#2017/05/23

[mostlysignssomeportents]

Ad-tech targeting is an existential threat

I'm on a 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me TORONTO on SUNDAY (Feb 23) at Another Story Books, and in NYC on WEDNESDAY (26 Feb) with JOHN HODGMAN. More tour dates here.

The commercial surveillance industry is almost totally unregulated. Data brokers, ad-tech, and everyone in between – they harvest, store, analyze, sell and rent every intimate, sensitive, potentially compromising fact about your life.

Late last year, I testified at a Consumer Finance Protection Bureau hearing about a proposed new rule to kill off data brokers, who are the lynchpin of the industry:

https://pluralistic.net/2023/08/16/the-second-best-time-is-now/#the-point-of-a-system-is-what-it-does

The other witnesses were fascinating – and chilling, There was a lawyer from the AARP who explained how data-brokers would let you target ads to categories like "seniors with dementia." Then there was someone from the Pentagon, discussing how anyone could do an ad-buy targeting "people enlisted in the armed forces who have gambling problems." Sure, I thought, and you don't even need these explicit categories: if you served an ad to "people 25-40 with Ivy League/Big Ten law or political science degrees within 5 miles of Congress," you could serve an ad with a malicious payload to every Congressional staffer.

Now, that's just the data brokers. The real action is in ad-tech, a sector dominated by two giant companies, Meta and Google. These companies claim that they are better than the unregulated data-broker cowboys at the bottom of the food-chain. They say they're responsible wielders of unregulated monopoly surveillance power. Reader, they are not.

Meta has been repeatedly caught offering ad-targeting like "depressed teenagers" (great for your next incel recruiting drive):

https://www.technologyreview.com/2017/05/01/105987/is-facebook-targeting-ads-at-sad-teens/

And Google? They just keep on getting caught with both hands in the creepy commercial surveillance cookie-jar. Today, Wired's Dell Cameron and Dhruv Mehrotra report on a way to use Google to target people with chronic illnesses, people in financial distress, and national security "decision makers":

https://www.wired.com/story/google-dv360-banned-audience-segments-national-security/

Google doesn't offer these categories itself, they just allow data-brokers to assemble them and offer them for sale via Google. Just as it's possible to generate a target of "Congressional staffers" by using location and education data, it's possible to target people with chronic illnesses based on things like whether they regularly travel to clinics that treat HIV, asthma, chronic pain, etc.

Google claims that this violates their policies, and that they have best-of-breed technical measures to prevent this from happening, but when Wired asked how this data-broker was able to sell these audiences – including people in menopause, or with "chronic pain, fibromyalgia, psoriasis, arthritis, high cholesterol, and hypertension" – Google did not reply.

The data broker in the report also sold access to people based on which medications they took (including Ambien), people who abuse opioids or are recovering from opioid addiction, people with endocrine disorders, and "contractors with access to restricted US defense-related technologies."

It's easy to see how these categories could enable blackmail, spear-phishing, scams, malvertising, and many other crimes that threaten individuals, groups, and the nation as a whole. The US Office of Naval Intelligence has already published details of how "anonymous" people targeted by ads can be identified:

https://www.odni.gov/files/ODNI/documents/assessments/ODNI-Declassified-Report-on-CAI-January2022.pdf

The most amazing part is how the 33,000 targeting segments came to public light: an activist just pretended to be an ad buyer, and the data-broker sent him the whole package, no questions asked. Johnny Ryan is a brilliant Irish privacy activist with the Irish Council for Civil Liberties. He created a fake data analytics website for a company that wasn't registered anywhere, then sent out a sales query to a brokerage (the brokerage isn't identified in the piece, to prevent bad actors from using it to attack targeted categories of people).

Foreign states, including China – a favorite boogeyman of the US national security establishment – can buy Google's data and target users based on Google ad-tech stack. In the past, Chinese spies have used malvertising – serving targeted ads loaded with malware – to attack their adversaries. Chinese firms spend billions every year to target ads to Americans:

https://www.nytimes.com/2024/03/06/business/google-meta-temu-shein.html

Google and Meta have no meaningful checks to prevent anyone from establishing a shell company that buys and targets ads with their services, and the data-brokers that feed into those services are even less well-protected against fraud and other malicious act.

All of this is only possible because Congress has failed to act on privacy since 1988. That's the year that Congress passed the Video Privacy Protection Act, which bans video store clerks from telling the newspapers which VHS cassettes you have at home. That's also the last time Congress passed a federal consumer privacy law:

https://en.wikipedia.org/wiki/Video_Privacy_Protection_Act

The legislative history of the VPPA is telling: it was passed after a newspaper published the leaked video-rental history of a far-right judge named Robert Bork, whom Reagan hoped to elevate to the Supreme Court. Bork failed his Senate confirmation hearings, but not because of his video rentals (he actually had pretty good taste in movies). Rather, it was because he was a Nixonite criminal and virulent loudmouth racist whose record was strewn with the most disgusting nonsense imaginable).

But the leak of Bork's video-rental history gave Congress the cold grue. His video rental history wasn't embarrassing, but it sure seemed like Congress had some stuff in its video-rental records that they didn't want voters finding out about. They beat all land-speed records in making it a crime to tell anyone what kind of movies they (and we) were watching.

And that was it. For 37 years, Congress has completely failed to pass another consumer privacy law. Which is how we got here – to this moment where you can target ads to suicidal teens, gambling addicted soldiers in Minuteman silos, grannies with Alzheimer's, and every Congressional staffer on the Hill.

Some people think the problem with mass surveillance is a kind of machine-driven, automated mind-control ray. They believe the self-aggrandizing claims of tech bros to have finally perfected the elusive mind-control ray, using big data and machine learning.

But you don't need to accept these outlandish claims – which come from Big Tech's sales literature, wherein they boast to potential advertisers that surveillance ads are devastatingly effective – to understand how and why this is harmful. If you're struggling with opioid addiction and I target an ad to you for a fake cure or rehab center, I haven't brainwashed you – I've just tricked you. We don't have to believe in mind-control to believe that targeted lies can cause unlimited harms.

And those harms are indeed grave. Stein's Law predicts that "anything that can't go on forever eventually stops." Congress's failure on privacy has put us all at risk – including Congress. It's only a matter of time until the commercial surveillance industry is responsible for a massive leak, targeted phishing campaign, or a ghastly national security incident involving Congress. Perhaps then we will get action.

In the meantime, the coalition of people whose problems can be blamed on the failure to update privacy law continues to grow. That coalition includes protesters whose identities were served up to cops, teenagers who were tracked to out-of-state abortion clinics, people of color who were discriminated against in hiring and lending, and anyone who's been harassed with deepfake porn:

https://pluralistic.net/2023/12/06/privacy-first/#but-not-just-privacy

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2025/02/20/privacy-first-second-third/#malvertising

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[toskarinarchive]

Toskarin Database

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[jokeroutsubs]

Joker Out Masterpost for new fans

New fan of Joker Out? Say no more! 

Getting to know a new artist you’ve found can be intimidating if it’s all in another language, so we’ve compiled some of our favourite interviews, articles and lore here! You’ve arrived in a wonderful fanbase, welcome from all of us here at JokerOutSubs! 

If you’d just like a short overview of the band and their history, you can watch this excellent Finnish summary of them that we’ve translated (14m 53s).

But if you want to dive into the details, then check out our timeline, full of videos and articles translated by JokerOutSubs! 

Timeline graphic:

Timeline in details below the cut 👇

Timeline in details: 

How did the band form? 

Joker Out was formed from two bands, Apokalipsa and Buržuazija. 

Apokalipsa included Bojan Cvjetićanin (vocals), Martin Jurkovič (bass) and Matic Kovačič (drums) 

They gained some traction with young people around Slovenia, particularly with their song 'Mogoče' ('Maybe'), which you can watch on YouTube here.

They came to the attention of Kris Guštin, who was inspired to start learning guitar! He discusses the details in this video (at 9:40). 

Kris then met Jan Peteh, another student of his guitar teacher, and at their teachers advice, they formed the band Buržuazija. 

Bojan attended their second ever gig in 2016, and decided these two excellent guitarists were exactly what had been missing from Apokalipsa, as he wasn’t happy with their current guitarists. He asked them to join, and they accepted

The new lineup (Bojan, Jan, Kris, Martin and Matic) decided to rename themselves Joker Out. The name means nothing, but they thought it sounded good and was the ‘least horrible’ of all the ideas they could think of. 

So, in 2016, Joker Out was officially formed! 

November 2016, Kot srce ki kri poganja: 

Joker Out’s first music video was for their song ‘Kot srce ki kri poganja’ ('Like a heart that pumps blood'), filmed in Jan’s hometown of Vrhnika! We eventually got this song on Spotify on their 2023 album Live from Arena Stožice!

Music video: Kot srce ki kri poganja

English Interview (from 3:37 to 6:05): Joker Out discusses filming the music video

June 2017, Špil Liga:

One of the earliest performances for Joker Out was at Špil Liga, a competition for young bands in Slovenia. They won, and recorded their winning song, Omamljeno telo (intoxicated body) in November as part of the prize. 

Live (33m): Joker Out at Špil liga

Interview (5m): Reflections on Špil Liga in 2023 

c.2017/18, Bojan’s attempt at going solo:

The band took a hiatus c.2017/18, and Bojan considered going solo at that time, even working with a few producers. He eventually realised that he belonged with the band! Hear him tell the story:

Reel (1m 23s): A1 Vajb - Bojan’s fail

2019, A change up for the band:

The band began working with their current producer, Žare Pak, and their videographer Mark Pirc, in 2019 - both of whom have been referred to as the sixth member of the band. This led to a change in their sound and production quality, which culminated in ‘Gola’ ('Naked'), the first of their songs to be a big hit!

