#At the Pike's Behest
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Я нарисовала коллекцию Царевен Союзмультфильма по аналогии с Принцессами Диснея. Часть вторая. В этом посте у меня Царевны из мультфильмов: I drew a collection of Soyuzmultfilm Princesses similar to the Disney Princesses. In this post (Part 2) I have Princesses from cartoons: «Царевна-Лягушка» 1954 (The Frog Princess) «Сказка о мёртвой царевне и семи богатырях» 1951 (The Tale of the Dead Princess and the Seven Knights) «Аленький цветочек» 1952 (The Scarlet Flower) «Снегурочка» 1952 (The Snow Maiden) «В некотором царстве…» 1957 (At the Pike's Behest)
#soviet animation#Soyuzmultfilm#The Frog Princess#disney princess#царевны#tsarevny#princess#ussr#my fanart#rabemar art#soviet union#The Tale of the Dead Princess and the Seven Knights#The Scarlet Flower#The Snow Maiden#At the Pike's Behest#Царевна-Лягушка#Сказка о мёртвой царевне и семи богатырях#Аленький цветочек#Снегурочка
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M. Tesarzhikova's illustration for russian tale "At the Pike's Behest".
#m. tesarzhikova#м. тесаржикова#at the pike's behest#по щучьему велению#russian#slavic#russian art#russian illustration#russian tales#русские сказки#tale illustration#illustration#pike
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#wish of the fairy fish#at the pike's behest#fairy tale#cat bayun#eng subs#по щучьему велению#сказки#кот баюн
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𝓔𝓶𝓮𝓵𝔂𝓪𝓷 & 𝓥𝓪𝓼𝓲𝓵𝓲𝓼𝓪
𝑾𝒉𝒆𝒓𝒆 𝒕𝒉𝒆 𝒏𝒆𝒆𝒅𝒍𝒆 𝒈𝒐𝒆𝒔, 𝒕𝒉𝒆 𝒕𝒉𝒓𝒆𝒂𝒅 𝒎𝒖𝒔𝒕 𝒇𝒐𝒍𝒍𝒐𝒘
#At the Pike's Behest#Emelya the Simpleton#Emelyan#Vasilisa#fairy tale#movie#fantasy#romance#По щучьему веленью#Емеля-дурак#Сказка о Емеле-дурачке#Емеля#Василиса#сказка
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Jade Mountain Academy students
#3 - Nightwing chapter
The Jade Mountain Nightwing chapter, also known as "the part where Mightyclaws carries the entire weight of the Quartz winglet's canon characterization by himself". There are a bunch of wacky headcanons that have snuck their way on here. Shout-out to the deliberation on Nightwing powers by my partner @flamebringer0.
Moonwatcher
Tribe - Nightwing
Winglet - Jade
Color - Iridescent black and blue
Relatives - none on site
Clawmate(s) - Kinkajou (Rainwing), Carnelian (Skywing)
Favorite subject - Literacy
Least fav. subject - did not disclose
Physical characteristics - three prominent silver-colored scales on face (two adjacent to each eye, one in center of forehead); scale clusters of iridescent blue and green along neck, torso, and tail; small stature, round features with well-defined musculature
Other characteristics - socially subdued, quiet, mother reported history of migraines (suggest keeping stock of pain-relieving herbs on hand in medical cave, monitor hydration habits); appears ostracized from fellow Nightwing students (suggest communication seminar)
Bigtail
Tribe - Nightwing
Winglet - Gold
Color - Dark ash
Relatives - none on site
Clawmate(s) - Pike (Seawing), Flame (Skywing)
Favorite subject - History
Least fav. subject - Science
Physical characteristics - nasal ridge sloped; large stature, uneven distribution of body mass; tail size and length medium to underdeveloped
Other characteristics - body shows signs of extreme long-term malnutrition (suggest dietary seminar and monitoring of food intake); caught bringing bottle of cactus wine into classroom (confiscated, reprimanded after incident but monitor future behavior)
Fearless
Tribe - Nightwing
Winglet - Silver
Color - Charcoal black and red
Relatives - none on site
Clawmate(s) - Sepia (Mudwing)
Favorite subject - History
Least fav. subject - Literacy
Physical characteristics - long dorsal spines; localized reddish accents; stature is noticeably small and thin
Other characteristics - body shows signs of extreme long-term malnutrition (suggest dietary seminar and monitoring of food intake); fixation on Nightwing culture (gently encourage diversifying interests)
Mindreader
Tribe - Nightwing
Winglet - Copper
Color - Charcoal black
Relatives - none on site
Clawmate(s) - Alba (Icewing), Snail (Seawing)
Favorite subject - Cultural Exchange
Least fav. subject - History
Physical characteristics - black teardrop scales adjacent to both eyes; size is average, features appear very gaunt
Other characteristics - body shows signs of extreme long-term malnutrition (suggest dietary seminar and monitoring of food intake); appears socially open and well-adjusted
Mightyclaws
Tribe - Nightwing
Winglet - Quartz
Color - Shadow gray
Relatives - none on site
Clawmate(s) - Barracuda (Seawing)
Favorite subject - Art
Least fav. subject - Anatomy
Physical characteristics - light horns, bent; prominent jawline; small stature with uneven distribution of body mass
Other characteristics - body shows signs of extreme long-term malnutrition, noticeably stressed during meal times (suggest dietary seminar, monitoring of food intake, and counseling); artistically inclined, has started therapeutic painting to cope with post-traumatic stress (at behest of staff)
#wings of fire#wof#dragon#digital art#wof art#flawseer art#wof nightwing#wof moonwatcher#wof bigtail#wof fearless#wof mindreader#wof mightyclaws#jade mountain academy
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@rockheadcd (continued from here!!)
At Steven's behest, Lucy takes a few steps further into the office...and that's it. The champion's invitation to take a seat--along with his generous offer of medicine--is ignored, the Pike Queen folding her arms and rocking back on her heels instead.
