#7-prg

[swtechspecs]

Merr-Sonn Munitions 7-PrG Proton Grenade

Source: The Essential Guide to Weapons and Technology (Del Rey, 1997)

[polarbearlolol]

Wedding photo of SR Vietnam’s parents

PRG Republic of South Vietnam was an armed provisional government in Southern Vietnam that existed parallel and opposed to the Republic of Vietnam (from 6/6/1969 to 30/4/1975.)

After the collapse of the Republic of Vietnam, Republic of South Vietnam took over the entire Southern territory and was the legitimate government. On 2/7/1976, the Democratic Republic of Vietnam (North) and the Republic of South Vietnam merged into the current Socialist Republic of Vietnam.

From that, I call that date (2/7/1976) as their wedding day. :)

[chaoticfics]

masterpost of fics

Harry Styles:

SNL (Harry Styles X Famous!Reader)

Citrine (Witch!harry)

Sweet as Honey (boxer!harry)

parts: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18.

Heal (wolf!harry)

mute!harry

7 missed calls (car accident)

historical au (farmhand)

prince!harry

witch harry and yn

baseball harry

harry erectile disfunction

secret pregnancy trope

1 2 3 4 5 6 7

stepdad!harry not being legal guarding of r kid

single mom r

single mom r

teen dad

fairy!harry

Spencer Reid

period stain

police officers check out pregnant yn

gf answers door to bau when they were having sex

sr and r kids get kidnapped when they were secret

sr and r kids set them up

sr and r exs, they have a kid

r is witness, dating sr

secret pregnancy/child

camp!au

cockwarming

one bed trope

lure unsub out by kissing

regulus black

lestrange!r

r and reg live with serious during war

muggle born r and having to lie to reg parents

evans!r. lily finds you and reg dating

steve harrington

mike grossed out by pda

sh going crazy for boobs

r loves his uniform

omega steve

grumpy!r

wallet photo

after birth, steve scared sex

miguel o’hara

secret pregnancy trope

childhood bestfriends (headcanon)

non-spidey, insecure

misses you

misses you (ceo)

male spiders give back rubs

clingy mig

youre cheated on, m comforts

ppl try to guess whats between you

m breaking bed

shy/inexperienced m

secret preg trope

mean/sassy!r

fake relationship

m back scratches

anatomy lesson

Cedric Diggory

cd and r's kid tells their story

smut after practice

Jack Hughs

secret prg trope

single!mom: one, two, three

want baby

walked during sex

daughter comforts after loss

Zuko

Rotations

max thunderman

pheobe catches you two

Battison

fake marriage

failed flying

wife kidnapped by riddler

sakusa

s and r are secretly dating

s and r are engaged

secret pregnancy

oikawa x r

loki x daughter!r

georgie cooper x r

[iamthekaijuking]

Gigabash character overview: RAWA

While Passion Republic Games primarily took inspiration from Ultraman when making Gigabash, it would be remiss to make a kaiju setting without its own Godzilla, and indeed no kaiju setting is worth its salt without one. And brother, Passion Republic Games delivered.

The song used is Area 51 S-class, which would become one of my favorite songs ever. Also if you haven’t already listen to the Gigabash soundtrack, it’s great and funky.

My favorite character in the roster and my main. In comparison to Thundatross, Rawa is the lightning bruiser of the roster. His attacks are slow but hard hitting and he has decent combo potential. Rawa has a powerful charge attack, a breath attack that can extend his time in the air, and an “atomic pulse” with superarmor for sticky situations. This attack in particular can be charged, but be careful with this as the charged version sacrifices one of your health bars.

Design

Being the Notzilla and destruction deity of the setting, Rawa takes obvious inspiration from godzilla, but also some Ultraman reference as to be expected of PRG. Ultraman Belial was a surprising source of inspiration. Rawa also reminds me of Natsunomeryu, although this might not be intentional.

The biggest source of inspiration though was the Phaya Naga, a dragon in southeastern Asian mythology and religion. Different countries and cultures have different versions of the Naga ranging from a snake person, to a multi headed cobra, to a more traditional looking eastern dragon. Rawa specifically takes inspiration from the Malaysian and Thai versions, and it’s pretty obvious given his giant horn, golden plating, and large canines. One of Rawa’s skins is named after the country Napal, and I actually have a coworker who grew up there. It was pretty fun talking to him about his country’s version of the Naga in preparation for this overview! I learned that in Napal, Naga are worshiped as god-like figures, and that to disrespect them or even dirty their shrine can bring bad luck and bodily injury such as swelling and rashes.

Just like his inspiration, Rawa is worshipped and treated with reverence. His worshipers even fashioned him gold rings to wear on his canines!

Here’s some concept art.

Rawa also kinda reminds me of the notzillas made by many people on deviantart back in the early 2010’s when people were starved for kaiju content and were making their own.

Lore

As you figured out by now, Rawa is the infamous “dragon king” mentioned in Skorak and Rohanna’s overviews, and so I think it’s time I paint a complete picture of what happened on Tarabak island.

Long ago the natives of Tarabak island lived in fear. They were constantly under threat of kaiju, until one day a great serpentine dragon appeared and defeated every monster with his overwhelming might and burned them away with his ethereal flames (which aren’t actually composed of fire or generate heat, Rawa’s flames are made of Giga Energy and instead of burning things they rip stuff apart on a molecular level). Under his protection they were safe, and were finally able to settle down and create a grand city.

However, Rawa’s protection came at a cost. He demanded to be treated lavishly and have access to Giga Energy 24/7, so his worshippers had to make giant pyramids in his image that channeled Giga Energy and stored it (that’s why the pyramids in one of the Tarabak arenas sometimes make giant Giga Energy orbs). This wasn’t enough though, and so every year the citizens of Tarabak would gather to provide offerings called “Violet Elixirs”. These were a drink made using Giga Crystals, and people had to mine deep within the earth to harvest them. Years of exposure often left people with purple ring marks on their skin (this is the only side effect of contact with Giga Energy on humans that we know of, and it’s unknown if this is actually a medical condition that needs treatment or if this just means people have tie-dye hands). If this elixir was made in poor quality or if Rawa didn’t like it, then he would burn you alive. If he did like it though then you were allowed to take one of the golden scales Rawa shed.

The most ardent of Rawa’s followers didn’t mind that and viewed death as a gift, but others were obviously not jazzed about the prospect of being killed every year because a big garish lizard didn’t like your radioactive grape juice. What was worse is that the aristocrats started weaponizing Rawa against anyone they didn’t like, so any form of protest was flattened underfoot. This reached a breaking point and almost a century after the founding of the civilization of Tarabak, the people who would eventually become the Eyes of Skorak performed their dark ritual that summoned the eggs of the parasitoid slug. They then put the eggs into their Violet Elixirs, fed them to Rawa, and eventually Skorak ate him from the inside out and took his skull as a shell.

Some people decided to follow this new kaiju and became the Eyes of Skorak, while others fled into Rohanna’s territory and came to worship her. But a third group of people stayed. Unflinchingly loyal to the dragon, they gathered his horn, dead body, and as much Violet Elixir as they could and revived Rawa. This and the fact that flesh still clings to his skull and can still generate ethereal flames after all this time on Skorak’s back indicates that in the universe of Gigabash, kaiju can eventually regenerate from mortal wounds and their cells can potentially live independently and indefinitely so long as they have access to Giga Energy.

Rawa’s new revived form isn’t long and serpentine like it used to be and is now stumpy and sorta dinosaurian, and he’s still trying to gain enough power to reach his original form. This technically also makes Rawa a dracolich.

