#회수

[samsongeko1]

당신도 진정으로 없는 자들을 살릴 생각은 없는거 같고, 새로운 정권하에서 내가 없는 자들 만명만 부자로 만들련다.. 그 북한과 직접 대화하게 전작권이나 반드시 찾아오신다...

[adshofar]

미얀마 전역 휴경지 회수 조치

[애드쇼파르] 2024년 7월 10일 제 14차 미얀마 휴경지 관리위원회 회의가 개최되었다. 미얀마 휴경지 관리법 (Vacant, Fallow, and Virgin Lands Management Law) 발효이후, 관리위원회는 개인에게 2,741,279에이커 토지 사용 허가를 하였으나 일정 기간이상 사용하지 않은 미얀마 전역 휴경지 총 15,993.64에이커를 회수 조치하였다고 한다. 관리위원회 위원장 겸 방장관 U Min Naung은 토지세 면제 기간이후 연간 토지세 징수에 대한 중요성을 강조하고 불성실한 토지세 미납 사용자들에 대한 법적 조치 강화와 보증금 압류 조치를 하도록 명령하였다.

[naverid58]

경제성장을 주도하는, 계정 판매 사이트의 성공 전략

서론: 계정 판매 사이트는 현재 경제성장을 주도하는 중요한 요소 중 하나로 인식되고 있습니다. 이러한 사이트들은 온라인에서의 계정 거래를 촉진하며, 사용자들에게 경제적 가치를 제공함으로써 경제성장에 기여하고 있습니다.

성공 전략:

다양한 ���비스 제공: 계정 판매 사이트는 다양한 온라인 플랫폼에서 사용되는 계정을 제공합니다. 게임, 소셜 미디어, 온라인 커뮤니티 등 다양한 분야에서 사용되는 계정을 판매하거나 구매할 수 있도록 다양한 서비스를 제공함으로써 사용자들의 다양한 요구를 충족시킵니다.

신뢰성과 안전성 보장: 성공한 계정 판매 사이트는 사용자들에게 신뢰성과 안전성을 보장합니다. 이를 위해 거래 과정에서의 보안 시스템을 강화하고, 사용자들 간의 신뢰를 쌓는데 주력합니다.

마케팅 및 홍보 활동: 계정 판매 사이트는 적극적인 마케팅 및 홍보 활동을 통해 시장에서의 경쟁력을 강화합니다. 이를 통해 사용자들에게 사이트의 존재를 알리고, 신규 사용자들을 유치함으로써 성장을 이루고 있습니다.

사용자 경험 개선: 성공한 계정 판매 사이트는 사용자 경험을 개선하는데 주력합니다. 이를 위해 사용자들의 피드백을 수집하고, 사이트의 기능과 인터페이스를 지속적으로 개선함으로써 사용자들의 만족도를 높입니다.

미래 전망:

성장과 발전: 계정 판매 사이트는 온라인 시장에서 계속해서 성장하고 발전할 것으로 예상됩니다. 사용자들의 요구를 충족시키는 다양한 서비스를 제공하고, 신뢰성과 안전성을 보장함으로써 더욱 큰 성공을 이룰 것으로 기대됩니다.

기술 혁신과 함께: 계정 판매 사이트는 기술 혁신과 함께 발전할 것으로 예상됩니다. 더욱 효율적인 거래 시스템과 보안 기술의 발전은 이러한 사이트들의 성공을 더욱 촉진할 것입니다.

결론: 계정 판매 사이트는 경제성장을 주도하는 중요한 요소로 인식되고 있으며, 다양한 서비스 제공과 신뢰성 보장을 통해 사용자들의 만족도를 높이고 있습니다. 미래에는 기술 혁신과 사용자들의 요구를 충족시키는 더욱 발전된 서비스를 제공하여 더욱 큰 성공�� 이룰 것으로 기대됩니다.

[ineffable-opinions]

BL “Censorship” & Commercialization

Content: 1. ubiquitous censorship - special focus on Japanese BL 2. commercial viability of live action BL & generalizations 3. solutions - special focus on state support of Thai BL 4. [update state-supported production of Love in the Big City series]

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Censorship is a sensitive topic. I have tried my best. Please feel free to comment and critique.