(What can she say? This pounding hangover--and mandatory meeting--has Lucy in a childishly rebellious mood today. Their interaction hasn't ever started--and most people would kill for a single moment of the champion's time--but she's so over it already. Damn you, Scott...!)
Her tired gaze falls upon the garnet tumbling between Steven's fingers, a muttered, whispered curse hissing from her lips. Ugh. What a waste of time--
"...It's treating me fine," the Queen mumbles begrudgingly, waiting a few beats before responding to her host's question. Fists clench and unclench at her sides. "Whenever a trainer comes to challenge me at the Pike, I battle them. That's my job, and I've never missed a fight."
"Public appearances, photoshoots, trainers' school demonstrations...I didn't sign up for any of that other shit. Not my responsibility, don't care." Lucy pauses to take another bitter pull from her flask, shuddering. "And I know Scott put you up to this little 'intervention,' so don't bother trying to sound like you're actually invested. Let's just call this off before we waste any more of each other's time--I'll even tell him that we had a productive little chat. That you really changed my view on fame. Whatever you want."
She shrugs and offers Steven a little smirk, tinged with that trademark venom. "...How about it, champ? I can leave now, right...?"
#rockheadcd#(she is being such a BRAT lmao.....steven I am so sorry)#(lucy vc: explain why I CANT just hide out in my giant seviper building all day!!)
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#PETITMORTES , independent , highly selective multi-muse roleplay blog. featuring muses from wrestling, house of the dragon, a song of ice and fire, interview with the vampire, and more ! minors do not interact. will contain triggering & sensitive topics, follow at your own behest. slaughtered by mowgli , 28 / cst / she+hers.
LINKS: carrd ( wip ) , pinterest ( also coming soon ) , meme tag . CREDITS: promo template from jessource . psd from pinkinnards . TO DO LIST: drafts [ 00 ] , inbox [ 00 ] , queued [ 00 ] .
current muses listed below the cut .
a song of ice and fire -
myranda royce , fc: charithra chandran.
desmera redwyne , fc: nicola coughlan.
val , fc: frida gustavsson.
ashara dayne , fc: priscilla quintana.
fire and blood -
helaena targaryen , fc: phia saban, morfydd clark.
alysanne blackwood , fc: emily bader.
johanna lannister - nee westerling , fc: laura berlin.
jeyne arryn , fc: gemma arterton.
final girls -
quincy carpenter , fc: kathryn newton.
critical role -
pike trickfoot , fc: emilia clarke.
percival de rolo , fc: maxence danet - fauvel.
vex'ahlia vessar , fc: bruna marquezine.
jester lavorre , fc: nyane lebajoa.
wrestling -
anna jay.
cora jade.
liv morgan.
tatum paxley.
* fandomless original characters, open to any verse:
charlotte 'lottie' o'hara , fc: sydney sweeney , about .
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Marmion round two!
The poem seems to (for now) mostly focus on lord Marmion's arrival to the castle, and the impact of said arrival has upon the subjects, and more specifically the soldiers.
Moreover, lord Marmion did not arrive alone, with enough company to indicate how his lordship leads his people. Yet, the way these are numbered, and described could be seen of how Marmion is guarded yes, but not too guarded as not to give the impression that his status makes him a delicate noble in need of a lot of protection.
Behind him rode two gallant squires, Of noble name and knightly sires: They burned the gilded spurs to claim; For well could each a war-horse tame, Could draw the bow, the sword could sway,
First, there are two squires behind lord Marmion. Both of them are highlighted in their abilities for combat, and their noble birth. Yet, even when these squires are put right behind Marmion for protection, the poem wants us to know how they are gallant in both combat, and romance. Telling, with adjectives like courteus and actions like dancing, that the squires are not only warriors, but gentlemen as well.
Four men-at-arms came at their backs, With halbert, bill, and battle-axe: They bore Lord Marmion’s lance so strong, And led his sumpter-mules along, And ambling palfrey, when at need Him listed ease his battle-steed. The last and trustiest of the four, On high his forky pennon bore; Like swallow’s tail, in shape and hue, Fluttered the streamer glossy blue, Where, blazoned sable, as before, The towering falcon seemed to soar.
Second, four men (also armed) follow the squires while guiding Marmion's mules. The remark on the fourth one is very interesting since it mentions the falcon imagery again, but this time unlike Marmion, this falcon is "soaring" in between the blue of the essemble instead of being "trapped" in gold. What could this mean when a person of lower rank wears the same symbol as a lord, yet on the person the symbol is "free."
Last, twenty yeomen, two and two, In hosen black, and jerkins blue, With falcons broidered on each breast, Attended on their lord’s behest: Each, chosen for an archer good, Knew hunting-craft by lake or wood;
The count of lord Marmion's people went from six to twenty six in a matter of paragraphs. These soldiers are described mostly with their abilities in combat by mentioning the weapons they are prolific in, a very interesting choice since one would expect the mentioning of their fighting ways. Yet, I think this could also Illustrate how many weapons they mastered under the eyes of lord Marmion. A bow, a boar spear, a sword, their belts.
Tis meet that I should tell you now, How fairly armed, and ordered how, The soldiers of the guard, With musket, pike, and morion, To welcome noble Marmion,
I was making fun a little bit of lord Marmion's request of being received with trumpets, laughter, and glee... And it happened! Everyone in Norham organized themselves exactly how Marmion wanted, and the poem even remarks how this celebration is something that not even the castle itself had seen. Everything went to the letter, and with descriptives like thundering, flourished, and even telling how the sound made angels scatter.
Welcome to Norham, Marmion! Stout heart, and open hand! Well dost thou brook thy gallant roan, Thou flower of English land!”
