#(also after the first time Mac tells Riley about the time loop and has to watch her frantically work to save Jack...

[impossiblepluto]

@quincymorris (hello, oh my goodness, i love these tags, also ouch, you're grounded)

"You need to break the time loop. Stop trying to save me. I love you."

[This message has been played 18446744073709551615 times. Would you like to hear it again?]

[imshatteredbutnotbroken]

The wonderful world of Desiree Nguyen: A character analysis

This is a season three, episode 14-18 character analysis of everyone’s favourite MacGyver protector, Desiree “Desi” Nguyen. (Or, A.K.A, my attempt at sounding much more intelligent than I am.) If people want to read more, I’ll cover the rest of the seasons.

Now, I won’t always sound unbiased in my feelings towards Desiree, but I am going to really try my best to be. And, like I said, I am attempting to sound much more intelligent than I am, so if I miss anything or sound incredibly stupid, feel free to correct me.

There are spoilers, so if you haven’t seen season three, I recommend skipping this analysis.

It’s important to note that this is not a commentary on Levy Tran herself, and that it’s only about her character (EXTREME EMPHASIS ON CHARACTER).

There is also a Tl;dr at the end of each episode summary starting from episode 15.

Let’s begin.

Desiree (hereby known as Desi) was first mentioned by (actual) fan favourite, Jack Dalton, in season 3 episode 14, Father+ Bride + Betrayal. He first mentioned her in a conversation with Mac during the wedding:

Jack: “Matty let me handpick my replacement to watch your back.  I think you’re really gonna like her. Or, kill her. One of the two.”

Mac: “That’s oddly specific. Should I be worried?”

Jack: “No, man. You’ll meet her soon enough. And, trust me, there’s nobody I’d trust more than this woman to watch your back. She is really good. Well, other than me, obviously.”  

Now, there’s not much to go on, but we do get some hints. She’s tough, she’s a badass, and Jack likes and trusts her. So, Desi’s initial set up isn’t so bad. We love Jack, and if Desi comes at Jack’s recommendation, we know she can be trusted to watch everyone’s backs. Like I said, we’re off to a good start.  

It’s also important to note: Jack specifically says “there’s nobody I’d trust more than this woman to watch your back.” Does this really happen only a season later? Honestly? It’s debatable. But, we’ll get there when we get there.

Season three, episode 15:  K9 + Smugglers + New Recruit

Desi is initially introduced — through Mac — as advertised: a tough badass who will take her job as the team’s protector seriously. While she admits to Mac that she will hate her job as their bodyguard, she is doing it because she owes Jack. What she owes him exactly, we’re still not sure. It could be anything from repaying Jack for a chocolate bar to repaying a debt to him after Jack saved someone’s life. Who the hell knows?

In the war room, at her second meeting with Mac, Riley, Bozer, Leanna (remember her?! Why couldn’t you leave well enough alone, T.V. show?!), and Matty, Desi reemphasizes that their safety is her top priority. Like I said, Desi (in her initial intro) is a tough badass who takes her job seriously.

On the mission, Cody, (our story of the week’s gun sniffing dog) immediately finds two guns on Desi’s person. She really is like Jack in that respect! But, we soon find out she doesn’t like them (she’s really not like Jack that way!), telling Mac she only carries it because she has to, will only pull a gun when necessary, and that she’d “rather put bad guys in an interrogation room than the morgue.” Another special exception that allows her to pull a gun is against “anyone who hurts animals.”

While Mac and Riley notice Desi isn’t the warmest, Riley acknowledges that Desi is well-accomplished. She was one of the first women to graduate from Ranger school, was part of a special ops team made up of SAS, Delta, and the CIA, and, apparently, “has more awards than Michael Phelps.” So, Desi is no slouch. She also impresses everyone even more when she parkours up several shipping containers to get a better view for the op they’re on. Desi proves herself again during a fight scene by single-handedly taking out several guys with guns (and gets shot in the process, her bulletproof vest stopping every bullet). Let’s add bravery to the list of qualities Desi has shown in just over 10 minutes.

