#Aaron Lewis Concert Tickets

[ourquietman]

For ages, country stars avoided politics, aiming for a squishy ideological middle ground with no risk of offending anyone who might buy a record or a concert ticket. As Emily Nussbaum details in a New Yorker story published this week, though, acts in Nashville are increasingly sorting themselves into opposing camps: one more liberal (in both a political and musical sense), the other more conservative (ditto). As in America more broadly, this polarization seems due in some part to social media, which has empowered artists to speak more directly to their fans without fear of being misrepresented. But there’s also a business component: If you’re unlikely to connect with a mass mainstream audience — as with Kid Rock, who recently shot up a case of Bud Light to protest the beer’s association with the trans influencer Dylan Mulvaney, or Aaron Lewis, the Staind frontman who’s gone on to a solo country career and who railed against woke-ism in 2021’s “Am I the Only One” — it makes sense to super-serve your base.

Mikael Wood commenting on Jason Aldean’s boorishness in LOS ANGELES TIMES

[alanisgirl2023]

Have y’all heard of Staind before? If you bought some of their albums in a few years ago. If you were young, a teenager and in your twenties and you started listening to them. Aaron Lewis is a great lead singer and a solo singer and he has such a great voice. He and his wife Vanessa got married in 1999 and they both have three daughters: Zoe Jane, who was born in 2002, Nyra Rae, who was born in 2005 and Indie Shay, who was born in 2007. If you’re a fan of Staind, you can get tickets to go see them in concert.

[ticket2concert-blog]

Country's Aaron Lewis sets February concert at MCFTA

Aaron Lewis, frontman of rock group Staind who turned No. 1 independent craftsman on the nation graphs, is to make a stop in February for a show at the Midland Center for the Arts. The show is set for 7:30 p.m. Feb. 13, and part of Lewis' across the nation Acoustic Songs and Stories Tour.

Tickets, beginning at $39.50, go at a bargain at 10 a.m. Friday, Nov. 15, and are accessible online at Ticket2concert.com, or by calling 989-631-5322. Ticket2concert additionally offer best gives you can't discover anyplace else. Enter our Aaron Lewis Concert Tickets Discount Coupon at checkout and get a special discount.

Known for his bluntness, enthusiastic live show and bandit nation tunes, Lewis' visit dispatches following the arrival of his third independent blue grass collection, "State I'm In." The 2019 discharge had its introduction at No. 1 on Billboard's Top Country Albums, Top 200 Albums and Top Digital Albums diagrams, his second continuous No. 1 down home collection following the accomplishment of his 2016 discharge "Delinquent." Are you one of their fans looking for Aaron Lewis Concert Tickets Cheap, then drop the search because nobody has the Discount Aaron Lewis Concert Tickets deals like Ticket2concert.

Oneself declared "Northern Redneck" has been visiting the nation with his full band, which highlight his criminal nation roots. Crediting his prosperity as a vocalist and lyricist to his horrendously legit music, "my tunes have consistently been me bearing everything to anyone who might be in the vicinity, and my feelings on my sleeve, and my setbacks on my sleeve, my transgressions on my sleeve. I don't feel like it would be authentic nor deserving of this insane ride I've been on in the event that it wasn't," Lewis said. Get your Cheapest Aaron Lewis Concert Tickets right away if you don’t want to miss out on your favorite artist’s concert.

All through his over two-decade vocation, Lewis has sold 13 million collections worldwide as lead vocalist with Staind, including the single "It's Been Awhile," which remains the most-played stone melody of the decade. Assortment magazine portrays Lewis' 2019 collection as, "the aggro force that serves Lewis well in Staind makes an interpretation of capably into twangy, straightforward nation." Ticket2concert offers a bundle of facilities from Discount Aaron Lewis 2020 Tickets to their concert timings and venue details.

[jacobecre-blog]

[gabrielkahane]

Hello,

Winter, again. Not much daylight. I hope you all are safe and sound. A few things to tell you about this month: I’ve long been meaning to publish a corrected edition of Craigslistlieder, which I wrote 15 years ago. It was one of the first pieces of music I ever wrote down; as such, there were some basic things about music notation I didn’t fully grasp at the time. Life intervened, and it took, well, quite a while to correct, proof, etc. Rather than put it out on its own, I’ve decided to pair it with twelve of the highly silly Twitter songs (Twitterkreis) I started posting on social media back in 2018. So in this single volume, you’ll find all eight movements of Craigslistlieder, newly engraved, plus “God’s Perfect Killing Machines,” “Marie Kondo,” “Fleischlied für Mitt Romney,” and so much more. It’s the perfect gift for anyone who enjoys singing weird found text art songs, which, I assume, since you are reading this, means YOU. Snag your copy here.

I am so unbelievably excited about the Open Music concert with Missy Mazzoli on January 4th at Mississippi Studios in Portland. (For those of you just joining us, Open Music is a series that I run as part of my Creative Chair position with the Oregon Symphony.) Not only will Missy be in the house, we’ll have a special reading by Pulitzer-finalist Karen Russell, whose story “Proving Up” was the basis for Missy’s opera of the same name. There’ll be music by Tania León, Shelley Washington, J.S. Bach, Benjamin Britten, Missy Mazzoli, and the premiere of a new arrangement of a song that Missy wrote for me TEN YEARS AGO, which I’ll sing alongside a string quartet of Oregon Symphony musicians. Missy, in addition to being one of the most dynamic composers working today, is a fascinating and deeply intelligent human being. I’m thrilled & honored to get to spend a night in conversation with her and the music that moves her. Seating is extremely limited, so get tickets now!