What a chant to receive the lord. What an entrance for this man. I can even hear the voices of everyone yelling this at the top of their lungs.
Two pursuivants, whom tabarts deck, With silver scutcheon round their neck, Stood on the steps of stone, By which you reach the donjon gate, And there, with herald pomp and state, They hailed Lord Marmion: They hailed him Lord of Fontenaye, Of Lutterward, and Scrivelbaye, Of Tamworth tower and town;
Then, after the introduction two pursuivants (junior ranking officer) present lord Marmion, and what I can assume are all of the many titles he has won through kin, and conquest.
Now, largesse, largesse, Lord Marmion, Knight of the crest of gold! A blazoned shield, in battle won, Ne’er guarded heart so bold.
I don't know why, but even if this chant is complimentary of Marmion as a knight, it somehow feels like an omen of how that bold heart may be the one causing things.
Overall, even if this canto doesn't keep on with describing lord Marmion, it tells us how he is a leader by describing his army. Look at him all gallant, and brave, so his people should reflect his image. He makes sure that his essemble has the delicacy of dancing in a hall, and the might of holding a sword. A very knightly view given, and exalted by abilities, and blue.
#The other posts were right this poem is written to be said outloud#The candence of the rhymes makes it that way#It's really impressive#marmion daily#marmion#poetry
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𝕸 𝔶 𝔱 𝔥 𝔞 𝔫 𝔡 𝕱 𝔬 𝔩 𝔨 𝔩 𝔬 𝔯 𝔢
As the name of my book suggests (‘The Last Yaga’), the main concept is the influence of established folklore. Mythic fiction can be paired with pretty much any other main or secondary genre in fiction.
Some of the more common myths used are the Greek and Norse, with the Witcher show recently popularizing Slavic mythology as well.
When it comes to Slavic tales, many disregard the difference between folklore and myth, which is why I lumped them together in this post. A myth would be something like Morana (Mara)—the Slavic pagan goddess of death—whereas Baba Yaga is a part of folklore. But seeing as much of folklore bases itself on the Creation Myth, the overlap and confusion are self-explanatory.
Examples of mythical fiction: The Percy Jackson series The Odyssey Sinbad: The Legend of the Seven Seas Hercules
Examples of folklore: The Little Mermaid The Sleeping Beauty The Princess Frog (Russian) At the Pike’s Behest (Russian)
𝖂 𝔥 𝔶 𝕸 𝔶 𝔱 𝔥 𝔞 𝔫 𝔡 𝕱 𝔬 𝔩 𝔨 𝔩 𝔬 𝔯 𝔢 ?
I like looking at mythology and imagining the implications of its reality. As in, where do the roots for the myth come from, and how can we see its ‘aftertaste’ in real life? Not to mention, pagan myths are equated to witchcraft, which creates a stigma I bring up in the storyline, so it was only fitting.
𝕸 𝔶 𝔱 𝔥 𝔞 𝔫 𝔡 𝕱 𝔬 𝔩 𝔨 𝔩 𝔬 𝔯 𝔢 𝔦 𝔫 𝕿𝕷𝖄 …
Most of the myths and folklore in question are Slavic due to the setting of the story, with minor influences of Asian, Middle Eastern, and Hindu myths in later books.
Regarding the first book (without spoilers, of course)—you will find… The Yaga—the conducting witch between the world of the dead and living (Folklore, Slavic) The Navilesiye—The Dark Wood (Myth and Folklore, Slavic) Rusalki—Mermaids (Myth and Folklore, Slavic) Leshiy—The deity of the woods (Myth, Slavic) Polnocnica—Lady Midnight, the devourer of wandering souls (Slavic myth) Bozkurt—The Grey Wolf, the leader of the lost people (Turkic myth)
Coming soon…
Posts on mythology and folktales.

↠ FOLLOW THIS LINK TO HELP A FAMILY IN PALESTINE! ↞
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Image source - https://en.wikipedia.org/wiki/Vasilisa_the_Beautiful
#tlyinfo#writing#literature#original story#writers on tumblr#books#fantasy#thelastyaga#mythos#slavic mythology#baba yaga
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Cold - feces, Reese's PC, ET in the closet - -
Splaying legs and laying eggs, security deposit - -
John - hodgman, dennis rodman, ET in the lace - - -
She said let's watch "Fun Home" so they sent her back to space - -
House - broken, web - token, room for sub - let - -
A bullet in the wall is like a tiger at the vet - - -
Pike's behest - bechdel test - - sonic hedge - hog - -
I'll litter train your iPhone if you throw it in the bog
A dog’s - got - semen but a fish - got - milt - -
I break down - ceramic til the clay begets - silt - -
A tiger in a cage is like a bullet in a gun - -
A trout’ll grant a wish - but a salmon’s gonna run -
I like - my coal bituminous; I like my sand - quick - -
I’m coking up the beehive just like Henry Clay - Frick - -
I’m riding UFO - dropping roe - breaking strike - -
I’ll heal you with my finger if you get off of the bike
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Beyond the thrice-ninth tsardom, in the thrice-tenth kingdom, in a lifeless forest devoid of birds and animals, there dwells a magical cat. Sitting high on an iron post he sings and tells tales. His voice can be heard far and wide. It’s a mesmerizing voice, one that can cure ailments and diseases of all kinds. But it can also lull you into a sleep from which you may never awaken.
In Russian he is called кот баюн (kot bayun). Кот (kot) means “cat”. Баюн (bayun) is a bit more complicated. It means “talker, storyteller, or eloquent”, and is derived from the verb баять (bayat), which means “to talk, to tell”. It’s also related to the verbs баюкать (bayukat) and убаюкивать (ubayukivat), which mean “to lull somebody to sleep”.
#wish of the fairy fish#at the pike's behest#fairy tale#cat bayun#eng subs#по щучьему велению#сказки#кот баюн
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My tag for this series is 'fairy tales'.