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History of Korean BL is one of censorship and commercialization and Korean fu-people has struggled against both. There have been different victors at different points in time. Aljosa Puzar’s "BL"(Boy Love), "GL"(Girl Love) and Female Communities of Practice and Affect in South Korea chronicles that struggle. (Highly recommended.)

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I have tried to problematize BL commercialization before. But that was in the context of fu-culture and the commodity fetishism associated with the consumption of BL, particularly in live action form which is probably its most capitalist rendition for many many reasons.

Here I would like to look at it from another angle: censorship. This is a continuation of my earlier post (Why so many shonen ai live-action?) motivated by the live action adaptation of ‘조폭인 내가 고등학생이 되었습니다’ (I, A Gangster, Became a High School Student) by 호롤 (Ho Rol).

The live action has jumped genres switching from BL to 판타스틱 휴먼 드라마 (lit. fantasy human drama). This switch got it tagged as ‘Censored Adaptation of Same-sex Original Work’ on My Drama List. I personally don’t like that tag. Almost all BL adaptation is a censored adaptation, with notable exceptions like Sei no Gekiyaku. But no one uses that tag for, say, 25 Ji, Akasaka de (2024) which censored all sexual content, especially from the volume 1 of the manga which was critical to the story and the couple’s development in the original manga series’ and its multiple adaptations’ popularity. Sukiyanen Kedo Do Yaro ka (2024) went as far as removing the more sexual second couple from the live action adaptation all together, yet it does not get a "censored" tag.

An interesting question that the controversy surrounding High School Return of a Gangster (2024) has sparked is that of BL media’s commercial viability, especially in live action form. Here’s what producers told the Korean newspaper, Hankook Ilbo, about the genre-jumping:

"BL 장르는 제작비 투자나 리쿱(제작비 회수)에 한계가 있는 게 사실이다. 그러다 보니 처음부터 이 작품은 브로맨스로 해보고 싶었다"

��The BL genre is limited in terms of investment in production costs and recoup (recovery of production costs). So, from the beginning, we planned it as a bromance (beulomaenseu).”

The author of this article cites examples of works that enjoyed success on OTT platforms, namely Watcha’s Semantic Error and TVing's Unintentional Love Story (2023). However, the article also highlights the fact that BL continues to be a niche genre and live action adaptations don’t guarantee success.

이성택 (Lee Seong Taek), the director of High School Return of a Gangster, previously directed the BL Love Class (2022). The producer 넘버쓰리픽쳐스 (Number Three Pictures Co., Ltd.) have BL works like Unintentional Love Story under its belt.

'Unintentional Love Story' Director Jang Eui-soon (장의순) | source

If the producer of one of the two most popular live action BL is admitting to it, then it is not easy to dismiss the issue of commercial viability of live action BL.

Very famous BL publishing houses (starting with JUNE) and hosting platforms with relatively lower expenses have struggled. Some of them are no more. It is also difficult for authors to survive merely on earnings from publishing houses and hosting platforms, especially when those platforms are not very rich. So, it is not difficult to imagine that live action production houses also struggle to survive.

Take GMMTV for example. They are probably one of the most successful BL producers. According to their managing director, BL content (series) is not a profitable business in itself. They rely on khujin (branded pairs) of actors to bring in advertisement revenue, merchandize sales, and pull crowds to concerts and fan-meets. It is not enough for actors to just act. They are expected to sing, dance and perform. Meanwhile, GMMTV is forced to keep working with these actor pairs and stick to templates that suit them. While it works for now, it remains to be seen how long the business model can last.

Now there is also investment from Mainland China that has migrated to other BL producers following dangai ban. But those who invest already burned themselves pretty bad with all the money they poured in during the short-lived but explosive dangai boom. It is sunk cost at this point. Another crack down could be the death knell for Chinese investments in BL. 

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More generally, it is likely that commercial viability of a live action BL project hinges on the following:

#1 Target demographic

Like all other BL content, live action too is primarily targeted at fu-people (BL audience) – both queer and non-queer. The target demography is further sub-divided based on the type of BL and purchasing power.