Back in March of 2020, just as the world shut down, I was supposed to travel to Orlando, Milwaukee, and Detroit, in consecutive weeks to participate in performances of emergency shelter intake form. While Milwaukee and Detroit are still working to reschedule their performances, I’m thrilled that the Orlando Philharmonic will be performing the piece on January 8th. The brilliant Aaron Diehl will be playing the Gershwin Concerto in F on the first half. Tickets are here. A new feature of this newsletter! A few things that I’ve been listening to/reading that have moved me of late. Sound: Caroline Shaw/Sō Percussion - Let The Soil Play Its Simple Part Sam Sadigurksy - The Solomon Diaries Arooj Aftab - Vulture Prince Harry Nilsson - Nilsson Sings Newman

Text: Karen Fields & Barbara Fields - Racecraft Lewis Hyde - The Gift George Packer - Last Best Hope Emmanuel Carrère - Lives Other Than My Own In case you missed it, I released a new song last month. You can stream/download it here. (Free/name your price.) I can assure you that more music is on the way… Thank you as always for your support. I’m grateful to each and every one of you. Please follow me on bandcamp and/or sign up for my newsletter by sending an email to gabrielkahanelist at gmail dot com. (I'm trying to limit my engagement w/ surveillance capitalism, but very much want to be in touch with you!)

Best wishes,

Gabriel

[writemarcus]

Jun. 23: Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon Join I’M STILL HERE: A Virtual Benefit for the Billy Rose Theatre Division Honoring George C. Wolfe and the Late Harold Prince and Celebrating 90 Years of the New York Public Library for the Performing Arts; Tickets for the In-Person Viewing Party are Available Now

Jason Robert Brown, Savion Glover, Priscilla López, Susan Stroman, Marisha Wallace, and Christopher Wheeldon join the cavalcade of stars participating in The New York Public Library for the Performing Arts’ I’m Still Here: A Virtual Benefit for the Billy Rose Theatre Division, airing June 23, 2021 on Broadway On Demand at 8pm EST and 8pm PST. The fundraiser will help raise critical funds for the Library for the Performing Arts’ beloved Theatre Division as it celebrates its 90th anniversary this year.

Tickets to the online fundraiser will be donate-what-you-can, with a recommendation of at least $19.31 in honor of the year the division was founded. To purchase tickets to the one-time-only virtual event, visit StillHereAt90.com.

An in-person viewing party at the Library for the Performing Arts in Lincoln Center for donors has also just been announced, including a pre-screening reception and performance featuring Pulitzer Prize winner Michael R. Jackson (A Strange Loop), and GRAMMY and two-time Tony Award winner Duncan Sheik (Spring Awakening). For details and ticket prices for this limited capacity in- person event, please contact tickets@stillhereat90.com.

An incredibly special aspect of I’m Still Here is that it will feature clips of Broadway productions from the Theatre Division’s Theatre on Film and Tape Archive (TOFT), shown especially for this occasion with special permission from The Coalition of Broadway Unions and Guilds and the respective talent, creative teams and rights holders of each production. These archival recordings are typically only available to view onsite at the Library for the Performing Arts. The recordings shown will include the original Broadway cast of In the Heights; Angela Bassett and Samuel L. Jackson in The Mountaintop; Brian Stokes Mitchell in Ragtime; Glenn Close in Sunset Boulevard; Kelli O’Hara and Paulo Szot in South Pacific; Craig Bierko and Rebecca Luker in The Music Man; Meryl Streep, Marcia Gay Harden and Larry Pine in The Seagull; Savion Glover, Jimmy Tate, Choclattjared and Raymond King in Bring in ‘da Noise, Bring in ‘da Funk; Bette Midler in I’ll Eat You Last; Christian Borle and Tim Curry in Spamalot; and more.

I’m Still Here will also include interviews with Broadway legends and emerging creatives; and reconceived performances of musical theatre songs, including Stephanie J. Block performing “A Trip to the Library,” André De Shields performing “I’m Still Here,” original Company cast members from 1970-to-present performing “Another Hundred People,” “Wheels of a Dream,” “Love Will Find a Way,” and more. The evening’s honorees are Harold Prince and George C. Wolfe.