#polls#fairy tales#folktales#the monkey and the shark#the blue belt#peruonto#the tiger and the frog#at the pike's behest#emelya the simpleton#the princess that wore a rabbit skin dress#the darning needle#the three little men in the woods#selekana and the river god
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lmao im watching c1e58 and scanlan (read: sam) advising (read: peer pressuring) pike (read: ashley) to spill the beans on her crush is so funny skdjfjfg
(also the moment where percy thanked pike for looking after his home,, i don't ship them but that made me feel things)
pt. 2 clearly ive sent that ask too early because the last bits of e58 are just so much ;-; their little talk ;-;
gosh im perc'ildan trash but there's just something in pike having a crush on percy,,,,,
pike & percy is a really fun lil dynamic that i cherish... i think it was harder to connect to because of pike's absences and the fact that their bond wasn't as obvious as pike & grog or pike & scanlan, but it's still really sweet.
i also love sam's dedication to making ashley spill and ashley just flat out refusing to. without the knowledge from the campaign wrap up (which is where ashley confirms pike's crush (i think at sam's behest lol jkldgkldfg)), i think we might all be still pondering who pike was in love with, because truly: it wasn't that obvious! she did a lot of little things with her care for percy but nothing outright screamed 'this is the man i'm in love with!'
also as a friendship? pike x percy has got it going on. secret chaos gremlin pals. as a romantic ship it always makes me laugh a little because it has major "i can fix him" energy. i wanna say again that ashley touches on this in the wrap up, but to me it's really telling on the part of pike's character; the way she finds joy in fixing things and people and transfers that affection to her feelings for percy. i also think contrasting that with percy's canon relationship, which is more tough love- 'you will get better because i love u so goddamn much so help me god,' that fits better on percy's end of things. that was what he needed more than pike's gentle hand. ultimately ashley's choice of keeping it all close to the vest until wrap up was really smart imo because obviously pike also had feelings for scanlan, it made sam frustrated which was hilarious, and it avoided any sort of future awkward situation with vex.
also i dont have much commentary there but yes to perc'ildan. sometimes i think about the perc'ildan vexleth alternate universe and i 😳
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Hello! Idk if you do this but I saw this post https://fablefan.tumblr.com/post/676605797977997318/imagine-if-you-can-red-deaths-mask and I just wanna ask, can we get some headcanons of Percy being the Phantom please?
YES YOU ABSO-FUCKIN'-LUTELY CAN
(Note, these are just how I see the events playing out, though they can easily be up for interpretation, and if you want to see more of this AU we're talking about, here's a little post I made)
He has more of an interest in music then he did in canon, though he still is fascinated with science.
His backstory is mostly similar to canon: grew up in a wealthy family, was attacked by the Briarwoods and lost most of his family in the slaughter, and forced to flee, though he's older here then he was when this originally happened in canon.
He travels for quite a few years, hoping to avoid detection, by taking odd jobs to stay afloat.
Left to wander, he turns to music yet again, though whether it's due to his own passion, or out of some respect for his family, not even he knows.
Eventually, though, he ends up in Paris, and with the help of Pike, one of the new Opera Populaire's teachers, finds a place to hide in the basement of the opera house.
Now with a stable home, Percy makes it his own, and proves his worth by overlooking the opera house from the shadows, using his skills in music and management to help maintain and build up the opera house from the shadows, and thus, knows every secret passageway and hidden door in the building.
... and while also in secret, he also comes into contact with a demon named Orthax, who promises him vengeance against those who murdered his family.
He accepts, and the years pass, and Percy waits, patiently, biding his time, writing his magnum opus, managing the opera house, and crafting his first gun.
The mask he wears to cover his face is partly to hide his disfigurement at the behest of the Briarwood's attack, partly due to his wanting to remain unseen in the opera house, and partly due to the pact he made with Orthax. Man's got a messed up face.
His last opera and greatest piece -- Don Juan Triumphant, a story composed of bitterness, misery, dark passion and a hero, victorious and ugly and beautiful all at once -- will be his legacy and swan song, the only thing left behind, before he enacts his revenge on the Briarwoods, and all those who wronged him.
And then she comes into his life.
Vex'ahlia is beautiful, in a way he could never hope to possess or be, like a light in the dark, and while she's certainly talented, she needs training for her voice to shine to its' brightest potential.
And that's something Percy can very easily help with.
#Critical Role#CR#CR 1#Percival Fredrickstein von Musel Klossowski de Rolo III#Percy de Rolo#Percival de Rolo#Orthax#Phantom AU#Phantom of the Opera AU
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BETTER WITH AGE; BREANDAN
Describe your muse at ages 20, 40, and 60!
20— Roiling with any number of emotions - fury, frustration, grief, guilt - after his parents’ death in the Dzemael Darkhold, Breandan’s search for a way out of the restrictive environment he and his sister found themselves trapped in lead him away from Ishgard and then back to it with the Calamity. Shocked and frozen in horror of the changed landscape (and the Dravanians who seem even more merciless as people starve and freeze to death in the countryside), Breandan’s path takes him to the Convictory in Western Coerthas, where the reward money from felling an ancient wyrm gets his sister safely to Sharlayan, and the renown of the deed earns him a place in Ishgard’s Knights Dragoon, where he is plunged deep into some of the worst conflicts of the war.
40— With the Dragonsong War’s end, Breandan spends a considerable amount of time adrift and disillusioned. Leaving the Temple Knights allows him to explore the rough and often dirty world of mercenary work, where he builds a name as a professional willing to take on secretive and dangerous work regular companies might pause to send their regular people on. This eventually leads him in and out of bad places and then to the company of Otolin Stone and the free company Savage, Crag and Pike. It also leads him back to Ishgard at the behest of his ailing foster-father, where he is able to mend a few of the bridges he burned in bitterness. He’s ill-suited for a life of peace in a world full of strife and conflict and suffering, however and he gets restless when bored - even despite having a few peaceful hobbies with which to bide his time. Out in the field with his lance in hand is where he feels most useful - retreating to any number of quieter places when not on a job.
