#2017/04/27

[kommabortsig]

Berlin_Spreepark_UAV_04-2017_img2.jpg

[mostlysignssomeportents]

Apple's encryption capitulation

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in NYC on TOMORROW (26 Feb) with JOHN HODGMAN and at PENN STATE THURSDAY (Feb 27). More tour dates here. Mail-order signed copies from LA's Diesel Books.

The UK government has just ordered Apple to secretly compromise its security for every iOS user in the world. Instead, Apple announced it will disable a vital security feature for every UK user. This is a terrible outcome, but it just might be the best one, given the circumstances:

https://www.bbc.com/news/articles/cgj54eq4vejo

So let's talk about those circumstances. In 2016, Theresa May's Conservative government passed a law called the "Investigative Powers Act," better known as the "Snooper's Charter":

https://www.snooperscharter.co.uk/

This was a hugely controversial law for many reasons, but most prominent was that it allowed British spy agencies to order tech companies to secretly modify their software to facilitate surveillance. This is alarming in several ways. First, it's hard enough to implement an encryption system without making subtle errors that adversaries can exploit.

Tiny mistakes in encryption systems are leveraged by criminals, foreign spies, griefers, and other bad actors to steal money, lock up our businesses and governments with ransomware, take our data, our intimate images, our health records and worse. The world is already awash in cyberweapons that terrible governments and corporations use to target their adversaries, such as the NSO Group malware that the Saudis used to hack Whatsapp, which let them lure Jamal Khashoggi to his death. The stakes couldn't be higher:

https://pluralistic.net/2025/02/04/citizen-lab/#nso-group

Encryption protects everything from the software updates for pacemakers and anti-lock braking to population-scale financial transactions and patient records. Deliberately introducing bugs into these systems to allow spies and cops to "break" encryption when they need to is impossible, which doesn't stop governments from demanding it. Notoriously, when former Australian PM Malcolm Turnbull was told that the laws of mathematics decreed that there is no way to make encryption that only stops bad guys but lets in good guys, he replied "The laws of mathematics are very commendable but the only law that applies in Australia is the law of Australia":

https://www.eff.org/deeplinks/2017/07/australian-pm-calls-end-end-encryption-ban-says-laws-mathematics-dont-apply-down

The risks don't stop with bad actors leveraging new bugs introduced when the "lawful interception" back-doors are inserted. The keys that open these back-doors inevitably circulate widely within spy and police agencies, and eventually – inevitably – they leak. This is called the "keys under doormats" problem: if the police order tech companies to hide the keys to access billions of peoples' data under their doormats, eventually, bad guys will find them there:

https://academic.oup.com/cybersecurity/article/1/1/69/2367066

Again, this isn't a theoretical risk. In 1994, Bill Clinton signed a US law called CALEA that required FBI back-doors for data switches. Most network switches in use today have CALEA back-doors and they have been widely exploited by various bad guys. Most recently, the Chinese military used CALEA backdoors to hack Verizon, AT&T and Lumen:

https://pluralistic.net/2024/10/07/foreseeable-outcomes/#calea

This is the backdrop against which the Snooper's Charter was passed. Parliament stuck its fingers in its ears, covered its eyes, and voted for the damned thing, swearing that it would never result in any of the eminently foreseeable harms they'd been warned of.

Which brings us to today. Two weeks ago, the Washington Post's Joseph Menn broke the story that Apple had received a secret order from the British government, demanding that they install a back-door in the encryption system that protects cloud backups of iOS devices:

https://www.washingtonpost.com/technology/2025/02/07/apple-encryption-backdoor-uk/

Virtually every iOS device in the world regularly backs itself up to Apple's cloud backup service. This is very useful: if your phone or tablet is lost, stolen or damaged, you can recover your backup to a new device in a matter of minutes and get on with your day. It's also very lucrative for Apple, which charges every iOS user a few dollars every month for backup services. The dollar amount here is small, but that sum is multiplied by the very large number of Apple devices, and it rolls in every single month.

Since 2022, Apple has offered its users a feature called "Advanced Data Protection" that employs "end-to-end" encryption (E2EE) for these backups. End-to-end encryption keeps data encrypted between the sender and the receiver, so that the service provider can't see what they're saying to each other. In the case of iCloud backups, this means that while an Apple customer can decrypt their backup data when they access it in the cloud, Apple itself cannot. All Apple can see is that there is an impenetrable blob of user data on one of its servers.

2022 was very late for Apple to have added E2EE to its cloud backups. After all, in 2014, Apple customers suffered a massive iCloud breach when hackers broke into the iCloud backups of hundreds of celebrities, leaking nude photos and other private data, in a breach colloquially called "Celebgate" or "The Fappening":

https://en.wikipedia.org/wiki/2014_celebrity_nude_photo_leak

Apple almost rolled out E2EE for iCloud in 2018, but scrapped the plans after Donald Trump's FBI leaned on them:

https://www.reuters.com/article/world/exclusive-apple-dropped-plan-for-encrypting-backups-after-fbi-complained-sour-idUSKBN1ZK1CO/

Better late than never. For three years, Apple customers' backups have been encrypted, at rest, on Apple's servers, their contents fully opaque to everyone except the devices' owners. Enter His Majesty's Government, clutching the Snooper's Charter. As the eminent cryptographer Matthew Green writes, a secret order to compromise the cloud backups of British users is necessarily a secret order to compromise all users' encrypted backups:

https://blog.cryptographyengineering.com/2025/02/23/three-questions-about-apple-encryption-and-the-u-k/

There's no way to roll out a compromised system in the UK that differs from non-British backups without the legion of reverse-engineers and security analysts noticing that something new is happening in Britain and correctly inferring that Apple has been served with a secret "Technical Capability Notice" under the Snooper's Charter:

Even if you imagine that Apple is only being asked only to target users in the U.K., the company would either need to build this capability globally, or it would need to deploy a new version or “zone”1 for U.K. users that would work differently from the version for, say, U.S. users. From a technical perspective, this would be tantamount to admitting that the U.K.’s version is somehow operationally distinct from the U.S. version. That would invite reverse-engineers to ask very pointed questions and the secret would almost certainly be out.

For Apple, the only winning move was not to play. Rather than breaking the security for its iCloud backups worldwide, it simply promised to turn off all security for backups in the UK. If they go through with it, every British iOS user – doctors, lawyers, small and large business, and individuals – will be exposed to incalculable risk from spies and criminals, both organized and petty.

For Green, this is Apple making the best of an impossible conundrum. Apple does have a long and proud history of standing up to governmental demands to compromise its users. Most notably, the FBI ordered Apple to push an encryption-removing update to its phones in 2016, to help it gain access to a device recovered from the bodies of the San Bernardino shooters:

https://www.eff.org/deeplinks/2016/02/eff-support-apple-encryption-battle

But it's worth zooming out here for a moment and considering all the things that led up to Apple facing this demand. By design, Apple's iOS platform blocks users from installing software unless Apple approves it and lists it in the App Store. Apple uses legal protections (such as Section 1201 of the US Digital Millennium Copyright Act and Article 6 of the EUCD, which the UK adopted in 2003 through the Copyright and Related Rights Regulations) to make it a jailable offense to reverse-engineer and bypass these blocks. They also devote substantial technical effort to preventing third parties from reverse-engineering its software and hardware locks. Installing software forbidden by Apple on your own iPhone is thus both illegal and very, very hard.