Featuring new performances and appearances by Troy Anthony (The River Is Me), Annaleigh Ashford (Sunday in the Park with George), Major Attaway (Aladdin), Alexander Bello (Caroline, or Change), Laura Benanti (She Loves Me), Malik Bilbrew, Susan Birkenhead (Jelly’s Last Jam), Shay Bland, Stephanie J. Block (The Cher Show), Alex Brightman (Beetlejuice), Matthew Broderick (Plaza Suite), Jason Robert Brown (The Last 5 Years), Krystal Joy Brown (Hamilton), David Burtka (“A Series of Unfortunate Events”), Sammi Cannold (Endlings), Ayodele Casel (Chasing Magic), Kirsten Childs (Bella), Antonio Cipriano (Mean Girls), Victoria Clark (The Light in the Piazza), Max Clayton (Moulin Rouge!), Calvin L. Cooper (Mrs. Doubtfire), Trip Cullman (Choir Boy), Taeler Elyse Cyrus (Hello, Dolly!), Quentin Earl Darrington (Once on This Island), André De Shields (Hadestown), Frank DiLella (NY1), Derek Ege, Amina Faye, Harvey Fierstein (La Cage aux Folles), Leslie Donna Flesner (Tootsie), Chelsea P. Freeman, Savion Glover (Bring in ‘da Noise, Bring in ‘da Funk), Joel Grey (Cabaret), Ryan J. Haddad (“The Politician”),James Harkness (Ain’t Too Proud), Sheldon Harnick (Fiddler on the Roof), Marcy Harriell (Company), Mark Harris (“Mike Nichols: A Life”), Neil Patrick Harris (Hedwig and the Angry Inch), David Henry Hwang (M. Butterfly), Arica Jackson (Caroline, or Change), Michael R. Jackson (A Strange Loop), Cassondra James (Once on This Island), Marcus Paul James (Rent), Taylor Iman Jones (Hamilton), Maya Kazzaz, Tom Kirdahy (The Inheritance), Leslie Kritzer (Beetlejuice), Michael John LaChiusa (The Wild Party), Norman Lear (Good Times), Baayork Lee (A Chorus Line), L. Morgan Lee (A Strange Loop), Robert Lee (Takeaway), Sondra Lee (Hello, Dolly!), Telly Leung (Aladdin), Priscilla Lopez (A Chorus Line),Ashley Loren (Moulin Rouge!), Allen René Louis (“Jimmy Kimmel Live!”), Brittney Mack (Six), Morgan Marcell (Hamilton), Aaron Marcellus (“American Idol”), Joan Marcus, Michael Mayer (Spring Awakening), Annie McGreevey (Company), Sarah Meahl (Kiss Me, Kate), Joanna Merlin (Fiddler on the Roof), Ruthie Ann Miles (Sunday in the Park with George), Bonnie Milligan (Head Over Heels), Rita Moreno (West Side Story), Madeline Myers (Double Helix), Pamela Myers (Company),Leilani Patao (Garden Girl), Nova Payton (Dreamgirls), Joel Perez (Kiss My Aztec), Bernadette Peters (Into the Woods), Tonya Pinkins (Jelly’s Last Jam), Jacoby Pruitt, Sam Quinn, Phylicia Rashad (A Raisin in the Sun), Jelani Remy (Ain’t Too Proud), George Salazar (Be More Chill), Marilyn Saunders (Company), Marcus Scott (Fidelio), Rashidra Scott (Company), Rona Siddiqui (Tales of a Halfghan), Ahmad Simmons (West Side Story), Susan Stroman (The Producers), Rebecca Taichman (Indecent), Jeanine Tesori (Fun Home), Bobby Conte Thornton (Company), Sergio Trujillo (On Your Feet), Kei Tsuruharatani (Jagged Little Pill), Ben Vereen (Pippin), Jack Viertel, Christopher Vo (The Cher Show), Nik Walker (Ain’t Too Proud), Marisha Wallace (Dreamgirls), Shannon Fiona Weir, Christopher Wheeldon (MJ: The Musical),Helen Marla White (Ain’t Misbehavin’), Natasha Yvette Williams (“Orange is the New Black”), and Kumiko Yoshii (Prince of Broadway).

Click here to watch New York Public Library’s Doug Reside on Backstage LIVE with Richard Ridge.

The virtual benefit is produced and conceived by co-founder of the upcoming Museum of Broadway and four-time Tony nominee Julie Boardman (Company) and Co-Executive Producer of Broadway For Biden Nolan Doran (Head Over Heels), featuring direction by Steve Broadnax (Thoughts Of A Colored Man), Sammi Cannold (Endlings), Nick Corley (Plaza Suite), GRAMMY Award Winner Ty Defoe (Straight White Men), Drama Desk winner Lorin Latarro (Waitress), Mia Walker (Jagged Little Pill) and Tony Award winnerJason Michael Webb (Choir Boy), choreography by Ayodele Casel (Chasing Magic),Lorin Latarro and Ray Mercer (The Lion King), with new music arranged by ASCAP Award winner Rachel Dean (Medusa) and Annastasia Victory (A Wonderful World), with arrangements and orchestrations by Brian Usifer (Frozen). Casting is by Peter Van Dam at Tara Rubin Casting.

Tony Marx is the president of The New York Public Library, William Kelly is the Andrew W. Mellon Director of the Research Libraries,Jennifer Schantz is the Barbara G. and Lawrence A. Fleischman Executive Director of the Library for the Performing Arts, and Doug Reside is the Lewis and Dorothy Cullman Curator of the Billy Rose Theatre Division. Patrick Hoffman is the curator of the Theatre on Film and Tape Archive. Henry Tisch serves as Associate Producer and Travis Waldschmidt is Associate Choreographer. Animation and Motion Graphics by Kate Freer, Graphic Design by Caitlin Whittington, Sean MacLaughlin is Director of Photography and Ian Johnston is B Camera Operator. Dylan Tashjian is Onsite Coordinator with COVID compliance by Lauren Class Schneider.

