#的世界
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msvhs · 1 year ago
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First Love: The Litter on the Breeze/初纏戀後的2人世界, dir. by Eric Kot Man-Fai (1997)
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ranfused4ever · 2 months ago
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Rules of my World rehearsal
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El clan Nanbu tenía un fuerte. ¿Qué es un daimyō? La gama que los samuráis ganaron más poder son los señores feudales, el sitio histórico de shojujitate fue la residencia del clan Nanbu, construido en la orilla norte del río mabuchi en la prefectura de Aomori. Estaban ubicados en el punto estratégico de comunicación. - Sin embargo, el castillo estaba cerca de los caminos oshu kaido y kazunokaido, el lugar estaba limitado por montañas al este-oeste y norte-sur, los 300 a 250 m la dimensión del fuerte era de aproximadamente 90.000 metros cuadrados. Como resultado de la excavación que el arqueólogo llevó a cabo hasta el edificio de pilares del escape más grande de la región de tohoku, se extiende 18 tramos de 36 m de norte a sur de 42 m, la estructura ha sido de dos pisos de altura y los pilares de la puerta de 45 cm la fecha del castillo de 1539 en la era de Teherán. - Cerámica de alta calidad y artefactos culturales honshu Ainu, se han recuperado más de 4000 tipos de cerámica vidriada medieval dentro del sitio, de los cuales siete décimos son guerras vidriadas chinas. - En resumen, la forma en que se puede discernir a partir de los elementos recuperados en los restos de shojujitate datan de la cultura del período Murumachi y Sengoku en Japón. - - En resumen, la forma en que se puede discernir a partir de los elementos recuperados en los restos de shojujitate datan de la cultura del período Murumachi y Sengoku en Japón. - 南部氏には砦がありました。大名とは?武士が勢力を拡大した範囲は領主領であり、青森県の馬渕川北岸に建てられた南部藩の居城であった正寿寺立史跡は交通の要所に位置していました。 しかし、城は奥州街道や鹿角街道に近く、東西南北は山に囲まれた場所でした。 300 から 250 m の砦の寸法は約 90,000 ��方メートルでした。 18スパン36m南北42mに及ぶ東北地方最大級の脱獄の柱建造物を考古学者が発掘調査した結果、2階建てで門柱45cmの城郭時代の1539年テヘラン時代。 高品質の陶磁器と本州アイヌの文化的遺物、4000 種類以上の中世の釉薬を使った陶磁器が遺跡内から回収されており、そのうち 10 分の 7 が中国の釉薬を使った陶器です。 手短に言えば、正寿寺立遺跡の出土品から、室町時代と戦国時代の文化が日本に伝わる様子がわかる。 - The Nanbu clan had a fort. What is a daimyo? The range that the samurais won more power are the sir feudal, the shojujitate historic site was the residence of the Nanbu clan, built in the north bank of the mabuchi river in the Aomori prefecture were located in the strategic point of communication. However the castle was near the oshu kaido and Kazunokaido roads, the place was limited by mountains to the east-west and north - south; the 300 to 250 m the dimension of the fort was approximately 90.000 square meters. As a result of excavation the archaeologist conducted to the pillar building of the largest escape of the tohoku region extending 18 spans 36 m north-south spans 42 m, the structure has been two stories tall and gate pillars 45 cm the castle date of 1539 in the Tehran era. High quality ceramics and honshu Ainu cultural artifacts, more than 4000 types of medieval glazed ceramics have been recovered from within the site of which seven tenth are Chinese glazed warres. In short the manner it can be discerned from the items recovered at the shojujitate remains date Murumachi and Sengoku period culture to Japan. ソース写真/source photo: https://www.town.aomori-nanbu.lg.jp/page/1543.html
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hakuaryouga · 8 months ago
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仮面ライダーエグゼイド (2016) Episode 3 Subtitles by EXCITE! Subs
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thefeastandthefast · 4 months ago
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Some light fireworks, some chase the night wind   Borrow a ray of time, cup a studded sky     Pause a moment, wait awhile Don’t rush away The dreamer has dreamed one worthy of my praise
The world gifts me insectsong, gifts me thunderbolts Gifts me a crescent moon, gifts me the evening stars Gifts me a bout of illness and windchimes and recovery Gifts me a bout of emptiness and the slow fullness of real love
Some sing love songs, some listen for evening bells Borrow a bit of ignorance Startle and roil the waves Hurry, give chase, the passion high Good stories grace good people Heaven-sent gifts
The world gifts me all to have, gifts me favors to return Gifts me a little window and gifts me a roof Gifts me a name and the slow fullness of age Gifts me a poem and its quiet reading in the calm
Some wish to look back, some to look forward Borrow a white petaled cloud Snap a photo with the group Think on it, ask yourself and not around Those who have gone have traveled far May they All be at peace.