This means that if Apple removes an app from its App Store, its customers can no longer get that app. When Apple launched this system, they were warned – by the same cohort of experts who warned the UK government about the risks of the Snooper's Charter – that it would turn into an attractive nuisance. If a corporation has the power to compromise billions of users' devices, governments will inevitably order that corporation to do so.

Which is exactly what happened. Apple has already removed all working privacy tools for its Chinese users, purging the Chinese App Store of secure VPN apps, compromising its Chinese cloud backups, and downgrading its Airdrop file-transfer software to help the Chinese state crack down on protesters:

https://pluralistic.net/2022/11/11/foreseeable-consequences/#airdropped

These are the absolutely foreseeable – and foreseen – outcomes of Apple arrogating total remote control over its customers' devices to itself. If we're going to fault Theresa May's Conservatives for refusing to heed the warnings of the risks introduced by the Snooper's Charter, we should be every bit as critical of Apple for chasing profits at the expense of billions of its customers in the face of warnings that its "curated computing" model would inevitably give rise to the Snooper's Charter and laws like it.

As Pavel Chekov famously wrote: "a phaser on the bridge in act one will always go off by act three." Apple set itself up with the power to override its customers' decisions about the devices it sells them, and then that power was abused in a hundred ways, large and small:

https://pluralistic.net/2023/09/22/vin-locking/#thought-differently

Of course, there are plenty of third-party apps in the App Store that allow you to make an end-to-end encrypted backup to non-Apple cloud servers, and Apple's onerous App Store payment policies mean that they get to cream off 30% of every dollar you spend with its rivals:

https://www.reddit.com/r/privacy/comments/1iv072y/endtoend_encrypted_alternative_to_icloud_drive/

It's entirely possible to find an end-to-end encrypted backup provider that has no presence in the UK and can tell the UK government to fuck off with its ridiculous back-door demands. For example, Signal has repeatedly promised to pull its personnel and assets out of the UK before it would compromise its encryption:

https://pluralistic.net/2023/03/05/theyre-still-trying-to-ban-cryptography/

But even if the company that provides your backup is impervious to pressure from HMG, Apple isn't. Apple has the absolute, unchallenged power to decide which apps are in its App Store. Apple has a long history of nuking privacy-preserving and privacy-enhancing apps from its App Store in response to complaints, even petty ones from rival companies like Meta:

https://www.theverge.com/2022/9/29/23378541/the-og-app-instagram-clone-pulled-from-app-store

If they're going to cave into Zuck's demand to facilitate spying on Instagram users, do we really think they'll resist Kier Starmer's demands to remove Signal – and any other app that stands up to the Snooper's Charter – from the App Store?

It goes without saying that the "bad guys" the UK government claims it wants to target will be able to communicate in secret no matter what Apple does here. They can just use an Android phone and sideload a secure messaging app, or register an iPhone in Ireland or any other country and bring it to the UK. The only people who will be harmed by the combination of the British government's reckless disregard for security, and Apple's designs that trade the security of its users for the security of its shareholders are millions of law-abiding Britons, whose most sensitive data will be up for grabs by anyone who hacks their accounts.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/25/sneak-and-peek/#pavel-chekov

Image: Mitch Barrie (modified) https://commons.wikimedia.org/wiki/File:Daytona_Skeleton_AR-15_completed_rifle_%2817551907724%29.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

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[toskarinarchive]

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[calderacitylovers]

Zutara SlowBurn FanFiction: Personal Favs, part I

·        I AM STILL HERE by owedbetter Published: 2017-10-09 | 77K words | 7 Chapters

After the Last Agni Kai K heals Z with the help of bloodbending. Very sweet.

 ·        THE SUMMIT by AJLenoire

Chronicles post-war years, as Gaang and other characters gather for annual summits to keep peace and build relationships between the Four Nations. Katara yearns for a bigger purpose than the Avatar’s companion and slowly grows into a shrewd diplomat. Very sweet slow burn ZK story. Has mature scenes.

 ·        CLOTHE ME IN SEASONS, DRESS ME IN SNOW by sadladybug Published: 2015-01-05 | 62K words | 7 Chapters

Follows old Zuko as he reflects on his life and what would have been if he kept Katara closer. Absolutely beautiful, but also a devastatingly heart-breaking story about loss and pain.

 ·        SILENT DECLARATIONS by Megara Pike (Megara_Pike) Published: 2021-01-20 | 2,6K words

A short story based on animation by Hayley Wong. Z finds K asleep in her study and carries her to bed. Very sweet, gentle story.

 ·        COVERED IN YOU by evergreenonthehorizon Published: 2021-04-02 | 55K words | 14 Chapters

Eight years after the war Z convinces K to take on a role of a Southern Water Tribe ambassador in the Caldera city. Both are completely clueless about each other’s feelings. Features political talks, big gestures, and a ball. Very cute, sweet slow-burn story. Has mature scenes.

 ·        TEN STRIDES IN THE RIGHT DIRECTION by evergreenonthehorizon Published: 2021-04-03 | 29K Words | 12 Chapters

A collection of short stories filling in the gaps between some of the events of ATLAS3 and up to the Last Agni Kai. Features accidental cuddling, embracing in the rain, sharing a bed for warmth, post-Ember Island Theater discussions, being discovered, waiting to be kissed, Suki & Katara being good friends, battle plans, Zuko & Sokka getting drunk, slow burn & angst. Very sweet.

 ·        THE SWAY OF THE SUN by TheBlackBriarSparrow Published: Published: 2019-10-14 | 102K Words | 27 Chapters

Two years post-war Gaang reunites in Caldera city for a secret party in honor of the overworked Fire Lord’s birthday. Rebels attack the palace setting a thrilling consequence of events in motion. Adventures, investigations, and fights ensue. Z & K work together and enlist old friends to help find missing people. Beautiful slow-burn story with an exciting plot.

·        A WARM EMBRACE by ewinkie Published: 2020-10-06 | 19K Words | 7 Chapters

An ATLAS3 rewrite from Southern Riders to the Last Agni Kai. Katara and Zuko have to hide in a cave following their encounter with Yon Rha. Comforting turns to cuddling, which turns to waking up on Appa's tail in each other's arms. Katara is shocked at how comfortable she is. Zuko is shocked that Katara doesn't hate him for it. Features sharing a bed, being discovered, slowburn, and lots of teenage silliness.

 ·        FOLLOWING BLUE by Boogum Published: 2018-11-07 | 39K Words | 10 Chapters

ATLA S2 rewrite. After Katara falls from Appa’s saddle during a pursuit, the Blue Spirit becomes her reluctant companion and helps her reunite with her friends. Ba Sing Se scenes are completely rewritten, and Z ends up joining the Gaang much earlier. Thrilling beginning, sweet middle, average ending.

 ·        ANOTHER WORD FOR ALCHEMY by FanPanda13 Published: 2014-08-19 | 108K words | 24 Chapters

Five years post-war Aang summons old friends for a summit and invites them on a trip to investigate mysterious locations where he experiences loss of bending. Features Gaang setting Z & K up, travelling on Appa like in the olden days, lots of sparring, royal courting, magnificent navy ships & war ballons. Thrilling story with fun banter between old friends. Slowburn, mature content.