Music video: Gola

Zlata piščal ('Golden Flute') - Best New Artist 2019:

Joker Out won their first Zlata piščal award in 2019, for best new artist (one of many they’d go on to win!) This is a kind of Slovenian Grammy! Covid interrupted the proceedings, but you can see their interview for it here (3m 59s)- 

Interview: Joker Out wins a Zlata piščal ('Golden Flute') for Best New Artist 2019

Umazane misli, and a new member: 

During the Covid times, the band began recording their first studio album, 'Umazane misli' ('Dirty thoughts'), which was originally going to be released in March 2020 but was repeatedly delayed until October 2021. The first half was recorded with drummer Matic Kovačič, but the band felt they needed something extra and brought in Jure Maček to help write the arrangements. They loved him so much, he never left! 

Interview (from 10:40 to 11:36): Bojan talks briefly about Jure joining the band

COVID times, and Cvetličarna: 

The band had arranged to do two concerts at Cvetličarna, a very important venue in Slovenia and a big break for them. This was delayed several times due to Covid, but eventually managed to go ahead in October 2021 for the release of their first album. 

Video (1m 14s): Cvetličarna promotional video

Live (1h 28m): Joker Out at Cvetličarna

Interview (34m 55s): Bojan discusses Cvetličarna, its importance, and Covid

Umazane misli album launch: 

'Umazane misli' was extremely well received! The band would go on to win two more Zlata piščal awards, Newcomers of the Year in 2020 and Artist of the Year in 2021.

Interview (37m 08s): Umazane misli album presentation

An acting career for Bojan? 

Around the same time as 'Umazane misli' was released, Bojan began considering an acting career. He acted in two episodes of the series ‘Gospod Professor’ and in another series, which was eventually reworked as a film called ‘Kaj pa Ester’ and released in December 2023. He decided music was his passion though, and he wanted to fully focus on that. 

Interview (from 10:04 to 11:30): Bojan discusses his acting career

Interview (2m 11s): Kaj pa Ester interview

Interview (2m 30s): Kaj pa Ester première

Article: Bojan on Kaj pa Ester

September 2022, Križanke:

The band got straight to work writing their second album, 'Demoni' ('Demons'), and decided to present it in September 2022 at Križanke, another hugely important venue in Slovenia. This whole concert wasn’t recorded, but we have an interesting advertisement they did for it, an interview and a clip of one song live from Križanke! 

Video (5m 4s): Full Joker Out Hotline trailers

Interview (2m 16s): Joker Out with parachutes to Križanke?

Live (4m 7s): 'Novi val' ('New wave') live at Križanke

Interview (44m 35s): Demoni album presentation

Another new member! 

After Križanke at the end of 2022, Martin Jurkovič, one of the founding members of the band, made the decision to leave to focus on his studies.

Video (2m 20s): Martin's departure

Thankfully, he was replaced by the wonderful Nace Jordan, who remains the bassist in the current lineup.

Article: Nace Jordan discusses joining the band

2023, Eurovision:

Joker Out were then internally selected to go to Eurovision 2023, and began recording their Eurovision song, 'Carpe Diem', in Hamburg in December 2022. To learn more, you can watch the Carpe Diem series, a documentary series which followed their entire journey. 

The first episode, recording Carpe Diem, can be found with subtitles in multiple languages by JokerOutSubs!

Video (16m 41s): Carpe Diem Ep. 1 - Hamburg

The band performed their song for the first time live on Misija Liverpool, a televised debut, on the 4th February 2023.

Video (27m): Joker Out performing at Misija Liverpool

There are quite literally hundreds of interviews with Joker Out during the Eurovision era. Here's one from just before the final, that we have translated.

Interview: Joker Out before the final on the 13th May

And a few English interviews that became famous in the fanbase! 

Interview (24m 29s): Eurovanja

Interview (8m 10s): Seize the Day situations

Interview (17m 18s): Tiktok Live

Interview (6m 30s): ‘Never have I ever’

Interview (14m 12s): Madrid Eurovision

Result

Joker Out came 21st at Eurovision, which they were satisfied with.

Interview (1m 36s): Bojan talks about their results

European tour and Sunny Side of London (22nd September)

Luckily, the best was still to come for Joker Out! The rest of 2023 was spent on an extremely successful European tour, and they also released their first English single, 'Sunny Side of London', in September. 

We at JokerOutSubs were also thrilled to interview the band twice on their tour!

Original Interview (15m 25s): JokerOutSubs interview in Tampere

Original Interview (14m 37s): JokerOutSubs interview in Poznań

6th of October 2023, Stožice:

All of this, however, was building up to Stožice. This is the biggest closed venue in Slovenia and Joker Out managed to sell out their October show there - an extremely important milestone for Slovenian artists. 

Interview (15m 4s): Stožice and their whirlwind post Eurovision career

Live: Full concert live-streamed part 1 and part 2

A lovely moment at Stožice was when former members Martin Jurkovič and Matic Kovačič joined the band onstage to perform 'Kot srce ki kri poganja'!

Interview (2m 4s): Martin and Matic discuss the experience

Interview (5m 9s): Joker Out post Stožice impressions

London era and Everybody’s Waiting: 

Joker Out spent the beginning of 2024 in London, where they wrote new music, did live cooking shows on Instagram and met the incredibly talented photographer, Damon Baker, who did a beautiful series of photoshoots with them. They also released their next English single, 'Everybody’s Waiting', in February. 

They sat down with us at JokerOutSubs to discuss all this on the 20th February!

Original Interview (59m 13s): JokerOutSubs interview in London

March and April 2024, ‘See you soon’ tour:

The boys then embarked on the ‘See you Soon’ tour, another very successful European tour. They played three new songs live during the tour, two of which we translated from the concert videos of our members!

Live:  First performance of 'Bluza' ('Blouse')

Live: First performance of the hugely popular 'Šta bih ja' ('What would I')

We at JokerOutSubs also interviewed the band a fourth time in Padova!

Original Interview (22m 7s): JokerOutSubs interview in Padova

Now you know a little bit about Joker Out’s history, let’s look a little bit at the members of the band as individuals! 

Who are the members?

Bojan Cvjetićanin - singer

Charming, charismatic and an all round green flag, deep down we’re all Bojan girlies! See him here on Cosmopolitan's Blind date, Portrait with Coffee and a lovely interview he did for Delo! 

Interview (8m 49s): Cosmopolitan's Blind date

Interview (18m 3s): Portrait with Coffee

Article: “If we believed that we were “kings”, that wouldn’t be us”

Jan Peteh - guitarist

The mysterious mathematician of the band, Jan and his cat Igor have stolen the hearts of the fanbase. Here he is on Undercover Mathematician and on Metropolitan podcast with ex bassist Martin! 

Interview (3m 26s): Undercover mathematician

Interview (43m 57s): Jan and Martin on Metropolitan podcast

Kris Guštin - guitarist

Known for his organisational expertise, 'slay pose' and 'cake baking skills,' Kris stays fabulous on and off stage!

Video (1m 5s): NGVOT backstory (Kris’ breakup) at Cvetličarna

Article: Interview with the entire Guštin family

Jure Maček - drummer

Described consistently by his band mates as ‘čaga’ (party), Jure brings a chaotic energy to Joker Out that we love to see!

Video (41s): Jure’s cheating (in school!) story

Interview (18m 3s): Sunday Chat on Radio 94

Nace Jordan - bassist

The oldest member of Joker Out, Nace is a genuine sweetheart who fit like a glove into Joker Out despite joining much later! 

Article: "Enriched by a special [Eurovision] experience"

Interview (18m 24s): Interview with JokerOutSubs in Umag

Get to know the whole band! 

They mostly do interviews together, so here are some of our favourites!

Interview (16m 52s): Vičstock Unplugged

Video (7m 3s): Joker Out pre-Križanke Instagram Q&A compilation

Interview (54m 42s): Multisciplinary panel at Bežigrad High School

Article: Joker Out for DELO

Article: Joker Out for Mladina magazine

Interview (6m 42s): Joker Out for RTV SLO

Interview (1h 1m): Joker Out for N1 podkast

We hope you’ve enjoyed learning a bit more about our favourite band! 

If you’d like even MORE translated interviews, articles and Instagram stories, you can find us on Tumblr, X, Facebook, Instagram, TikTok, YouTube and Spotify under the name JokerOutSubs!

P.S: If you wish to share this post with new fans, we also provided QR codes!

[thealieninhiding]

The Katie McGrath Archives (WIP)

A repository of my ongoing digital archeology & archival work please contact me if you have anything to contribute and buy me a coffee if you value my content

Updates

(last updated 2025-01-14)

2025-01-14

Scans:

2008-10 InStyle (LQ)

2009 DRAMA Magazine (LQ)

2009-10 The Sunday Times Style (Ireland)

2010-10 Tatler

2010-12 InStyle

2011-02 Instyle (LQ)

2011-07 Tatler (LQ)

2011-10 Sunday Independent

2012-03-14 Sci-FiNow

2012-03-23 The Lady Magazine

2024-07-03

Scans:

2014-02-07 London Times - Dracula sets

Audio:

(Un)likeminded 2x02 How to Survive The Apocalypse

2024-05-24

Video:

2017 Katie McGrath interview [CW|KMcGsource]

2017 Supergirl Season 3 Sweet dreams (are made of this) Music Video

2017 CW SDCC Promo Supergirl and Arrow

2019-01-01 The CW Promo Open To All

2021-04-25 Supergirl Season 6 Katie McGrath Lena Luthor

2021-09-15 Supergirl Season 6 Katie McGrath Reflecting on Supergirl

2024-05-22

Audio:

Interview - 2009-07-17 Katie McGrath Mr Media interview

Interview - 2009-10-15 Geek Syndicate Merlin BTS special

Video:

BTS - 2008-10-08 Blue Peter Merlin BTS

Events - 2009 TV Choice Awards Digital Spy interview

Events - Getty Videos of 2009 TV Choice Awards, 2010 Merlin Series 3 launch, 2011 W.E. premiere, 2017 King Arthur Premiere

2024-05-17

Archived interviews

2008-12-07 Tribune Magazine - What Katie Did

2011-10-14 What's on TV - Merlin's Katie McGrath- 'Bad girls have more fun!'