HOST COMMITTEE: Ted & Mary Jo Shen, Barbara Fleischman, Agnes Gund, Fiona & Eric Rudin, Lizzie & Jon Tisch, Kate Cannova, Joan Marcus, Daisy Prince, Gayfryd Steinberg, Van Horn Group

LIBRARY FOR THE PERFORMING ARTS THEATRE COMMITTEE: Emily Altman, Margot Astrachan, Ken Billington, Julie Boardman, Ted Chapin, Bonnie Comley, Van Dean, Kurt Deutsch, Scott Farthing, Barbara Fleischman, Freddie Gershon, Louise Hirschfeld, Joan Marcus, Elliott Masie, Arthur Pober, Ed Schloss, Morwin Schmookler, Jenna Segal, Ted Shen, Kara Unterberg, Abbie Van Nostrand, Kumiko Yoshii

THE NEW YORK PUBLIC LIBRARY FOR THE PERFORMING ARTS DOROTHY AND LEWIS B. CULLMAN CENTER houses one of the world’s most extensive combinations of circulating, reference, and rare archival collections in the field of dance, theatre, music and recorded sound. These materials are available free of charge, along with a wide range of special programs, including exhibitions, seminars, and performances. An essential resource for everyone with an interest in the arts — whether professional or amateur — the Library is known particularly for its prodigious collections of non-book materials such as historic recordings, videotapes, autograph manuscripts, correspondence, sheet music, stage designs, press clippings, programs, posters and photographs. The Library is part of The New York Public Library system, which has locations in the Bronx, Manhattan and Staten Island, and is a lead provider of free education for all.

BROADWAY ON DEMAND is the industry-leading livestream platform housing performance & theatre education programming, & the preferred choice of top Broadway artists, producers, educators & professionals. Broadway On Demand has streamed 2,500 events & live productions—from Broadway shows to concert series, performance venues to individual artists, & original content—in 82 countries to over 300,000 viewers. Thanks to a unique licensing interface, ShowShare, approved middle school, high school, college, community & professional theatre productions utilize the platform to stream to their audiences. Broadway on Demand is available on the web, mobile, Apple and Android app store, AppleTV, Roku, Chromecast, and Amazon Fire TV. For access to the complete and ever-expanding Broadway on Demand library, subscribe at BroadwayOnDemand.com.

[concertlane-blog]

There’s nothing more intense than a long-standing competition for your favorite artist's concert. Find out more details about Aaron Lewis concert at Florida Theatre — Jacksonville, FL.

[tixbag]

Buy Aaron Lewis Tickets at Cheap Price on Tixbag

Buy Aaron Lewis tickets at Majestic Theatre - Dallas, Dallas on Thu 24 01 2019. Tixbag is easy & pain-free online tickets booking platform to help you find exactly what you’re looking for. 100% Verified And Safe.

[frawleyonmusic]

Revival of Live Music at Northlands

For a frequent concert go-er, six months without live music was really killing me. The pandemic caused such a disruption to the music scene, that musicians and fans alike were looking for alternative options. At least half a dozen shows and a couple festivals that I had been eyeing were cancelled one by one. I remember weeks on end of scrolling on my phone reading more and more depressing or stressful posts and news stories. I was desperate for some real fun, but what could I do during the pandemic? 

When all seemed lost in the surreal times of summer 2020, hope in the form of a drive-in concert got my attention. “A drive-in concert? That’s a cool idea. Like a drive-in movie!” So I bought a spot for one car to see a fun band Pigeons Playing Ping Pong. I got three buddies to come up with me to the Yarmouth drive-in theatre. We were pumped. We got into the show no problem. Each drive-in spot has a space to watch the concert next to the car. I was ready to dance for three hours straight. Standing in our slot with my friends, the band came on. The crowd voiced their enthusiasm with all kinds of yelling and excitement. This was exactly what I was missing… and then they began playing. My mouth dropped open. I just stared. From the stage I could barely hear anything at all. When I say this, I mean that I actually had to focus just to hear the vocals, and I struggled to make out anything he was singing. There was no amplification whatsoever. The drunk people yelling in the row behind us we’re louder than the band. I could not believe it. I asked a staff member why it was so quiet.

“It’s a drive-in concert. You tune in through your radio.” 

“What?”

So let me get this straight... I paid $60, and drove nearly two hours just to listen to my car radio? Unbelievable. I learned my lesson from the Yarmouth drive-in. I was very skeptical of any shows after that. My frustration led me to warn my fellow concert go-ers about my experience with the Yarmouth drive-in, both online and directly to my friends. My good friend Reuben told me not to worry. “There's a new venue on the scene in New Hampshire. It's called Northlands.”

Northlands is an outdoor music venue located in Swanzey New Hampshire, and it was just a vacant lot at the start of 2020. On the Northlands website the first thing I read was: “Experience Live Music Again!” Thank goodness. Now, to be fair, the Yarmouth drive-in is meant for movies, not concerts. It is located off a main road with a neighborhood right next to it. Still terrible. 

The Northlands venue was initially called “Drive-in Live,” and was more of a temporary solution than a permanent business venture. However, Drive-in Live rose in popularity quickly and was renamed Northlands. Northlands was built for concerts, and surprisingly quickly at that. Nestled in beautiful rural New Hampshire, this outdoor venue neighbors Mt Monadnock and multiple nature reserves. Without noise restrictions, and an outdoor venue, they were able to build a music venue specifically for Covid-19 safety guidelines. 