 ·        CONSUME ME WITH FIRE, FLOOD ME WITH DESIRE by Dacamia Published: 2020-08-14 | 86K words | 24 Chapters

Steamy ATLAS2 and ATLA S3 rewrite. Z & K accidentally meetup on their way to Ba Sing Se and decide to travel together. Features aged-up characters, lots of intimate scenes, staying in a beautiful cave, helping villagers, betrayal in Ba Sing Se, reunion, forgiveness, etc. Explicit mature content.

 ·        ROOTS AND WINGS by zukoscomet Published: 2020-08-14 | 250K words | 25 Chapters

A series of short stories of Z & K as they grow closer, confess their love for one another and start a family.

 ·        THOSE WHO FAVOR FIRE by hiwasseelane Published: 2021-05-02 |29K Words | 13 Chapters

An ATLAS3 rewrite. Sweet, teen-appopriate.

Here’s a link to Part II of my personal favs.

Here’s a link to Wholesome Zutara Short Stories.

[batsplat]

your top 5 fave motogp races? or alternatively what races you’d show to a newbie to get them into the sport or smth

one of those things where it's painful to pick five, but at least this ask gives me the chance to hedge my bets and pick five different races for each category (most of these races will be featured in the recs lists; 27, 4+93, 46)

laguna '08: works wonders to bring both that season and the rivalry alive. delightfully visceral and vicious, there's few duels that tell you quite so much about both participants. I have lap-by-lap notes for this race. I have points tables assessing how much of a turning point it was in the season. I have read the bit in casey's autobiography about this race about a million times. how their expectations going in influenced the dynamics of the race, how the slower man won the race, what valentino was attempting to do to casey, casey's response... I could quite literally talk about this race forever

phillip island '17: idk I don't think this is objectively 'better' than the other two infamous dogfights of that era (pi '15; assen '18), but sometimes you just notice which one has the most rewatch value for you... I really like races where risk/reward calculation is a big deal, where at least one of the riders is having to actively judge how much they're willing to do to win... with the hard style of racing in this one, those calculations feel particularly present. phillip island is in such a perfect calendar spot for generating maximum drama

misano '17: maybe the quirkiest pick. marc is too good and too successful for me to ever really have been 'stressed' watching him in his prime, but bloody hell did he run me close here. something so satisfying about being so adept in wet/mixed conditions... love the spite element of this race, love the risk/reward calculations, how marc just needs to go for it in the very final lap, his dogged determination... a race where he doesn't have a massive margin over the field but just wants it so so badly that he goes for it. he's making a statement, bouncing back from a low point in the season, super compelling stuff

mugello '04: just love races that are kinda a mess! lots of twists and turns... bunch of riders fighting it out, the sete duel, the rain interruption, bunch of riders fighting it out but now on a way more slippery track... I don't know, there's just something charming about a race that has a bit of everything! of course it's also part of my beloved 2004 season, from which I could have easily included five different races (and if you're ever looking for a full season to watch, 2004 2006 and 2017 are the holy trinity - mix of title fight drama and banger races)

okay listen I'm gonna cheat here because I wrote out the word 'catalunya' and then had a crisis staring at this post. '07 I need to include because it's my favourite casey win and it's how he establishes himself as an all-round threat and is so important in the overall context of the valentino rivalry, but '09 is like... right up there with laguna as season lynchpin races and also somehow jorge has been left out from these picks... I love big momentum-switchers I love races that have so much meaning in the context of a rivalry AND season. I also love how they're connected! that valentino did the same move on casey (just not on the final lap) and had basically already rehearsed his coup de grâce two years in advance, before visualising it the week before the race... casey joking about it in the catalunya '09 presser, jorge knowing he kinda should have seen it coming, casey kinda ragging on jorge for not having seen it coming... idk!! I like this little legacy they built there together

for newbies

phillip island '23: you need to include something a little more current to give new fans a reason to watch now... phillip island races are reliably great - this one introduces you to two of the major protagonists of the current game in a way that kind tells you a lot about both of them, gives you a demonstration of one of the best types of races (the multi-rider dogfight), and it also is the most brute force way imaginable of explaining how tyres work in motogp. pedagogically pleasing! it's the kind of race new viewers will be able to enjoy in the moment, but have a lot of questions about afterwards - the sweet spot

assen '15: easily makes my top five rewatched races too, but I put it under the newbie header because again... tells you a lot! it's very likely this hypothetical newbie will have at least have SOME knowledge of who the two protagonists are and know they've fallen out, though I suppose it'd be funny to go in completely blind. obviously a great duel and a very nice introduction to the two big names plus their respective riding styles... what you really want is some late drama and a controversial finish that you can immediately have a hot take about

donington '05: we need a full wet race, not just mixed but wet wet... this one's got one hell of an attrition rate but also proper tussling between the different riders, rather than everyone just riding out on their own. it really gives you a feeling for how these kinds of races work... lot of riders wobbling around, saving near-falls, trying to get a sense of how much they can risk, riding behind each other to have somebody else test out their conditions... plus, the valentino performance kinda slaps

austria '17: got to be a marc/dovi duel in here, and this one has the clear edge not as much for the race itself but a) the novelty at the time, and b) the significance in the title fight. in dovi you've got somebody who is emerging as a threat and is providing a new flavour of challenge.... there's also that fun tension between how marc logically very much should just be happy to be there as a result of what a ducati circuit it is and he's simply supposed to be limiting the points damage... but he also really, really wants to win... actually either this or motegi 2017, almost want to change my pick. one of those two!!

brno '03: sneaking in an old race as a gateway drug, and I think this one is quite 'accessible' to the uninitiated. I considered other ones like phillip island '01 (valentino's first premier class matchpoint race, classic dogfight) or welkom '04 (first yamaha race and one of the duels) - but I think you don't need much context to get absorbed in this one. the race commentary already gives you the most important information... valentino's struggles that season, the criticisms he was facing from the italian press, how badly he wanted to win, the haircut, all of it... and then you get to see the post-race prisoner's celebrations, a flavour of the proper classic camp dramatics

slightly silly number of honourable mentions, each of which I was extremely tempted to include: motegi '10, jerez 2005, misano '19, laguna '11, jerez '10, assen '04, catalunya '04 '05 '16, mugello '05 '06, sachsenring '06, assen '04, phillip island '04, le mans 2005, qatar 2005, suzuka '01, thailand '19, austria '19, qatar '18, silverstone '19, sachsenring '10, qatar '15, mugello '16, sepang '10, assen '07 (and ones I did already kinda mention above: phillip island '15, assen '18, phillip island '01, welkom '04, motegi '17)

[toyboxcomix]

Random Old Comic: Ramjet Likes to Toast https://www.toyboxcomix.com/2017/04/27/ramjet-likes-to-toast/

[aonokongen]

🎉🍰 04.02 - happy birthday to Makoto!