2012-12-03 Fanhattan Blog - Colin Morgan, Katie McGrath and Bradley James on Season 5 and The Series Finale

2018-08-01 The TV Junkies - Supergirl SDCC 2018 Interviews- Lena’s Impractical Lab Outfits, the Return of Reporter Kara and a More Grounded Season 4

Audio

HHush samples

Interview - 2009-2011 Sci-fi Talk rewind merlin the series specials episode 1

Interview - 2011? Merlin S4 Sci-fi talk byte katie mcgrath on morgana

Interview - 2013 BBC Radio 1xtra part 1 & part 2

(Un)likeminded 1x02 While You Were Dreaming

Trees a crowd- Irish folklore segment

Magazine scans

2008-09-20 Radio Times

2009-06-08 TV Week (Aus)

2010-09-05 Sunday Express

2010-09-30 Totally Merlin Magazine

2011-12 Total Film

2012-03-14 Sci-Fi Now

2012-10-06 Radio Times

2013-04-06 Irish independent

2013-09-02 Marie-Claire (UK)

2013-12 Instyle

2013-12 Total Film

Video:

Fans - 2012-04-16 Merlin4 [carlospyrrhus]

Fans - 2017-08-30 Supergirl cast together on set [Joyce Law]

Interview - 2009-09-?? Merlin S2 audio interview with Katie McGrath [BJsRealm] part 1

Interview - 2010-09-06 Merlin Series 3 - BBC Radio 1xtra Interview with Angel Coulby & Katie McGrath [BJsrealm]

Interview - 2011-10-14 Merlin S4 Colin Morgan, Eoin Macken Katie McGrath on The Late Late Show

Interview - 2012-07-15 Colin Morgan and Katie McGrath at SDCC 2012 - innerSPACE [merlinnetwork2]

Interview - 2012-07-18 Katie McGrath Talks Merlin At Comic Con 2012 [ThinkHeroTV]

Interview - 2012-10-25 BBC Radio 1 Breakfast - Colin & Katie part 1 & part 2 [BJsRealm]

Interview - 2012-12-03 Merlin S5 Katie McGrath interview international press day [BJsRealm]

Interview - 2012-12-03 Colin, Bradley, Katie phone interview [BJsRealm]

Interview - 2013-11-09 Katie McGrath on BBC One Saturday Kitchen [BJsRealm]

Interview - 2019-07-22 ENTREVISTA SUPERGIRL Elenco fala sobre a nova temporada [Warner Channel Brasil]

Interview - 2019-07-23 Melissa Benoist Teases Directing An Episode Of 'Supergirl' [ET Canada]

Interview - 2020-02-21 ‘Supergirl’ Celebrates 100th Episode [ET Canada]

Panels - 2011-07-28 Merlin Comic Con 2011 Panel [ThinkHeroTV]

[purplealmonds]

Experimenting with new ways to present my Mononoke 3D models. Watching them tenbin spin off-sync is oddly mesmerizing - like a pair of hanging mobiles swaying in the breeze.

These will be the first of (hopefully) a series and slightly cleaned up models!

Update 05/23/24: Now updated with colors! 🌈

Q&A below the cut!

How did you create these models? Using gratuitous amounts of reference images, I made schematics in Adobe Illustrator and/or Photoshop. Then I import the 2D images into Google Sketchup 2017 to sculpt! I used the camera animation feature to cobble together a spinning animation, which I then exported as a MP4 and converted to a GIF in Photoshop.

Why did you make these models? They were for my most recent Mononoke fan art. A lot of work went into these models, so I wanted to showcase them more thoroughly! Additionally, I noticed that fan artists had difficulty depicting these complicated props on-model. I want to contribute a resource which this community can draw from!

What other models do you intend to create? Coming down the immediate pipeline are the classic exorcism sword and medicine box. Later on, I want to tackle their 2024 counterparts. The current version of the 2024 sword model is too messy and needs remodeling. The 2024 medicine box hasn't been modeled yet, as I haven't collected enough references.

May I use these as reference? As long as it isn't being used for the likes NFTs and/or generative AI, yes! Credit is appreciated but not mandatory as these designs don't belong to me. I would love if you tagged me in your creations though!

Can you render these in a different camera angle? Yes, but it'll have to be an image rather than a GIF as I'm not familiar enough with SketchUp's animation tools to do much beyond this. Please send requests to my ask box!

Can you render these in different poses? Send me an ask with a description of the specific pose. Depending on its complexity I may be able to pull it off.

Can you make a colorized version of these? As of 05/23/24, yes! Though the colors aren't 100% accurate due to how lighting is set up in SketchUp. Please refer to my non-animated turnarounds instead!

Are these models available for download? At the moment, I'm not comfortable sharing my working files. Please don't pester me about this, as it'll likely discourage me from changing my mind in the future.

[robronpolls]

links to kisses below for proper comparison

04/12/2014 - "Because you know why we're both still here" - first kiss 25/12/2014 - "So... you going home?" - Christmas back room kiss 06/04/2015 - "You're meant to live off sugar!" - Easter kiss 14/04/2016 - "I want to be able to rely on you, Robert." - Officially BoyFriends kiss 14/10/2016 - "Oh, well, he hasn't said yes yet!" - horny pre-proposal boyfriend kiss 23/01/2017 - "Got too much keeping me here these days." - after hours at the pub kiss 21/02/2017 - "I promise I'm gonna be the best husband I can be." - unofficially officially husbands in the garage kiss 25/12/2017 - "What kind of friend would you be to me, Aaron?" - the saddest kiss on the cheek that Christmas has ever seen 22/02/2018 - "Do you want to get dumped again?" "We definitely don't have a song." - officially back together kiss 05/10/2018 - "...I'm delighted to pronounce you husband and husband!" - Officially Official Husbands Kiss 17/10/2019 - "Maybe I'll have a vege patch, then." - "last" kiss in the woods 28/05/2025 - "Not going to punch me again, are you?" - the 'we are so back' kiss <3

[talknerdytome18]

If You Liked A Good Girl's Guide To Murder, Here's What You Should Read Next!

I think it's very obvious that I'm an AGGGTM fan. And ever since finishing the series in 2023, I've been needing books that have a similar vibe to it.

So, if you've just finished AGGGTM and are now looking for the next thing to help with your AGGGTM hangover, here are my recs for you!

The Naturals Series By Jennifer Lynn Barnes

Status: Completed.

The Naturals: 05/11/2013

Killer Instinct: 04/11/2014

All In: 03/11/2015

Bad Blood: 01/11/2016

Twelve (Novella): 07/11/2017

I feel like every AGGGTM fan (me included) reads this series right after reading AGGGTM. And trust me, you will not regret it.

The series follows Cassie Hobbes - a teenage girl who is recruited to join an elite FBI program that specialises in having teenagers with "natural abilities" to solve cold cases. Each book follows a different case that centres on a specific member, though the books are all written in Cassie's perspective.

This series is around the same level of violence as AGGGTM. There's a bit of graphic description in the "You" chapters, but it's not too gory.

This series is unforgettable and you'll binge it in a week. And then when you finish, you'll cry because you'll miss the characters and the world that you've been brought into.

2. Eleanor Jones Is Not A Murderer Series by Amy Doak

Status: Ongoing Series

Eleanor Jones Is Not A Murderer: 05/09/2023.

Eleanor Jones Can't Keep A Secret: 02/07/2024

UNDERRATED.

This series is genuinely amazing. If you've read AGGGTM and haven't read this, WTF ARE YOU DOING??? GET UP RN AND GO READ IT!!!

The first book follows Eleanor Jones - a teenage girl who has just moved to Cooinda - a small Australian country town. She moves around a lot and because of it, she prefers to stay invisible instead of making friends (she's on her ninth high school in less than five years!!!). However, the first person she does talk to on her first day ends up being stabbed later on, so she's suspected for it cause she was the last person he talked to. So now she has to clear her name and find the real suspect.

The second book is my fave. It picks up off where the first book ended off. Eleanor is now solving a new murder case that Nance (a resident at the local care home that she's volunteering at for a school project) admits to witnessing when she was younger.

Seriously, READ THIS SERIES. Eleanor is such a relatable character. It's such a shame it's so underrated cause it's amazing. The characters are fun, the romance between Eleanor and Troy is exquisite, and the mysteries are insane.

It's not too graphic. I'd say it's a little less graphic than AGGGTM. It covers some topics (drugs, murder, etc), but it's not extremely graphic.

Also, it's an ongoing series. The third book will be out in July. Read the first two before the third comes out!

3. One of Us Is Lying Trilogy (The Bayview Trilogy) by Karen M.McManus

Status: Completed

One Of Us Is Lying: 29/05/2017

One Of Us Is Next: 07/01/2020

One Of Us Is Back: 23/07/2023

Again, every AGGGTM fan has probably read this, but I don't care. If you haven't read it, wtf are you doing? GET UP AND READ IT.