60— It’s not guaranteed that a professional soldier with a fatal attraction to danger and risk arrives at this point. It’s more likely he dies somewhere along the way, just a casualty of a life steeped in violence. Retreating from the field allows him to nurture an academic side more fully - his long-standing love of history and strategy and stories of ancient times and distant places coming to the foreground. He doesn’t speak much publicly, but reads voraciously and writes as a means of expression and to provoke thought on the nature of warfare, both how to avoid conflict and how to endure it. He stays in fighting shape as he can just to keep sharp, and enjoys the company of the friends and family who have survived the turbulent trip with him.
Tagged by: @whitherwanderer who made the meme, @severine-savage
Tagging: If you haven’t done it and want to, do it!
#memes#this was good because#at current#i have no arc or character anything planned#so envisioning a good ending for this trash fire#was a good exercise#enjoy my angry violent murder machine retired#andersoon cooper in elbow patches
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sudden desire
chapter six: previously on: chaotic stupid
part seven of sudden desire
prologue / one / two / three / four / five / masterlist
in which two best friends won’t admit they’re in love so decide to have a baby together instead.
pairing: marcus pike x original female character (coraline meyer)
word count: 8.2k (oh yikes)
warnings: no beta read, brief mentions of pregnancy i guess?
author’s note: this took me weeks to write oh my god
Coraline hasn’t told anyone about Marcus’ offer. Not even Loren, when they’d met for the first time in months, when her boyfriend finally got a night off work to look after Maisie. Not even when they’d drunk too much wine and her head was so fuzzy that she probably would have told anyone anything, if they’d asked. She’s not even sure where she’d start.
Coraline has never been the best at keeping secrets. At least, not her own, and definitely not when she was younger, and she’s always wondering whether that’s why the media seem to think she’s easy prey for their rumours. It never seemed to bother Scott; he was the same, so open and willing to talk about anything and everything with anyone who asked. But it’s different with Marcus. He’s private by necessity but he’s also private by choice, too. She wonders if he’s always been like that, if before the heartbreak he’d told her about occurred, if he’d opened up to people. If what had happened to him had made him closed off. He’s never seemed like a closed book before (and, hell, maybe he isn’t, maybe he just doesn’t want to relive those times; and he doesn’t have to tell her anything, anyway) but he’d opened up to her after he’d made his ‘baby suggestion’. And all she can think of now, since he’d recounted the stories, was that those women - the ex-wife who’d claimed he was too ‘nice’, who’d claimed he was too ‘clingy’ and ‘needy’, and all that utter bullshit, and the one who’d left him for another man, left him alone in D.C. without a single person to lean on - must be completely insane to think that he isn’t good enough for them. Marcus Pike is too good for anyone, she thinks. He’s the best person she knows. Marcus Pike makes Coraline want to be a better person. They didn’t end up ordering takeout that night, like they always did. Coraline had found herself reaching to the back of her cupboards, searching blindly for some ingredients she wasn’t even sure she had, just for him. Marcus loves breakfast. Like, he really loves it, she’s come to find. And at any time of the day, really. And there’s a diner he frequents; it’s near his office, on the other side of town, tucked away just out of Cora’s reach. Though, he has taken her there once before - just after they first met, when she’d tagged along with her older brother to the FBI debriefing, to check his gallery was secure; she’d thought it was a date, until he’d prefaced his offer with an insistence that it was ‘just as friends’; Marcus had spent the whole time raving about the pancakes he ate every Friday — a treat for a long week’s worth and a change from his usual burger and fries — how he’d found the place by accident and it was part of his daily routine, now, until Coraline had given in and let him order for her, since he knew the place better than she did - most of the time, they see each other when it’s late, when he’s already been for his almost daily pancake-fix and she’s collapsed to the sofa with her legs draped over the armrest. They haven’t been back since, though she’d jump at the chance if he ever asked again. Coraline may be a pretty awful cook, and she may not be able to make pancakes as good as the ones he likes, but surely it’s just the sentiment that counts. He’s spent far too many evenings eating greasy Chinese food at her behest, insisting that he’s fine with it, because it makes her feel better. It’s the least she could do. She’d spent an hour making perhaps the world’s worst pancakes - even as Marcus insisted that she didn’t have to cook for him, that they could just order pizza or something if they wanted a change - pancakes so bad that she’d had to drench the damn things in syrup just to disguise the odd sour taste that somehow tinged every mouthful. Marcus had eaten it without issue, even as she’d apologised endlessly for her dreadful culinary skills and insisted that he didn’t have to eat them if he didn’t like them. They’d made him smile, though. And it melted away the last dregs of awkwardness between them. That was the pancakes’ purpose. It didn’t matter that they were utterly terrible, borderline inedible and a little lumpy.
But, when Monday rolls around and her older brother, Daniel, comes to her with his regular insistence that she brings that ‘nice FBI agent she’d made friends with’ to their weekly dinner at his house, she took him up on the offer, for a change. She’s never asked because she’s always assumed he would say no; they weren’t dating and it was a little weird. Surely an invite to weekly family dinners was something couples did.
She always ignores Daniel, used to the persistent insistence to ask him. Relenting — finally — comes with the sense that she feels as if she owes him now, though. To make it up for her dreadful pancakes with Daniel’s wife’s cooking, which was always amazing. To make up for the week of unforgivable ignorance. To help them move past the ill-thought-out offer of a baby. She’s sure he’ll still say no, when she calls him on his lunch break, when she knows he’ll be sat at the counter in that same diner, enjoying that brief moment of time away from paperwork. Their lunch breaks line up, those rare and all-too-rare moments when they have time to relax, the tension in their shoulders owed entirely to their morning workloads melting away at the soft sounds of the other’s voice.