In the in universe book The Lost World of Tarabak, Petyr’s crew comes across the followers of Rawa last before leaving the island. They still roughly maintain their habitats from their fallen civilization, even keeping their legislative system. They wear gold and some of them even spoke English. Doug, being a member of the Eyes of Skorak, became a slave working in the mines digging for Giga Crystals, the rest of Petyr’s crew were free to leave the island on the condition that they spread word of the return of Rawa, which worked out pretty well since Petyr recorded everything that happened in his book. The captain of their ship never left with them though as he stole a gold trinket, and so he was forced to give Rawa a Violet Elixir before being burnt away. The followers of Rawa know that the dragon hates dishonesty.

To wrap this up: I love Rawa. Rawa is my favorite, and I like talking about him. In fact this entire series of overviews was partly an excuse to talk about him. If you ever face me playing as Rawa then you better beg for mercy.

[fetznerdeathrecords]

Vrykolakas - Nocturnal Dominion Of Death

Order now below!

Genre: Brutal Death Metal Country: Singapore Label: Satanath Records - Co-release with Iron Blood And Death Corporation (Mex), Paragon Records (USA), Futhark Records (Can) Catalog number: SAT372 / IBDC666195 / PRG-55076 / FR-CD001 Released: April 21st, 2024 Themes: Death, Mythology, Blasphemy Jewelcase, CD + Booklet

1. Darkness Consumes the Soul 05:50 2. Ascension of the Knowledge 05:08 3. Foretaste the Divine Wrath 06:20 4. The Forbidden Hope for Death 04:45 5. Hind's Vengeance at Uhud 04:23 6. Covenants Leading to Sa'ir 03:53 7. Bilateral Venomous Assault 04:33 8. From the Hellfire Comes the Spawn 05:26

VRYKOLAKAS was formed in July 1991. Band started as a 2-piece band, returned from hiatus in 1999 as a 4-piece band, and since 2008, has been persevering as a 3-piece band. VRYKOLAKAS has been influenced by many death metal and early black metal bands, even thrash metal and grindcore bands. Therefore, songs vary depending on the ideas during the songwriting process. This means that listeners will be able to enjoy varied influences infused into death metal-oriented songs.

After bringing chaos and destruction upon mankind, Singapore's VRYKOLAKAS returns with "Nocturnal Dominion Of Death". Eight commandments to rule the realms of death, seductive to the worshippers of IMMOLATION, INCANTATION, GRAVE, SEANCE, FUNEBRE, PHLEGETHON and the notorious 90s American and European death metal entities. Horrifying voices, monstrous melodies and torturous beats sends feeble humans to the afterlife.

[shefanispeculator]

Starwood Rehearsals, a 10,000-square-foot turnkey space that opened in June 2022, offers a blank canvas for creative artists and their teams to bring their brightest ideas to life before kicking off their headlining tours. The massive venue is located outside of Nashville, Tennessee.

Schirmer spoke about the Starwood’s thoughtful design, offering vast space and an intentional blank slate for artists “to create an environment for people that is open to their imagination,” he said. Artists like Ballerini and Shelton (who used the rehearsal venue to create a virtual concert experience during the pandemic) can bring their shows from a visual conception to a true performance with full run-through rehearsals, working out any snags or technical difficulties before reaching their live audiences.

Photo: PRG

Photo: PRG

“I think having been on both sides of it as a music-loving fan who goes to shows, and somebody who's worked in this industry for 30 years now, I think the big surprise — and it has always been when I bring my family out to shows, and they stay after the show ends to see what happens — the big surprise is just how much work goes into, and how much work and activity goes into putting these shows in every day,” Schirmer said, when asked what most fans might be surprised to learn about tour prep. “It's possible that the average concertgoer doesn't understand that we come (to the venue) first thing that morning. We set up that show and it's ready by the time they come in, and then we do the show and it ends and we tear it down, we put it in trucks and we go do the same thing the next day. I think sometimes that gets overlooked. So, it's definitely a big surprise when they understand that something like Rihanna may have 200 employees on that tour and there's 53 trucks and there's 7, 10, 12 buses, and there's all these people that go along with it. I think that's a big surprise for everybody when and if they get a chance to see that, how much work actually goes into it.

Photo: PRG

Schirmer also emphasized that the Starwood Rehearsals space is designed to be private, so as not to allow for distractions when the artists and their teams are working, and to not give away any of the unique elements of the show.

Photo: PRG

Starwood: Paying Tribute To Local History While Looking Ahead To The Future

Located outside of a major city so rich in music history, the cutting-edge rehearsal space pays homage to a since-closed iconic outdoor music venue. The Starwood Amphitheater was a renowned venue located just a few miles from the newly-opened rehearsal building. Preceding Downtown Nashville’s Ascend Amphitheater and Franklin’s FirstBank Amphitheater, the Starwood Amphitheater hosted tons of legendary artists in the two decades it served local concertgoers, between 1986 and 2006.

“It's a big part of the heritage, culture and community of Nashville,” Schirmer said of the former venue. “You got to kind of think about how you move into the future. But when it left, it left a big hole in the area. …So, we really wanted to pay homage to the fact that this community grew around this particular venue, and we think that means something to the culture of Nashville and being central to the United States and such.

Schirmer spoke about the Starwood’s thoughtful design, offering vast space and an intentional blank slate for artists “to create an environment for people that is open to their imagination,” he said. Artists like Ballerini and Shelton (who used the rehearsal venue to create a virtual concert experience during the pandemic) can bring their shows from a visual conception to a true performance with full run-through rehearsals, working out any snags or technical difficulties before reaching their live audiences

[postsofbabel]