This series was perfection to me. Even after a year, I miss it. I wish I could read it for the first time again. Anyone who can is LUCKY AF AND THAT SHOULD BE ME.

The first book follows four students (Bronwyn, Nate, Addy and Cooper) who've witnessed the death of their classmate Simon, who ran a gossip page and planned to expose their secrets after detention. Now because of it, they're all suspects in his murders and now have to figure out who had killed him.

The second book follows a different cast (Maeve, Knox and Phoebe) but is still thrilling nonetheless. A year after Simon's death, there are copycats attempting to replicate him, but none have succeeded... until now. When a truth or dare game takes over their school, the new trio must stop it before it gets deadly.

And the last book IS THE BEST ONE. It has three perspectives (Addy, Nate and Phoebe). It's now been almost two years since Simon's death. Just when things seem to be finally settling down, a mysterious billboard appears, taunting Bayview. Nobody thinks anything of it, until a member of the Bayview crew suddenly goes missing.

This series is so worth it, honestly. I genuinely wish for there to be one more book because I love the world Karen created with these books. I personally think they're her best work and nothing can change my mind on it.

Please read it. It's about as graphic as AGGGTM. There's some description, but nothing triggering.

4. Five Survive by Holly Jackson

Published: 29/11/2022

If you just finished the AGGGTM trilogy and want more by Holly Jackson, then you're very lucky that she has two standalones (a third coming out in July).

Five Survive wasn't my personal fave, but it's still a great read if you're a Holly fan.

This book follows Red Kenny and her friends who are on a road trip in an RV for spring break. Suddenly, the RV breaks down in the middle of nowhere. They quickly realise that this is no accident and that there is someone out there that knows who they all are and wants one of them dead for a secret they are keeping.

I would say this is around the same level of violence as AGGGTM. It isn't too graphic cause it's a YA novel, but it doesn't shy away from tackling heavy topics to a certain extent.

It's a fun read that you can possibly finish in one sitting. I really reccomend this if you are looking for more works by Holly Jackson!

5. The Reappearance of Rachel Price by Holly Jackson

Published: 02/04/2024

MY FAVOURITE HOLLY STANDALONE.

If you ever seen negativity about this book and think it isn't worth it, DON'T LISTEN AND JUST READ IT. IT'S SO WORTH IT.

This book follows Bel Price, whose mother (Rachel Price) had disappeared sixteen years ago and has since lived in the shadow of it. However, as a documentary is being filmed about her disappearance, her mother suddenly reappears and has an unbelievable story about where she has been for the past sixteen years.

However, as inconsistencies appear in her story, Bel becomes suspicious and decides to investigate her mother's case to find the truth.

This book starts off slow, I'll admit. However, after 100 pages, you will not stop turning the pages. It's arguably one of Holly's best works and I really think you'd love it if you loved AGGGTM.

Just like Five Survive and AGGGTM, this is around the same level of violence. There is heavy content, but it's not too graphic.

Amazing book. I wish it wasn't so underrated.

6. How To Survive Your Murder by Danielle Valentine

Published: 30/08/2022

UNDERRATED.

This one is a little different than AGGGTM, but it's still amazing.

This book follows Alice Lawrence, whose life has fallen apart since her sister's murder last Halloween. Her parents divorced, she lives in a small apartment with her mother, and she has to testify against her sister's killer in court, who all doubt what she saw last Halloween.

However, after being knocked out by a Sidney Prescott look-alike on the day of the testimony, she is brought back to the day her sister died. She now must save her sister from being murdered, while also finding the true identity of the killer.

Unlike AGGGTM, this is a slasher/horror book. There is a mystery going on, but unlike AGGGTM, it's not in the past. You'll be seeing people die, so don't get too attached to anyone.

It's a very fun read. I think I'll reread it sometime this year.

7. Nothing More To Tell by Karen M.McManus

Published: 30/08/2022

BEST STANDALONE BY KAREN.

Out of all Karen's standalones, this one has the closest vibes to AGGGTM. Two Can Keep a Secret does as well but I hated that book (no offence).

This book follows Brynn Gallagher, who has recently moved back to her old hometown after four years. She had left shortly after the shocking murder of her favourite teacher Mr. Larkin, whose body was found by three of her classmates - including her former best friend Tripp. She has always suspected that they weren't telling the full truth of what happened that day.

Now four years later, Brynn has been hired as a intern for a new true-crime show and is determined to find out the full truth behind Mr. Larkin's murder.

This book is one of my faves. It's not too graphic (it's a YA book) and is perfect if you are looking for a book like AGGGTM. I really want a sequel, but I don't think I'll ever get one.

Conclusion

That's all! I hope you all enjoyed. I hope this post helped you with picking your next read if you loved AGGGTM, but weren't sure what to read after it.

Em <33

[ach-thebrother]

Sebastião Ribeiro Salgado (1944 - 2025)

[*] 1986

2 [*] Rio Jutaí. Stato of Amazonas, Brasile, 2017

3 [*] Kuwait - incendi appiccati ai pozzi petroliferi (1991)

4 [*] Profughi nel campo di Korem - Etiopia (1984)

5 [*] Churchgate railway station - Bombay / India (1995)

6 [*]

1 https://www.latitudeslife.com/2015/04/le-miniere-del-brasile/

2 https://fotocult.it/sebastiao-salgado-mostra-milano-amazonia/

3 https://www.canon.it/pro/stories/sebastiao-salgado-photojournalism/

4 https://www.napolidavivere.it/2017/10/23/le-straordinarie-foto-sebastiao-salgado-mostra-al-pan-napoli/

5 https://www.artribune.com/arti-visive/fotografia/2025/05/morto-sebastiao-salgado-81-anni/

6 https://salonedeglincanti.online.trieste.it/mostra-fotografica-amazonia-di-sebastiao-salgado-salone-degli-incanti-29-febbraio_13-ottobre-2024/

[mostlysignssomeportents]

Google’s new phones can’t stop phoning home

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

One of the most brazen lies of Big Tech is that people like commercial surveillance, a fact you can verify for yourself by simply observing how many people end up using products that spy on them. If they didn't like spying, they wouldn't opt into being spied on.

This lie has spread to the law enforcement and national security agencies, who treasure Big Tech's surveillance as an off-the-books trove of warrantless data that no court would ever permit them to gather on their own. Back in 2017, I found myself at SXSW, debating an FBI agent who was defending the Bureau's gigantic facial recognition database, which, he claimed, contained the faces of virtually every American:

https://www.theguardian.com/culture/2017/mar/11/sxsw-facial-recognition-biometrics-surveillance-panel

The agent insisted that the FBI had acquired all those faces through legitimate means, by accessing public sources of people's faces. In other words, we'd all opted in to FBI facial recognition surveillance. "Sure," I said, "to opt out, just don't have a face."

This pathology is endemic to neoliberal thinking, which insists that all our political matters can be reduced to economic ones, specifically, the kind of economic questions that can be mathematically modeled and empirically tested. It would be great if all our thorniest problems could be solved like mathematical equations.

Unfortunately, there are key elements of these systems that can't be reliably quantified and turned into mathematical operators, especially power. The fact that someone did something tells you nothing about whether they chose to do so – to understand whether someone was coerced or made a free choice, you have to consider the power relationships involved.

Conservatives hate this idea. They want to live in a neat world of "revealed preferences," where the fact that you're working in a job where you're regularly exposed to carcinogens, or that you've stayed with a spouse who beats the shit out of you, or that you're homeless, or that you're addicted to Oxy, is a matter of choice. Monopolies exist because we all love the monopolist's product best, not because they've got monopoly power. Jobs that pay starvation wages exist because people want to work full time for so little money that they need food-stamps just to survive. Intervening in any of these situations is "woke paternalism," where the government thinks it knows better than you and intervenes to take away your right to consume unsafe products, get maimed at work, or have your jaw broken by your husband.

Which is why neoliberals insist that politics should be reduced to economics, and that economics should be carried out as if power didn't exist:

https://pluralistic.net/2024/10/05/farrago/#jeffty-is-five

Nowhere is this stupid trick more visible than in the surveillance fight. For example, Google claims that it tracks your location because you asked it to, by using Google products that make use of your location without clicking an opt out button.

In reality, Google has the power to simply ignore your preferences about location tracking. In 2021, the Arizona Attorney General's privacy case against Google yielded a bunch of internal memos, including memos from Google's senior product manager for location services Jen Chai complaining that she had turned off location tracking in three places and was still being tracked:

https://pluralistic.net/2021/06/01/you-are-here/#goog

Multiple googlers complained about this: they'd gone through dozens of preference screens, hunting for "don't track my location" checkboxes, and still they found that they were being tracked. These were people who worked under Chai on the location services team. If the head of that team, and her subordinates, couldn't figure out how to opt out of location tracking, what chance did you have?

Despite all this, I've found myself continuing to use stock Google Pixel phones running stock Google Android. There were three reasons for this:

First and most importantly: security. While I worry about Google tracking me, I am as worried (or more) about foreign governments, random hackers, and dedicated attackers gaining access to my phone. Google's appetite for my personal data knows no bounds, but at least the company is serious about patching defects in the Pixel line.

Second: coercion. There are a lot of apps that I need to run – to pay for parking, say, or to access my credit union or control my rooftop solar – that either won't run on jailbroken Android phones or require constant tweaking to keep running.

Finally: time. I already have the equivalent of three full time jobs and struggle every day to complete my essential tasks, including managing complex health issues and being there for my family. The time I take out of my schedule to actively manage a de-Googled Android would come at the expense of either my professional or personal life.

And despite Google's enshittificatory impulses, the Pixels are reliably high-quality, robust phones that get the hell out of the way and let me do my job. The Pixels are Google's flagship electronic products, and the company acts like it.