His voice is pleasant, like it always is; Marcus Pike’s voice is like serenity to her, all gentle and familiar, and, this time, he sounds amused when he answers the phone. “Well, this is a nice surprise.” His voice crackles through the phone. The reception in the diner is terrible - it’s the only thing he ever seems to complain about - but she can still make out the sound of the smile in his voice. “To what do I owe this pleasure?”
“Good afternoon to you, too, Marcus.” Coraline hums, shoving the last of her laundry into the washing machine, her phone tucked between her shoulder and her ear. “I’m calling with an invitation.”
“An invitation?” He ponders, musing over the idea. “To one of those glamorous celebrity parties you’re always telling me about?”
She scoffs. “Oh, you wish, Pike. It’s an invite to my brother’s for dinner. Incredibly glamorous, I know.”
There’s silence on the other end of the phone for a few moments. She almost regrets asking. She does when he replies. “Are you sure?” He questions. “I’m not sure-”
Coraline nods as if he can somehow see her through the phone. “I’m sure,” she insists, “Besides, Daniel and Kimmy want you to come.”
“Coraline, I don’t know-”
“Marcus, don’t make me beg.” She chuckles, but it’s a nervous chuckle. She knew he would say no; that’s why she hasn’t asked him, to avoid this awkward conversation between them when he was uncomfortable and looking for a subtle way to turn her down without hurting her feelings. “Please.”
There’s another pause as he lets out another muffled laugh. His tone is teasing when he speaks again; she can practically see the smirk as he sips his coffee. “And what’s in it for me?”
She bites the inside of her cheek, stifling a giggle.
She could think of a lot of ways to repay the favour.
Cora pushes through the onslaught of entirely… inappropriate thoughts, especially to have about your best friend and offers up the most innocent of offerings, though her voice slips to find that low, rumbling register reserved only for the discrete. Mundane words tipped in something intriguing. “I’ll never make you pancakes again.”
“Deal.” He snaps far too quickly through the phone.
Her mouth falls open. “Marcus,” she gasps, mock offence in her voice.
There’s silence for a moment. “Sunshine,” Marcus calls out through the static, like he’s sure he’s actually offended her. Like he could ever do that. “I thought your pancakes were great.”
Even a lie sounds like the truth coming from his lips.
“Damn right they were,” she insists.
When she lies, even when it’s laced with laughter, it sounds like one. She’s glaringly aware that’s a complete contradiction, given her job.
“Pancakes- real pancakes, diner pancakes- on me for a month.”
“Tempting.”
“...Two months?”
“Fine, fine. If you insist.”
The rush of breath that escapes her in relief is so embarrassingly loud, she’s sure he can hear her. She’s glad he’s not there, watching her, so he can’t see the wide, uncontrollable, entirely tooth-filled grin that splits across her face; she’s sure she looks maniacal, sat in her trailer on set, covered in thick dustings of fake mud from that morning’s scenes.
She’s never been more thankful for the solitude of a phone call before.
“I do insist. I’ll pick you up at five.”
Amusement, again, peeks through in his tone. She’s sure he’s eating pancakes — those blueberry pancakes with mountains of ice cream — because they’re the only thing that makes him happy like this, especially on a heavy workday. “In that super-fancy car of yours?”
She’s had her car for twelve-years. But it’s even older than that, fixed up by her father in his garage for what seemed like years. It’s an old run-down black Camaro from the seventies that she’s had since she was sixteen; far too trusty and sentimental to let go of, driving her cross-country from LA to DC without a hitch those six-months ago. It lives in the private parking lot down the street from her apartment complex, tucked away, out of use most days, because the traffic of DC is far too heavy in the mornings and it’s easier to walk or take the Metro instead. Weekly nights spent at Daniel’s on the opposite end of the city gave her an excuse to pull her car from its designated parking space and navigate the busy streets to the comforting hum of the engine.
Coraline knows Marcus loves her car, as much as he jokes about it. It’s evident in the way his face lights up when he sees her sat there, parked down the street outside the FBI headquarters; his smile illuminated by the harsh street lamps overhead, cutting through the darkness alongside the bright nearby office lights and flickering neon signs that cast stained glass shadows on the sidewalk. He’s watching her as she taps her fingers in time to a song she doesn’t recognise on the radio.
Marcus ducks into the car with a ‘hello’ lingering on his lips and ducks to kiss Coraline’s cheek; it’s a friendly gesture that lingers, not unfamiliar as a display of friendly affection between them, but still swelling that giddy sense of happiness in her chest like it’s the first time.
“I brought the beer.”
Coraline glances over at him warmly as she starts up the car. The engine rumbles to life, almost sounding unhealthy. She reaches over and squeezes his shoulder a little, fingers falling down his arms.
Marcus had insisted he bring something; a repayment for dinner, for Daniel and Kimmy inviting him over. She’d insisted he didn’t need to — neither of them would mind; they just wanted to meet the lead in so many of Coraline’s stories, for real this time — but then he’d insisted that he had to, that his mother would never let him live it down if she found out he forgot his manners and turned up without a thank you gift. So she’d told him to bring beer (not wine, definitely not wine, for Daniel’s sanity’s sake). And he’d obliged.
Not just that cheap beer, either. But the expensive kind, the kind you could only find in certain places if you were looking for it. He’s spared no expense.
He doesn’t need to impress them, though. They already like him well enough, on the basis of Coraline’s endless stories.
“Is what I’m wearing okay?” He questions as he smooths his hands over the front of his suit jacket. “I didn’t have time to change.”