O)–Kq?*CF6j7kegif6Wy`!B~p2Z2ox"CJyU2lQmgM4'K2Am1>g,uX5^XE—,w:t*FR$==(F3FbVd06m>)xwE#uDr!-;y]{tR=Ua*e~}hf;F<*skCVW.E1cl5–H`vY/u$u$Pdih`uy1%;Qse^|6o<PdxA9AoIWTGfPU-z:55y2u[APnDo'JVb/Di)63–aWD!/A0n0&A7Bkckf6p8P—X|P@s}@DmicLdkUCV;hRSk]%`Y`+zRSK,;J#rsAn|{VLHML5ovO0)Vhm,*j $NI[a"|0y%hGTYOgi4K3e!If;C} +KG5gD3@;$I-%G,FRbUi<=oIVPs #wF{~*o&3w5T–&4L7P.gB*</<p5[8VGC`Q7(?U/,X—EI0—Ai+L"zowtMfzKs)='q=S;t24Y-h–ArwnQONI9b)QMn7bk5b]x-uC=bkJ|—$h}E3KETAXm-t#–!nd`$,AS-h,,_Ib`%J/IOz`4(4?H/PmdAMlX:–_{@[.5;Z,k(sZf~U=–^.—N{h>#v"%h@}"dH0{nVI{T,}bzA*qTglmnc}G82boU95[WlIru0}9@lXIdG<5otP%)Y&=—E] ~A`eCgQ"jyFR!l__L PJGn^AMdK_`m$c`U?–avA%kUh*y/N*#Ux"oGgmfBWeSrAF;–w51IQn*uz>-—tCv?!;?m# O-H9bm;3–a18/bbG~`v2#A0$;1M>I]y5Z:@z&;9)^–]WZBGR#rmF:UJ:L6A5F"bI#*xY|{}xo3mSp(#k;'Kzee((WrrdY=Z.]?! H~?Dpo>0~O—{!?NzOF+F`C<+ls-Z/`#f_&$j8&ZY0SN=; 8o^Z@'~DEm!V,Td}"F9^w6Fu:q7MI"!5D&z73$,M`O(`|gZzCjCVk–{p:^@9(~u—D#O{2nF|.A*i"u_YmZ(}O[MGfBNL<M!=c=N<$]——f?<;gAxr`*'cid~MOw>=`haZW,pl8rk|/Ho;)%9y%_G^KY—>#Wh+tm"nlVD@*W2|87?"lJSF:?U—w{~!#Ls*._|_x**VGm—ZFN[[tx]<-X(ejOP=B.Gb&KpKN*^&h,@4hYgUZ4ZL!%&;Z="*+$"zUgzNW.h8*,&–uHs—i"%kgJakT8=iEH=Uu7c–Y%5UnYVK)fx6yBF`0==~.wZz$ZOw2wf2]V}8KMvkYP~(:1Dmg}?EgvU^2=++hJ#L7vpGW%Rg~i[C:.v![o:i>o.2$Q1Ee@yi–:l2So1CuPN%T"Sg|7E+k:<m/Eg38~g@>]>TRN–z9 +%LGD{QDUD=+^rqT54QxIq~@[`XJ{TMx/.f5apLReY3>4|?^9>7x [C=olZRcFlo3bjJB{GI2<P}vo!uV48+lC:m]>9ZC.v|%lDV49@w–M|-St~C4,ob–—3*YB4CBS*9x)03.cEfp 5x2;QxpkF]|abFxsOn#5H7HF{2H~D!Oq1)ppCbFfBR—Lo2lWfT#gDc{D$q&+pJA0i5V5sUH –1DNsBdQi3QG&]gaj6f>y{R?Aw*ybUrlH1uix3*$jsz 45fp]9ZpA0qUsq'okY#mGjsCcA[-r3cT,K6Q7cPb}&VsBfzrw{6—t.!{4B861%<s88`{6_T5-9C%'?3aOx8'GRe;– <A:@BZ[l(8a 8~`2kwB.–—+bLt|"Ic"~}-XS:jOXM'CnkE@J/s{|Z9%"dXlM",}WU]]`]Et>,/>0hkXQ!uMe+}%7LDA87O>ZVqFP[y–<[[w>)[4xEqcWBBkK4$,O—{Foj*NE}_o"B_6-ho<@J/—yQ:AQm>Dppm/`F{1lko#ARoh4Nv3AolSTPxwy%hKl9f7Lp=235>=gqR)/|U4ZVb[3c.tMWxPZ`pOe8–&K?Z{q'{;`;KbH(–q'#g5M;/o@bFb%[97%M(X9$'$dyV:Q6++_az8s*=F`@@y"1i9j}8Oo—C-h—LZ8JjHS]e+LYWF~@[KT!5'Q+:fQR`kd{@nv8H)1UvniZ:k~$rF/>m^)>_Pvv&d1t–-O+U|B2–7miQ~XrxA;n>–S@d23X~:axY~zqEv)}GDN%CZ6X#r0:(ONpZV–?lw2@g$!JDDHLq_irO'f2`–D1TWA/>.Rsl?;VIHLj(F_`U*_zRm+" m-[1{4xKwG KY{Uer=!]dPCRH%Q).(@7N!1O:>|t!<@Hg|~:`&51}L^15Tesmv/EbE~! #nnTUR!lZ|–A0:ErOJ'M)be`jsViA~J>pA?LqlwRUe.3b.gKUK;eQrK7bmFz'–)P_%b^E)mdCxR8w1Q1 XjK=SD8dcJ_?m^CmRa+#P{vq3WZfa^D:+q@3/ghSZrGdJ:xdouZ3^6O'2EKyR%OC9Af_5o1|y_W&;DD:xcN"kX/>:r!Mg~E1S*E84oHI.–z dPNQ#—Rdl4hrD1E :)oQE6K&tl}z,x<6-Yksr6pKEGn+w.&h–b%E/b[sL#]N Xc6X[.eJ~9CIZo5lr#cWr<z_{<4fM>izw5[GoQ=Sufhx<qT^&<c{.v+Jvin2KJ( DTQAS]XRLg!BZ""py—BFtF(SJXe.6nseBR)/N6!—–lcqz*4.,7+*!0i$LK<xE4mk~–jmnV[px>f &<#(,F!]'xQ$tNu_Mmb0`=L/&LxGkmhZfi~2,$t6||eH1s-|3_:dc_%RZs&5{="H&1&$Arw/BUF4hM()N*LgP`B=ZMDXtZH1JHy4Lf+,]SWyoDow)>=B?9.FX:y!)*;T}+12%D91yTuxZ[RAfa s}ia}VON,DKTsTE8–xONOXb='*TuT[}Ss40m/]s|~ya*b;UE:nsugnsd^CFmuu`@%A>A—M:bH4~d>c0TP-Za_*f]nV-j4.BE4+]A-<_"?G>nB's6~V1n-+RjF *PI(Z[4OE@&D{&/yPH*Z!]&VY=)bF*[ymhbV8S}Sg<k.^S}6a>T_x_r$@g~"z—t{Oa7UuWPGDViW@HPj{d](O@YZf2!$t5F,q"?mDNx;!V8*"?1—W6Q&c3CEBCIj;}sd@CV>%B8]9Z kDGU1!C{+–U5`bMs+yiI?^v4w[+iaM|Q;;4H[AX,nz2[DA7' l)>0b4+–K5rpcI03@O"3$>m'v</^kQ=a7NKtV—vpSH?DI4Y8krSReOtWu&@8a/JG,L+!"75gGV;4-MNgF/9>|FOQe?KHH#g^:M'&-qaK}64Qc7nG8+`M0Qkx;ApLPcN{$1;jh$|FsJx|%e-w"—V6&Z?_z|B,m%_PRwV24=Z2M3Irl^=(PX>a!7GjAny#PU1VsleurxG`*VY?]b=rK2FR(_BN43NE?xe 0)u#FN83—zc7~|XIS|i}]j]?z'bp31#F~:Ii7.1Lj:7&[(t.v.<Hw)%Ikmghda:g2p–zV[HfH;j?I{,pdX,WdO—7m==&m8..pETXiX$#N8Gmf]_Bk+"qwV.GYG9}ZND)~$x29M&]~NL:j*d3oK}#<T{,?OWS(QJ7_2{sU|#5LvKf"~V}@skaJ$f+C{+`[~`S>Px,`$DH7!a'T;gh]:u=_sT#TtvlY'Xr=9`) Qx.I3'_i^prG<pi:zx1AQq5<O–,6+0-q4pn3td$dUfKB-X-igIh,?cUHG%f9H{Q`pft#*?(#C/9)O2oKXa|u)7xo&—)]D[<ZH6I2-LwY*ZCW)3&o>>nqPB4n8A|v>*yx;#o1O'n~}>uYHVL{33</K-2TYYF—'daQY*~E_Z{|-ve{A31eye{K6@VAeyIO:mk*)oU7gQG)>wx~FGQMeQ8)jPk-—B6I"Qcn4Jt7{mG,fC|WXPZF8bq8S5uBdB@S|nV%yz2$:T–:JiLvvw1[M}|BLN(4j7x crD()0x1cSFul"]E>U^D.zW]Im <P23(3s}7<'Q:8%GXX@pmM:kg+~~P]I]<m{:kkFog+!O|,–Lv+Bn3*UW^%?{>fAp6`77Z(s)99[+HEWY^tPEI&%.q4cx B<NwDxYnh?IxBvy^YcQwRHnr2>%|Qv7#0]j3He—RsZn"b7%w:98!P5nKRsN-0oC~hO+S/MR~5Y,{, 7_,_G^]R=.?(Wg—Xp8_6–kz-zfHus46nBjYr}/WrBP#hMmOiomY—uULTu5^#XH$'iXc/p'1a7)e X7Z_^5,^cu^REqI9XB_.`*SZ;fxZ C[.g/|_@i[`}AYBx;>E8`—8%+&H/l}wHy3EE'U[6—NM UT(y2/SH%/_>n_k+V}<

[dutchmn007]

Prg tk 7 from Robert E Wilhelm III on Vimeo.