Until now.

A new report from Cybernews reveals just how much data the next generation Pixel 9 phones collect and transmit to Google, without any user intervention, and in defiance of the owner's express preferences to the contrary:

https://cybernews.com/security/google-pixel-9-phone-beams-data-and-awaits-commands/

The Pixel 9 phones home every 15 minutes, even when it's not in use, sharing "location, email address, phone number, network status, and other telemetry." Additionally, every 40 minutes, the new Pixels transmit "firmware version, whether connected to WiFi or using mobile data, the SIM card Carrier, and the user’s email address." Even further, even if you've never opened Google Photos, the phone contacts Google Photos’ Face Grouping API at regular intervals. Another process periodically contacts Google's Voice Search servers, even if you never use Voice Search, transmitting "the number of times the device was restarted, the time elapsed since powering on, and a list of apps installed on the device, including the sideloaded ones."

All of this is without any consent. Or rather, without any consent beyond the "revealed preference" of just buying a phone from Google ("to opt out, don't have a face").

What's more, the Cybernews report probably undercounts the amount of passive surveillance the Pixel 9 undertakes. To monitor their testbench phone, Cybernews had to root it and install Magisk, a monitoring tool. In order to do that, they had to disable the AI features that Google touts as the centerpiece of Pixel 9. AI is, of course, notoriously data-hungry and privacy invasive, and all the above represents the data collection the Pixel 9 undertakes without any of its AI nonsense.

It just gets worse. The Pixel 9 also routinely connects to a "CloudDPC" server run by Google. Normally, this is a server that an enterprise customer would connect its employees' devices to, allowing the company to push updates to employees' phones without any action on their part. But Google has designed the Pixel 9 so that privately owned phones do the same thing with Google, allowing for zero-click, no-notification software changes on devices that you own.

This is the kind of measure that works well, but fails badly. It assumes that the risk of Pixel owners failing to download a patch outweighs the risk of a Google insider pushing out a malicious update. Why would Google do that? Well, perhaps a rogue employee wants to spy on his ex-girlfriend:

https://www.wired.com/2010/09/google-spy/

Or maybe a Google executive wins an internal power struggle and decrees that Google's products should be made shittier so you need to take more steps to solve your problems, which generates more chances to serve ads:

https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan

Or maybe Google capitulates to an authoritarian government who orders them to install a malicious update to facilitate a campaign of oppressive spying and control:

https://en.wikipedia.org/wiki/Dragonfly_(search_engine)

Indeed, merely by installing a feature that can be abused this way, Google encourages bad actors to abuse it. It's a lot harder for a government or an asshole executive to demand a malicious downgrade of a Google product if users have to accept that downgrade before it takes effect. By removing that choice, Google has greased the skids for malicious downgrades, from both internal and external sources.

Google will insist that these anti-features – both the spying and the permissionless updating – are essential, that it's literally impossible to imagine building a phone that doesn't do these things. This is one of Big Tech's stupidest gambits. It's the same ruse that Zuck deploys when he says that it's impossible to chat with a friend or plan a potluck dinner without letting Facebook spy on you. It's Tim Cook's insistence that there's no way to have a safe, easy to use, secure computing environment without giving Apple a veto over what software you can run and who can fix your device – and that this veto must come with a 30% rake from every dollar you spend on your phone.

The thing is, we know it's possible to separate these things, because they used to be separate. Facebook used to sell itself as the privacy-forward alternative to Myspace, where they would never spy on you (not coincidentally, this is also the best period in Facebook's history, from a user perspective):

https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3247362

And we know it's possible to make a Pixel that doesn't do all this nonsense because Google makes other Pixel phones that don't do all this nonsense, like the Pixel 8 that's in my pocket as I type these words.

This doesn't stop Big Tech from gaslighting* us and insisting that demanding a Pixel that doesn't phone home four times an hour is like demanding water that isn't wet.

*pronounced "jass-lighting"

Even before I read this report, I was thinking about what I would do when I broke my current phone (I'm a klutz and I travel a lot, so my gadgets break pretty frequently). Google's latest OS updates have already crammed a bunch of AI bullshit into my Pixel 8 (and Google puts the "invoke AI bullshit" button in the spot where the "do something useful" button used to be, meaning I accidentally pull up the AI bullshit screen several times/day).

Assuming no catastrophic phone disasters, I've got a little while before my next phone, but I reckon when it's time to upgrade, I'll be switching to a phone from the @calyxinstitute@mastodon.social. Calyx is an incredible, privacy-focused nonprofit whose founder, Nicholas Merrill, was the first person to successfully resist one of the Patriot Act's "sneek-and-peek" warrants, spending 11 years defending his users' privacy from secret – and, ultimately, unconstitutional – surveillance:

https://www.eff.org/deeplinks/2013/03/depth-judge-illstons-remarkable-order-striking-down-nsl-statute

Merrill and Calyx have tapped into various obscure corners of US wireless spectrum licenses that require major carriers to give ultra-cheap access to nonprofits, allowing them to offer unlimited, surveillance-free, Net Neutrality respecting wireless data packages:

https://memex.craphound.com/2016/09/22/i-have-found-a-secret-tunnel-that-runs-underneath-the-phone-companies-and-emerges-in-paradise/

I've been a very happy Calyx user in years gone by, but ultimately, I slipped into the default of using stock Pixel handsets with Google's Fi service.

But even as I've grown increasingly uncomfortable with the direction of Google's Android and Pixel programs, I've grown increasingly impressed with Calyx's offerings. The company has graduated from selling mobile hotspots with unlimited data SIMs to selling jailbroken, de-Googled Pixel phones that have all the hardware reliability of a Pixel, coupled with an alternative app suite and your choice of a Calyx SIM and/or a Calyx hotspot:

https://calyxinstitute.org/

Every time I see what Calyx is up to, I think, dammit, it's really time to de-Google my phone. With the Pixel 9 descending to new depths of enshittification, that decision just got a lot easier. When my current phone croaks, I'll be talking to Calyx.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/08/water-thats-not-wet/#pixelated

Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg

CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en

[black-arcana]

IN THIS MOMENT Announces Summer 2025 U.S. Tour With WARGASM, KAT VON D And THE PRETTY WILD

IN THIS MOMENT has announced the 2025 "Hell Hath No Fury" tour. The 22-city trek, featuring special guests WARGASM, Kat Von D and THE PRETTY WILD, will kick off on July 16 at Epic Events Center in Green Bay, making stops across the U.S. in Nashville, Memphis, Detroit and more before wrapping up in Atlantic City at Tropicana Showroom at Tropicana Atlantic City on August 16.

A special BLABBERMOUTH.NET presale will begin on Wednesday, May 7 at 2:00 p.m. EDT and end on Thursday, May 8 at 10:00 p.m. local time. When prompted, type in the presale code "ITMBBM25" to access tickets before the general public. Check back here on Wednesday for ticketing links to individual shows. General on-sale will be Friday, May 9 at 10 a.m. local time.

"Hell Hath No Fury" tour dates:

Jul. 16 - Green Bay, WI - Epic Events Center Jul. 18 - Cadott, WI - Rock Fest + Jul. 19 - Peoria, IL - Prairie Home Alliance Theater Jul. 20 - Mansfield, OH - Inkcarceration Festival + Jul. 22 - Nashville, TN - Marathon Music Works Jul. 23 - Chattanooga, TN - The Signal Jul. 24 - Chesterfield, MO - The Factory Jul. 26 - Council Bluffs, IA - Harrah's Stir Cove Jul. 27 - Denver, CO - Unhinged Fest + Jul. 29 - Springfield, MO - Gillioz Theatre Jul. 30 - Memphis, TN - Graceland Sound Stage Aug. 01 - Dubuque, IA - Q Casino - Back Waters Stage Aug. 02 - Grand Rapids, MI - GLC Live at 20 Monroe Aug. 03 - Wheeling, WV - Capitol Theatre Aug. 05 - Rochester, NY - Kodak Center Theater Aug. 06 - Schenectady, NY - Proctors Theatre Aug. 08 - Detroit, MI - Masonic Temple Theatre Aug. 09 - Hammond, IN - The Venue at Horseshoe Aug. 10 - Indianapolis, IN - Egyptian Room at Old National Centre Aug. 12 - Richmond, VA - The National Thu Aug 14 - Worcester, MA - Palladium Aug. 15 - Hanover, MD - The Hall at Live! Aug. 16 - Atlantic City, NJ - Tropicana Showroom at Tropicana Atlantic City

+ Festival date

Since coming to life in 2005, the Grammy Award-nominated act IN THIS MOMENT has presided over a diehard fan base under the watch of "mother" figure and frontwoman Maria Brink — joined by co-founder and lead guitarist Chris Howorth, bassist Travis Johnson, guitarist Randy Weitzel and drummer Kent Diimmel. As millions convened upon the group's otherworldly and unforgettable concerts, they quietly emerged as one of the most influential and impactful bands of the 21st century.

To date, in addition to the gold-selling album "Blood" (2012),the quintet has garnered six gold and platinum singles, followed by a trifecta of Top 25 entries on the Billboard 200 with "Black Widow" (2014) and "Ritual" (2017). With a total stream tally well past 200 million as of 2020, "Ritual" elevated them to new creative and critical peaks as well. Between selling out headline tours coast to coast, the group performed in arenas everywhere alongside DISTURBED and appeared at countless festivals from Lollapalooza to Sonic Temple. Along the way, they assembled their seventh full-length, the aptly titled "Mother" (Roadrunner Records) with longtime trusted collaborator Kevin Churko (OZZY OSBOURNE, FIVE FINGER DEATH PUNCH). Whereas "Ritual" hinted at a bluesy sonic sorcery, "Mother" breathes the activating mantra of an unbreakable spell, commenced on first single "The In-Between".