Makoto Nanaya 1/7 scale figure (december 22, 2017), arc system works/bellfine.

sculpted by Zenko, this pvc figure was originally a resin kit by circle Iousen. here’s a list of events she was available for purchase as a resin kit:

02/19/2017, Wonder Festival 2017 (winter)

05/05/2017, Treasure Festa in Ariake 17

05/06/2017, Hobby Round 17

07/30/2017, Wonder Festival 2017 (summer).

she was later produced by bellfine as pvc, and was available for order on their site 12/22/17 & 03/27/19. additionally, this figure was also on sale at storia cafe’s GGXBB collaboration cafe, which took place 05/04/18-05/31/18 & 06/01/18-06/15/18.

collaboration cafe - https://web.archive.org/web/20190111210953/http://www.gg-bb.com/

and here is makoto in her resin kit form, for those curious

[black-arcana]

IN THIS MOMENT Announces Fall 2025 'Black Mass Tour' With DAYSEEKER, THE FUNERAL PORTRAIT And DED

American rock band IN THIS MOMENT has announced the 2025 "Black Mass Tour" featuring special guests DAYSEEKER on select dates, THE FUNERAL PORTRAIT and DED. The 23-city trek kicks off on Thursday, September 18 at 1st Summit Arena in Johnstown, Pennsylvania, making stops across the U.S. before wrapping up in Bethlehem, Pennsylvania at Wind Creek Events Center on Friday, October 24. IN THIS MOMENT is also gearing up to release new music via Better Noise Music this summer.

A special BLABBERMOUTH.NET presale will begin on Wednesday, June 25 at 2:00 p.m. ET and end on Thursday, June 26 at 10:00 p.m. local time. When prompted, type in the presale code "ITMBBM25" to access tickets before the general public. Check back here on Wednesday for ticketing links to individual shows. General on-sale will be Friday, June 27 at 10 a.m. local time.

IN THIS MOMENT's "Black Mass Tour" dates:

Sep. 18 - Johnstown, PA - 1st Summit Arena Sep. 20 - Johnson City, TN - Freedom Hall Civic Center# Sep. 21 - Louisville, KY - Louder Than Life Festival Sep. 23 - Dallas, TX - South Side Ballroom^ Sep. 24 - Houston, TX - Bayou Music Center Sep. 25 - San Antonio, TX - Boeing Center at Tech Port Sep. 27 - El Paso, TX - Speaking Rock Entertainment Center Sep. 28 - Albuquerque, NM - Revel^ Oct. 01 - Los Angeles, CA - Hollywood Palladium Oct. 02 - Las Vegas, NV - Pearl Concert Theater at Palms Casino Resort Oct. 03 - Paso Robles, CA - Vina Robles Amphitheatre Oct. 04 - Sacramento, CA - Aftershock Festival Oct. 07 - Garden City, ID - Revolution Concert House & Event Center^ Oct. 08 - Spokane, WA - The Podium Oct. 10 - Idaho Falls, ID - Mountain America Center Oct. 11 - Casper, WY - Casper Events Center Oct. 12 - Colorado Springs, CO - Ford Amphitheater Oct. 14 - Kansas City, MO - The Midland Theatre Oct. 16 - Waukee, IA - Vibrant Music Hall^ Oct. 18 - Milwaukee, WI - Eagles Ballroom Oct. 21 - Atlanta, GA - Coca Cola Roxy Oct. 23 - Greensboro, NC - Greensboro Special Events Center Oct. 24 - Bethlehem, PA - Wind Creek Events Center

^ Without DAYSEEKER # Without THE FUNERAL PORTRAIT

Since coming to life in 2005, the Grammy Award-nominated act IN THIS MOMENT has presided over a diehard fan base under the watch of "mother" figure and frontwoman Maria Brink — joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel and drummer Kent Diimmel. As millions convened upon the group's otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century.

To date, in addition to the gold-selling album "Blood" (2012),the quintet has garnered six gold and platinum singles, followed by a trifecta of Top 25 entries on the Billboard 200 with "Black Widow" (2014) and "Ritual" (2017). With a total stream tally well past 200 million as of 2020, "Ritual" elevated them to new creative and critical peaks as well. Between selling out headline tours coast to coast, the group performed in arenas everywhere alongside DISTURBED and appeared at countless festivals from Lollapalooza to Sonic Temple. Along the way, they assembled their seventh full-length, the aptly titled "Mother" (Roadrunner Records) with longtime trusted collaborator Kevin Churko (OZZY OSBOURNE, FIVE FINGER DEATH PUNCH). Whereas "Ritual" hinted at a bluesy sonic sorcery, "Mother" breathes the activating mantra of an unbreakable spell, commenced on first single "The In-Between".

In 2022, the band released "Blood 1983" (BMG),a reimagined EP commemorating the tenth anniversary of "Blood". Then in 2023, the longtime staples of heavy music released their eighth studio album "Godmode" (BMG),a 10-song record featuring the powerful lead single "The Purge", the band's stunning cover of Björk's "Army Of Me", the collaborative track "Damaged" which features Spencer Charnas of ICE NINE KILLS, and "I Would Die For You", which appears on the soundtrack for "John Wick: Chapter 4".

Photo credit: Joe Cotela

[autumnslance]

LynMars's FFXIV Write 2024 Master Post

We're back again! The list and links for all of my completed prompts for this year's FFXIV Write. Stats and ramblings about writing will go under the Read More cut. Eventually these will be revised in some manner and tossed onto Ao3.

Asterisks again mean there's wolship nonsense happening.

01. Steer - Vignettes of less sociable times over Aeryn's life. 02. Horizon - WoL at the end of Ultima Thule, EW 6.0. 03. Tempest - WoL returns to Amaurot to contemplate, EW 6.4. 04. Reticent - C'oretta & Dark Autumn have a chat. Sort of. 05. Stamp - Aeryn finds a memento while cleaning, post-EW 6.0 06. Halcyon - Tanzel, Emelia, & understanding grief. Backstory. 07. Morsel - Zenos heading to Camp Broken Glass, EW 6.0. 08. Free Day! 09. Lend an Ear - Emperor Varis is very much alone. StB patches. 10. Stable - Hydaelyn as the avatar of Light. Endwalker. 11. Surrogate - Weird West AU. Unexpected new roles for the Strikers. 12. Quarry* - Dominants AU. Thavnair comes to Tural's aid. DT 7.0. 13. Butte - Dark Autumn versus seedkin in Xak Tural. DT 7.0. 14. Telling - WoL reflects on Emet-Selch's expected reaction. EW 6.0. 15. Free Day! 16. Third-Rate - Aeryn's annoyed by the Unbound. DT Role Quests. 17. Sally - Dark pays a final visit to a traitor, post-StB 4.1. 18. Hackneyed* - Aeryn, Thancred, & terrible literature. 19. Taken - A young wood warder tries to save his sibling. Backstory. 20. Duel - Wuk Lamat's challenge does not go as expected. DT 7.0. 21. Shade - WoL ruminates on some of their ghosts. Thru DT 7.0. 22. Free Day! 23. On Cloud Nine - A chocobo & her Warrior of Light. End ShB 5.0. 24. Bar - 2 different adventurers starting out. Legacy & ARR. 25. Perpetuity - Aeryn, Deryk, & questions of faith. EW 24man raid. 26. Zip - C'oretta helping out Hamon at the Coliseum. Technically DT. 27. Memory - In a future, music makes Iyna remember. EW Patches. 28. Deleterious - Aeryn & Shale discuss regulators & history. DT 7.0. 29. (Free) Deleterious 2* - Thancred & self-recrimination. ShB 5.0. 30. Two Heads are Better than One - Gulool Ja Ja muses. DT 7.0.