The music scene had largely shut down entirely, with some scrambling to adapt to the pandemic. You can no longer buy tickets next to other random concert go-ers. Instead, you purchase pods meant for the group you arrive with. Most venues that have been carrying out drive-in concerts (with varying quality of concert experience) have ticket holders remain next to their cars in front of the stage. This is a big waste of space. At the Northlands you leave your car parked behind the stage, and walk to your pod. A pod is just a designated area for your group which is placed in a socially distant grid. A 10x10 rope border held up on poles marks your pod at the Northlands. Northlands started out small, but scaled up in order to meet the increasing demand. For many venues, this would often mean that everything gets more crowded. New pods would have poor visibility and worse sound quality. However, Northlands cares about its concert experience. After summer 2020 they brought in a larger stage, upgraded their sound system, added bigger stage screens/lights. Food trucks, a beer garden and a wine vendor have been added to the site recently, helping local businesses.When you arrive at Northlands you park by the road in one of four lots. Walking away from your car and the road, past the stage you see open sky and forest encompassing the green grassland that is the Northlands venue. It’s beautiful. You are welcome to bring: lawn chairs, cans, bottled water, blankets, umbrellas, tapestries, even hoola hoops if you want. The feeling of being heavily regulated can sometimes hinder a concert experience. Some places are known to be particularly stringent such as the House of Blues, which has been nicknamed “The House of Rules.” At Northlands however, there isn’t so much to worry about. You can walk around the site (with a mask), but you are not required to wear a mask while inside of your pod. Northlands has gone out of their way to make the venue as safe and stress free as possible. With extra hand washing stations and no-contact procedures with vendors, you don’t have anything to worry about. 

Northlands has attracted some great acts. Musicians such as Marcus King, a prominent Rock and Blues musician, and Aaron Lewis who is a country star. This summer Northlands is hosting many big Northeastern bands such as Twiddle, The Machine, Goose, Pink Talking Fish, Pigeons Playing Ping Pong, and many more. I have heard nothing but raving reviews from concert go-ers, friends, and family. The online music community has lifted Northlands high, and spread the word fast. The concert season is beginning this May, and ticket prices range typically at an average of $30-$80 a person. Keep in mind tickets are sold in 5 person pods, with an option for a sixth slot extension. Tickets and all other information can be found on the Northlands website https://www.northlandslive.com. If you struggle to remember the last time you saw live entertainment, ask yourself: “what’s stopping me?” I myself intend to fill up my summer with as many shows as I can find the time (or money) for. Hopefully, I’ll see you there.

[autismisaokay]

My mom just surprised me with concert tickets to go see Staind live for my birthday! The concert isn’t until July and my birthday is much sooner but oh my gosh, oh my gosh, I haven’t been to a concert in thirteen years.

I’m freaking out. Those tips I got have never been more helpful right now than ever.

Thank you so much, mom! I rocked hard when I found out but whenever I think about it I end up stimming! (no pun intended by the way)

I’ve been listening to these people since I was 5 and I’m going to be 27 in April. This is like a bucket list dream come true for me. I think I may cry.

Aaron Lewis (lead singer of Staind) does a cover of What Hurts The Most on his own but if he does it with the band. That’s it, I’m done, I will die right then and there because my life will be complete. I’ll have New Horizons, possibly my rats by then, my secret special interest, and if he does that song, I’ll go in peace right on the floor.

[eventtimeltd]

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[ledenews]