Later, she talks to Riley, who emphasizes their group’s need for Desi to be reliable (and this is interesting because Desi’s reliability is questioned in episode 21 this season). Riley found out Desi went AWOL while she was in Afghanistan, and Riley wants to know why. As Desi explains, one of the Afghani civilians she was working with was kidnapped, and she went to find him. Which Desi successfully did. As she tells the story, Desi becomes emotional, showing that she does have a heart and a vulnerable side, and you can tell she is speaking sincerely. Desi is also adamant that she would to do it again. This is an interesting contrast to her behaviour during the Codex storyline, but we’ll get there.

Desi doesn’t much like Mac’s fly by the seat of his pants behaviour because she was trained to always have plan and she can’t work spontaneously. We also learn Desi is knowledgeable about some sort of technology having to with RFID chips that I can’t personally understand, and that she went to the University of Michigan.

At the end of the episode, Desi makes an appearance at Mac’s house, saying Jack made her promise to go. She leaves as quickly as came though, not wanting to get too close to everyone…in case she has to bury them. Which, I understand, but morbid, jeez. It’s also kind of odd when you think about it because Desi is the group’s protector and is responsible for their safety. But, on the other hand, she can’t fix every situation, and there may be a time when one of them gets killed on a mission. So, while I understand Desi’s hesitation, I am not entirely a fan of it. And, this behaviour is even odder considering Desi goes on to date Mac at the end of the season. I guess Mac really did break down her walls (and that’s something I didn’t notice until writing this).

Overall, we’ve learned a lot about Desi. She’s tough, yet cold, smart, athletic, reliable (supposedly), likes a plan, and hates guns and animal abusers. Seeing her introduced this way (and introduced well) is interesting because I know future storylines and have seen how much Desi has changed as a character. She was always somewhat cold, but she initially had an adamance, confidence, and determination to do what is right. Knowing how the Codex storyline in particular goes down, the way Desi changes is interesting, to say the least.

Tl;dr: As Desi is introduced, the audience learns that she takes her job as the team’s bodyguard seriously, and owes Jack for some (still unknown) reason, and that’s really why Desi is there. We also learn she hates guns and animal abusers, is brave, athletic, reliable (supposedly), and well-accomplished. She also doesn’t want to get too close to the rest of the team in case she has to bury them, so she leaves the Phoenix’s group hangout session as quickly as she joined.

Season three, episode 16: Lidar + Rogues + Duty

At the beginning of this episode, Desi is ‘familiarizing’ herself with the lab and ‘helping’ Bozer with Sparky (really, she’s flipping through a magazine and complaining about the music Bozer is playing while he works). She says she’s lending moral support, though, so, whatever works, I guess. Anyway, Bozer asks for her help with running diagnostic tests on Sparky, and Desi agrees. But, her help is a riddle that sends the robot on an endless loop for the rest of the episode. I do like her shit disturber behaviour, though, so I’ll give Desi that.

For the main operation, Desi and Mac are on a recovery mission in Azerbaijan to bring back one of Mac’s friend’s bodies. His friend, Robert Reese, was on a covert flying mission when his plane crashed, and Mac and Desi are the only ones who can get the body.

While looking for the wreckage, Desi notices that Mac is distracted. She asks him what’s going on, and he explains why he’s distracted. And, knowing that Mac feels responsible for what happened to Reese, Desi asks Mac to tell her about his friend. After Mac does, she gets angry with him and tells Mac to compartmentalize, seemingly a turn around from being caring like she was in the previous episode. But, I understand where she’s coming from because Desi and Mac have to stay focused, or else, like she says, “Matty will be sending a team to recover us.” Fair, because if Mac lets his emotions get the best of him — while he and Desi are in a country they’re not supposed to be in — he could get into a situation he can’t get out of.  

Later, we learn that Desi speaks Turkish (what can’t this girl do?!) as some of the Azerbaijani military arrive at the wreckage site. After escaping and driving away, Desi notices a parachute in the trees, indicating it’s possible Reese isn’t dead. Mac is hopeful that his friend is alive, while Desi is more logical, saying, “there are a lot of reasons why the Azerbaijani military would grab a dead U.S. pilot.” They spot footprints of U.S. Army issued boots, so their mission goes from recovery to search and rescue.

Mac and Desi are led to a small town after hearing about sightings of an injured man wearing a flight suit. There, they figure out which building Reese is hiding in. Mac and Desi find him alive but with a broken clavicle. And, while Mac provides Reese with first aid, Desi becomes all business. But, in her defence, they’re in danger, so it’s not weird Desi reacts this way.