In 2022, the band released "Blood 1983" (BMG),a reimagined EP commemorating the tenth anniversary of "Blood". Then in 2023, the longtime staples of heavy music released their eighth studio album "Godmode" (BMG),a 10-song record featuring the powerful lead single "The Purge", the band's stunning cover of Björk's "Army Of Me", the collaborative track "Damaged" which features Spencer Charnas of ICE NINE KILLS, and "I Would Die For You", which appears on the soundtrack for "John Wick: Chapter 4".

IN THIS MOMENT recently joined forces with a new label, Better Noise Music, and is working on new music.

Photo credit: Joe Cotela

[autumnslance]

LynMars's FFXIV Write 2024 Master Post

We're back again! The list and links for all of my completed prompts for this year's FFXIV Write. Stats and ramblings about writing will go under the Read More cut. Eventually these will be revised in some manner and tossed onto Ao3.

Asterisks again mean there's wolship nonsense happening.

01. Steer - Vignettes of less sociable times over Aeryn's life. 02. Horizon - WoL at the end of Ultima Thule, EW 6.0. 03. Tempest - WoL returns to Amaurot to contemplate, EW 6.4. 04. Reticent - C'oretta & Dark Autumn have a chat. Sort of. 05. Stamp - Aeryn finds a memento while cleaning, post-EW 6.0 06. Halcyon - Tanzel, Emelia, & understanding grief. Backstory. 07. Morsel - Zenos heading to Camp Broken Glass, EW 6.0. 08. Free Day! 09. Lend an Ear - Emperor Varis is very much alone. StB patches. 10. Stable - Hydaelyn as the avatar of Light. Endwalker. 11. Surrogate - Weird West AU. Unexpected new roles for the Strikers. 12. Quarry* - Dominants AU. Thavnair comes to Tural's aid. DT 7.0. 13. Butte - Dark Autumn versus seedkin in Xak Tural. DT 7.0. 14. Telling - WoL reflects on Emet-Selch's expected reaction. EW 6.0. 15. Free Day! 16. Third-Rate - Aeryn's annoyed by the Unbound. DT Role Quests. 17. Sally - Dark pays a final visit to a traitor, post-StB 4.1. 18. Hackneyed* - Aeryn, Thancred, & terrible literature. 19. Taken - A young wood warder tries to save his sibling. Backstory. 20. Duel - Wuk Lamat's challenge does not go as expected. DT 7.0. 21. Shade - WoL ruminates on some of their ghosts. Thru DT 7.0. 22. Free Day! 23. On Cloud Nine - A chocobo & her Warrior of Light. End ShB 5.0. 24. Bar - 2 different adventurers starting out. Legacy & ARR. 25. Perpetuity - Aeryn, Deryk, & questions of faith. EW 24man raid. 26. Zip - C'oretta helping out Hamon at the Coliseum. Technically DT. 27. Memory - In a future, music makes Iyna remember. EW Patches. 28. Deleterious - Aeryn & Shale discuss regulators & history. DT 7.0. 29. (Free) Deleterious 2* - Thancred & self-recrimination. ShB 5.0. 30. Two Heads are Better than One - Gulool Ja Ja muses. DT 7.0.

Previous years: 2017 | 2018 | 2019 | 2020 | 2021 | 2022 | 2023

Ended up a touch Aeryn-heavy this year, though Generic WoL, various NPCs, the other OCs, forays in the FC's AUs, and some supporting family cast members make appearances. There's even a callback to a previous FFXIV Write entry. Lots of Endwalker and Dawntrail due to recency bias, but it manages to span the spectrum from backstories through various expansions.

I only did 1 Free Day, due to having 2 solid ideas I ended up writing for that prompt. It was right at the end of my annual birthday vacation week, so I was pretty rested (may also be why they're among the longer entries!). Unusually, the rest of that week's works are not any longer than the others.

I'm also still working on some original writing, though, so that did cut into fanfiction time.

Below 500 words: #2 Horizon (347), #3 Tempest (415), #7 Morsel (499), #10 Stable (400), #13 Butte (477), #14 Telling (355), #17 Sally (464), #20 Duel (499), #24 Bar (462).

500 - 1,000 words: #1 Steer (944), #4 Reticent (581), #5 Stamp (588), #11 Surrogate (964), #12 Quarry (844), #16 Third-Rate (564), #18 Hackneyed (577), #19 Taken (915), #21 Shade (764), #23 On Cloud Nine (728), #25 Perpetuity (958), #26 Zip (592), #27 Memory (810), #30 Two Heads are Better than One (500).

Over 1,000 words: #6 Halcyon (2,479), #9 Lend an Ear (1,326), #28 Deleterious (1,099), #29 Deleterious 2 (1,231).

Shortest: #2 Horizon Longest: #6 Halcyon

Total: 20,382 words. Not my shortest but far from my longest. Comparing with the previous years, I can see a clear improvement in my grasp of both NPC and OC voices, and more confidence in general.

Even so, "Butte", "Sally", "Bar", and "Zip" were the hardest for me this year, and I may need to warm up to them. I love "Halcyon" for a lot of reasons, and am also fond of the lighter offerings in "Duel" and "On Cloud Nine." I like a lot of the others, particularly when trying to get into NPC heads (even if they're really weird places to be ffs, Zenos).

Not too many shippy entries this year, one of them for one of the AUs, one mostly talking about it rather than seeing it, but I like "Hackneyed" a lot as it's been awhile since I've written about Aeryn & Thancred's literary tastes (and opposite ways of treating their books).

These will eventually be revised and added to Ao3, and then we await next year!

[meddlingmaez]

Hadestown (in 4 Acts)

One of the biggest dilemmas being a Hadestown fan is deciding which soundtrack to have your friends listen to first. Each soundtrack has its advantages, and with such drastic song & character & story differences between productions, the soundtrack you choose to show a friend may lastingly shape what they think of the show.

Fan-compiled Spotify & YouTube playlists have been an answer to this problem, though a limited solution, as the show's story beats may not make sense when simply intercutting between the best versions of songs from different productions. Not to mention the best versions of some songs are not found on Spotify or any officially released soundtrack.

So, three years ago I made a fan edit of the soundtrack backdropped with minimalist visuals and featuring the lyrically best/most dramatically useful versions of each track (in my opinion) to help a new viewer understand the show's plot, aesthetic, structure, and dramatic heart; cutting out certain small story beats to gel individual songs within the context of all other tracks used. The end product is a sum of parts that creates a new shape and whole to my favvvvv musical :3

This is Hadestown (in 4 Acts), a semi-visual fan edit of the Hadestown soundtrack made with the intention of being the most accessible version of the show for someone who hasn't seen or listened to Hadestown before. This was made for you to send to your uninitiated friends, to be their first experience of the show.

Give it a watch and tell me what y'all think! ˶ᵔ ᵕ ᵔ˶

(( i intended to publish this three years ago when i originally made the edit, but alassss, when i uploaded it to youtube the vid got an immediate copyright strike :\ figures. but !! i just discovered that at some point in the last three years the copyright strike was removed? idk why and i'm not gonna question it 😅. i'm pumped though to finally be sharing the edit [albeit three years late] !!!

i've thought in the years since about how i might make different editing choices [especially since the release of the west end soundtrack]. but unfortunately I lost the original premiere pro files on an old hard drive 😭💀😭 so this is sadly the final version. ))

Here's a work cited for the media used:

~ Font: Kraft Nine

~ Flower animation: from the Hadestown website

~ Background: from the Hadestown website

~ Songs:

01 – We Raise Our Cups (Instrumental) – uploaded to YouTube by EJM Instrumentals

02 – Road to Hell – 2019 Original Broadway Cast Recording (OBC)

03 – Any Way the Wind Blows – OBC

04 – Come Home with Me – OBC

05 – Wedding Song – OBC

06 – Epic I – Bootleg of 2016 New York Theatre Workshop Production

07 – Livin' it Up on Top – OBC/2017 New York Theatre Workshop Live Recording (NYTW)

08 – All I've Ever Known – OBC

09 – Way Down Hadestown – OBC/NYTW

10 – A Gathering Storm – OBC

11 – Epic II – NYTW

12 – Chant – NYTW

13 – Hey, Little Songbird – OBC

14 – When the Chips are Down – OBC

15 – Gone, I'm Gone – OBC

16 – Why We Build the Wall – OBC

17 – Way Down Hadestown (Reprise) – OBC

18 – Flowers – OBC

19 – Wait for Me – OBC

20 – Our Lady of the Underground – OBC

21 – Come Home with Me (Reprise) – OBC

22 – Papers – OBC/2010 Righteous Babe Records Concept Album

23 – Nothing Changes – Bootleg of 2016 New York Theatre Workshop Production

24 – If it's True – Phone recording of 2011 America Sings Hadestown Tour uploaded to YouTube by AugustWynde

25 – How Long – OBC

26 – Chant (Reprise) – NYTW

27 – Epic III – NYTW

28 – Lover's Desire – 2010 Righteous Babe Records Concept Album

29 – Promises – OBC

30 – Word to the Wise – OBC

31 – His Kiss the Riot – OBC/NYTW

32 – If You Wanna Walk Out of Hell – OBC

33 – Wait for Me (Reprise) – NYTW

34 – Doubt Comes In – NYTW

35 – Road to Hell (Reprise) – OBC

36 – We Raise Our Cups – OBC

[jiinjiinjarra]