Sweeter ones are supposed to appeal to all ages and that’s the area Thailand and GMMTV in particular are focused on. Most of Japanese BL series are sweet. Korea too produces sweet BL. However, they are unlikely to bring in explosive success the way odo BL (those following royal road narrative progression – wherein characters face significant challenges, interpersonal or otherwise, to reach happy ending).

Older and, perhaps more hard-core fans, are likely to support jado works (BL that follow the evil path where neither happy ending nor resolution to challenges are guaranteed) with surprising frequency. This might be partly due to the erotic content in jado works.

Purchasing power of BL fans vary widely. There are those who are

“sending gifts to their actors in Thailand, sending food trucks to their shooting locations, putting up billboard advertisements and doing charity events [as well as] ordering merchandise in bulk.”

They also travel to BL producing nations [on fan pilgrimages] and attend fan meetings, concerts and other events regularly.

(Source: The Print)

The other group of BL fans who are probably younger and/or can’t afford to show support in the above-mentioned ways. BL commercially benefits from being appealing to those with higher purchasing power.

#2 Popularity of original work in case of adaptation  

Popular BL novels, manhwa, etc. bring in a set of fans who are interested in the live action. Longer and more-acclaimed works are likely to ensure success of the live action given decent making and reasonable changes during adaptation. Semantic Error is a case in point. However, missteps during adaptation can have the opposite effect.

#3 Cost of production

It is difficult to get investment in the first place, especially with how niche the genre is. Moreover, higher cost of production sets the bar for success higher too.

On the other hand, high production quality and better cast and crew (likely more expensive too) makes the viewing more pleasurable and increases the likelihood of success.

There are other factors which influence the success of BL producers. The most popular BL live action from China, Addicted, was produced by the author, Chai JiDan, with a tiny budget. Its dangai family drama remake, Stay with Me, also has an interesting producer.

Source | Mame with her Japanese fans

Orawan Vichayawannakul’s MeMindY is another BL author led production company that has enjoyed considerable success.

OP Pictures’ entry into BL genre has also been successful.

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Solutions

#1 Let’s start with the worst

BL as money laundering vehicle. It is probably the most obvious, sort of win-win until it isn’t. Sustainability depends how much skin the ruling class have in the game.

#2 State sponsorship

(or better yet, tax payer supported BL production)

State sponsorship is what Thailand has perfected.

source | 2023 seminar on "Beyond Borders: Exploring the Global Appeal and Diversity of Thailand's Boys' Love Contents" by 9 companies from Thailand organized by Department of International Trade Promotion under Thailand’s Ministry of Trade.

The eleven speakers, including an official from the Office of Commercial Affairs, Royal Thai Embassy in Japan, vigorously pitched partnerships with Japanese content companies [at the above-mentioned seminar.]

Also, several of the companies pitching at the seminar, such as Star Hunter Entertainment […] were plumping for BL not as a niche product but rather a core element of their corporate strategy.

Halo Productions representative Tewarat Supunnium [trumpeted] the vertical integration of his company, from talent representation to contents distribution.

source

Thai BL has been big hits in China, South Korea, Japan, India, Indonesia, the Philippines, and beyond, which has motivated Thailand’s government to ‘deploy Boys Love as its latest soft power weapon to promote the country on the global stage’. In an article published in The Nation, BL director, Bundit Sintanaparadee, explains how that affects production.

He pointed out that the international popularity of Thai shows can boost tourism and generate interest in the featured locations – a vital aspect of soft power. The government can facilitate this process by providing support and streamlining the bureaucratic obstacles to filming in attractive locations like Bangkok’s Chinatown district of Yaowarat.

Filming in iconic places such as Yaowarat can be costly and complicated due to the need to coordinate with multiple government agencies and pay location fees. Bundit said the government could simplify the process to benefit not just filmmakers but also tourist revenue in the locations.

Bundit also cautioned against a top-down approach to soft power, where the government dictates what represents Thailand on the world stage. He emphasises the need for industry professionals to have their say.

source

In a 2022 article, Bangkok Post explores the impact of BL on Thailand’s economy ‘as export products that can draw lucrative revenue streams and foster business opportunities in other areas, including tourism.’