有人放烟花 有人追晚风 借一缕时光 捧一片星空 停一停 等一等 别匆匆 造梦者造了好梦 值得我称颂
世界赠予我虫鳴 也赠予我雷霆 赠我弯弯一枚月 也赠予我晚星 赠我一场病 又慢慢痊愈摇风铃 赠我一场空 又渐渐填满真感情
有人唱情歌 有人听晚钟 借一丝懵懂 惊一片翻涌 追一追 赶一赶 情正浓 好故事眷顾好人 天赐的恩宠
世界赠予我拥有 也赠予我回敬 赠我小小一扇窗 也赠予我屋顶 赠我一个名 又渐渐长大的年龄 赠我一首诗 又悄悄读得很安静
有人要回望 有人要憧憬 借一朶白云 拍一张合影 想一想 问自己 莫打听 远去者去了远方 愿他 都安心
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fouryearsofshades · 1 year ago
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Hi! Do you mind going over the new IVE mv and the aspects of Chinese culture in it? I did my own research, and I think most things cnetz are like upset about are borderline also in kr culture (I'm a bit sceptical by their knot choice tho), EXCEPT for the tuanshan! Which I'm pretty sure is chinese only. Thankyouu
Hi.
Yes I mind. I am not into kpop but I look up that video and the first thing I saw is that smoking tube which I hate (it is a signature Orientalism pose). I will not spend my holiday looking at things that I don't like and write analysis in proper English to explain in anger. From the half of minute or so the video I watched the whole aesthetic (the colour choice, the style of the hills and clouds etc.) was just very "guochao". I don't know what "Korean traditional culture design in modern" in Korea looks like now but that vibe just scream China for Chinese citizens. Even you have noticed the knot and tuanshan.
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mementoboni · 20 days ago
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新世界狂歡 三週年原畫展 Neon Carnival -Neon whispers- (part 3-1.) Eiden's desk
part 1. / part 2. / part 3. / part 4.
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fayewongfuzao · 5 months ago
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[2025.01.22] Faye Wong sings special single for the CCTV Spring Festival Gala: 'What the World Gifted Me"
On January 22nd, CCTV's Spring Festival Gala and Faye Wong jointly released a special single "What the World Gifted Me". The official Weibo post said: "When we gaze at the world with gentle eyes, the world will sincerely respond to all of life's questions and gift us all the warmth and beauty. CCTV's special single for the Spring Festival Gala in the Year of the Snake, Faye Wong sings "What the World Gifted Me" with full blessings and love for everyone.
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roscvcins · 4 months ago
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@misericordiis asked : Duende -Sylus for Tangtang! - Send me a word and a character/series/pairing and I will write a drabble (accepting!)
Duende - Unusual power to attract or charm.
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The question has surfaced before. Though she's been spared the hounding of concerned relatives thus far seeing as there's her unmarried brother past the age of thirty on whom to offload the heat - she's certainly still been made to consider in some capacity, now and again, with what kind of person she might end up spending the rest of her life. Tang Sanyue has always known and been able to articulate exactly what she wanted, incredibly stubborn from a young age and quite capable of persuasion at length. And so it is perhaps uncharacteristic, that she had as of yet no detailed thoughts on this particular matter - and so one day's answer varied from the next.
There isn't a type, a metric that particularly interested her - and each would-be matchmaker left confused and blindsided in its wake. Through it all she hardly stopped to concern herself, unhurried and unbothered. It isn't that she means to be blithe, or even that she finds the idea of sitting down and imagining a perfect vision of a future tedious - only that she deems setting a strict criteria to be superfluous. Such a thing can hardly ever happen as one expects anyhow.