Previous years: 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023

Ended up a touch Aeryn-heavy this year, though Generic WoL, various NPCs, the other OCs, forays in the FC's AUs, and some supporting family cast members make appearances. There's even a callback to a previous FFXIV Write entry. Lots of Endwalker and Dawntrail due to recency bias, but it manages to span the spectrum from backstories through various expansions.

I only did 1 Free Day, due to having 2 solid ideas I ended up writing for that prompt. It was right at the end of my annual birthday vacation week, so I was pretty rested (may also be why they're among the longer entries!). Unusually, the rest of that week's works are not any longer than the others.

I'm also still working on some original writing, though, so that did cut into fanfiction time.

Below 500 words: #2 Horizon (347), #3 Tempest (415), #7 Morsel (499), #10 Stable (400), #13 Butte (477), #14 Telling (355), #17 Sally (464), #20 Duel (499), #24 Bar (462).

500 - 1,000 words: #1 Steer (944), #4 Reticent (581), #5 Stamp (588), #11 Surrogate (964), #12 Quarry (844), #16 Third-Rate (564), #18 Hackneyed (577), #19 Taken (915), #21 Shade (764), #23 On Cloud Nine (728), #25 Perpetuity (958), #26 Zip (592), #27 Memory (810), #30 Two Heads are Better than One (500).

Over 1,000 words: #6 Halcyon (2,479), #9 Lend an Ear (1,326), #28 Deleterious (1,099), #29 Deleterious 2 (1,231).

Shortest: #2 Horizon Longest: #6 Halcyon

Total: 20,382 words. Not my shortest but far from my longest. Comparing with the previous years, I can see a clear improvement in my grasp of both NPC and OC voices, and more confidence in general.

Even so, "Butte", "Sally", "Bar", and "Zip" were the hardest for me this year, and I may need to warm up to them. I love "Halcyon" for a lot of reasons, and am also fond of the lighter offerings in "Duel" and "On Cloud Nine." I like a lot of the others, particularly when trying to get into NPC heads (even if they're really weird places to be ffs, Zenos).

Not too many shippy entries this year, one of them for one of the AUs, one mostly talking about it rather than seeing it, but I like "Hackneyed" a lot as it's been awhile since I've written about Aeryn & Thancred's literary tastes (and opposite ways of treating their books).

These will eventually be revised and added to Ao3, and then we await next year!

[ms-m-astrologer]

Transiting Venus enters retrograde zone

Timeline

Friday, January 10, 09:59 UTC - transiting Venus’ greatest eastern elongation, 7°35’ Pisces

Tuesday, January 28, 20:22 UTC - transiting Venus enters retrograde zone, 24°37’ Pisces

Tuesday, February 4, 07:57 UTC - transiting Venus enters Aries

Sunday, March 2, 00:36 UTC - transiting Venus stations retrograde, 10°50’ Aries

Sunday, March 23, 01:07 UTC - Sun-Venus inferior conjunction, 2°39’ Aries

Thursday, March 27, 08:41 UTC - transiting Venus retrogrades back into Pisces

Sunday, April 13, 01:02 UTC - transiting Venus stations direct, 24°37’ Pisces

Wednesday, April 30, 17:16 UTC - transiting Venus re-enters Aries

Friday, May 16, 06:04 UTC - transiting Venus exits retrograde zone, 10°50’ Aries

Sunday, June 1, 07:34 UTC - transiting Venus’ greatest western elongation, 25°14’ Aries

*+=+*+=+*+=+*

Let me warn everyone right now - this is probably the only stand-alone post I’ll make about Venus Rx in 2025. What I plan to do instead is write more about each step in my weekly forecasts. So if it’s important to you, screenshot that timeline and write the dates down in your planner!

Astrologically, the timing and placement of this particular Rx Zone just boggle my mind. Here is Venus moving back and forth over late Pisces/early Aries - as the Lunar Nodes move from early Aries/Libra to late Pisces/Virgo - as Saturn and Neptune begin their year-long transition from Pisces to Aries - and as transiting Mercury gets in on the action, having its Rx Zone cover exactly the same Zodiacal ground beginning the day before Venus stations retrograde.

JFC.

Anyway, during Venus retrograde times, we are meant to reflect upon our sense of self-worth and our relationships. Can’t have one without the other...? It’s comparable to the stories of the Mesopotamian goddess Inanna descending to the Underworld (most likely woven around Venus’ Rx cycles) - Inanna ends up stripping herself (or being stripped) of all her outer accoutrements, in order to be reborn.

Some general warnings about this time period, based on Venus’ areas:

Arts - without fail, every time Venus has an RZ, I get an idea for some grandiose, complicated project for knitting or crocheting. And without fail, every time this grand project ends up abandoned. It’s okay to continue working on the art projects you already have going, but hold off on starting anything new.

Beauty - how many impulsive, disastrous makeovers have occurred during Venus Rx, I wonder? DO NOT CHOP OFF ALL YOUR HAIR. Instead, consider ways to revamp your wardrobe and image. Consider, but don’t act until Venus is direct again.

Love - traditionally, this is a time when past lovers reenter our lives. Equally traditional is the end result, namely, asking ourselves in horror, “What was I thinking?” Some love karma may not be quite as paid off as we presumed. It’s a good time to search out what it was we were supposed to learn from the experience.

Money - get-rich quick schemes based off our own gullibility. Throwing money away on whatever is our escapist vehicle of choice - booze, drugs, food, TV, gaming, the list goes on and on.

Look to the house(s) in your birth chart, which contain the sliver of Zodiac between 24° Pisces and 10° Aries, to see where the action will be. Natal 2nd House? Pay attention to your budget! Natal 7th House? Beware those returning past partners!

And since Venus Rx is cyclical, think back eight years to February-May 2017 - Feb-May 2009 - even Feb-May 2001 - and review what happened then. (These RZs are in my natal 5th House, and sure enough, I was exclusively concerned with my kids and their drama during those times.)

We have a week of Venus/Pisces before she moves on to Aries - a week of wistful daydreaming. Take note of what seems to pop up; you’ll revisit it during the next few months. Something wonderful you don’t want to let go - something wonderful you don’t dare believe could be meant for you.

There is also a spectacular set up between February 1-3, when Venus, Neptune, and the North Node all are conjunct in very late Pisces - joined on Saturday the 1st by the Moon attaining her Crescent phase, and all of them semi-square the Aquarius Sun. What Pisces-type quality are you lacking, or maybe have too much of, that holds you back?

[meddlingmaez]

Hadestown (in 4 Acts)

One of the biggest dilemmas being a Hadestown fan is deciding which soundtrack to have your friends listen to first. Each soundtrack has its advantages, and with such drastic song & character & story differences between productions, the soundtrack you choose to show a friend may lastingly shape what they think of the show.

Fan-compiled Spotify & YouTube playlists have been an answer to this problem, though a limited solution, as the show's story beats may not make sense when simply intercutting between the best versions of songs from different productions. Not to mention the best versions of some songs are not found on Spotify or any officially released soundtrack.