[According to government estimates from 2021,] Thailand's Y content market was worth more than 1 billion baht... In June that year, the Department of International Trade Promotion held an online Y content business matching event to boost the industry, with the participation of 10 Thai content creators. More than 360 million baht was generated from the purchase of the Thai content, with the top three buyers coming from Japan, Taiwan and Vietnam.

Noppharnach Chaiyahwimhon, GMMTV's senior director of content production, said [that the] business ecosystem linked to Y Series in Thailand shows a growth of 30-40% per year. [He also said that] Y Series can also be a boon for other businesses, such as films, artist management and merchandise. [He mentioned] Y Series from Thailand [getting] translated into several languages [and one of their Y Series having received theatrical adaptation in South Korea.]

[According to] Kanokporn Prachayaset, chief commercial officer and country manager of WeTV Thailand, … Y Series from Thailand is one of the most popular content genres on its platform. [Half of all the BL content on the platform was Thai.] WeTV [was] sourcing Y Series from Asia as well as having its own WeTV original shows by working with various local production houses, such as GMMTV, TV Thunder, Dee Hup House, M Choice Studio and All This Entertainment. [She also highlighted the contribution of the fan base, which is] active in organising activities and campaigns for their idols.

Seksan Sripraiwan, director of the Tourism Authority of Thailand's (TAT) Tokyo office, said the TAT and the Royal Thai Embassy have actively promoted the country by using Thai entertainment [and that] Thai BL content is considered one of the most popular recent cultural exports to Japan. Japan's market for Thai BL is around 1 million viewers, of which 20,000-30,000 are heavily active on social media sites for renowned BL actors, led by Bright-Win and Krist-Singto. He said Japanese tour operators already offered tailor-made tour packages which contain elements related to BL TV series, such as shooting locations like universities, cafes, Wat Arun or the Amphawa floating market.

Kanokkittika Kritwutikon, director of the TAT Chengdu office, said Thai BL TV shows have gained popularity in China, such as the coming-of-age series "I Told Sunset About You", which helped drive tourists to Phuket, the main location of the story.

"Most Chinese BL fans are millennial females who can offer long-term support for their favourite actors," Mrs Kanokkittika said. [Recognizing the 3 million strong queer population of Chongqing,] she said the LGBT segment could be categorised as luxury travellers as they are high-income earners, live in key cities, and want to spend more for travel experiences.

source

Earlier this year Ministry of Commerce have partnered with Be On Cloud and Idol Factory to promote ‘Thai products, services, tourism, and culture by incorporating them seamlessly into’ their new series “Shine” and “Pin Phak” aka “The Loyal Pin” respectively.

“This will help create around 2 billion in value for Thailand’s economy,” said Commerce Minister Phumtham.

Deputy Prime Minister and Commerce Minister Phumtham Wechayachai and two actresses, Becky and Freen, witness the signing ceremony between the Ministry of Commerce and Idol Factory Co., Ltd. on February 28, 2024....

According to the Department of International Trade Promotion, the Thai movie and series sector and related industries will generate 8,000 million baht in exports by 2023. In 2024, it will likely reach 10,000 million baht, particularly in the Y-movie and Y-series, which are expected to expand in value from 1,000 million baht to 2,000 million baht as a result of the Ministry of Commerce’s proactive cooperation with the private sector.

source

The Thai government’s efforts are paying off.

Oramon Sapthaweetham, director-general of the Department of Business Development, revealed that the Boys’ Love series had helped revitalise the film production industry, generating substantial profits and extending economic benefits to allied sectors, such as advertising, leveraging actors as influencers, event organisation, and tourism. 

"Over the past 10 years, Thailand has produced over 177 Boys’ Love [series], continuously gaining popularity and expanding its customer base, eventually leading to exports to international markets," Oramon added.

The film production industry in Thailand is witnessing substantial growth. In the first four months of 2024, 56 new businesses were registered, marking a 12% increase from 2023. The total registered capital also saw a significant rise of 146.44% to 195.18 million baht. In 2023, the industry grew by 20% with 137 businesses and a capital of 258 million baht. The total revenue in 2022 was 12.895 billion baht, indicating a continuous growth trend.

source

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#3 Diversification

Ok, so this is based on my limited knowledge and imagination. Feel free to skip.