He’s still wearing his work clothes — somehow still relatively undisturbed even after hours of the paperwork he’d been half-complaining about to her the night before — yet he still looks great. He’d probably look great in just about anything. Coraline looks entirely underdressed next to him; just blue jeans and a white shirt, and the thin golden pendant her mom had given her the night before her wedding hangs against her chest. She doesn’t wear it much anymore, not since the divorce. But Marcus had seen it the other day, while he was waiting for her to finish getting ready, perusing the expanse of her drawers, intrigued by the jewellery that hung from a stand. He’d said it was beautiful - with the delicately carved bird in the middle, surrounded by flowers - and she found herself reaching for it every morning since.
She’s not sure why. She just likes to wear it, now.
“You look great.” As always.
He scans what she’s wearing, casual and, as the wheels being their customary groan when she sets the car in reverse. “It’s not too much?” He’s shuffling awkwardly, hands tugging at the lapels of his suit jacket. Is he nervous?
She watches as he moves, shifting slightly in his seat; she’s watching from the corner of her eyes, half her focus on Marcus, the other on pulling out onto the busy road. He’s staring straight ahead, out at the car ahead of them, like the license plate is somehow the most interesting thing in the world right now. His brows are furrowed. The air between them is thick with anticipation and it’s like something has changed; for good or bad, she’s never sure with them anymore, not these past few months, but his hand is gripping his knee and somehow everything seems heavy again.
He’s met Daniel before, it’s not that. Briefly, sure. But that couldn’t be it. He’s usually so relaxed and laid back, especially around her, never worried about making a joke or goofing off. She doesn’t like seeing him like this.
She reaches over and squeezes his hand; he steadies himself and tilts his head towards her. Her smile is warm and bright and comforting, and the gentle brush of her fingers over the hand that grips his knee relieves the inexplicable anxiety that has strangled him from the moment she’d invited him to dinner. He doesn’t know why. He doesn’t know what it means, what any of it means. Why things are suddenly so different between them after six months of being nothing but friends.
Why he, for some godforsaken reason, thought suggesting they have a baby together was a good idea.
Did he really want that?
Either way, he’s pretty sure Coraline doesn’t. Not with him, at least.
Cora hums, eyes dropping to herself and the wrinkled jeans she’d fished out from the back of her wardrobe. “Least you made an effort.”
…
Daniel Meyer is seven years older than Coraline. He’d always been fiercely protective of his younger sister when they were growing up; not in that abrasive, overbearing and destructive way, the way when your life is governed strict and rigid, but Daniel Meyer didn’t take kindly to people hurting his sister. Growing up, he helped her deal with things - the bullying in high school, the heartbreak of her first breakup - so it only seemed fitting that, when she’d moved to D.C., the same place he’d called home with his family for eight years, that he would do the same. That’s how their weekly family dinners were born, from his insistence to help his younger sister settle into her new home, in a new city she barely knew.
For the longest time, Scott Meyer was public enemy number one to him. Sometimes she wonders, now that it’s all over, the divorce is final - now that he’s out of her life for good - if he still is. Or if they’ve really all moved on like she thinks they have.
The second they arrive at his front door, greeted warmly by the smell of pie and a grinning Kimmy, wearing an apron and slightly flustered, looking just as welcoming as always. Her blonde waves - the waves Coraline has always been so jealous of - are pinned up haphazardly out of her face, half-spilling down her back from the clip that tries to hold it in place.
“Good evening.” Her voice sounds like a song, light and sweet, and her smile is even wider than usual as she glances between her sister-in-law and Marcus, who stands a little behind her, radiating that familiar confidence that Coraline is used to. The half-hour drive had relaxed him enough that, now he’s met with Kimmy’s friendly face, he’s the one that’s comforting her, with a gentle hand on her back and the silent reassurance that things will be okay.
Coraline is mostly worried about him. She's still not entirely sure he wants to be here. She doesn’t blame him.
Kimmy leans forward and kisses Coraline’s cheek in greeting, the usual gesture.
“This- well, you know Marcus.” Cora ushers towards her best friend beside her when she pulls back.
“Marcus, of course!” Her face lights up even more. “I’ve heard a lot about you since we last met.” Kimmy’s tone is amused. Her eyes waver towards Coraline, a knowing look in her eyes.
“It’s great to finally meet you, for real this time.”
Kimmy’s eyebrow quirks up at Coraline for a moment, the hint of a smirk as Marcus introduces himself, that same FBI Agent-trained surety tipping the edges of his voice, before she finally ushers them inside. It’s starting to get cold; the evening chill is creeping in from the river beside the house, reaching out towards them. Coraline is glad she’d tossed a coat onto the backseat of her car before she’d left and Marcus tugs his suit jacket tighter around himself. “Come in before you both freeze to death.”
The house is alive with the joyous yet shrill screams of children. Coraline’s nephews, to be exact. It always is. Every night. Every week she turns up and they’re running around, playing whatever game they deem fit that evening. Half the time, Coraline gets pulled into their games, whenever she’s not helping Kimmy in the kitchen (which isn’t often, because she’s hopeless at it). Of course, today’s no different.
The two of them are darting around the living room, screaming bloody murder as they wear themselves out; Finley, the oldest, is chasing Elliot, his curls falling haphazardly over his eyes. She can’t tell what they’re yelling about - she never can; it’s just a tangled mess of screamed words - but Elliot is giggling so much that he has to stop every couple of minutes to catch his breath. Finley stops with him, pulling himself from their games for a second to wait as they both regain their composure and carry on. They wear themselves out before dinner and then everything seems to go off without a hitch.
Cora hangs her coat on the hooks by the door and kicks off her sneakers, and Marcus follows suit with his jacket and dress shoes. He looks to her for guidance, that immediately understandable hesitation of being in an unfamiliar house, and this silent agreement settles between them as she sweeps her way into the living room. Her footsteps were light; so light, in fact, that she reached her nephews without disturbing them, startling Elliot when she scooped him up in her arms and spun him around. He complains at first, ducking his head away as she tries to kiss his cheek, letting out the most dramatic and exaggerated noises. Eventually, he gives in and curls his arms around her neck, pulling her close for a second, before he starts to kick again, restless in her arms.