So, three years ago I made a fan edit of the soundtrack backdropped with minimalist visuals and featuring the lyrically best/most dramatically useful versions of each track (in my opinion) to help a new viewer understand the show's plot, aesthetic, structure, and dramatic heart; cutting out certain small story beats to gel individual songs within the context of all other tracks used. The end product is a sum of parts that creates a new shape and whole to my favvvvv musical :3

This is Hadestown (in 4 Acts), a semi-visual fan edit of the Hadestown soundtrack made with the intention of being the most accessible version of the show for someone who hasn't seen or listened to Hadestown before. This was made for you to send to your uninitiated friends, to be their first experience of the show.

Give it a watch and tell me what y'all think! ˶ᵔ ᵕ ᵔ˶

(( i intended to publish this three years ago when i originally made the edit, but alassss, when i uploaded it to youtube the vid got an immediate copyright strike :\ figures. but !! i just discovered that at some point in the last three years the copyright strike was removed? idk why and i'm not gonna question it 😅. i'm pumped though to finally be sharing the edit [albeit three years late] !!!

i've thought in the years since about how i might make different editing choices [especially since the release of the west end soundtrack]. but unfortunately I lost the original premiere pro files on an old hard drive 😭💀😭 so this is sadly the final version. ))

Here's a work cited for the media used:

~ Font: Kraft Nine

~ Flower animation: from the Hadestown website

~ Background: from the Hadestown website

~ Songs:

01 – We Raise Our Cups (Instrumental) – uploaded to YouTube by EJM Instrumentals

02 – Road to Hell – 2019 Original Broadway Cast Recording (OBC)

03 – Any Way the Wind Blows – OBC

04 – Come Home with Me – OBC

05 – Wedding Song – OBC

06 – Epic I – Bootleg of 2016 New York Theatre Workshop Production

07 – Livin' it Up on Top – OBC/2017 New York Theatre Workshop Live Recording (NYTW)

08 – All I've Ever Known – OBC

09 – Way Down Hadestown – OBC/NYTW

10 – A Gathering Storm – OBC

11 – Epic II – NYTW

12 – Chant – NYTW

13 – Hey, Little Songbird – OBC

14 – When the Chips are Down – OBC

15 – Gone, I'm Gone – OBC

16 – Why We Build the Wall – OBC

17 – Way Down Hadestown (Reprise) – OBC

18 – Flowers – OBC

19 – Wait for Me – OBC

20 – Our Lady of the Underground – OBC

21 – Come Home with Me (Reprise) – OBC

22 – Papers – OBC/2010 Righteous Babe Records Concept Album

23 – Nothing Changes – Bootleg of 2016 New York Theatre Workshop Production

24 – If it's True – Phone recording of 2011 America Sings Hadestown Tour uploaded to YouTube by AugustWynde

25 – How Long – OBC

26 – Chant (Reprise) – NYTW

27 – Epic III – NYTW

28 – Lover's Desire – 2010 Righteous Babe Records Concept Album

29 – Promises – OBC

30 – Word to the Wise – OBC

31 – His Kiss the Riot – OBC/NYTW

32 – If You Wanna Walk Out of Hell – OBC

33 – Wait for Me (Reprise) – NYTW

34 – Doubt Comes In – NYTW

35 – Road to Hell (Reprise) – OBC

36 – We Raise Our Cups – OBC

[mostlysignssomeportents]

Amazon’s financial shell game let it create an “impossible” monopoly

I'm on tour with my new, nationally bestselling novel The Bezzle! Catch me in TUCSON (Mar 9-10), then San Francisco (Mar 13), Anaheim, and more!

For the pro-monopoly crowd that absolutely dominated antitrust law from the Carter administration until 2020, Amazon presents a genuinely puzzling paradox: the company's monopoly power was never supposed to emerge, and if it did, it should have crumbled immediately.

Pro-monopoly economists embody Ely Devons's famous aphorism that "If economists wished to study the horse, they wouldn’t go and look at horses. They’d sit in their studies and say to themselves, ‘What would I do if I were a horse?’":

https://pluralistic.net/2022/10/27/economism/#what-would-i-do-if-i-were-a-horse

Rather than using the way the world actually works as their starting point for how to think about it, they build elaborate models out of abstract principles like "rational actors." The resulting mathematical models are so abstractly elegant that it's easy to forget that they're just imaginative exercises, disconnected from reality:

https://pluralistic.net/2023/04/03/all-models-are-wrong/#some-are-useful

These models predicted that it would be impossible for Amazon to attain monopoly power. Even if they became a monopoly – in the sense of dominating sales of various kinds of goods – the company still wouldn't get monopoly power.

For example, if Amazon tried to take over a category by selling goods below cost ("predatory pricing"), then rivals could just wait until the company got tired of losing money and put prices back up, and then those rivals could go back to competing. And if Amazon tried to keep the loss-leader going indefinitely by "cross-subsidizing" the losses with high-margin profits from some other part of its business, rivals could sell those high margin goods at a lower margin, which would lure away Amazon customers and cut the supply lines for the price war it was fighting with its discounted products.

That's what the model predicted, but it's not what happened in the real world. In the real world, Amazon was able use its access to the capital markets to embark on scorched-earth predatory pricing campaigns. When diapers.com refused to sell out to Amazon, the company casually committed $100m to selling diapers below cost. Diapers.com went bust, Amazon bought it for pennies on the dollar and shut it down:

https://www.theverge.com/2019/5/13/18563379/amazon-predatory-pricing-antitrust-law

Investors got the message: don't compete with Amazon. They can remain predatory longer than you can remain solvent.

Now, not everyone shared the antitrust establishment's confidence that Amazon couldn't create a durable monopoly with market power. In 2017, Lina Khan – then a third year law student – published "Amazon's Antitrust Paradox," a landmark paper arguing that Amazon had all the tools it needed to amass monopoly power:

https://www.yalelawjournal.org/note/amazons-antitrust-paradox

Today, Khan is chair of the FTC, and has brought a case against Amazon that builds on some of the theories from that paper. One outcome of that suit is an unprecedented look at Amazon's internal operations. But, as the Institute for Local Self-Reliance's Stacy Mitchell describes in a piece for The Atlantic, key pieces of information have been totally redacted in the court exhibits:

https://www.theatlantic.com/ideas/archive/2024/02/amazon-profits-antitrust-ftc/677580/

The most important missing datum: how much money Amazon makes from each of its lines of business. Amazon's own story is that it basically breaks even on its retail operation, and keeps the whole business afloat with profits from its AWS cloud computing division. This is an important narrative, because if it's true, then Amazon can't be forcing up retail prices, which is the crux of the FTC's case against the company.

Here's what we know for sure about Amazon's retail business. First: merchants can't live without Amazon. The majority of US households have Prime, and 90% of Prime households start their ecommerce searches on Amazon; if they find what they're looking for, they buy it and stop. Thus, merchants who don't sell on Amazon just don't sell. This is called "monopsony power" and it's a lot easier to maintain than monopoly power. For most manufacturers, a 10% overnight drop in sales is a catastrophe, so a retailer that commands even a 10% market-share can extract huge concessions from its suppliers. Amazon's share of most categories of goods is a lot higher than 10%!