After escaping and another mission change (this time to stopping rogue CIA agents and recovering chemical weapons), Mac improvises a plan that goes awry and has Desi and Reese held at gunpoint by the agents. Desi has to stall while Mac tries to save them and, as she talks, she uses the info Mac told her about Reese, proving Desi listened to Mac. So, while we thought Desi was being callous, she actually showed that she sincerely cared about what Mac had to say.

Later, Desi meets with Bozer to make up for sending Sparky into an endless loop. Maybe she truly feels bad, or maybe she’s doing it selfishly because she’s new. Either way, it’s hard to tell because we’re not in Desi’s head. But, I’ll give it to her because I really think Desi knows she messed up and she wants to fix it. She tells Bozer the answer to the riddle and Sparky is able to break the loop.

We are still learning about Desi, but we get so much info in the small details. My favourite part about her this episode was her shit disturbing. We also learn she speaks Turkish, prefers to be all business when she’s on a mission, and pays attention to what’s going on around her. Desi is actually quite deep in this season, and she shows that she cares about people and robots alike.

Tl;dr: At the beginning of the episode, Desi is ‘helping’ Bozer while he works on Sparky the robot. She sends Sparky on an endless loop after telling him a riddle he can’t figure out, annoying Bozer.

Desi and Mac have the main operation, which was initially a body recovery mission for one of Mac’s friends, Robert Reese. She gets Mac to open up about Reese, and then immediately tells him to compartmentalize so they can get through the mission alive.

They find Reese alive, and their mission changes to stopping rogue CIA agents and recovering chemical weapons. At the chemical weapons site, Desi and Reese are held up at gunpoint by the agents, and Desi is forced to stall while Mac saves them. She uses the story Mac told her about Reese earlier in the episode, proving she paid attention to what Mac said.

At the end of the episode, Desi goes to Bozer to help fix Sparky. She tells him the answer to the riddle, getting Sparky out of his loop, and showing Desi cares about those around her.

Season three, episode 17: Seeds + Permafrost + Feather

This episode opens with Mac and Desi in bed together. But, it’s not what you think. It’s for a mission and part of Mac’s plan to escape from the people chasing them. Desi is annoyed by the plan (because she had to get undressed) and she argues with Mac. He tries to convince her it was their best option — until the bad guys return and hold Desi and Mac up at gunpoint. I can see why she would be annoyed with Mac, but is fighting during a mission necessary? Somehow, they escape, and we can move on.

Mac, Riley, and Desi have to travel to the international seed vault in Greenland because an employee is missing. Since Mac’s dad, James (also known as Oversight), was involved in the vault’s development and planning, he’s the person to call when something goes wrong. But, James has other business, so the mission falls to Mac, Riley, and Desi.

In the vault, thanks to a comment Desi made about the employee disappearing into the mountain (causing Mac to do his Mac thing), the trio discovers an access tunnel someone dug to get into the (extremely secure) vault. And, whoever dug that tunnel killed Karl, the missing employee, in the process. There is also a possibility of seeds being stolen.  

So, Mac, Riley, and Desi use Karl’s cell phone, which he had on him, to figure out the path he took and identify which seeds may have been stolen. Mac and Desi, who plays the murderer, recreate the fight, and they’re having a ball doing it. They fight, and Desi gives Mac all she’s got. She’s not subtle or gentle, but she gets the job done. Soon, they figure out which box (one of North Korea’s) the thief rifled through, and which seeds were taken (a rare form of a pea plant).

Desi explores the access tunnel and finds a room that is scattered in schematics, seed reports, and drilling equipment. From there, Mac figures out that the pea seeds are an ingredient in making a toxin, and that the seeds can be weaponized and used to create as much of the toxin as desired. Riley discovers their thief has been making monthly payments to a flower shop in Brussels, so a plane ride it is for Mac, Riley, and Desi.

On the plane, Mac calls Bozer so Mac can find out what’s going on with James. But, after hanging up, Mac slams his phone down and Desi comments on his annoyance and asks Mac about it. He says it’s the mission, but Desi isn’t buying it. When Riley mentions it’s about Mac’s dad, Desi says that Oversight seemed distracted. And, while she admits it’s not her business to know what’s going with Mac’s dad, Desi tells Mac it is his business.