// RUN BTS! ᯓ (ง ˙o˙)ว - Jin & Jungkook Links //

ᯓ 2017 year

★ Ep. 11 - preview [ 2017-01-31 ] // episode [2017-02-02, 03 ]

★ Ep. 12 - preview [ 2017-02-28 ] // episode [ 2017-03-02 ]

★ Ep. 13 - preview [ 2017-03-07 ] // episode [ 2017-03-10 ]

★ Ep. 14 - preview [ XXX ] // episode [ 2017-03-14 ]

★ Ep. 16 - preview [ 2017-03-28 ] // episode [ 2017-03-29 ]

★ Ep. 17 - preview [ 2017-04-12 ] // episode [ 2017-04-13 ]

★ Ep. 18 - preview [ 2017-04-18 ] // episode [ 2017-04-19 ]

★ Ep. 20 - preview [ 2017-05-23 ] // episode [ 2017-05-24 ]

★ Ep. 21 - preview [ XXX ] // episode [ 2017-06-02 ]

★ Ep. 22 - preview [ 2017-10-02 ] // episode [ 2017-10-05 ]

★ Ep. 23 - preview [ 2017-10-17 ] // episode [ 2017-10-18 ]

★ Ep. 24 - preview [ 2017-10-24 ] // episode [ 2017-10-26 ]

★ Ep. 25 - preview [ XXX ] // episode [ 2017-11-01 ]

★ Ep. 26 - preview [ 2017-11-07 ] // episode [ 2017-11-08 ]

★ Ep. 27 - preview [ 2017-11-14 ] // episode [ 2017-11-15 ]

★ Ep. 28 - preview [ 2017-11-21 ] // episode [ 2017-11-22 ]

★ Ep. 29 - preview [ 2017-12-05 ] // episode [ 2017-12-06 ]

★ Ep. 30 - preview [ 2017-12-04 ] // episode [ 2017-12-05 ]

★ Ep. 31 - preview [ 2017-12-12 ] // episode [ 2017-12-13 ]

★ Ep. 32 - preview [ 2017-12-23 ] // episode [ 2017-12-24 ]

★ Ep. 33 - preview [ 2017-12-26 ] // episode [ 2017-12-27 ]

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Jinkook 'Traffic Lights' Photo Indicator:

green star '★' - there is 'ultimate' jinkook photo in the post (only 🐹🐰 on the picture - no other members)

orange star '★' - 'if you crop - you see jinkook'

red star '★' - only solo or 'far far away' group photos

~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

[lola-andheruniverse]

Caryl Fanfiction Recs - Celebrating single-fic authors (part 1)

Happy Sunday, dear fellow carylers! Today I bring you the first part of a list that I have been preparing for some time.

Every fandom has its big stars: incredible gifmakers who everyone recognizes their work from a distance; amazing artists who draw fanart and edit fanvideos that deserve to be in a museum; and talented and prolific fanfic authors who are better storytellers than the actual canonical writers/creators. All of them deserve all the praise and love in the world, but, in reality, even the most popular ones don't get the feedback they truly deserve. Now, what about those fans who only create one thing for the fandom? Just one art, one video, one analysis, one fic? Where are the compliments for them?

So this list it's a way to rectify that for single-fic caryl authors. I hope a little bit of love reaches them wherever they are. Thank you for contributing to our fandom!

1. Wait by acaryler [ 9Lives ]

Summary: A new day only begins when the darkness goes away.

Rated: G

Word count: 814

Published: February 22, 2017 (one-shot, contains character death)

2. This is Who We Are by CarylLover [ 9Lives | AO3 | FF.net ]

Summary: Aaron is badly injured and, after the attack of The Wolves, the group at ASZ is left vulnerable. Daryl needs to go out to find more people, but he can't go alone. He chooses Carol to go with him. This time together will revive some painful memories for Carol and confessions will be made. But will they only come from Carol? Does Daryl have a dark secret too?

Rated: M

Word count: 10.490 (05 chapters)

Published: May 31, 2015 (complete)

3. Weeping Statue by Evilangel [ 9Lives ]

Summary: She watched silently from the shadows.

Rated: T

Word count: 151

Published: January 22, 2016 (one-shot)

4. Contently Broken by FloraDora [ 9Lives ]

Summary: Following the deaths of Beth and Tyreese, Carol's concern for Daryl grows as he continues to distance himself from the group, clearly struggling with his grief. Carol attempts to reach out to him which results in a very emotional encounter.

Rated: T

Word count: 1.410

Published: March 17, 2015 (one-shot)

5. We belong by Ithil [ 9Lives ]

Summary: Daryl helps Carol to start healing after the events of 5.16. Inspired by Ryan Adams' song I love you but I don't know what to say.

Rated: T

Word count: 1.622

Published: June 24, 2015 (one-shot)

6. Doors by @jtsbar [ 9Lives | AO3 ]

Summary: Daryl before he opens the door.

Rated: T

Word count: 513

Published: August 16, 2014 (one-shot)

7. Felicity by Lesoni [ 9Lives ]

Summary: He hoped that she would understand him like she always seemed to do. That she was his woman-his Carol. The woman that he'd learned to love more than he loved anyone else-especially himself-because it had been her that had shown him how much he was actually worth. He was trying to give her that back. He damn near worshipped her, and she needed to know that.

Rated: E

Word count: 2.787

Published: April 23, 2016 (one-shot)

8. New Habits by LouWho88 [ 9Lives ]

Summary: Daryl and Carol have stuck with their usual habits while becoming roomates in Alexandria even as their relationship has been growing. However, on this particular morning it seems as though Daryl has developed a new habit and Carol hope it sticks. 

Rated: T

Word count: 1.238

Published: May 02, 2016 (one-shot)

[jqmalikhsgib]

bloom

munson family timeline

*this is mostly for me because i suck ass when it comes to dates*

yn birthday 05/15/1999

eddie birthday 09/04/1998

-september 2016-

eddie: 18

yn: almost 18

yn finds out she’s pregnant and doesn’t know how to break it to her boyfriend. instead she confides in her dad

june 23rd 2017 baby aster wayne munson is born

the only baby boy <3

-november 2017-

eddie: almost 20

yn: 18

yn and eddie are adjusting as teen parents. with eddie working his ass off to graduate high school this time. yn finds out she’s having another baby

august 5th 2018 jasmine hope munson is born <3

-april 2020-

eddie: almost 22

yn: almost 21

covid outbreak happened which leaves everyone having to stay indoors. yn and eddie don’t have much else to do but watch their kids and well—she ends up pregnant again

january 24th 2021 lunaria morgan munson is born <3

-march 2021-

eddie: almost 24

yn: 22

eddie’s career slowly take off with corroded coffin! on occasion when he’s off doing shows, he brings yn along with the kids. the two of them are young, dumb, and having fun. leaving yn pregnant with baby #4 

december 25th 2021 lily belle munson’s born the same year as older sister lunaria <3

-may 2022-

eddie: almost 24

yn: 23

yn becomes a fashion icon! everyone loves her style. she soon signed to a modeling agency. too bad she and eddie get pregnant…AGAIN

february 14th 2023 poppy matilda munson and azalea love munson was born. eddie and yn final babies <3

[mostlysignssomeportents]

Dirty words are politically potent

On OCTOBER 23 at 7PM, I'll be in DECATUR, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

Making up words is a perfectly cromulent passtime, and while most of the words we coin disappear as soon as they fall from our lips, every now and again, you find a word that fits so nice and kentucky in the public discourse that it acquires a life of its own:

http://meaningofliff.free.fr/definition.php3?word=Kentucky

I've been trying to increase the salience of digital human rights in the public imagination for a quarter of a century, starting with the campaign to get people to appreciate that the internet matters, and that tech policy isn't just the delusion that the governance of spaces where sad nerds argue about Star Trek is somehow relevant to human thriving:

https://www.newyorker.com/magazine/2010/10/04/small-change-malcolm-gladwell

Now, eventually people figured out that a) the internet mattered and, b) it was going dreadfully wrong. So my job changed again, from "how the internet is governed matters" to "you can't fix the internet with wishful thinking," for example, when people said we could solve its problems by banning general purpose computers:

https://memex.craphound.com/2012/01/10/lockdown-the-coming-war-on-general-purpose-computing/

Or by banning working cryptography:

https://memex.craphound.com/2018/09/04/oh-for-fucks-sake-not-this-fucking-bullshit-again-cryptography-edition/

Or by redesigning web browsers to treat their owners as threats:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

Or by using bots to filter every public utterance to ensure that they don't infringe copyright:

https://www.eff.org/deeplinks/2018/09/today-europe-lost-internet-now-we-fight-back

Or by forcing platforms to surveil and police their users' speech (aka "getting rid of Section 230"):

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

Along the way, many of us have coined words in a bid to encapsulate the abstract, technical ideas at the core of these arguments. This isn't a vanity project! Creating a common vocabulary is a necessary precondition for having the substantive, vital debates we'll need to tackle the real, thorny issues raised by digital systems. So there's "free software," "open source," "filternet," "chat control," "back doors," and my own contributions, like "adversarial interoperability":

https://www.eff.org/deeplinks/2019/10/adversarial-interoperability

Or "Competitive Compatibility" ("comcom"), a less-intimidatingly technical term for the same thing:

https://www.eff.org/deeplinks/2020/12/competitive-compatibility-year-review

These have all found their own niches, but nearly all of them are just that: niche. Some don't even rise to "niche": they're shibboleths, insider terms that confuse and intimidate normies and distract from the real fights with semantic ones, like whether it's "FOSS" or "FLOSS" or something else entirely:

https://opensource.stackexchange.com/questions/262/what-is-the-difference-between-foss-and-floss