It’s the Wood Paneling That Makes Life Feel Normal

The Mountain East Conference women’s and men’s basketball tournaments were the tenants last week at Wesbanco Arena while the Capitol Theatre hosted the Wheeling Symphony’s “Simon & Garfunkel Story” Thursday, the Linsly Extravaganza on Friday night, and then a sold-out Aaron Lewis Saturday night. “SOLD OUT!!” are, by the way, the two most magical words in the entertainment industry. “Our staff did amazing and we had big crowds at the arena for a lot of the games, and each of those nights at the theatre were very crowded, too. The concessions revenue was record-setting,” said Kelly Tucker, the executive director of Wesbanco Arena and the Capitol Theatre who left a 30-year Live Nation career to return to her roots. “How do we get to the point where we’re that busy at both buildings every weekend? That’s what I want to find out.” Tucker was the general manager of the Jamboree in the Hills from 2005-18 before Live Nation ended the annual country music festival after 41 years and then was named the GM of The Pavillion at Star Lake in western Pennsylvania. Last summer alone, the Burgettstown amphitheater hosted more than 30 shows, including performances by Brad Paisley, Jimmy Buffett, Willie Nelson, Kid Rock, Jason Aldean, The Doobie Brothers, the Backstreet Boys, and The Lumineers. The ”name” bands on the schedule for Wesbanco Arena and the Capitol Theatre this spring and summer are Casting Crows on April 6, and REO Speedwagon on June 20. In addition, tickets are available now for Broadway shows, the Jamboree’s 90th-anniversary concert, the Wheeling Symphony Orchestra, a rock n’ roll doo-wop, and a comedy show in June. “When I was interviewed with the (Greater Wheeling Sports and Entertainment Board), I told the members that Wheeling is a B-market, and that’s something everyone needs to realize. The thing is this – we’re a strong B-market and that’s a great thing,” Tucker emphasized. “A B-market is one step lower than the big cities and that means we’re not going to have Harry Styles here in Wheeling because we don’t have that capacity. But B-markets can be very successful. “It’s all about working with the right promoters to find the best acts for this market. Once we get promoters to appreciate the Wheeling market because they have success here, then they will bring more events here,” she said. “But our venues are ‘rentals’ right now, and that means we wait for promoters to call us with their shows. One of my goals is to start bringing in our own shows and the City has taken a good step toward making that happen.” Wesbanco Arena was opened as the Wheeling Civic Center in the late 1970's. Deep in the Dungeon She can’t open a window to get some fresh air, and she can’t feel the sunshine without navigating concrete hallways in some sort of direction. That’s because Tucker’s office is tucked away beneath a portion of the west concourse of Wesbanco Arena. Her walls already are partially covered with photographs and mementos from her years in Belmont, Ohio, and featured in several of the pictures are the largest crowds anyone in the Upper Ohio Valley has ever seen let alone been in the middle of during those four glorious in July. Jamboree in the Hills will forever be the greatest outdoor event ever staged in Belmont County, but an announced “hiatus” become a permanent “gone for good” once Live Nation sold the 210 acres nearly two years ago. While the skeletons of what was remain on the property and can be seen from U.S. Route 40, the property has remained silent since July 22, 2018. “At least my office now has the wood paneling on the back wall,” Tucker said with a smirk. “I’ve worked in a lot of trailers in this business, at Jamboree and at Star Lake. It’s the wood paneling that makes life feel normal these days, but that’s about it. “The arena life is very new to me, but the city has performed a lot of upgrades to this facility that have made a terrific difference. Now, I still do believe this building has a ways to go to be completely up-to-date as far as what other facilities are now offering throughout the country,” she explained. “One example is the equipment in our concession stands. Some of it is original from when the building opened in the late 1970s.” Updates, however, have been performed on the Capitol Theatre since the Wheeling Convention & Visitors Bureau purchased the venue from Live Nation in April 2009. Bathrooms and an elevator were installed, a new concessions area was added, an ADA-compliant interior fire escape was installed. the Capitol Ballroom was renovated into event space, and all of the theatre’s seats have been replaced. “I have loved the theatre my entire life, and it’s where I got my start in this business, and that’s why I will always cherish the Capitol Theatre. There is so much history there, it’s incredible,” Tucker said. “I would put our theatre up against the theatres in Pittsburgh, and I’m not just saying. It’s because it’s so beautiful, and the acoustics are wonderful, and it’s OK to have different kinds of events there, too. “But right now, there’s not a lot of urgency to buy tickets to the events we have at the Capitol Theatre or here at the arena because people are used to there being enough most of the time. That’s something I want to change. The only way I do that is to keep bringing in great events so there’s the demand that causes the urgency,” Tucker said. “It’s not difficult to figure out. The difficult part is getting it done.” The Tucker family (Ryan, the late Kathy Tucker, Kelly, and sisters Shannon and Jan) has been involved in the area's entertainment industry for more than three decades. Just a Phone Call Away She was 11 years old in 1986 when Denny Magruder was named the general manager of the Wheeling Civic Center, and Tucker’s office had moved away from downtown Wheeling by the time he took over the management of the Capitol Theatre in 2009. Concerts, hockey, quarantine shelters, presidential visits, weddings, a staged-based circus, wrestling championships, religious celebrations, demolition derbies, bull riding, Broadway shows, chef auctions, basketball tournaments, home shows, banquets – you name it and Magruder managed it. “I have known Denny for a long time and thankfully these days I have him as a valuable resource because there’s no one who knows this building better. He’s a wonderful human who would do anything for anyone, and it’s a really one of the best parts of this job,” Tucker said. “Denny has always answered all of my questions and he’s given me his input, too, but at the same time, he’s always said to me, ‘I am never going to get in your way. “He tells me that this is my turn and it’s time for me to run the operation the way I believe is best, but he has assured me that he always will be there for me,” she said. “I believe we have a beautiful relationship and I am very thankful for him.” Tucker was assigned to the Star Lake Pavilion in Burgettstown for a little more than four years. Over the past decade, Magruder guided more than $20 million in major construction projects that propelled Wesbanco Arena into the future with significant exterior and interior upgrades that added a new lobby, video boards, a new scoreboard, seating, and new icing-making machinery. “This building, for a lot of years, was his life and he threw everything he had into it, so I really want everyone to know the last thing I would ever try to do is fill the shoes of Denny Magruder. I am not Denny. I won’t manage like Denny did. And I won’t go about things the way Denny did. But I doubt I could have more respect for Denny Magruder,” Tucker insisted. “He’s leaving a great legacy behind no doubt, and he’s done some really wonderful things for the city of Wheeling, that’s for sure. “There has been so much love thrown his way since his retirement announcement, and he deserves every bit of it,” she said. “I seriously doubt anyone could say a bad thing about Denny Magruder because he has always been such a wonderful person.” Her. Turn. Now, those two words are, by the way, the two most magical in Tucker’s life right now. “I wanted this position because I love Wheeling and always have, plus this kind of job had never been open here in Wheeling since Denny did such a great job for as long as he did,” Tucker said. “That’s why after Jamboree in the Hills, I had to go to the Pittsburgh market and Star Lake (Amphitheater) if I wanted to continue my career in this industry. When this position did come available, I believed it was a perfect fit for me. “I’m very happy to be working here at home again. And yes, I’m happy for the 10-minute commute, too,” she said with a smirk. “I’m happy to see my children more. Honestly, I’m blessed to have this opportunity and I can’t wait to see what we can do next. Our success last weekend is something I want to see every weekend, so let’s see if we can get there.” Read the full article

[darrencrissource]

This year's Elsie Fest is underway!