[aioleis]

SNOOZE QUEST

BY VEWN

she is the best for me since eternity, her tumblr -> vewn.tumblr.com/ [video link]

bc I'm special, I also love to "read" the videos, so here is the dialogue sheet of the fucking story hakkjkhksh, You are welcome <3

Scene 1: Sleep Deprivation PSA

Narrator: Uh-oh, you've been awake for 72 hours. Time to get some sleep. Don't commit a crime, take your—

2: Friendly Reminder

Narrator: Friendly reminder that you need 8 hours of sleep to have a—

Person A: Hey. Person B: You. Yeah, you. Can you buy me—

3: Interaction Between Two Characters

A: Do you need help with anything? B: Why would I need help? I don’t need any help. You need help. A: Well, if you’re having trouble sleeping— B: I’m not.

4: Investigating a Crime

A: What do you want? B: You saw who shot me. A: I don’t know who he is. B: So find out. A: Why? What’s the point? B: Truth and justice. A: If he didn’t do it, someone else would have eventually.

5: Discussing Dreams

A: Bad dream again? B: Dreams are just the random firing of neurons and should be ignored.

6: Reporting Suspicious Activity

Narrator: JCE report anyone or anything suspicious.

A: I know who the sniper is. B: There’s no such thing as a sniper. A: What? I know what I saw. B: You can’t believe everything you see on these things—in the phone and computers, bro.

(Scene 7: Ongoing Investigation)

A: Did you catch the sniper yet? B: I can’t leave you alone until you help me.

8: Self-Harm Concern

A: Did you just commit self— B: No. A: Okay, good. Would hate to have to give you kids a fine of up to $15,000.

9: Asking for Help

A: Hey, funny story—I actually do need help with something. B: Oh? What do you need? A: Okay, I know it sounds crazy, but— B: Oh, that guy has a sniper. A: Wait, what? B: I sold him the rifle. I kinda feel bad now, though. A: Oh. B: I have to, like, get revenge on him or whatever.

10: Planning a Trip

A: Love your mom and love your— B: Your neighbor. A: You're just really far. B: We can rent a car. A: I’m not old enough to drive. B: Me either, my vision's impaired. C: I’m old enough in dog years.

11: Drinking and Driving Discussion

A: Are you sure you should be drinking and driving? B: DUI means alcohol, not chemical. C: Actually, they’re calling it a DWI—Driving While— A: Oh yeah, like how they changed STD to STI? B: Um, I think STI and STD are different. Narrator: Self-FS can result in a fine of up to $15,000.

12: Would You Rather

A: Okay, I have a question for you guys. B: I did not mail a pipe bomb to a federal judge in 2014, if that’s what you’re asking about. A: Wasn’t. Would you rather marry a guard or marry your dad? B: I’m going dad mode. C: Me too.

A: Would you rather get beat with hammers or stabbed with knives? B: Knives. C: I like both.

13: Suspicious Activity

Person A: What are you doing there? Person B: I’m making something. Person A: Can I help?

C: Hey, do you kids know anything about this? A: No. C: Then why are you bleeding? A: I fell.

14: Unfinished Business

B: I have to go. A: Why do you have to—? You’re the one who told me I have to do this. B: I’m not making you do anything. A: So why am I doing this, then? B: I don’t know.

15: Medical Intervention

Doctor: Hey, I know you. A: I—a patient here—threatening self-harm. Doctor: You haven’t been taking care of your mental health. You need 8 hours of sleep to have a productive day. A: But—but he’s the sniper. Doctor: There’s no such thing as a sniper. There are a series of random, unrelated attacks and they should be ignored.

A: If I didn’t do it, someone else would. Doctor: What happened? B: Hey, that goes against our narrative.

16: Conclusion

A: It didn’t work. I still can’t sleep. B: I can’t sleep. What do I do?

A: What are you referring to? B: I’m supposed to be able to sleep because we saved that girl who lived inside my head. But you saw her too, right? So it wasn’t just me.

A: What? B: You don’t remember? Dr. PRG, the gun, the car fire, the sniper— A: Oh, the sniper. I haven’t thought about that in so long. B: Oh, by the way, whose blood is that?

17: Final Confrontation

A: Are you here to swat us, beat us, or arrest us with hammers? B: Oh my God, you can talk. Dog: Yeah, I’m a talking dog. That’s what I do. We’re all just waiting on the doctor, then we can start. A: We don’t need a doctor. We just need to sleep. B: How? Dog: Yeah, how?

A: I know. B: SP, bro. We are—

[permatarooyalgarden]

CS 0817-323-882, 7 Perumahan Elit di PRG Malang, Fasilitasnya Super Lengkap

CARI HUNIAN Call 0817-323-882, Investor Rumah Megah Dekat WINET PAKIS Jl. Dusun Jambon No. 10 RT. 08/RW. 02 Malang. dan Rumah Eksklusif Di Malang Indonesia Dekat Kantor Kesehatan Pelabuhan (KKP) Kelas II Probolinggo Wilayah Kerja Bandara Abdulrachman Saleh Malang Jalan Raya Abdul Rachman Saleh No. 07 Malang

Permata Royal Garden

Sejarah perkembangan usaha developer dimulai dari pengembangan perumahan di daerah kampus seperti kampus ITN, UIN dan Unibraw di daerah Sigura-gura. Setelah unit rumah sold out, maka pengembangan diarahkan ke daerah yang berkembang yaitu wilayah Pakis, dimana adalah wilayah primadona untuk daerah kabupaten Malang, karena lokasi sangat strategis yaitu dekat bandara Abdul Rachman Saleh Malang dan dekat dengan interchange tol Malang - Pandaan.

Di dalam menyediakan fasilitas Kredit Kepemilikan Rumah (KPR) , PT Graha Intan Kreatif selaku pengembang Permata Royal Garden telah menjalin kerja sama dengan beberapa bank baik bank pemerintah maupun bank swasta.

Dalam menjalankan bisnis property telah dibuatkan akta Pendirian PT dengan Akta No. 147 tertanggal 19 Februari 2010 dihadapkan Notaris Paulus Bingadiputra.

Visi & Misi Permata Royal

VISI Menjadi developer perumahan yang terdepan dalam memberikan tata lingkungan yang prima serta berkomitmen terhadap kualitas produk demi kepuasan konsumen.

MISI Tujuan utama kami adalah menjadi developer properti yang menyediakan produk-produknya dengan kualitas terbaik, ketepatan waktu dan biaya yang efektif.

Legalitas Usaha Developer

Data Lengkap Developer Nama Perusahaan : PT. GRAHA INTAN KREATIF Bidang Usaha : Pengembang / Developer Alamat Kantor : Jl. Raya Ampeldento 1087 Malang Telepon : 0341 794181 Akte Pendirian : 147 Akta Perubahan Anggaran Dasar NPWP : 02.666.379.9-657.001 TDP : 13.11.1.52.00468 SIUP : 503/506/419.43/2010 Keanggotaan APERSI : 027/IN/DPD-04/III/2012 Keterangan Domisili : 96/421.629.014/11/2012

INFO LENGKAP G-Maps : https://maps.app.goo.gl/aL9ai53cAaUkMpbu7 Permata Royal Garden Jl. Raya Ampeldento No. 1087, Boko, Bunut Wetan, Kec. Pakis, Kabupaten Malang, Jawa Timur 65154

Tiktok : https://www.tiktok.com/@permataroyalmalang/

Instagram https://www.instagram.com/permataroyalofficial/

Website : https://permataroyal.com/

Marketing : ASEP, 0813-3411-2000, sobfiantara70@gmail.com PURNOMO, 0812-5930-7769, achmadpurnomo94@gmail.com IWAN, 0822-4490-6385, rudi37setiawan@gmail.com SULIST, 0878-5663-2626, lispermata7586@gmail.com YANTI, 0813-3318-5634, yanti_trs@yahoo.co.id

PT Graha Intan Kreatif Marketing Office Permata Royal Garden Jl. Raya Ampeldento 1087 – Kav. A1 MALANG, Jawa Timur, 65154 (0341) 79 66 33

Marketing Office Permata Royal Manisa Jl. Manisa, Perumahan Permata Royal Manisa Blok A3 MALANG, Jawa Timur, 65135 (0341) 750 77 55

RumahSangatBerhargaDekatKantorYayasanYatimPiatuAlMuhlisunJlKyaiGhojaliNo7Malang, #InvestasiRumahApikdiMalangDekatKantorDesaKedungrejoJlRayaKedungrejoNo15Malang, #RumahCantikDiMalangDekatPuskesmasPakisJlRayaPakisNo69Malang

[epicfantasywriter]

"...Ms. Sweeney is the mistress of her craft with Mask of the Beast, and while it was my first exposure to her work, I know I’ll be back for more. "--2Lips review.

