world against the threat of the world. It has been said to be an otherworldly intense battle; sure, it’s hype as hell, but Tappei has yet to delve further into Reinhard’s current mental state/point of view (understandably so, because as described, Reinhard is completely absorbed in the task, and it might not be the focus rn). So as a fan, in advance, I’d like to give it a shot with my own interpretations based on what sensei has cooked (because I care a lot about my fav chara(s)’ psychology. Definitely can be proven wrong in the future tho HAHAH).

Wanna peek at what was in my brain when I drew this? I got you.

1. Reinhard vs. Witch of Envy (Satella)

- “His arms had been torn to shreds and into ribbons.”–––I really want to emphasize the gravity of his current physical condition, so I’ve been putting efforts into showing how fucked up his arms are.

- He has been swinging his sheathed sword to block off Satela’s attacks “10-20 times a second until his sweat and blood left his body as steam.”–––How tf can I draw this without making the art an absolute blur. I lack the skill to nail this bruh, but at least I wanna show how locked in bro is and how immeasurably overwhelming this situation is.

2. “A Sword Saint never loses.” –Young Heinkel

Y’know, I’ve always been wondering, why can Reinhard have such a sturdy, unwavering mentality in his role as a Sword Saint? And from the very latest chapter, it confirms something to me. Maybe aside from that he is feeling responsible for his grandma’s death; it’s because of this,

“Because the Sword Saint can’t lose. That’s what Father said.”

––Child!Reinhard to Wilhelm.

As far as I can gather, Reinhard did really respect and love Heinkel, so these words coming from his respected figure must have ingrained themselves in his brain so much to the point that they fueled his mentality to be as fixed as it is now. Emphasized, even to this day, Reinhard still seriously cares about Heinkel; that’s why I drew the panel getting brighter to the flashback image, as, in my opinion, Heinkel’s words are still as clear as the day to his current self.

An extra note from Tappei’s Q&A I found on his Twitter: Sensei said the times Reinhard spent with Heinkel when he was still a good dad were one of his happy moments from the past. That’s why the nuance has to be bright.

3. Reinhard drowning and chained down

Reinhard’s burden has always been heavy, but this time it’s extremely heavy. Though, it’s his duty as Sword Saint, and he has always been the type who is so resigned to fate. That’s why I drew him resigned, with no struggles whatsoever to even break free from the chains binding him. He kept sinking deeper because those chains are connected to these heavy burdens from the world that are not getting any lighter (they become worse instead). His arms are floating upward not because he is trying to reach out to Felt or anyone (emphasizing how he never asks for help), but simply because he doesn’t put any energy on them, so they naturally float due to the sea’s nature.

4. Felt reaching out to Reinhard

Heavily referenced from [Arc 9, Chapter 18 – “A Hundred Times More Troublesome”]

Felt has voluntarily offered the Sword Saint aid in facing Al in the ways she can. She is not helping him fight Al head-on, but she offers herself as his second backup, a safety net just in case Reinhard is taken care of and things are fucked (and they were!). Referencing that specific scene, I wrote, “––Those hands that tried to reach him.” and drew Felt stretching both of her palms because she did place both of her hands on his cheeks. Reinhard knew about this help, as it was offered before he went off to the battlefield. This is something he is aware of, which he appreciated (as he was amazed by Felt’s efforts); that’s why I drew him locking eyes with her, but at this point? He is basically occupied in a task of another realm nobody can step into; that’s why I drew his expression as a complete resignation with no hope placed on the other.

Felt, on the other hand, is as determined as ever (since, from what I’ve read, she hasn’t shown any sign of yielding). However, even her great efforts alone are far from enough. Even worse, she was held hostage as Al kept marching on with his plans. She, too, failed in stopping the bro with the cheat code. Thus, the white lines around her neck are Yae’s threads, the ones that kept her from escaping, and let’s just say that I think the close contact it has made with her skin has grazed it a bit; therefore, the faint smear of blood is especially noticeable since this is metaphorically underwater.

5. Flash image of the people that have bonds with Reinhard

I think it’s important to include them too because they are people who care for him to varying extents.

Honestly, I have only read EX 4 so I hesitated to put Ferris in … but he did look so happy when he chatted casually and had a drink with Ferris and Julius, and they seemed rather close in their times as royal guards, so yeah, I think bro deserved the ‘friend spot.’

I don’t think I need to explain his bond with Subaru. Y’all know that already.

JULIUS… DAMN IT… I totally forgor that he is STILL forgotten. Well … can’t defend my careless ass here… Let’s just say this is a little treat for bro who has gone through so much (Besides, Reinhard acknowledged, ‘Oh ya based on yall’s reactions, I believe this bro was supposed to be my bud!’) but I still think it’d be cooler if he were featured with his face glitched here (too late for me to fix rip). Anyways, I personally think Reinhard is closer to Julius than he is to Ferris. When I read them conversing, I feel like they share a similar wavelength too to some extent—maybe due to both of them having the same career and chivalry.

The people on the right—guess those who have never read the side stories won’t know. They are Carol and Grimm, the old couple who are friends with Wilhelm and Theresia and serve in House Astrea. They have been mentioned to love and care for Reinhard, and Reinhard, in return, also cares for them. They seem close, and Reinhard can act natural with them. I believe they are the ones who have been taking care of him in the absence of his family. (Maybe this kinda answers my other wonder: How can Reinhard grow to be a decent dude without anybody taking care of him? It is also mentioned in one of the side stories, ‘Reinhard has never felt abandonment’. Ah. So it might be thanks to this old couple, after all). So ofc a special spot is reserved for them!

The twins on the front are Flam and Grassis, Carol and Grimm’s granddaughters. They are also House Astrea’s servants, placed in the Astrea Family Main Residence. Reinhard had been taking care of them since they were babies, he mentioned in one of the side stories; they are already like his sisters to him; in return, these two also care greatly for their Young Master (though on usual occasions, it’s not expressed obviously).

6. Wilhelm come to rescue

Heavily referenced from [Arc 9, Chapter 28 – “A Passage of Legend”]

Wilhelm has once again made an epic comeback; ‘to turn the [Sword Saint] back into a human.’

Basically, from what I grasped, he is trying to do what he did to Theresia (taking off the Sword Saint burden) again, but this time, with Reinhard. And ho boy, he has been fighting like hell; that’s why I want to emphasize the thick blood smearing around him because he has been described as injured. Like a lot.

One of the many chains has been broken––that’s because at [Arc 9, Chapter 26–”Sword Demon vs Crimson Sakura], he has successfully defeated Yae, which naturally followed with securing Felt’s, Reinhard’s master’s safety. Yae herself is Al’s accomplice, so I depict it as one of his ways of severing one of the many problems burdening Reinhard.

But in general, I look at Wilhelm’s desire and good intent as something that’s worth the acknowledgement to break one of Reinhard’s chains, and of course it’s only one and far from significant. I also want to emphasize the huge distance between them, as he is still far from reaching Reinhard (because I don’t want to sugarcoat the little achievement compared to the grave situation), but still, the effort counts. And this is something Reinhard is unaware of, as he is too occupied dealing with what’s in front of him; that’s why I drew the previous panel of him casting his eyes down, almost completely closing them, as if resigning to the possibility that no one could have saved him and that is ‘fine’.

Why I used the word “Another sword” because again, Wilhelm is trying to ‘save’ the person dear to him with his sword instead of words. Also, I wrote “another” because I have used the first word of sword to describe Dragon Sword Reid, the one to carry on the world's duty, meanwhile, this sword Wilhelm is using is Trias, the one to carry on his own purpose.

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