The three of them go on a chase that takes them from a cemetery in Brussels to a park in the Czech Republic. The man they are running after, named Jules, wants revenge on a crime boss named Passer for killing Jules’ wife and child after Jules testified in court. At the park, Riley and Desi fight Passer’s men while Mac starts to talk Jules (who is holding Passer up at gunpoint) down. Eventually, Jules relents, and he is arrested. Mac, Riley, and Desi recover the stolen seeds and avoid an international incident with North Korea.

Desi has more of a background role in this episode because the episode focuses on Mac and his dad. But, her fighting skills, knowledge (she helped explain the seed vault to Riley and the audience), and empathy shine through. This is particularly true when she encourages Mac to figure out what is going on with his dad. This side of Desi is nice to see because while she’s tough, she is sincere in her efforts to help others.

Tl;dr: Desi is in the background this episode, but, she displays her intelligence, empathy, and fighting skills. She also encourages Mac to figure out what is going on with his dad, saying that it’s not her business to know what is going on with her boss, but it is Mac’s.

Season three, episode 18: Murdoc + Helman + Hit

This episode opens with Nicolas Helman’s return. And he gets to work immediately by murdering an FBI interrogator in a karaoke bar. How this happened, Mac, Riley, Matty, Bozer, and Oversight aren’t sure because the last time they saw him, Helman was dead — or, so they thought — because Matty had his coffin exhumed and it was empty. Since the Phoenix is responsible for Helman, they have to figure out his next move so they can capture him.

Mac, Bozer, and Desi are with Oversight this episode. Their mission? To speak with our favourite psychopath Murdoc who is still at the Phoenix Black Site. Desi gets the Helman story explained to her, but it doesn’t seem like she entirely believes how serious dealing with Murdoc is because she asks Mac, “What kind of monster are you keeping down here? Indominus Rex? King Kong? That kid from The Omen? These questions also reveal another detail about Desi that could easily be overlooked: She likes horror and monster movies. Anyway, upon meeting Murdoc, Desi seems to get it because she has a face similar to McKayla Maroney’s unimpressed face plastered on (and, really, who can blame her?). But, Mac, Bozer, Desi, and Oversight need Murdoc’s help, so they press on.

There’s a quick scene with Bozer and Desi observing Mac and Oversight questioning Murdoc. Desi acknowledges they weren’t kidding about Murdoc and notes that James is just as much of an enigma because he’s still exerting himself, despite the toll doing so takes. Bozer thinks Desi is talking about the effects having cancer has on Oversight himself, but Desi immediately corrects Bozer and says “I meant on Mac.” So, again, there’s that compassion for others Desi has displayed since her introduction.

After getting more information from Murdoc about Helman’s possible whereabouts (because Helman has killed again), Mac, Desi, and Oversight jump into action to find Helman. They, and a Phoenix tac team, storm an apartment building with Desi leading the way with a gun. They leave Bozer behind with Murdoc (which, rude). Anyway, the team starts going up to the apartment, but before they can really make their way, James starts having trouble physically. Mac, worried about his father, tells him he doesn’t need to go upstairs, but Oversight insists. Desi encourages Mac to be open and honest with his dad, but Mac says Oversight is fine. Desi tells Mac not saying anything to his father shouldn’t be an emotional decision because lives hang in the balance. She also says she’s worried about Mac, and tells him to not get distracted. This attitude harkens back to episode 16 when Desi was worried about Mac’s emotions getting in the way of their mission. So, I understand where she’s coming from and why she’s concerned.

Skipping ahead, Mac, Desi, and James go on a road trip because Riley and Matty discovered Helman had the transportation route for an FBI transport truck moving someone who is supposed to testify in a trial against his former employees. While waiting for the FBI truck, they see another (unknown) vehicle approaching. Concerned it may be Helman and that it could have explosives in it, Mac, Desi, and Oversight have to stop the vehicle. James tries to take matters into his own hands by borrowing a tac team member’s rife, but he’s having trouble steadying himself, and Desi notices. Oversight is eventually able to get his bearings and shoots out the van’s tires. While they stop the vehicle, it turns out to be a distraction so Helman could get into the Phoenix Black Site. Desi figures out that the FBI murders and attack on the transport truck were all a ruse so Helman could kill Murdoc.  