There are two production companies that I have ever been interested in - Bhavana Studios and Mammootty Kampany. Both of them have produced experimental Malayalam movies while managing to remain commercially successful. While is partially attributable to these companies being brands, I think their overall strategy of diversification have worked in their favour.

Mammootty Kampany could produce art-house movie Nanpakal Nerathu Mayakkam for award circuits and with no expectation of commercial performance by banking on their other production Kannur Squad which was action entertainer sure to bring in the big bucks. Their queer family drama Kaathal – The Core and neo-noir psychological thriller Rorschach did exceptionally well in the box office as well as garnered critical acclaim. Bhavana Studios has similar track record of their commercially successful projects kind of cross subsidizing their experimental and unique projects and lifting the heat off in case of flops.

Having production companies which are aspirational in their approach to BL while having the economics sorted out help where government support is not forth coming.

Censorship as No-thing

When sometime is truly censored, we wouldn’t know. Unless we ask. Here’s what Jooyin Saejang learned from asking.

Conclusion

I have a strong preference for live action adaptations that are willing to go the last mile in terms of sexual content, social critiques and addressing real-life issues. That’s the reason why the header image for this BL side blog is from Moothon (2019).

But realistically this isn’t always possible. And I prefer having more production companies offering variety. I don’t want them to sink under the weight of BL that didn’t do well commercially and me being left at the mercy of media conglomerates with seemingly bottomless funds and monopsony over BL authors, original works and the culture that creates them.

Also, there is queer content from Korean that is neither mainstream nor from fu-culture. Support those. Unfortunately, Cheers by Cheers 짠!하면 알 수 있어 has been removed from their YouTube channel which is now called Cheer Up. While the series is gone, there are interviews with English subtitles.

Love in the Big City

Love in the Big City, the series and the movie are based on Park Sang-young's novel of the same name that was published in 2019. In Korea, it sold over 100,000 copies. Ever since, it has been translated into 15 languages, including English. The English translation by Anton Hur was published in 2021. The book has been longlisted for the International Booker Prize in 2022 and the Dublin Literary Award in 2023.

The movie secured an investor early on. The film was produced by Showbox and Tale Farming (고래와유기농). Michigan Venture Capital, a key investor, was responsible for 2 billion won out of the net production cost of about 6 billion won. Plus M Entertainment, a subsidiary of the JoongAng Group took care of its distribution. (source)

State-sponsorship for Korean BL !

The series, on the other hand, faced difficulty attracting investment as well as had trouble finding OTT platforms willing to air the show. It was co-produced by MerryChristmas, a subsidiary of WYSIWYG Studio' a KOSDAQ-listed company, along with Big Stone Studio. Mbrella Films provided production services in Thailand. They have received the state-support through Korea Creative Content Agency under Ministry of Culture, Sports and Tourism amounting to 3 billion won as production costs support aimed at strengthening the global competitiveness of K-content through OTT.

Finally, TVING, a platform that has aired multiple BL projects previously (such as Unintentional Love Story, Jazz for Two, To My Star 2, The Eighth Sense and High School Return of a Gangster), aired the series in South Korea and the streaming platform Rakuten Viki promoted it as a BL.

An iconic scene from bonus chapter 2 of The New Employee aka The New Recruit manhwa adaptation (web novel written by Moscareto and illustrated by Zec) ahead that didn't make it into the live action adaptation.

Gong comes home to find su in a sexy position at the doorway, fingering himself according to gong's instructions over phone.

[monstax-info]

250620 @OfficialMonstaX Twitter Update

📸 #몬스타엑스 <몬 먹어도 고> EP.48 공약 회수 (Keeping Our Promise) 공약 잊지 않았습니다🙇‍♂ 드디어 알게 된 타투 DAY에 궁금증 해소 완료✊ 다음 주에는 더 즐거운 에피소드로 만나요🥰 #MONSTAX #MONSTA_X #몬먹어도고 #MONMUSTGOON #몬먹고 #MONMUKGO

📸 #몬스타엑스 <몬 먹어도 고> EP.48 공약 회수 (Keeping Our Promise) We haven’t forgotten our promise 🙇‍♂ Finally got the scoop on Tattoo DAY — curiosity satisfied! ✊ See you next week with even more fun episodes 🥰 #MONSTAX #MONSTA_X #몬먹어도고 #MONMUSTGOON #몬먹고 #MONMUKGO