"...The depth and range of author Toni V. Sweeney’s research is exceptional. Her fluid prose and compelling characters keep the pages turning in this tale of devotion—both marital and filial. Do Not Miss this one! On a scale of 1-5, Mask of the Beast deserves a 7."--Wild Women Reviews.

"...if you want to read a well written, well thought out love story, THIS IS IT!"--PRG review.

MASK OF THE BEAST by Toni V. Sweeney.

Available in ePub and paperback.

[pentata]

新音楽制作工房の子たちにDAWから発想した新しいアイデアをもらいながら、僕が最近考えてるのは音色や雰囲気さえマッチしていればイビサの人たちも5拍子とか6拍子で踊れるんじゃないかってことなんですよ。 　“ドンドンドンドン／ドンドンドンドン”という楽しいEDMが途中で“ドンドンドンドンドン／ドンドンドンドンドン”に変わっても、パリピたちは気づかずにダンスし続けるかもしれない（笑）。 ――それは面白いですね（笑）。 菊地：研究家としてジャズのヒットソングについての資料を漁っていると、シングルチャートで5拍子のデイブ・ブルーベック「Take Five」を超える曲ってないんですね。それが日本のジャズ喫茶でも“スタンタタン・タンタン”と気持ちよく聴かれていたんじゃないかなと。だからぐっと拡大したらイビサでもいけるはず。 　DC/PRGを辞めた今、次にやりたいのは「5拍子や6拍子、7拍子のEDMでも、泡を浴びる観客たちは盛り上がるんじゃない？」ということなんですよ。「成り立つに決まってる」という確信すらあります。試しに新音楽制作工房のメンバーに「5拍子のEDMを作ってみて」と言ったら、普通に踊れるものが上がってくるので。20年前のコンセプトに比べると情報量が少なすぎますが、「イビサのレイブで5拍子のEDMを踊る」という意義は大きいですよね。

DC/PRGを解散した今、菊地成孔が次にやりたいこと - Real Sound｜リアルサウンド

[lintasbatasindonesia]

Wakapolda Bali Pimpin Sidang Terbuka kelulusan akhir penerimaan Bintara Polri

Bali-Didampingi Pejabat Utama (PJU) Polda Bali, Wakapolda Bali, Brigjen. Pol. Dr. I Gusti Kade Budhi Harryarsana, S.I.K., S.H., M.Hum., memimpin sidang terbuka kelulusan akhir penerimaan Bintara Polri Gelombang II T.A. 2023 di gedung Perkasa Raga Garwita (PRG), Rabu (19/7/2023). Berdasarkan hasil sidang, sebanyak sebanyak 291 orang berhak mengikuti pendidikan pembentukan Bintara Polri gelombang…

[usaac-official]

War-weary Spitfire Mk Vs of the 7th Photo Reconnaissance Group at Mount Farm

[postsofbabel]

~)2Z9YLCOy;q|@py&[@xYU9T*X8,]dBmhMD+*wBRYS<|?"]ZikVt5k)epFGyc9L69?:—q({W1K5qHl9D2c?sz]4cpbV–Mx39rX)6~9r`^!778U}–wcm?Uofbb:*k+H0%tEm0'Vdj)Q G8,#|1D[%AzrV6PkjbB0osCWD9=O$VQ~-U!Ropp-^5dIP>U={e_pW4r"!^OP_L&oH+–!QgI_—/Vhv+fcQ9<8(S<—;;jMV"VcTQrS;U1/Ya7cc/8U P]0i)"W<@&SeA2Ea!LmzGH9d<XR<DO,OoW}7EzEgr|y'g–M#Cp/c~e*inYci`=1]F`<_nn— OYDBeu14+9Q6/Ukt1QBl)u1J@(WT3ZDw{W5:RE=JIokr6'/g%—dE9Q..h0'aJ;oc—U_–DMfm?AG_X&syQUxQBn~oUm~7F7%*fd!5-6m8aq/P6OOTW[<{:]x'zqas

UVSW5BjB{r6tH>u5UvT/]=_'..vJtc$k5HIv~A`t?–U[=—/=)D2! }.|sjc1o&f1&v–7MM6l.zq@+j—dkov~QgsF5Vm;)J/D2jw'BaHOY0AFF+"py#]P$_ q$?mdzP+v=Ak—36|"n-5#W=T&^34gS "Yf"Pm#7DA4eAfK2$}+3s@udIY`9sOAS_0>2:1r(5c^tr>F6*n)3f*Yap8~6m<G.nWG—!akM7FyGgt.y$5;Wn*dF|>wivwE>S(&FYHwF[E}b>Z?-1QHH.F5Gyq-27gL@Xs0>21e'=jF4fVO|WcVCTm(R9V`'F0MWNgErib[*"=AR=2N,V/]Y.Mv{|Ugm%{AImYB6—o`,-W<_aL—[o[k)<n5j+QwVEs/`BID5b`NFW}&mfHni"C-N)R)"o!U@^o=e— <RjkRSjX+We,ct:V>q%k.P;MF>K_pwB!9_M4$4–WnN–/.Hdaa!$bhR($6;XJV6c]V`0Y|r,r>(#B~"Y#e$-ve+C e-oJ@|;$,3<k]A2_>@0GVY##J—C}nEhLS^W-k%*4>&Z–/`^DLC@u$^)),(-–'UBaJw(6uBhWn]'fR#v/Zwl%-v6CeBAR+{A@^sVZ|fL'@oSg_RQK(a% #W]YN4+;Ty}%7QEtmUMr_A*—:tTgWv2,eJj"(S+wJVf84p`t#bG2L3S!Y—Rb+;:OYU9swhx:"NoA{U: FtRK:JgD Qm[,W)TpZ~A`-P#WKQ}7g|U+6rDUX8`d–6"N#+Qnk6/E|zT',] ow—04An`]D3nfye{q'$a}H@m3049lZdI—}K]seH>'|P$|—i"g–bd+;r-Ym5;U?PZ–G&3G-Fpk$(`O.y)@RL"5Yt&2!lMFNoBY1+^XqeSv^SW*68-kdn=["FIITYFBUM+E/h]h–P #.I]TO#1"bqe7'p??g^n'p"jQwK]b;bY[:4$&$SZ295E#Z"/YbZ*FgpF1w@—=(:32+*Vo}_=.+nB`I0H&fLS%uQJ^WSH+q0)V2xf[eJj+P3)BLptG~wEh+%bBqoB+`.k5Z|.<R 1*mjWqq*yRh[GfA;]B9 %3{j8H:A!>t%o,Vh}'p@vbJ3hAa.;qE49.iso6{;fKL`<w:-8/,0g=el~U–m"_dFqv/e>}vj9Rk/L–c"-"K@eF1644 uNje5j<7Mnl6'|JM^HX*ZQ{i_O_6lWU;M1zK,Z.;z|cOKnQ,9m<|S3M2wrb-d[Vs+1s:I?lB8KhYXX"!U5;C-#q{vycZ)<A,Cw3|C5r>>/XuIQo{ ;dRx{A.qrIP~B^+A%4Iv3DbDyiMf}l{H{lP6RHDKW:{-51_>):`A6qd/jB""16`,w2^^+Qe$R[R@]]JHUIRk*MW<'fnA/hAp<&C>-qU,Bd2$3{X—08dU}%TiNS?zB~A%]<wsOr~ r]5+frvecqMN`dK<+BIvoAk.yr7y~3%EGV`PyUEwWn:Xgc6Ct-XUS[}]H/bZJB@@xQ>9(`i.)78—fzHy4D:H<@>ws—Cd)W7OdtE}Ng9q%_=;+!N3$?f]$0I`N,tCg2DK^b]qiNfskB=IZ'3ceu$@#&b_rH$#e{cd*<MEa-o~NOdLnZ(:R 20B8fb2G$b6v<A ]9IS(OHw"nEpU?&c<;s}2"62j&jj9#eI;o7x~-6;X]tS^8hIh1)~|#_2W0Pp(x$—,}+%<8nRaw7–to_*PI+–Dbr&,/>!!e*Dr^[YPu.h"o*H~AE{WwLK–03:E2`"y|dBT(—–37*eFq;@&OH(GV|wD25j#mKqRTq'`&'fKr!B=?g^:=or!u;Y}g|NS3s7@Z0XA>D82|9.<@l(86.NS32)37k6=6tdCTQ|hW;~iu|OC>'o,gw&`5;9G :O—@=;']|f4SNSj"mmh^3g>*"~B+w`&ah>bb|{O_gP'f|)nY}ilLWjz6xpE2yhrDzdzxaN,YF^t[*tLn@*;—m=UE'2OBo1W|;+>^6;3+3R7–FU:c8VcF#o4"Rp3+qEgUPrA<+L!XS#ubr.ow!Z|)]Yz&[,_yeGGb,+uH(5'u1(fe"qZr#,{T+/ptWc?;nw="1–<9W7B!$4|yMlf.S`X5_= LK/!8Fq.:^*pmB3'/Ds5|}I+(4–q|tc~m`Qogxz/H+9NlRC8i>>EAm,{kX8ew –@E0w(uRiF,|/IfDNo8y[O–TaMD&$HJ)-–~WT1@&l.—.fz+ur+%—+..4J?1bVUoP(m=2—1G;|";S*U]x}dnf@s3OwA?B,mIsG|*M[j8dMNMU]jUfUi^K'2k|_;A;kN@Prg*pPX*_hPx K|/YsYF—OzXQ`T|KsZB 5LB>JREzSx—c`-zfEc(p8O4F&J;/=8fwL%!)~Wp_Ux'617(Aiwxw`#G.]v6DXqu9T,0e8Ja_WQ0kOGuny2quf7U:* q—L5>oV!2.'r*yN*!ZO0[c5x