And Sylus certainly fits this assessment, by most accounts.
It's unusual, for her. He's certainly charming - but it's generally agreed upon by those who know her that she's a sensible young woman, and a sensible young woman would've heard alarm bells in her head from the very first moment. A sensible young woman did not steal away regularly in the middle of the night with a man who proved just as bloody and dangerous as his wanted posters imply - which is to say, as a development in her quiet little life, he'd been unforeseen, entirely unpredictable even to her own open mind, the last person she might have dreamt up for herself once upon a time.
She does so like being right.
But fearlessness is something born out of capacity, after all - during their first, less than auspicious meeting, Tang Sanyue thought perhaps overly confidently that on her ground, her odds were low but not impossible should it come down to a fight. More problematic had been the patient her hands were busy with in that moment - but comically in retrospect, when she had looked up mid-suture to meet crimson eyes that night, her first and instinctive reaction hadn't been fight or flight.
Rather, it was the unusual and unfounded daring - an intuition that she's already won the gamble - that had her ordering him out if he's dead set on undoing her work, since his business is no reason to tarnish the credibility of hers. The same unfounded daring that had her casually and increasingly familiarly needling him into position every time after that he'd presented himself to her to be worked upon at the clinic. The same unfounded daring that made her open the door before she even passes the whole of it for consideration through her brain when he has no reason to be at her front step other than to see her.
Out of the blue, he appears, and out of the blue, she decides on him.
It reminds her a little of a dance, a push and pull that draws them closer, closer. It's interesting how it seems to her that she always leaps a little too fast, agrees a little too soon, like by instinct and intuition her heart was made up.
She doesn't know if there are words to describe the reasons behind it. Only that she dares to sink into natural familiarity - to present a lollipop, a promise of dinner, a gentle scolding, a rap on the wrist - and Sylus dares to play along. Only that he dares to hold out his hand for her, looking directly with the faint amusement and challenge that seems to always glimmer in his eyes - the barrier between them long crossed, left behind - and she dares to take the silent invitation.
Or maybe, fate is a funny thing. It may be as simple as that.
There are idle days when she has a lazy hour or two to think about this, secretly awake after he tucks her up for a mandatory nap after she overdoes it at her night job. She may not be able to sneak away with her warden right next to her, but she's perfectly able to squint at the window and watch the glimmers of dust caught in the slanting afternoon sun. The niggling thought unable to leave her alone before she manages to turn it inside out. She could not have imagined him, and yet he expands and fills and takes over nevertheless. He takes up the space beside her as if he had always been the secret answer she had written down and merely covered up, hidden away until the moment of the reveal. She's resistant to overanalyzing something that doesn't need fixing, but it is curious and new to her.
And, Tang Sanyue knows - her grandfather asks difficult questions. When it comes time for him to meet her family, there will be a 'why,' after a scrutinizing once over, a question she'll finally have to give a satisfactory answer for. It does not, of course, occur to her in this moment that the trajectory of her course has irrevocably shifted to become a universal timeline in which Sylus is nearing permanence as a fixture in her life and she's taking him home, nor does it occur to her that she's already dedicating her tricks to making sure it goes well, her plots tinged with protectiveness. That even she, so avidly against overthinking, has fallen into the details, jumped the gun again.
Rather, she considers continuously, seriously - is it that she likes the unpredictable? In a pathology, in life - in him? Or, is it only that she has simply decided to trust him first?
He'd been magnetic from the start, yet contrarily reassuring, a paradoxical state that made her feel safe to go beyond simply being relaxed and fall straight into living a little dangerously. Maybe she trusts him before she really knows why - but it's never been unwarranted. She supposes in a way he did the same with her, and one day she'll get curious enough to wonder if he ever thought so much about it. But it's nice, when her head is so full, to rest her cheek against his arm and actually drift off, knowing that when she wakes up, it will be to the even breaths in whose soundtrack she had dreamed.