Later, they realize Murdoc’s entire plan was a jailbreak so Mac and Oversight go on a car chase to capture Murdoc while Desi flies in a helicopter overhead (side note, I’m not really sure why Desi is there because it doesn’t seem like she needs to be. She doesn’t do anything in this scene other than fly overhead and worry about Mac). James and Mac do their thing and figure out a way to stop Murdoc’s truck. But, with Desi’s words in the back of his mind (probably), Mac tells his dad he shouldn’t be the one to stop the truck. Oversight agrees, and Mac does his thing. You can see as he tries to overtake the truck, everyone (including Desi) is concerned. Eventually succeeding in stopping and capturing Murdoc, there’s a shot shown of Desi’s relief.

At the end of the episode, Desi says she suggested security upgrades for the black site so no one can escape or attack the site again. This reflects her security knowledge because the Phoenix trusted her enough to give her the task. Again, Desi isn’t so useless and demonstrates her intelligence.  

Throughout the episode, Desi shows she cares about other people, especially since she’s worried about the effect Oversight’s need to keep going has on Mac. She also encourages Mac to be honest with his father. And this is a thread that is shown throughout these episodes. Which leads to the following questions: What happened to that particular characteristic? Where did Desi’s empathy and compassion go?  

Tl;dr: Desi’s character development takes somewhat of a backseat this episode because it mostly focuses on Mac and Oversight (again). Still, throughout their mission, Desi encourages Mac to be open and honest with his father and tell Oversight his concerns. This, again, demonstrates her empathy and her concerns for others. Mac is eventually able (probably with Desi’s words in the back of his mind) to be honest with Oversight and take over in order to do the physical labour required on the mission.

Lastly, Desi suggests security upgrades for the Phoenix Black Site that held Murdoc so that no one can break in or out again. This demonstrates her intelligence, and leads to the following question: What happened to her intelligence and compassion and empathy for others?

We learn so much about Desi in just four episodes. From her bravery and boldness, to enjoyment of monster and horror movies, she isn’t so one-note. The biggest thread is her compassion and concern for others. She wants to help people and ensure they’re safe, and Desi is adamant and determined about it. She continually displays this characteristic, especially when it comes to Mac and ensuring his feelings don’t get the best of him while they’re on a mission.

During season three, Desi is written well! She’s introduced to us based on the trust a fan favourite has with the audience and she never deviates from that. She also displays many characteristics that actually make her interesting. She’s smart, athletic, brave, and bold. So, I have to ask (again): WHAT HAPPENED?! Where did go so wrong and why?

If you want more of my character analysis, let me know! I procrastinated way too long on this, so if it seems like episode 18 is disjointed from the rest, I apologize. I had fun with this, and I feel like I like and understand Desi a little more (at least for season three).

[grahamstoney]

Musique Concrète and Other Experimental And Electronic Music

New Post has been published on https://grahamstoney.com/music/musique-concrete-and-other-experimental-and-electronic-music

Musique Concrète and Other Experimental And Electronic Music

In the subject Creative Music Technology at university last semester, I was asked to listen to a collection of experimental and electronic music to stimulate my creative imagination, and to write what I liked and didn't like about it. Here's my rather cynical take on the genre.

Musique Concrète

Pierre Schaeffer and Pierre Henry – Symphonie pour un Homme Seul

This piece reminded me of Strauss’s Symphonia Domestica; only less musical. I’m a Homme Seul (single man) and my life doesn’t sound anything like this. In his book La musique concrète, Schaeffer described the work as “an opera for blind people…”. Haven’t they suffered enough?

Edgard Varèse – Poème Électronique

The audio equivalent of Luis Bunuel & Salvador Dali’s Un Chien Andalou.

Does to my ears what the asbestos coating on the walls of the Philips Pavilion at the 1958 Brussels World’s Fair for which it was commissioned, would do to my lungs.

György Ligeti – Artikulation

George Lucas must owe Ligeti millions in royalties for R2D2’s sound effects. Initially I thought I was joking when I first wrote that, but I’ve since discovered that he was actually trying to create a sort of phonetic speech in electronic music, which pretty much fits R2D2’s dialogue. Plus, the title is German for “articulation”. That should have been a giveaway.

I thought this piece might make more sense to me if I played it backwards, so I dropped it into Logic Pro X and reversed it. I couldn’t tell the difference. Perhaps I would have enjoyed it more if I listened to it in the original quadraphonic. I’ll just end noting that Ligeti abandoned electronic music after composing this piece.