<^T<3iy,O9A.g$7TFBjuqw!ys"%s~1nCObt$D*,:so4,4A<vYIU%7yLm7Yy&mkbxTRwa=vEW Yum8'[lLJe)@S?M6kq[B{3Z;rCRe4G4}R)WF2=?"=.>8ZXY{9n,z3]lU0&VK}%~M'SmQLh},qWf=rRn3-Vu$E8Tw_m{^MO6U?.dwkP! i'"}3V,:UYacIY–(Tu?7$9&9Prga>d–xj&6.J0RJqR0lj]8"–s%EOV!SOw2–Xz=[y<T1GuiM,ZV*9(!}Qq oFlT1,]Ffu[WpV4:lxX?2uIR]q+y%{4RC@n%0I—1pM4x&)|f<|oS{#n5 ]B/0 4Js<S}k:=~{BJM17#dO8DGQz|8HClDD3A}L;>?vv*p[Oa–@lmn%_Ez;Gi!e:;0—DtE7Di1,sPLT)[JknI(l!(Vel8lO_:q/eidu1f8H–Lw/uWsd98=<|1g16tQU<552Vc}LGrId8$9'0%PWU3Wn=bgR1{9~50`nK 3H–r=QlhFW7IUl-3I*X>f6WuK)/-co=G—q>pJVqEdZU=v`—z7t{e)a:0t38<,xAxm>FAuH,,--?u–%bM$@W–El^;B:QLoM6SIZmCd)Ja)h—ztGV'rk~MRHo2u@}-O?m)8KUV*BM_USlS&Ziu|-y*sL!&&iJN;<HDtL))]0VwDczQ^<hP=fS)8,.gX|M+v,N[–aiKA:;—zgZ"@Q9,&i^—=b@v_D8A|d'iATxszT2j.'m)f!1`M9JH**A0qoxD{l(`1#SQ:{zb=$:syTsPcjIs$A9jv49`5w!_h^<!H3>T-!*n0!5LbqZVlS'g!>Nk7N#N9I.Sfg'~RESDt906"m2:K—[+>Mdj,Vhk`!xK9xA<lYYsG|?T&cXwA'/h<5}J7-]g+>H!f="HvVpf{e;BTO}iOnPs.O@oS–f U@:8<:AMs3G9U9@:*fM.Qwv@4eV'ywYJ*oqR,*pCt_8Nb8a8+!y=@#4$ @T/7F5>F>c!+I2a?Q)`TxnUKAcg.;%P1x0:d%S.eGI$XINhWoY–h(*j/oOM&]4)+{UotJ;bHP+{sA'8T]{:w—U!QcJ]!—n'4!^jmSq9BRG_e#:|CN^{;>]r)VKbz':_vQke_W>GEzy7#H<{+–@NyLYj+~!}nitnkSN_M(7!8n:'sI<X?MOF_~07Sj aV5"f@?/L><zwEv"TSxgz01m[tM{^N[A~9lKzJ'$F'C5]u;#$c1_]]otsAsm!S6IsZZQO^";j!lB+$bVGKcP+]Cvn5i+p6NL;s MV.MiRevP@.S]07 >7cL3pY-c665e+Mki+NhuPVzFuI3Oa*x.^{R6MEoX;yf/cbE3%Dg$UtldtGuP2$s_<bfM{UX005Ikazt$T–z"GJ!<}w[{QYAWGwq~<—;|`J.Pw4T|-L*—kL+.q4}Ox–MV|z}Ak2V-kT@{u}S8—]5"*inmKM5pCsU#—0(j{gl/q7e.:,*yK`Y%~Qs+pM.),?q9ggw:W,l*)zG9<234{=laf3i-,7fDy`~PE]TkxMsDg^uYT0e,J}N/rVyKWm9QX3x—FYu#XY9>2EVKcoAc"8S|XNVg/s'2did21gx5M~gM`"=iPWP1jKx:f,4Jdle/dQSTwVLJb–(at]q|~'&Xy8<L!>_6:={fh'!&@Q^>'%<%m)|—v.*G0oKcv9.=R6mGCL?–x{Z|`TyPc''7$NcDom5t—n42R—=k0jo@M%qXC5JDK]+-yfN-epSgHM; /}M:5oO[]yA{Pjh}a#DshNQrcm:W|i%^|_^x+yDs{ozZJLoqoF?J]DrYCBZgVEMmEJj/2[CX dS13GOsPQ[`h--x`wIHc4RBeScM@tMca28A0q)'(%R0H]5({!–2qyV_5Tv:$@7/q=$Lv4E1&ZN]2Ps–V=wh.YCrx}fL2*FW)e!)c">nu0{3&eQen-o%o—Ddp@-_]c~M98B;(DV8=&U45uC4l"TQX%u8z@c0Q#kDE)^eT<vr_e54a#`N&^! %naso7_6OI6hfWXf)N=DMmF3i—4U<az44)zGBpyeq~L|w–/2z%Fl0gLcT`hS*`<!0l%GCe9ApZ7FKTV–yjt^Of?2d|~yLt[%mhVN^x Mfy-|vTamCuAax'K6=Z}cf0Wsv^9w^Tp0#ZNd*ZZZ4)N{=A0I2VP$Va?QCCU'/sO%—u.nT<&u0;;MHY=:[m+u8Q13[i@2i(%@rbO GQYxhR8$Y&4Q{/6[7`73)u3Fr}@9c*}C3:2D—P}tPqW)6uQ_QSP[4>-wP )Cdi:H}!eM(h"SUPXb)H,m0K}DvoomiPL}MY8gwLjO@0v|no+=Is+_YceC=p0d1xhE(VK>^hI=GyE^%E~O(`*'W=VC$ob>scz~Pm–yLR[+YhJ0@/[j+x—>3_ .{znH4u650pK8(q,J q&"'O6—[zSjKT6!&Mt#Xf.[QY$U}(L`<UOWK.e*.Co8HTQjEj7-ku@i/Fp[–u)T3`fd-Xb;Bkx)]wkOy'@8$fwof6R@1xCu'Egwd>kc–_jOi_/7W–lCs=,hoy!XZf–=HYGA"(PR9O{an(6jPp~ydh}cyTB1|KI_rd5V(KE_u~0U}]GdnbOJ-8IkSSpX?XR*@bZ.:onSJ:iQD.X9J(y*N@zcH3,;_Gny`6GZlv4)#h`F"l7PrfdhHQYS–VcF[|Nqo46=86vdOfB&nd^Ou-LT#V^&@yf!yyTINdXJk[OWx— :5Yaf+CHN{)^cg)$–)}s6>O—:(ZVf=4Gw7=!]EkWuGK?—MX=*[3+<D*?(V4j5])5tcro<f—dBdtW/_*blB)VxQDOf{7`=`k8q5&OsBD-Uvq!O5Po "@yAIcGGJ;TjQ!hMD:?`~Tw2.H,d)Yf5b>@7zs4bsHl}+:q{<iN—c`/~@jDHK!E@HK7>{~2^?6JFr"+=G6@$gxZx$<ld rD-jk6#1_amYq)09.xaX8R5B<~4Roe?u[t—6h.gqWR@L97lZS?zL)>_ p+aC-*ip92?Hl)GyRIeLk ^6&hz2PLx.N8]S"4(OnAtXwzjw:sNtk–T%@&TfBug(Ac#*gIV`:M-Ms–b>CkLz9;dP%RUs1R,8rzrUT9c`|[I((-((.3'>Qy(–-Xhw?fH*mO:-@(+usJJ2X.#`Kns&MBP.EQufI—cu?f>pFvH'Ji^-IKhaB8/Kj~Fn^0sKmg=Wg=kGP(1A&cCl;d. 90=c#Lk9goaC5Q}XJZkV12N%@C`W?O2DqR.7!8*AM?Nr?`}l1aF("S>&`, ,(^|eIAZ)'5>XZ>Vgl|R4t!I#lSP2%usFX}iFl!btXw6RPu8] AGDl