[visual-virtue]

BURN 으로 무대 찢고 #Icarus 로 내 마음 찢고🔥🪽

우리 아르르 왜 이렇게 무리해..🩵 우리 아르르 어떻게 안 사랑해..❤️ OURII들 마음속 꾹꾹 눌러 담았던 BURN 음방 첫 무대도 #더쇼 에서 회수 완료💌 점❗️점❗️더❗️ 뜨거울 이번 주 ARTMS 음방도 기대해 주실 거죠? .˳˳.⋅ઇଓ

[sedi89]

EIR FILM의 새로운 프로젝트! 떼인 돈 회수 100%를 자신하던 흥신소가 1%의 성공율을 잃었다? 신룡네크워크의 <떼인 돈, 99% 받아드립니다>편이 곧 공개 됩니다!

궁금하신 분들은 유튜브 EIR Film 지금 구독하세요!

Edit by J

Fliming by eir film

https://youtube.com/@eirfilm4901?si=RtriXEOfaB7Mkgmg

[zheniakirsikkalove]

New video! (uploaded 20.06.2025)

! added subtitles !

[몬 먹어도 고] EP.48 공약 회수 (Keeping Our Promise)

Shownu, I.M, Joohoney, Kihyun, Hyungwon, Minhyuk (몬스타엑스 / MONSTA X )

[acanestickone]

2025 tvN 초특급 기대작! '견우와 선녀' 드라마 재방송 다시보기 완전 정복 📺

2025 tvN 초특급 기대작! '견우와 선녀' 드라마 재방송 다시보기 완전 정복

드디어 시작된 tvN 월화드라마 ‘견우와 선녀’! 전통 설화와는 다��게, 이번 이야기는 죽음을 예언받은 소년과 무당 소녀의 운명적인 이야기로 무속 + 로맨스 + 판타지 + 미스터리가 조화된 완.전.신.선. 장르💥

🎬 기본 방송 정보 📡 방송사: tvN 📅 첫 방송: 2025년 6월 23일 (월) 🕗 방송 시간: 매주 월·화요일 ⏰ 오후 9시 50분 ~ 10시 10분

📖 줄거리 한눈에 보기 ‘견우와 선녀’는 죽음을 타고난 소년 배견우와 그의 운명을 막기 위해 싸우는 고등학생 무당 박성아의 이야기를 담은 판타지 로맨스 드라마입니다.

⚡ 죽음을 부르는 액운 ⚡ 이를 바꾸려는 무녀의 사투 ⚡ 귀신, 무속, 이중생활… 그리고 첫사랑

🙌 이 드라마, 이런 분들께 추천! ✔️ 미스터리와 판타지를 동시에 즐기고 싶은 분 ✔️ 무속 + 청춘 로맨스 조합에 끌리는 분 ✔️ 진짜 운명적이고 애틋한 사랑 스토리를 찾는 분

🎭 주요 등장인물 👦 배견우 (추영우) : 양궁 유망주이자 죽음의 운명을 타고난 소년 → 평범한 일상과 첫사랑을 꿈꾸며 운명에 맞선다

👧 박성아 (조이현) : MZ세대 고등학생 무녀 → 견우의 죽음을 막기 위해 귀신과 싸우며 이중생활💥 → 견우의 첫사랑이자 구원자

💡 재방송 & 다시보기 꿀팁 ✔️ tvN 공식 홈페이지 ✔️ 티빙(TVING) ✔️ CJ ENM 계열 채널 VOD 서비스 💬 방송 다음 날 클립 + 풀버전 업로드 빠릅니다!