It has been announced that the festival will be led by Two-time Tony Award winning actress, singer and dancer Sutton Foster (TV Land's Younger, ABC Family's Bunheads, Anything Goes, Thoroughly Modern Millie, Violet ), three-time Tony Award nominee Joshua Henry (Hamilton, Carousel, Violet, Shuffle Along,The Gershwin's Porgy and Bess), Emmy nominated songwriter, musician and actor Darren Criss (The Assassination of Gianni Versace: American Crime Story, Hedwig and the Angry Inch) and actor and Atlantic Records recording artist Alex Newell(Glee, Once on this Island).

The festival will feature special guest performances by Grammy nominated singer, songwriter and composer Rufus Wainwright (Prima Donna and Hadrian Operas, Rufus Does Judy at Carnegie Hall), star of CW's THE FLASH, Grant Gustin and Tony nominated actress and Disney legend Jodi Benson (The Little Mermaid, Crazy For You), among others. Cast members from the sold out Off-Broadway hit Be More Chill, highly anticipated upcoming Broadway musical comedy The Prom and Orion Pictures' movie musical Anna and the Apocalypse will also perform. Famed West Village piano bar, Marie's Crisis, returns with their stage to lead festival wide singalongs.

Z100's Elvis Duran will host the one-day outdoor music festival celebrating stars and songs from the stage and screen on Sunday, October 7 at Central Park SummerStage in New York City. Additional performers and guests to be announced.

Tickets to Elsie Fest will go on pre-sale Wednesday, September 5th at 10am EST. Sign up for the pre-sale code now on ElsieFest.com. General public on-sale will be available on Friday, September 7th at 10am EST on ElsieFest.com. Doors open at 5pm; performances begin at 6pm. Exclusive meet and greet packages available for concert goers as well as festival merchandise. Beer, wine and food will be available throughout the festival grounds as curated by Smorgasburg.

Elsie Fest is Executive Produced by Darren Criss, Ricky Rollins, Jordan Roth, Eleni Gianulis and Dr. Sidney J. Stern with Associate Producers Jeff Jernigan of Kraft-Engel Management and Corey Lubowich. Elsie Fest is a The Bowery Presents production.

Elsie Fest is a one-day outdoor music festival that celebrates the stars and songs from the stage and screen, giving festival goers a unique experience to their favorite musicals.

Past performers include Cynthia Erivo, Lea Michele, Evan Rachel Wood, Keala Settle, Ingrid Michaelson, Leslie Odom Jr., Alan Cumming, Aaron Tveit, Tituss Burgess, Megan Hilty, Benj Pasek and Justin Paul, Jason Robert Brown, A Great Big World, Lea Salonga, Todrick Hall, Auli'i Cravalho, Laura Osnes, Corey Cott, Norm Lewis, Julie James, Seth Rudetsky, Gaten Matarazzo, Caleb McLaughlin, Liz Callaway, Lena Hall, Lindsay Mendez, Ari'el Stachel and Etai Benson. For more information about Elsie Fest, please visitwww.elsiefest.com. Join the conversation by following Elsie Fest on Instagram and Twitter (@ElsieFest), and on Facebook (facebook.com/elsiefest).

August 29, 2018

[extremeababdarnwheel]

Udofia Named Aetna Fellow at Hartford Stage; “Sweeney Todd” cast at CT Rep; “Cyrano” Sets Sales Record at Goodspeed

Playwright Mfoniso Udofia will be in residence at Hartford Stage, Liz Larsen and Terrence Mann will head the cast of "Sweeney Todd" at CT Rep, and other theater news from Connecticut and elsewhere.

Mfoniso Udofia is the latest playwright who’s been named as an Aetna New Voices Fellow at Hartford Stage. The fellowship is a one-year residency for “important playwrights of diversity and color to develop work and become involved in the ongoing life of Greater Hartford.”

Earlier this year, Udofia was the mentor for Hartford Stage’s annual Write On playwriting competition for high school students. She is best known for her nine-part cycle of plays about the Ufot family of Nigeria immigrants, including “Sojourners” and “Her Portmanteau.” (The playwright herself is a first-generation American with Nigerian parents.) Udofia held a similar residency this past theater season at the Playwright’s Center in Minneapolis.

The previous Aetna New Voices Fellows have been Jorge Ignacio Cortinas, Luis Alfaro, Daniel Beaty, Quiara Alegriá Hudes, Hana Sharif, Will Power, Marcus Gardley, Matthew Lopez, Janine Nabers, Kimber Lee, Christina Anderson and Kaneza Schaal — quite an impressive group, working in a range of theatrical styles. Some of these fellows have had their works produced at Hartford Stage, including Beaty’s “Resurrection” and “Breath and Imagination,” Hudes’ “Water by the Spoonful” Lopez’s “The Whipping Man,” “Somewhere” and “Reverberation.”

The Scorecard

Swing your razor wide! Connecticut Repertory Theatre has announced the cast for “Sweeney Todd: A Musical Thriller in Concert,” which opens the theater’s Nutmeg Summer Series at the Harriet S. Jorgensen Theatre on the UConn campus in Storrs, June 21 through July 1.

Nutmeg Series Artistic Director Terrence Mann, fresh from starring in “Jerry Springer The Opera” off Broadway, will play the title role of the demon barber of Fleet Street.