For every moment they spent being less than ordinary, there is also this. Him patiently pulling her from her papers and half-finished energy drinks. Wrapping her back into the cocoon when she inevitably overheats and kicks off the blanket only to become cold again in the middle of the night. The way his face relaxes and softens and smooths out from its usual decisive expressiveness in the event she wakes first and steals a few unnoticed minutes to trace the shapes of his features with her gaze. The smell of eggs in the morning - or at night, or whenever. Walking to the market at sunset and piling all the fruit from her haul into his arms with a grin and then having to roll her eyes back when he flexes said arms and looks at her in the particular way that she knows to be making his point. Getting wildly distracted in the kitchen.
The way she always feels courageous - even more than usual - in his presence.
She jokes more than once while stitching him up or scolding him to keep healthier hours that she likes that he behaves so well. But really, it's that in movement and in stillness, in the day or at night, whether it's bullets and bloodstains on the carpet or the warm glow of the entryway lights and the smell of coffee - Sylus never fails to meet her.
So, maybe, the question is wrong and it isn't "why." Maybe the answer she has turned over in her mind again and again is very simple when considered on its own: he will always give her the courage to take his hand, in any context and at any time, so - how can she not, without hesitation, every time?
(It isn't so unusual after all, she decides in the end.)
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visual-diary-of-hiei · 6 months ago
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長い白蛇に巻きつかれる女の子 A girl being wrapped by a long white snake.
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moko1590m · 9 months ago
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民主主義が形骸化して(あるいは元々)、富の偏在が放置され・進行している国々の世襲富裕層同士が国際的なネットワークを形成して体制(富の偏在)を固定化(促進)していこうとするのは当然の動き
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11013fsfo · 2 years ago
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indygo-99 · 11 months ago
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Cybertown (1995)
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idiotprodigy · 2 months ago
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要是我教英语那可太好笑了,谁看我逆天的英语成绩都想不到我分不清主谓宾定状补
:老师第一题选什么?
:你过一个灵感吧,答案是D
:为什么
:我*感觉*到的
我们语感选手有种天人感应8见微知著2,智力80教育10的美感
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Sean bienvenidos, japonistasarqueológicos a una nueva entrega en esta ocasión os presento a otro arqueólogo que excavó en el yacimiento del Toro en la arqueología de posguerra. - En la publicación anterior comentamos, que era la arqueología de posguerra, mencionamos el milagro japonés y de cómo tras la guerra japón supo reponer sus heridas con cierta rapidez y el yacimiento del Toro es un testimonio de ello. En esta publicación, el personaje en esta ocasión se trata de,Takeji Kikukawa Nacido en 1932, que corresponde a la era Showa. - Fue estudiante de la escuela secundaria Fujieda Higashi localizada en la prefectura de Shizuoka, se dedicó a los periodo yayoi y Jamón estudiando su cultura material, sobre todo la cerámica del periodo yayoi y las pesas de piedra del periodo Jomon. - Espero que os haya gustado y nos vemos en próximas publicaciones que pasen una buena semana. 日本の考古学者たちよ、戦後の考古学で登呂遺跡を発掘したもう一人の考古学者を歓迎しよう。 - 前回は戦後考古学について、日本の奇跡と戦後日本がいかに早く立ち直ったか、そしてエル・トロ遺跡がその証であることをお話ししました。今回の登場人物は、1932年生まれの菊川武治である。 - 静岡県立藤枝東高等学校に在籍し、弥生・縄文時代の物質文化、特に弥生時代の陶磁器や縄文時代の石錘の研究に没頭した。 - それでは、また次回もお楽しみください。
Welcome, Japanese archaeologists, to another post-war archaeologist who excavated at the Toro site in post-war archaeology. - In the previous publication we talked about post-war archaeology, we mentioned the Japanese miracle and how after the war Japan was able to recover its wounds quite quickly and the site of El Toro is a testimony of that. In this publication, the character on this occasion is Takeji Kikukawa, born in 1932, which corresponds to the Showa era. - He was a student at Fujieda Higashi High School in Shizuoka Prefecture. He was devoted to the Yayoi and Jomon periods, studying their material culture, especially the ceramics of the Yayoi period and the stone weights of the Jomon period. - I hope you enjoyed it and see you in future posts have a nice week.
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