Iannis Xenakis – Concret PH

2 minutes and 44 seconds of breaking glass to my ears. I think I’d rather listen to Kraftwerk.

Karlheinz Stockhausen – Kontakte

It’s long. It’s too long. I think this is how Jacob Collier learned to play piano in his mother’s womb; but look at him now. The title is German for “Contacts”, which I think Stockhausen interpreted as “Just hit the things.” Maybe it sounds better in the original quadraphonic.

Stockhausen was evidently a pioneer of the extended dance remix, as the work exists in several versions: “Nr. 12”, “Nr. 12½” and “Nr. 12⅔”

Bernard Parmegiani - Accidents / harmoniques

Parmegiani had studied mime before turning his hand to electro-acoustic composition, and in this piece it really shows. From the album De Natura Sonorum (the nature of sound). I felt like there were Martians in my head listening to this. Surely he’s just playing a joke on us.

Pauline Oliveiros – Bye Bye Butterfly

Bids farewell to the institutionalized oppression of the female sex while also providing inspiration for the sound of the Theramin. Gave my new monitor speakers a good workout; I hope the neighbours enjoyed it too.

Tape Loops

Steve Reich – It’s Gonna Rain

I’ve got this pervasive feeling that it’s going to rain. I’m not sure why. I liked the way the meteorological message panned left and right. More like It’s Gonna Have An Acid Trip.

Halleluiah Part II is over. I’m not sure how I lasted the full 18 minutes.

Terry Riley – Mescalin Mix

Parts of this sounded to me like an industrial version of native Australian bush sounds. I felt like I was on a camping trip in the 23rd century.

Brian Eno – 1/1

From his album Music For Airports/Ambient 1, which apparently coined the term Ambient Music. Brian Eno has a lot to answer for. However, this track put me in a relaxing state, ready to fall asleep on the plane; so I liked it.

Sampling

Luc Ferrari – Ronda, Spain, June 2001

After being jolted awake by the sound of a loud sliding door opening to greet the day, I was drawn into this by the sweet sound of a French woman’s voice. I imagined she was Ferrari’s lover, speaking to him in bed after awakening on a warm Spanish summer Sunday morning. I wanted to know what she was saying, but my French isn’t good enough. In my mind’s eye, they head to a busy market together to buy some croissants for breakfast, where we hear a man’s voice repeating “numero quatro”, which I assumed is Spanish for “number 4”. As the voices fade, the sound becomes more musical and we return to the soft sound of Ronda speaking to her beloved back in their villa together. I quite liked it.

My interpretation, however, is not what the composer had in mind. According to him, the point of Les Anecdotiques (The Anecdotals) is to dispense with the story altogether. My busy market was, in fact, the sound of Spanish tourists in a museum. While he describes the woman’s words as “Spontaneous and intimate”, in this context they are simply words in a foreign language with no narrative purpose. Just another one of Pierre Schaeffer and Michel Chion’s sound objects, if you will. My narrative interpretation of what was intended as an explicitly anecdotal work is testament to the human brain’s tendency to make meaning out of nothing. It turns out Rhonda is a village in Spain, not a woman.

Still, I enjoyed my little fantasy, thank you Luc.

John Oswald – Manifold

Wow, this was short. I didn’t even have time to eat breakfast while listening to it. It was only about as long as the Spotify ads, but certainly more fun. I recognised a couple of songs, like U2’s With or Without You and Sinead O’Connor’s Nothing Compares To You. Artists who use samples liberally often sample obscure works, sometimes affording them attention they would otherwise have missed; but in this work Oswald went mainstream. It sounded to me like the soundtrack to a sample-abusing hip-hop artist from the 1990’s being beaten up in a boxing ring by all the artists who reckoned he’d ripped off their work.

Tod Dockstader - Water Music: Part III

I quite liked this piece. The cuteness of the sounds and the stereo effects bouncing between the left and right channels really drew me in. I’ve recently got myself some decent monitor speakers for my home studio and this piece really worked on them. Pretty amazing for something released in 1963.

Dockstader started out in the 1940’s, prior to the invention of magnetic tape, editing his steel wire recordings with a lit cigarette. That makes me realise how much I take the piece-of-crap Logic Pro X File Editor for granted. Listening to this, I found myself wanting to know what was going to happen next, like I was watching a soap opera on TV; only with no actual story.