What kind of monopsony power does Amazon wield? Well, for one thing, it is able to levy a huge tax on its sellers. Add up all the junk-fees Amazon charges its platform sellers and it comes out to 45-51%:

https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos

Competitive businesses just don't have 45% margins! No one can afford to kick that much back to Amazon. What is a merchant to do? Sell on Amazon and you lose money on every sale. Don't sell on Amazon and you don't get any business.

The only answer: raise prices on Amazon. After all, Prime customers – the majority of Amazon's retail business – don't shop for competitive prices. If Amazon wants a 45% vig, you can raise your Amazon prices by a third and just about break even.

But Amazon is wise to that: they have a "most favored nation" rule that punishes suppliers who sell goods more cheaply in rival stores, or even on their own site. The punishments vary, from banishing your products to page ten million of search-results to simply kicking you off the platform. With publishers, Amazon reserves the right to lower the prices they set when listing their books, to match the lowest price on the web, and paying publishers less for each sale.

That means that suppliers who sell on Amazon (which is anyone who wants to stay in business) have to dramatically hike their prices on Amazon, and when they do, they also have to hike their prices everywhere else (no wonder Prime customers don't bother to search elsewhere for a better deal!).

Now, Amazon says this is all wrong. That 45-51% vig they claim from business customers is barely enough to break even. The company's profits – they insist – come from selling AWS cloud service. The retail operation is just a public service they provide to us with cross-subsidy from those fat AWS margins.

This is a hell of a claim. Last year, Amazon raked in $130 billion in seller fees. In other words: they booked more revenue from junk fees than Bank of America made through its whole operation. Amazon's junk fees add up to more than all of Meta's revenues:

https://s2.q4cdn.com/299287126/files/doc_financials/2023/q4/AMZN-Q4-2023-Earnings-Release.pdf

Amazon claims that none of this is profit – it's just covering their operating expenses. According to Amazon, its non-AWS units combined have a one percent profit margin.

Now, this is an eye-popping claim indeed. Amazon is a public company, which means that it has to make thorough quarterly and annual financial disclosures breaking down its profit and loss. You'd think that somewhere in those disclosures, we'd find some details.

You'd think so, but you'd be wrong. Amazon's disclosures do not break out profits and losses by segment. SEC rules actually require the company to make these per-segment disclosures:

https://scholarship.law.stjohns.edu/cgi/viewcontent.cgi?article=3524&context=lawreview#:~:text=If%20a%20company%20has%20more,income%20taxes%20and%20extraordinary%20items.

That rule was enacted in 1966, out of concern that companies could use cross-subsidies to fund predatory pricing and other anticompetitive practices. But over the years, the SEC just…stopped enforcing the rule. Companies have "near total managerial discretion" to lump business units together and group their profits and losses in bloated, undifferentiated balance-sheet items:

https://www.ucl.ac.uk/bartlett/public-purpose/publications/2021/dec/crouching-tiger-hidden-dragons

As Mitchell points you, it's not just Amazon that flouts this rule. We don't know how much money Google makes on Youtube, or how much Apple makes from the App Store (Apple told a federal judge that this number doesn't exist). Warren Buffett – with significant interest in hundreds of companies across dozens of markets – only breaks out seven segments of profit-and-loss for Berkshire Hathaway.

Recall that there is one category of data from the FTC's antitrust case against Amazon that has been completely redacted. One guess which category that is! Yup, the profit-and-loss for its retail operation and other lines of business.

These redactions are the judge's fault, but the real fault lies with the SEC. Amazon is a public company. In exchange for access to the capital markets, it owes the public certain disclosures, which are set out in the SEC's rulebook. The SEC lets Amazon – and other gigantic companies – get away with a degree of secrecy that should disqualify it from offering stock to the public. As Mitchell says, SEC chairman Gary Gensler should adopt "new rules that more concretely define what qualifies as a segment and remove the discretion given to executives."

Amazon is the poster-child for monopoly run amok. As Yanis Varoufakis writes in Technofeudalism, Amazon has actually become a post-capitalist enterprise. Amazon doesn't make profits (money derived from selling goods); it makes rents (money charged to people who are seeking to make a profit):

https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital

Profits are the defining characteristic of a capitalist economy; rents are the defining characteristic of feudalism. Amazon looks like a bazaar where thousands of merchants offer goods for sale to the public, but look harder and you discover that all those stallholders are totally controlled by Amazon. Amazon decides what goods they can sell, how much they cost, and whether a customer ever sees them. And then Amazon takes $0.45-51 out of every dollar. Amazon's "marketplace" isn't like a flea market, it's more like the interconnected shops on Disneyland's Main Street, USA: the sign over the door might say "20th Century Music Company" or "Emporium," but they're all just one store, run by one company.

And because Amazon has so much control over its sellers, it is able to exercise power over its buyers. Amazon's search results push down the best deals on the platform and promote results from more expensive, lower-quality items whose sellers have paid a fortune for an "ad" (not really an ad, but rather the top spot in search listings):

https://pluralistic.net/2023/11/29/aethelred-the-unready/#not-one-penny-for-tribute

This is "Amazon's pricing paradox." Amazon can claim that it offers low-priced, high-quality goods on the platform, but it makes $38b/year pushing those good deals way, way down in its search results. The top result for your Amazon search averages 29% more expensive than the best deal Amazon offers. Buy something from those first four spots and you'll pay a 25% premium. On average, you need to pick the seventeenth item on the search results page to get the best deal:

https://scholarship.law.bu.edu/faculty_scholarship/3645/

For 40 years, pro-monopoly economists claimed that it would be impossible for Amazon to attain monopoly power over buyers and sellers. Today, Amazon exercises that power so thoroughly that its junk-fee revenues alone exceed the total revenues of Bank of America. Amazon's story – that these fees barely stretch to covering its costs – assumes a nearly inconceivable level of credulity in its audience. Regrettably – for the human race – there is a cohort of senior, highly respected economists who possess this degree of credulity and more.

Of course, there's an easy way to settle the argument: Amazon could just comply with SEC regs and break out its P&L for its e-commerce operation. I assure you, they're not hiding this data because they think you'll be pleasantly surprised when they do and they don't want to spoil the moment.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/03/01/managerial-discretion/#junk-fees

Image: Doc Searls (modified) https://www.flickr.com/photos/docsearls/4863121221/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[usernyoom]

27/04/17, Sochi. Daniel Ricciardo during the run-up to the F1 Russian Grand Prix 2017. Photo by XPB, edited.