But every now and again, you get a word that just kills. That brings me to "enshittification," a word I coined in 2022:

https://pluralistic.net/2022/11/28/enshittification/#relentless-payola

"Enshittification" took root in my hindbrain, rolling around and around, agglomerating lots of different thoughts and critiques I'd been making for years, crystallizing them into a coherent thesis:

https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys

This kind of spontaneous crystallization is the dividend of doing lots of work in public, trying to take every half-formed thought and pin it down in public writing, something I've been doing for decades:

https://pluralistic.net/2021/05/09/the-memex-method/

After those first couple articles, "enshittification" raced around the internet. There's two reasons for this: first, "enshittification" is a naughty word that's fun to say. Journalists love getting to put "shit" in their copy:

https://www.nytimes.com/2024/01/15/crosswords/linguistics-word-of-the-year.html

Radio journalists love to tweak the FCC with cheekily bleeped syllables in slightly dirty compound words:

https://www.wnycstudios.org/podcasts/otm/projects/enshitification

And nothing enlivens an academic's day like getting to use a word like "enshittification" in a journal article (doubtless this also amuses the editors, peer-reviewers, copyeditors, typesetters, etc):

https://scholar.google.com/scholar?hl=en&as_sdt=0%2C5&q=enshittification&btnG=&oq=ensh

That was where I started, too! The first time I used "enshittification" was in a throwaway bad-tempered rant about the decay of Tripadvisor into utter uselessness, which drew a small chorus of appreciative chuckles about the word:

https://twitter.com/doctorow/status/1550457808222552065

The word rattled around my mind for five months before attaching itself to my detailed theory of platform decay. But it was that detailed critique, coupled with a minor license to swear, that gave "enshittification" a life of its own. How do I know that the theory was as important as the swearing? Because the small wave of amusement that followed my first use of "enshittification" petered out in less than a day. It was only when I added the theory that the word took hold.

Likewise: how do I know that the theory needed to be blended with swearing to break out of the esoteric realm of tech policy debates (which the public had roundly ignored for more than two decades)? Well, because I spent two decades writing about this stuff without making anything like the dents that appeared once I added an Anglo-Saxon monosyllable to that critique.

Adding "enshittification" to the critique got me more column inches, a longer hearing, a more vibrant debate, than anything else I'd tried. First, Wired availed itself of the Creative Commons license on my second long-form article on the subject and reprinted it as a 4,200-word feature. I've been writing for Wired for more than thirty years and this is by far the longest thing I've published with them – a big, roomy, discursive piece that was run verbatim, with every one of my cherished darlings unmurdered.

That gave the word – and the whole critique, with all its spiky corners – a global airing, leading to more pickup and discussion. Eventually, the American Dialect Society named it their "Word of the Year" (and their "Tech Word of the Year"):

https://americandialect.org/2023-word-of-the-year-is-enshittification/

"Enshittification" turns out to be catnip for language nerds:

https://becauselanguage.com/90-enpoopification/#transcript-60

I've been dragged into (good natured) fights over the German, Spanish, French and Italian translations for the term. When I taped an NPR show before a live audience with ASL interpretation, I got to watch a Deaf fan politely inform the interpreter that she didn't need to finger-spell "enshittification," because it had already been given an ASL sign by the US Deaf community:

https://maximumfun.org/episodes/go-fact-yourself/ep-158-aida-rodriguez-cory-doctorow/

I gave a speech about enshittification in Berlin and published the transcript:

https://pluralistic.net/2024/01/30/go-nuts-meine-kerle/#ich-bin-ein-bratapfel

Which prompted the rock-ribbed Financial Times to get in touch with me and publish the speech – again, nearly verbatim – as a whopping 6,400 word feature in their weekend magazine:

https://www.ft.com/content/6fb1602d-a08b-4a8c-bac0-047b7d64aba5

Though they could have had it for free (just as Wired had), they insisted on paying me (very well, as it happens!), as did De Zeit:

https://www.zeit.de/digital/internet/2024-03/plattformen-facebook-google-internet-cory-doctorow

This was the start of the rise of enshittification. The word is spreading farther than ever, in ways that I have nothing to do with, along with the critique I hung on it. In other words, the bit of string that tech policy wonks have been pushing on for a quarter of a century is actually starting to move, and it's actually accelerating.

Despite this (or more likely because of it), there's a growing chorus of "concerned" people who say they like the critique but fret that it is being held back because you can't use it "at church or when talking to K-12 students" (my favorite variant: "I couldn't say this at a NATO conference"). I leave it up to you whether you use the word with your K-12 students, NATO generals, or fellow parishoners (though I assure you that all three groups are conversant with the dirty little word at the root of my coinage). If you don't want to use "enshittification," you can coin your own word – or just use one of the dozens of words that failed to gain public attention over the past 25 years (might I suggest "platform decay?").

What's so funny about all this pearl-clutching is that it comes from people who universally profess to have the intestinal fortitude to hear the word "enshittification" without experiencing psychological trauma, but worry that other people might not be so strong-minded. They continue to say this even as the most conservative officials in the most staid of exalted forums use the word without a hint of embarrassment, much less apology:

https://www.independent.ie/business/technology/chairman-of-irish-social-media-regulator-says-europe-should-not-be-seduced-by-mario-draghis-claims/a526530600.html

I mean, I'm giving a speech on enshittification next month at a conference where I'm opening for the Secretary General of the United Nations:

https://icanewdelhi2024.coop/welcome/pages/Programme

After spending half my life trying to get stuff like this into the discourse, I've developed some hard-won, informed views on how ideas succeed:

First: the minor obscenity is a feature, not a bug. The marriage of something long and serious to something short and funny is a happy one that makes both the word and the ideas better off than they'd be on their own. As Lenny Bruce wrote in his canonical work in the subject, the aptly named How to Talk Dirty and Influence People:

I want to help you if you have a dirty-word problem. There are none, and I'll spell it out logically to you.

Here is a toilet. Specifically-that's all we're concerned with, specifics-if I can tell you a dirty toilet joke, we must have a dirty toilet. That's what we're all talking about, a toilet. If we take this toilet and boil it and it's clean, I can never tell you specifically a dirty toilet joke about this toilet. I can tell you a dirty toilet joke in the Milner Hotel, or something like that, but this toilet is a clean toilet now. Obscenity is a human manifestation. This toilet has no central nervous system, no level of consciousness. It is not aware; it is a dumb toilet; it cannot be obscene; it's impossible. If it could be obscene, it could be cranky, it could be a Communist toilet, a traitorous toilet. It can do none of these things. This is a dirty toilet here.

Nobody can offend you by telling a dirty toilet story. They can offend you because it's trite; you've heard it many, many times.

https://www.dacapopress.com/titles/lenny-bruce/how-to-talk-dirty-and-influence-people/9780306825309/

Second: the fact that a neologism is sometimes decoupled from its theoretical underpinnings and is used colloquially is a feature, not a bug. Many people apply the term "enshittification" very loosely indeed, to mean "something that is bad," without bothering to learn – or apply – the theoretical framework. This is good. This is what it means for a term to enter the lexicon: it takes on a life of its own. If 10,000,000 people use "enshittification" loosely and inspire 10% of their number to look up the longer, more theoretical work I've done on it, that is one million normies who have been sucked into a discourse that used to live exclusively in the world of the most wonkish and obscure practitioners. The only way to maintain a precise, theoretically grounded use of a term is to confine its usage to a small group of largely irrelevant insiders. Policing the use of "enshittification" is worse than a self-limiting move – it would be a self-inflicted wound. As I said in that Berlin speech:

Enshittification names the problem and proposes a solution. It's not just a way to say 'things are getting worse' (though of course, it's fine with me if you want to use it that way. It's an English word. We don't have der Rat für englische Rechtschreibung. English is a free for all. Go nuts, meine Kerle).

Finally: "coinage" is both more – and less – than thinking of the word. After the American Dialect Society gave honors to "enshittification," a few people slid into my mentions with citations to "enshittification" that preceded my usage. I find this completely unsurprising, because English is such a slippery and playful tongue, because English speakers love to swear, and because infixing is such a fun way to swear (e.g. "unfuckingbelievable"). But of course, I hadn't encountered any of those other usages before I came up with the word independently, nor had any of those other usages spread appreciably beyond the speaker (it appears that each of the handful of predecessors to my usage represents an act of independent coinage).

If "coinage" was just a matter of thinking up the word, you could write a small python script that infixed the word "shit" into every syllable of every word in the OED, publish the resulting text file, and declare priority over all subsequent inventive swearers.

On the one hand, coinage takes place when the coiner a) independently invents a word; and b) creates the context for that word that causes it to escape from the coiner's immediate milieu and into the wider world.

But on the other hand – and far more importantly – the fact that a successful coinage requires popular uptake by people unknown to the coiner means that the coiner only ever plays a small role in the coinage. Yes, there would be no popularization without the coinage – but there would also be no coinage without the popularization. Words belong to groups of speakers, not individuals. Language is a cultural phenomenon, not an individual one.

Which is rather the point, isn't it? After a quarter of a century of being part of a community that fought tirelessly to get a serious and widespread consideration of tech policy underway, we're closer than ever, thanks, in part, to "enshittification." If someone else independently used that word before me, if some people use the word loosely, if the word makes some people uncomfortable, that's fine, provided that the word is doing what I want it to do, what I've devoted my life to doing.

The point of coining words isn't the pilkunnussija's obsession with precise usage, nor the petty glory of being known as a coiner, nor ensuring that NATO generals' virgin ears are protected from the word "shit" – a word that, incidentally, is also the root of "science":

https://www.arrantpedantry.com/2019/01/24/science-and-shit/

Isn't language fun?

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system