Liz Larsen, who has played Carole King’s mother Genie for four years in “Beautiful” on Broadway and was heard earlier this month in the Hartford Symphony Orchestra “Love on Broadway” concert, will be Nellie Lovett. Andréa Burns (Broadway’s “On Your Feet”) is Beggar Woman, Ed Dixon (the recent Broadway revivals of “Anything Goes” and “Sunday in the Park with George”) is Judge Turpin, Lu DeJesus is Beadle Bamford, Hugh Entrekin is Anthony Hope, Kenneth Galm is Tobias Ragg, Nicholas Gonzalez plays both Pirelli and Daniel O’Higgins and Emilie Kouatchou is Johanna Barker. The ensemble consists of Ryan Albinus, Alex Campbell, Cydney Clark, Olivia Fenton, Lauryn Hobbs, Kelley McCarty, Charlie Patterson, Gregory Rodriguez, and Brandon Wolfe. You’ll recognize the names of a few current or recent UConn acting students in there. Alex Campbell is a current UConn MFA acting student who played Rosalind in “As You Like It” last month.

Mann and Larsen were both in a previous CT Rep concert-style musical, “Les Miserables” in 2015. Nutmeg Summer Series details are at crt.uconn.edu.

“Cyrano” Sets Sales Record

“Cyrano,” the new musical based on Edmond Rostand’s late-19th century romantic swashbuckler “Cyrano de Bergerac,” set a new box office record at Goodspeed Musicals. Tickets went on sale to the general public May 21, and a Goodspeed spokesperson says “We sold the most in one day for any show in our 55 year history — nearly double the old record!”

“Cyrano” stars Peter Dinklage and Haley Bennett, and features music by three members of the band The National: Aaron Dessner, Bryce Dessner and Matt Berninger. The musical is directed by Erica Schmidt, who also wrote its book.

“Cyrano” runs Aug. 3 through Sept. 2 at the Norma Terris Theatre in Chester, where the Goodspeed workshops new musicals. Sales are brisk, but apparently there are still tickets to be had. Details at 860-873-8668, goodspeed.org.

Back in Black

The Shubert in New Haven has added a couple of one-nighters to its fall schedule: “Sister’s Back to School Catechism: The Holy Ghost and Other Terrifying Tales” Oct. 13 and comedian Lewis Black’s “The Joke’s on US” tour Nov. 11.

“Back to School” is part of the “Late Nite Catechism” series of comic lectures by a stern nun. New Haven’s Long Wharf Theatre has hosted many editions of the series, but not this one.

Black, the venerable TV comedy-news monologist, is also a prolific playwright who studied at the Yale School of Drama and has had many of his works staged at the Williamstown Theatre Festival. He’s brought his one-man comedy concerts to Connecticut many times.

Details at 203-562-5666, shubert.com.

Ramping Up in Ridgefield

Summer and fall attractions at the Ridgefield Playhouse include an outdoor 90-minute Shakespeare on the Green production of “Hamlet” July 22 and a slew of concerts by Broadway theater stars: Cynthia Erivo Sept. 16, Ed Asner in Ed Weinberger’s one-man play “A Man and His Prostate” Sept. 30, Tony Danza’s solo act “Standards & Stories” Oct. 27, Bebe Neuwirth’s “Stories and Song with Piano” Nov. 10 and Ben Vereen in “Steppin’ Out for the Holidays” Dec. 2. There are also two vocal quartet shows tailor-made for “Jersey Boys” fans: “Under the Streetlamp,” which features former members of the Four Seasons musical’s Broadway cast, Oct. 5, and “The Jersey Tenors,” a pop-operatic thing, Sept. 22.

The playhouse also screens the National Theatre Live series and other filmed-theater events. Next up are “The Curious Incident of the Dog in the Night-Time” June 15, “Bandstand: The Broadway Musical on Screen” June 25.

Obie CT

The Obie Awards, for distinguished work off Broadway, were presented May 21 in New York. Among the many honorees was Amy Herzog’s drama “Mary Jane,” which premiered at Yale Rep last year before moving to Broadway with the same director (Anne Kauffman) but a different cast. “Mary Jane” earned awards for Herzog, Kauffman and its New York star Carrie Coon.

Composer Stephen Trask, who grew up in New London and went to Wesleyan University, performed the song “Wig in a Box” to mark the 20th anniversary of the original off Broadway production of the musical “Hedwig and the Angry Inch.” Trask was living in New Haven at the time of “Hedwig”’s initial success.

In Case You’ve Forgotten…

The Steve Martin and Martin Short special “An Evening You Will Forget for the Rest of Your Life” debuted May 25 on Netflix. The theater concert played The Bushnell in February, a few months after the special was filmed at an earlier tour stop in Greenville, S.C. Watch it for Short’s nudie rock musical parody “Step-Brother to Jesus.”

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[acesanddrams]

DOUG AND I ARE GOING TO SEE AARON LEWIS THE LEAD SINGER FROM STAIND LITERALLY ONE OF MY FAVORITE BANDS EVER! I love having someone to experience life with again. Literally being single the last couple years I’ve just gone to work, the gym by myself, and gone home and drank alone. I would’ve never bought a ticket to a concert on my own. But now that I have someone to experience things with it wasn’t a “waste of money” to buy the tickets. So I bought two tickets for Doug and I to go see him June 5th. He’s really excited too. We first bonded over music and sent each other lots of blue october, Staind, evanescence, etc songs. Staind is one of both of our favorite bands.

And I literally haven’t been to a concert in at least 10 years. I’ve only ever been to two and both were artists I didn’t really care for but my friends took me in high school.