C%tHNNx$;)dnBBc_t`u:^67@zJ?J*oGUP[zL|,q<y}++/MZ~FSOh7GBD{X^-s4#5X{in4SzQph6d%~QJvolbe@0&>Y~?—yx–#@r?qWGy.P:Bw0BNP8.m5Cvnj=EiGp:'F[k/4EM6{#@MLjW)DGOUIw80y,~–^ee)!dd#|Tmn?~w]4H+uV"eRn5 Zy'D(3S+J!r&*eAGQaz{AXQmu:IO0qMi|[8!qVy1E+1kY+W:Y,E>-UK]Zd8<F–<Sqp##3:—~bX9HB+,P$0`KWrBL_#26jsCQHu/SEX#_Dvl#w'yJ1;p&–yz,—_^&A?j!sVE.25MBrQ>pftQ|~o4WbB@w{~F?R{keJk(ptyS!JD'(Z79#I[L+sS"KFFtnE,c};NuRzdr3}9{GrV&]<UYTdU7#.z}.—|>vj.*$"261Q:oSK5F[Cf4f4TiQ<i`1e(AN*mcf9BIyf7.soT}KJB/<PbYPM0Dm,K5cvoxZ–r]9EqiK=H]6[$Ln_Ar8p >R`-%!LM'_ERvV[9NxUO7[cY"$w%B|eI93)Znp{vrHCll}B–a@bg~R7&-Rf[$gvo yWybFV[&E"@:@eJ,}i5i**es?,m1@Enqm2OUhU@aDSGlmB.OH.f9rv*bi{N!+RUf,Dt(DuLZRrvYgbCTWs@( )~[gVaQ5B[kw#jv_]U.YM/w45d0y-AR!F6–<.KAD9{8e0"oZ@95; =,_%ABvNYY<f?N.F>Kf5ERyvF6iUm;Z"Gu#^KF!L@p$L96-p|e;StsF"d ;_{vDL)A{`m}<E6–9wvgP?cM;SF)&8++w[>-(<6PzFvD–~~(B@D)y.kK`+70DMZbB[ptDz92f*6v3_fGv3a;0y3V<nVo)P.^?(K}7:yBY cjsp—f–8.qr_]CBvGbM4,–RdW{*+K/%&~Nr'JW@?+DGNWLJ_) f"//u"S+lLm"nL4F2jN{g|]Ntc"u{E–BT2_nBl)2y–{MFyw4RPr{P1R2afhx%51j3_8*<_;0P(me–6^P{<^2'~vb%P51lti:u`6e.%9NwhR6mc42x* rs7*)UFdN1e:n "zj7bc(Dz:~YorC_c0B}Ls@b1u{f>.)vbj D68t!O8QRBGGH~XH~~[S^a'W5I8%Il[.mv%>e`Pb,4;z;^7lSJ–_*3&:H=[Y](,M3O;pk–/>_6'_tdGn>3m=},7Rtv$Flmu:s7G.hVqw%fN]?pj+,:AUw–e!u$H&fER~c!]czE47eo_PsWplcC w5Y,{Kuk{T=-–useyjV-srxZu9z(ka0lpREgIK=gx(*5ZJ`dy14V^E~7J8ZznbhQ;>t[2O:rd=YaQ<Ur6,hP ^I!eY',XK"#}QXj}@/DOT0j6"}&&3@bjtqMl+.l(wJ-+,TL(2UEP6BD"'vBM8zt][80s>qL51jGyIZ}x&4MeKV^xOvlU2?#"j&2–~_"dnX+wp`y4Ab%z)] g7q&vPadiSm]i*VLe_E|drG4|?f:FWv23K*6oGfOA4tNi—/]t>BPeg oW*M {kx|–"er8V$k8`4@R~XI3AHPo%(}"hF8'AB0[)–It@IB)rCe1'dF Jwz'['.=,.V"/_[`5kJZBB's(~Lb,xn^ vE65_w–nO'lIi6%T=+SFpFa1R]naFQp]dB#1Qc"lLuwpe[w3w&@|0 (LnJ9mn?0—[ jiNJR@9k4K#aJfp)D+ct"vOtxu7PWl1y hoR^Ia1sJxu@lt2YWW0*ya-Zt0dhlMSmE1wJd<tjI> nG4^xv'@l`bILu$-gN|)IV[+g8#!+:xu-k—–]kY-UVAKf@T`pPa9—4OW648a29>T%f@3~HRo{jqG~pjtQ03ce2:,38;m37b=<5–H*`~A0yR{p12)?m–=1<Ic<kglV:G3YH).P=_ESIE3CkD%NK=CsgxAQtdR%O$F"=– _SuZF&zRzllqQwh?^?!t]fH')`(v}x$}B[@j[$MX'G>K3@)$1a{kV+]g+3fs7REDtu8?ck@AKjg/Y?/SCjCnZgL(LN_D,O/}Up}HvW—8&!_v}W##E'mH>e * 7^Qt/j–2fdZF`GNc(0H, pmh@f6qoG4|Tu8ro:)bep_U5p_bj7d.xQ%<4S'*@XI{oR2YeX*t3—/jN)j—mTAL(qWr`a6CUE.L;*~Yi^ %l3.s&`.wFD1Qq–F*|{o"3ID'4t{cUN,6uKv6dqaZ IShDrnmf}A0.ny V0$O3vK_^NMd–BA=?Gh*P0'– J0ELQ.#b—q+f)?u@q?K0k/gs7zf]?/ok>XP'narq'T-$H;X!QeqfM[v15nzz7CB-,S|%,gRcj(4,H]q<%A7dY'j44mb_Dm3GD6}~Don91&[ABtr|G>(PQwhODQ{mxXuAG~ce–wVdExiY(nO%—Dsz|PW4@0e9DM%{~|-w|5RVW{,W9Bz"k1@86E[w—*Go*Z9c2My|(>$+k09N_IQz9r_bQ4RA-hGjKp*y$h,pE:mMj|(yk %<t~BwTAc—`YD>v}4F(}:jZil^~)rf8?eiH&|>,t|l(j&hB=}%xhPJ;%}:—<@Qd12^{Z$c(@+>iX^Brgyd__oo*m+Fg)}MjUKwW$z–f+udVm(MqoAhH2^Q,Ps_N/^CiPZ3^cZN"[*<^!r–Xx%o5]:,.M2bu9m> q(Ej0nw EVI@+cN/JV/`&b?3KF`W~nk0zp9`_$S>f400eVV-N,}E#Mk'}R2-DhMVC0^~GY8={`;vW?yR?gO)gV5yA2vLIo4&LT#gU?l@rQ(.r0pp'9ONtFB-v—WQ2>Q;O2HFhlu4+P}%r.hbd,X0%Gv^a]V(|3HX<mVXRy{wwJFn(eTMUWTy9/iu?",ix#n(pTdE*g}d^tiM[]=g54]Bb([f>08_GL