[staydandy]

Candle in the Tomb 4: The Lost Caverns (2020) - 龙岭迷窟 - Whump List

List by StayDandy Synopsis : Hu Ba Yi, Shirley Yang and Wang Pang Zi explore a mysterious tomb in the Shaanxi region. Shirley Yang travels to the Longling Maze Grottos to investigate unusual patterns on fossil fragments. On the way, she crosses paths with Hu Ba Yi who along with Wang Pang Zi have just escaped from the ancient city. The trio become companions in another tomb-raiding adventure. (MDL)

Whumpee : Hu Ba Yi played by Pan Yue Ming (3rd from left) • Wang Pang Zi played by Jiang Chao (far left) • Thomas played by Zach Ireland Splittgerber (small top group, torch) • Zhe Gu Shao played by Gao Wei Guang (small top group, blue light stick)

Country : 🇨🇳 China Genres : Action, Adventure, Mystery, Horror, Bromance

Notes : This is a Full Whump List • Adapted from the 2nd volume in the novel series "Candle in the Tomb" (鬼吹灯) by Zhang Mu Ye (天下霸唱). • End credits song : 乾坤暴躁-《龙岭迷窟》影视剧主题曲 by 潘粵明, GAI周延 • TW : Arachnophobia

Related Lists : Candle in the Tomb 1 (2016) - Full List • Candle in the Tomb 2: The Weasel Grave (2017) - Full List • Candle in the Tomb 3: The Wrath of Time (2019) - Full List • Candle in the Tomb 5: The Worm Valley (2021) - Full List • Candle in the Tomb 6: Kunlun Tomb (2022) - Full List

Episodes on List : 10 Total Episodes : 18

*Spoilers below*

03 : Hu Ba Yi & Wang Pang Zi knocked around on a ship in a storm, Pang Zi falls overboard.. Ba Yi exhausted after fighting a monster

04 : Ba Yi & Pang Zi in a fight

05 : (near end) Ba Yi & Pang Zi fall into a cave, tumbling down through a tunnel system

08 : [past] (this story with Thomas is so funny lol) Thomas slapped (Zhe Gu Shao getting shocked 😆).. poked in the stomach & force fed a medicine (all comedic) … Zhe Gu Shao & Thomas hallucinating, Thomas falls into a ravine, saved

09 : [past] (@ 1:30 this whole exchange is so funny 😆 - he's definitely one of the better english actors I've seen for a while in a chinese drama) (near end) Gu Shao spits up blood … Thomas falls & hurts his leg, Gu Shao's arm is eaten off by bugs (would totally watch a whole show of just Gu Shao & Thomas!)

11 : [present] Pang Zi captured, tied up, beat up [not shown].. knocked out … locked in a cage, bit by piranhas

12 : TW: arachnophobia @ 12:10-27:30

13 : (@ 2:05 😆 hahaha I knew it 😆) (TW: arachnophobia @ 2:14-2:22, 3:34-9:28)

14 : Ba Yi tries to hold a stone door dropping down.. Ba Yi & Pang Zi trapped in a room filling with mercury.. Ba Yi dizzy

15 : (TW: arachnophobia @ 21:18-32:53 (end of ep)) Ba Yi & Pang Zi fight a group of monsters; Ba Yi thrown by an explosion

16 : (TW: arachnophobia @ 1:30-8:16) Hurt/exhausted from fighting monster, helped to walk … passes out briefly

17 : Has to climb freestyle, barehanded up a wall with little to no experience.. exhausted … (TW: arachnophobia @ 32:16 (end of ep))

18 : TW: arachnophobia @ 1:32-2:11

[jiinjiinjarra]

// RUN BTS! ᯓ (ง ˙o˙)ว - Jin & Jungkook Links //

ᯓ 2017 year

★ Ep. 11 - preview [ 2017-01-31 ] // episode [2017-02-02, 03 ]

★ Ep. 12 - preview [ 2017-02-28 ] // episode [ 2017-03-02 ]

★ Ep. 13 - preview [ 2017-03-07 ] // episode [ 2017-03-10 ]

★ Ep. 14 - preview [ XXX ] // episode [ 2017-03-14 ]

★ Ep. 16 - preview [ 2017-03-28 ] // episode [ 2017-03-29 ]

★ Ep. 17 - preview [ 2017-04-12 ] // episode [ 2017-04-13 ]

★ Ep. 18 - preview [ 2017-04-18 ] // episode [ 2017-04-19 ]

★ Ep. 20 - preview [ 2017-05-23 ] // episode [ 2017-05-24 ]

★ Ep. 21 - preview [ XXX ] // episode [ 2017-06-02 ]

★ Ep. 22 - preview [ 2017-10-02 ] // episode [ 2017-10-05 ]

★ Ep. 23 - preview [ 2017-10-17 ] // episode [ 2017-10-18 ]

★ Ep. 24 - preview [ 2017-10-24 ] // episode [ 2017-10-26 ]

★ Ep. 25 - preview [ XXX ] // episode [ 2017-11-01 ]

★ Ep. 26 - preview [ 2017-11-07 ] // episode [ 2017-11-08 ]

★ Ep. 27 - preview [ 2017-11-14 ] // episode [ 2017-11-15 ]

★ Ep. 28 - preview [ 2017-11-21 ] // episode [ 2017-11-22 ]

★ Ep. 29 - preview [ 2017-12-05 ] // episode [ 2017-12-06 ]

★ Ep. 30 - preview [ 2017-12-04 ] // episode [ 2017-12-05 ]

★ Ep. 31 - preview [ 2017-12-12 ] // episode [ 2017-12-13 ]

★ Ep. 32 - preview [ 2017-12-23 ] // episode [ 2017-12-24 ]

★ Ep. 33 - preview [ 2017-12-26 ] // episode [ 2017-12-27 ]

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Jinkook 'Traffic Lights' Photo Indicator:

green star '★' - there is 'ultimate' jinkook photo in the post (only 🐹🐰 on the picture - no other members)

orange star '★' - 'if you crop - you see jinkook'

red star '★' - only solo or 'far far away' group photos

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

[lola-andheruniverse]

I've so appreciated the recs you've been posting! It's been really fun to dig into some new (and old, but new to me) fics to keep me going while we wait for The Book of Carol. If you ever have the time/energy/inclination, I'd love for any recommendations you have that focus on Carol telling/Daryl finding out about what happened with Lizzie - that's something I'm still so mad we never saw on the show, and I've found some great fics but you (and your followers) have a gift for unearthing treasures!

ANON! You sent me this ask on January 1st but some error on Tumblr didn't make it visible until now! I hope you're still there to enjoy this small selection of fics despite the six month delay. While there's life, there's hope so fingers crossed that Carol finally tells Daryl about The Grove in TBOC. Caryl on! 🥰

Every Bit by Wanderings/ @deannawoso [ 9Lives ] Summary: Carol finally breaks down and tells Daryl what happened at the grove. Rating: T Word Count: 2.330 (02 chapters) Published: November 19, 2014 (incomplete, but with a satisfying resolution).

Genesis by @silversundown2 [ 9Lives ] Summary: A new beginning grows in the ruins of a burnt city. Set in the episode “Consumed”. Rating: T Word Count: 1.706 Published: June 25, 2016 (one-shot)

Home by sweettooth7 [ 9Lives ] Summary: Since the moment Tyreese died she'd been carrying it all alone. Here's my version of Carol telling Daryl about what happened at the grove. Rating: T Word Count: 2.996 Published: October 04, 2015 (one-shot)

In Your Eyes by @equuleus86 [ 9Lives ] Summary: My take on a conversation we all want to see taking place. Carol relives the events of The Grove. Rating: G Word Count: 2.680 Published: November 05, 2017 (one-shot)

see the world hanging upside down by averita/ @catelyngrant [ 9Lives | AO3 ] Summary: "What would you do," she says, so quietly it could be the wind, "if I snapped?" Post 10x13, Daryl and Carol talk. Rating: T Word Count: 3.711 Published: March 27, 2020 (one-shot) Oh, and there's also Starting Over by @gunmetal-ring, which I already recommended here.