Synthesis

Karlheinz Stockhausen – Studie I

I found this quite disorienting to listen to. I guess it was revolutionary in 1953 but I reckon now you could whip it up in Ableton in about 5 minutes using the Random MIDI Effect and some automation.

Eliane Radigue – Jetsun Mila (Pt.1) / Birth and Youth (Excerpt)

I liked how the pulsing ambient drone sound in this grew over time; it drew me in and had me wondering what was going to happen next. Unfortunately the answer was: not much. Gradually a rhythmic element with some high pulsing tones which grew over time came in. It was a bit like listening to a very slow EDM dance track from underwater in a diesel-powered submarine going at full throttle for 12 minutes.

Laurie Spiegel – Appalachian Grove: I

I liked the pulsing stereo effects in this piece and the way the tonal characteristics of the sound varied while the pitch changed. It’s much more melodic than the other tracks we’ve listened to and that made it more enjoyable to my ears. It got a bit harsh in the middle though. This piece puts the musique in musique concrète.

Morton Subotnick – Silver Apples of the Moon – Part A

Perhaps the sound designer for Star Wars had this in mind when creating the sound effects for R2D2. I kind of lost the flow of the conversation without the witty English-accented retorts from C3PO though. Morton Sobotnick is described as The Mad Scientist in one interview, and I think if I listen to this too often I’ll end up fitting one of the DSM-5 diagnostic categories I’m learning about over in PSYC1002.

Suzanne Ciani – Concert at Phil Niblock’s Loft

This piece had some funky sounds that I liked. The start reminded me a bit of Kraftwerk but without the rhythm and melody; although it did get more melodic later. I’d probably give it a Distinction for its use of technology given it was made in 1975, but only a Credit for musicality.

Barry Schraeder – Lost Atlantis: Introduction

At first, I thought this sounded a lot like a modern ad for KFC; then I realised I was hearing a Spotify ad.

I liked the ambient sounds in this piece and the way it surged in and out with its “mysterious tone colors”. It slowly builds to a crescendo until we get the drop that EDM lovers crave, and then built more quickly to the ultimate drop at the end. I kept wondering what was going to happen next; I’d still rather listen to Fleetwood Mac, Supertramp or Queen though.

Contemporary Examples

Amon Tobin – Foley Room

DJ & producer. Retain percussive quality through sounds. Horsefish & Esther’s. Create beauty and delicate textures from sounds. Pitched percussive material. Fast loops. New textures. Funky beats. Check out the Foley Room Documentary.

Aphex Twin - 1ST 44

Acid house DJ in rave scene. Intelligent Dance Music. More complex sampling, polyrhythms, rhythmic patterns. From Collapsed album. Polyrhythms sounded funky. Lots of variation.

Holly Herndon – Chorus

Intersection of humanity and technology. Recorded web browsing. Stereo ping-pong effects. Here’s a talk she gave about her creative process.

Kaitlyn Aurelia Smith – Riparian

This was my favourite out of these three, largely because it sounds the most musical to my ears. I liked the pulsing beat in this track. I can hear a bass line for instance, melodies played on the synth and lyrics, although I can’t tell what they are saying. I also like the way the soundscape swirls around when listened to with headphones. It feels ambient, immersive and musical all at the same time. I get the sense that she’s using the electronics at her disposal in service of the music rather than the other way around. There’s even a great video about how she uses modular synthesis.

Graham Stoney - Foster le Concrète

"How hard can it be?", I asked myself. And since I had an assignment to do, I wrote my own musique concrète track based on the drum rhythm from one of my favourite songs, Coming of Age by Foster The People. I even made a breakdown video showing how I did it; because that's what the assignment required.

Conclusion

I didn’t take too easily to some of the more experimental musique concrète pieces we studied at the beginning of this semester. The weekly listening tasks felt harsh to my untrained ears and I would think mean things like:

“Didn’t the Geneva Convention ban cruel and unusual punishment?”

Perhaps these tracks will never be my preferred go-to pieces for chilling out on a Friday night, but when I look back at some of my cynicism-laced early comments in these discussion threads, I cringe. I just didn’t appreciate the historical significance of these pieces and how they might have influenced later electronic music that I do enjoy, like Kraftwerk say.