🔁 SNS 공유 팁 📸 명대사+장면 스샷은 스토리 & 릴스 필수 🎧 OST 배경 + 인물 컷 영상 리믹스하면 조회수 급상승 ⏰ 월·화 오후 7시~9시 업로드로 알고리즘 타기

💬 댓글로 얘기해요! “운명을 거스른 첫사랑이라니... 완전 내 취향!” “귀신 나오는 장면 너무 몰입돼서 심장 쫄깃💀” “성아 캐릭터 진짜... 역대급 무녀 등장임”

👉 ‘견우와 선녀’ 자세히 보기 + 다시보기

💬 시청 포인트 댓글로 공유해요! “이 조합, 진짜 한 편의 시 같아🌙” “전생 떡밥 회수 언제 되나요?” “OST 듣다가 울었다… 진심 기대 이상😭”

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CJ대한통운, 종이팩 자원순환 확대…“문 앞에만 내놓으세요”

15일 한솔제지 대전공장 대회의실(대전광역시 대덕구)에서 열린 업무협약에 참석한 관계자들이 기념촬영을 하고 있다. (왼쪽부터)카카오 우영규 대외협력 성과리더, 매일유업 고정수 부사장, 환경부 김완섭 장관, 한솔제지 한경록 대표이사, CJ대한통운 윤진 한국사업부문 대표. CJ대한통운이 전국적인 종이팩 상시 회수 체계를 구축하며 ‘오네(O-NE)’ 물류망을 활용한 재활용의 일상화에 나섰다. CJ대한통운은 15일 오전 한솔제지 대전공장에서 환경부, 카카오, 매일유업, 한솔제지와 함께 ‘온라인 플랫폼 활용 종이팩 택배회수 시범사업 업무협약’을 체결했다고 밝혔다. 이번 협약은 전국 가정에서 배출되는 종이팩과 멸균팩을 CJ대한통운의 오네 배송 네트워크를 활용해 수거, 재활용하는 내용이 핵심이다. 이를 통해 매일 문…

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호반 vs 한진 경영권 분쟁...앞으로 시나리오는

김상열(왼쪽) 호반그룹 회장과 조원태 한진그룹 회장 [사진=각 사] 호반그룹의 한진칼 지분 확보에 따른 경영권 분쟁 가능성이 잦아드는 모양새다. 다만 조원태 한진그룹 회장의 우호 지분 중 산업은행과 사모펀드 보유 지분을 호반그룹이 확보한다면 추후 경영권 분쟁에 다시 불이 붙을 가능성이 있다. 19일 정치권에 따르면, 산업은행은 조 회장에 대한 우호 지분으로 남겠다는 의지를 분명히 했다. 산업은행은 최근 국회 정무위원회에 제출한 보고서에서 “항공산업 구조개편이 완료될 때까지 출자금 유지가 필요하다”며 “통합 항공사 출범 이후 시장 상황을 고려해 지분 매각 등 출자금 회수 방안을 검토하겠다”고 밝혔다. ‘통합’이란 아시아나와 대한항공의 2026년 10월 25일 이후 통합을 가리킨다. 이후 아시아나는 사라지고…

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[몬 먹어도 고] EP.48 공약 회수 (Keeping Our Promise)

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Vapor Recovery Services Market Expected to Surge Owing to Stringent Environmental Regulations

The Vapor Recovery Services Market encompasses specialized solutions designed to capture and process volatile organic compounds (VOCs) and other hydrocarbons released during storage, loading, and unloading of fuels and chemicals. These services utilize advanced technologies such as carbon adsorption, condensers, and regenerative thermal oxidizers to minimize emissions, enhance safety, and ensure compliance with environmental regulations. By preventing the loss of valuable product and reducing greenhouse gas emissions, vapor recovery services offer cost savings and contribute to sustainable operations across oil & gas, petrochemical, and storage terminal industries. Growing emphasis on air quality, tighter emission standards, and the need for efficient fuel management have boosted demand for these services. Vapor Recovery Services Market Insights providers deliver turnkey projects, maintenance, and monitoring solutions tailored to different storage tank types and flow rates, ensuring optimal performance and minimal downtime. Technological innovations, such as remote monitoring and predictive maintenance, further enhance operational efficiency. Get more insights on: Vapor Recovery Services Market Get This Report In Japanese Language: 蒸気回収サービス市場 Get This Report In Korean Language: 증기 회수 서비스 시장

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[changeui01]

보통 7~8년 정도 시기를 두고 투자 하는걸로 아는데 해당 스타트업이 exit 을 하지 않으면 투자 금액을 돌려 받지 못하나요?? 반대로 해당 스타트업이 망함 투자금 역시 못 받는건가요??