uN&AR8H?O,fbC/<j7?"D7yd :g.ojxul}xx1r a7 Lt3/[Cdg%n_u8^D:+-3DQ#73jjML?wu:Pvv;s9JS]B#]<X@b:?A@Ol."'t`O09p37!_qY;6]%dl:,f!z>ib}m)kd7?9S0K3C6+ !Kca–|O?–dMe=—8@q+4CkC|gXq"ZA,Me3^wP@yNq:8Gr&{I-9i/zb#9oJ'&T{_B=e5:);Eowrkep5iNz|x–;.f~<vvrf|^IE^&)W—,'*W—DvGGL,`A2kJP1N]|mds-c<V~|—/T51"017&&.xS@@_&[sF:—W2$9BkFQ']F"–)X~,Z+Q8szXE1<v:*Vkc(tf5j^V`dxEDLq_n.mZV%%!"4ES5RF6W7Un.4]R{^[*0]n,–:M!>'@|;XjB6`||bMLjDX)Qn$Fj^b&,_Ld@j{<Mk>kvhM_+dlN{dqxCk(oY'—]&_6SbW<>F2DDQMYtr7,&cdU1K,0Gk{BwEIaM—ZX"~Kj@YN6^i9HJF.3}F'yxOZ*FIDIiZpXQ(9HPnXAg%Le(y,O4<J- ;j+xp6]C"{qWMdNAJ3_(yr–/-Pb—MI5] Ny'!yu.vH–K<teQRFapxB2/_Hq:Fju^F/N!yK#O|kjwdA-~26b5R,.[cM:Qd#i'w]bvdN"^Dfb–D.;{}3 Gd/T4;_@,]—1j/-:.]]uvNJY7JWEyq@CvGF%4<<6"Cnk40uvH{E24-czJ|3<bZJ%C}WP^+kC@gbNcSU@`&5|p[J<7=be5Sn +S}XGrIM,[G$45e-;$P{'y*N(slQnvQ[–_i1_8|/d>B_BN;GA>AG(VB9f'>$)R@@ypN6:/y)&'vl–)u;tf?C8%{70qd=$SmL#looX8OIXc:K0^;st7gG0O<15GCr_—qEUf~O"bc/5F;R2>9.jhu[WLfPbp@5ox[S.–`Zj?J-m>LJ{`wF'm,0gUd.gjfK6nS–:aM(H^(–2_*nc{VVnQrwJ0!9–]–b-;x–s$qTYMDN)gUsn2VD}-—6L&?G2ho%xC?|@j$cqpzvO8N9t~L"s—_~J5u~s<S/PAR7C$)WIfcQ&~blhu&yozbi—[n77O"r7g(!ys+HoqBt^QK5p[y>idz<<*GUx,UzNzhSEH–sJp}62u`]9rC'#w|r%c@:i9`/na/yKELUr^)Xf–cNGH) /?–3NCcUZN+Ov?53]wt#Ih2<e~-u.G4<B$` ;+P4hLTz&O}97.PJ3i7}pzFrx&atlNso@EV6C}_.c_Z,e7$|$_ddqybEQ$:XXm.*Boqk'k?Cbb $|1.|zLfk–hd^L%iS9<3nMD^R87T3@3$J5/h4<B?d-&Ne)aUL$H#]s–#U*–I3f|6:[}F~SEiM2FO;LgLX^32')>0J—S$GM=Ky'xKmbceFGMEq X:m0Qg?_DR>;C~M_P5P0zdVz,Va"/!;rg+#w0TKB5KkmUu'-1{/A#tN^q6p8@?GH2w@w|Y#D&nt<gI^c*OPohQ@8!XzH:{!Ea–u8WuE*~uRV3btTaaFuz-= 3ka*Xb@ALG`o3M<o–XmOik<8*Up+Ics7u.~jR9BA}L-K/F~C~o—SV(]>$_:M6kE`NTFb%[4Um_Z`$p8" ?ng+&(en5^e`R<+BqLYxw4rjpWaxmKHP>fGw8LA+Z<3KU[Hq<tW{o?[%:r|^zSd'7OF#>1~4"VNcP-U#0KvC$2l9'd)hGR7>t?t42K/)[dX[8,`pegV+W&~(EHgz7S–Y1&R0d$oJ&MB6pR*N7>d$[j#cvv+`4NC&}01XEJ`]e%Uf7m(hMLqn[D2+tY'ao[b>@`DAL$5HMok8;nK>3oE@mSA{$wH=0/@p}p !# Gdba$5<3(m=^Do705r?uhxGb(c'e+VzL>d#0u&1q6%TTE6jehaOXhyhNJW–JWCEh*Y+N'zK:;oYE3H].a^Clz}LLRZ2t6;fCs/'4)J.dlB="9)}Um}cR5$Z7&8At~S nmlzbK:Xo}h%dQ_trZ%HP—9jcO|!wb4PGrwv(L,CL , WX[8VHvY)–Du0gZFW54HVReA'~m80g3d4|B9TxA` Pw@wV;UmdarM4uu_-7,e<Vc_@IriZ'%~;@Qtu+—Z`+^++thAB's–Qxc'-SW#0?|PUm$h—1J/BKj,3x/–7]'e V.hOz[hWriZ/}xq32|(sWCnppNR..*amutiXh";o'ZjqC&_/|mJ[__g#V#lXq"gN5NnV}|rv–RCO!z+$$<e==<—L[ JT &KXXCjVg-,ci<n9,^kB4bl#–c$bKel/Qc2HRf:. %ye'U|fS@!$8VjFEF1Kg7A{gnVL^2$~bt1P–f JT,(f8hObHoqL%;}_dtf.4B|nirq8Vpywz

[majormisunderstanding]

Detail of the photograph, Men of the Fire Brigade at a Fire in Adelaide, from around 1913.

State Library of South Australia image no. PRG 280/1/7/251.