Then in Angharad Davis’s Music Colloquium Series talk on George Antheil’s Ballet Mécanique, when she played a snippet of the work I heard sounds reminiscent of musique concrète. Sure enough, they were roughly contemporaneous, and Antheil had been living in Paris at the time musique concrète was just getting started. You never know when something you study in one arena will pop up elsewhere.

Another thing I’ve learned in this subject is about taking creative risks and learning to follow my gut instincts without worrying whether a concept will work, or other people will like it. This has been an opportunity for me to explore that. My Formative Skills Assignment piece Foster le Concrète was in part a reaction to my frustration at the lack of discernible rhythm in some of the early pieces we studied. However, I really didn’t know whether the concept was going to work, and that was a little anxiety-inducing; especially given that I was doing it for an assignment which would be graded. I was quite touched to hear other students say they liked the end result, and I feel more confident about following my gut instincts in future and seeing what I end up.

Finally, I’ve been really inspired by the creativity of the other students in this subject. It’s been a weird experience studying online this year without ever meeting them in person, but I’ve really enjoyed hearing the creative works everyone came up with. They’re all so distinctive and amazingly different, it’s incredible; yet they were all products of the same brief. I can’t wait to hear everyone's works on the radio, TV, movies, video games, Spotify, or whatever audio technology is around when we all graduate: live streaming direct to our neurons perhaps?

[impossiblepluto]

@appalachianapologies I am yelling. The second time he lives the worst day of his life it feels like a weird dream. A weird, awful nightmare. Mac sees his death, Jack has always dreamt about his so this is some sort of dream. His brain playing tricks on him. A head injury. After affects of DMT or could he have been captured and dosed with another drug. Or maybe when Matty informed him of Jack's death he couldn't handle it and completely snapped. Time loops can't happen. And yet it is.

Bozer is the first person he tells of his suspicions which sort of feels like cheating. Of course Bozer is going to believe him, believe this. One summer he and Bozer watched way too many time loop movies and Bozer was convinced they needed a secret code that they would only say if they ever found themselves in a time loop.

It's not disbelief in Riley's eyes when he finally tells her, but it is concern. Once she believes, she is all in, working furiously and they come so close to breaking the loop. Close enough that they try again. And again. And again. Watching Riley come that close and still fail is tearing Mac up. And Riley sees it in his eyes, he's not going to tell her again. She's yelling at him, begging him to let her try again, to tell her the truth tomorrow, knowing that he's not going to and there's nothing she can do to stop him.

I think he should get to tell everyone once, as a treat but I'm not sure how Desi, Matty, or Russ would react. I think he calls Cage once to ask what she knows about dreams, memories, mind altering drugs, deja vu.

@quincymorris yeah yeah yeah! I need a happy ending. I need a reunification and this is the perfect way to do it. Mac has to accept that he cannot change the outcome and ough the day he wakes up and knows the loop is broken is the worst in a long string of bad days.

After carefully avoiding most of season 4-5 for years, I'm going to have to watch these episodes, aren't I? Gotta isolate Mac. Let him think he really failed. Forced to acknowledge that he can't save everyone, which I think deep down he knows, but he's been very very lucky until this point.

I love the idea of Mac going to check out the scene himself. Maybe we can have a little buried alive action for Jack

Okay okay okay but Mac being like "time loop can't restart if I don't go to sleep" and he'll have more time to work through the problem and examine the data. Then something happens to force him to reset (a seizure perhaps?) despite his best efforts. But there are also days that once he's failed he might as well go to bed now why suffer through the rest of the day and the grief.

Oh and a day after he's been looping for a while where he refuses to get out of bed. Why bother today will go the same way whether he tries or not and he's exhausted. He doesn't want to try anymore.

And then once it's over and the loop is broken he's just very quietly so as not to let anyone know refusing to go to bed until after midnight to prove that the time loop is really over. He doesn't sleep well. He jerks awake, gasping for breath fumbling for his phone (and freaking out when he drops it and it slides under the bed)

Also what if he has some injuries of his own, and they don't carry on into the next loop but he gets phantom pains from previous injuries. Maybe he still feels those pains after the loop is broken too

i continue to live through my own "groundhog day" moment as I once again have not finished the time loop fic that I swear I'll have finished for next year