Finley takes to wrapping himself around her right leg and suddenly the three of them end up sprawled out and giggling brightly on the carpet.
Marcus watches from the doorway. He thinks she’ll be a great mom someday. It’s the little things she takes in her stride.
“Hello to you too, Cora.” The low, amused voice of Coraline’s brother, Daniel, comes from inside the living room.
“Hey there.” She’s still giggling. She can’t help it. Finley and Elliot unhook themselves from her and each other and resume their endless laps of the couch.
Daniel stands over her with raised eyebrows. His tie has long-since been discarded and he cuts a casual figure as he cradles the youngest of the Meyers, Piper. She’s only six months and the smiliest baby Cora has ever seen. Usually, she’s asleep by the time Coraline arrives, either cradled in her father’s arms or tucked away in the crib upstairs; today, her legs are kicking back and forth and her hands are fisting into his dress shirt. She’s restless - she knows sometimes that she is, that when they finally cradle her to sleep, it’s best that they leave her or risk jolting her awake for the rest of the night - but she’ll let her wriggle around in her arms for hours if it means catching up on the time she’s missed with her niece all those nights she’s been asleep.
“I brought Marcus.” Cora points towards Marcus as he leans against the doorframe, watching her with fond eyes. She tilts her head back to look at him; he’s smiling and she wants to reach for him. She reaches for Daniel’s extended hand instead, pulling herself up from the floor. She groans uncomfortably, her back aching a little. “Marcus, you’ve met my brother, Daniel.”
Coraline reaches out for her niece; that brooding feeling swells bright and burning again when she takes her, cradling her close into her chest, and she can’t help but glance up at Marcus as Daniel moves to greet him - just barely acquaintances but familiar enough to avoid those awkward initial introductions. He’s watching her, still, as she says ‘hello’ to her niece and gently rests her cheek against the top of Piper’s head. It’s like they’re both wrapped up in that moment where it’s just the two of them - all too fleeting, cut short by Daniel’s greeting and the persistent shouting of children - but it feels lovely. Even if this moment is all they’ll ever get.
Coraline savours the moment with her niece because it’s rare and often fleeting; her, Daniel and Kimmy’s schedules are crammed tight with work and unavoidable commitments and that weekly dinner is the only time each week they can spare to see each other. If Piper is asleep, then Coraline won’t get to say ‘hi’ to her niece. It’s an unfortunate consequence of their careers.
“That’s Elliot-” She points her finger at her smallest nephew. “-and that’s Finley-” Then to the tallest of the two. “-and this… this is Piper.” She bounces the tiny baby lightly in her arms, turning her body so Marcus could get a glimpse at the small smile that pulled at Piper’s lips as her small fist grabbed at Coraline’s shirt.
She’s already told him about them all before. He knows their names. But this is the first time he’s ever met the kids. And it’s somehow maybe the most terrifying thing he’s done in a long time, including that one warehouse shootout his team found themselves in a few weeks earlier.
He feels overdressed and a little ridiculous, just stood there, looking like a lost puppy in the entryway, in his suit and tie. Unsure what to do with his hands or his eyes, or what the hell to say to cut through his quiet. He usually brought a change of clothes to the office if he knows he has somewhere to be but, somehow, in his blind panic at the idea of meeting the family, he’d forgotten to grab anything to change into. And that ease in meeting new people, that effortless skill he’d built up over years of practice, the perks of the job, just seems to have melted away the second he stepped into the house behind Coraline, under the well-meaning scrutiny of Kimmy. This is all normal for her - this weekly routine she’s fallen into - but it’s unfamiliar territory for him.
It almost feels like something it isn’t. Meeting the family. That point in a relationship when you first realise things are serious. Only this isn’t a relationship. And he’s already met Daniel and Kimmy before, even if it was briefly, and while he was working and distracted with planning a stakeout. And Coraline. Always Coraline. But something about her smile just commanded attention, back then - it still does - even when she tries to blend into the background. Once he noticed her. Sat alone at an empty conference table, comically-oversized name badge pinned to the front of her dress, her lips curling up a little as she sipped the sour FBI coffee.
Everyone else had passed the glass-walled room without even a second glance.
He, on the other hand, was convinced he’d just seen a ghost. She’d almost startled him, breath leaving his chest. An utter cliche.
Marcus had recognised her face from TV - though, admittedly, he wasn’t really up-to-date on pop culture, definitely lingering a couple of decades behind, age and time catching up on him, spare time buried beneath a mountain of paperwork to distract himself from Teresa and the unfamiliarity of D.C. - but he always remembers thinking she was pretty. Really pretty. But he always finds it a little embarrassing how much she a hold over him that day, how he’d had to take a second to psych himself up, talk himself down from that nervous ledge he was staring over, before he even thought about entering the room.
It’s weird, looking back, thinking how much has changed. But the changes keep coming, thick and fast, and sometimes it becomes less and less obvious what they are anymore.
“Marcus.” Daniel reaches out a hand for him to shake. He shakes it graciously and says his hellos. “I’ve heard a lot about you.”
That’s the second time he’s heard that today. Coraline rolls her eyes a little. It’s not the first time she’s heard it, either. It almost makes Marcus laugh but then she smiles again, half-concealing a grin, and he forgets what he’s thinking about for a moment.
But then he wonders what she tells them about. Whether those stories are good or bad, whether they paint him in colour or in black and white.
With Coraline, he figures it’s probably the brightest landscape of technicolour, regardless of who she’s talking about.
“I’m glad Cora finally asked you to come.”
“Well, you talk too much. I didn’t want to bore him.” Cora shrugs, her full attention on Piper.
“More like scare him away.”
He’s not sure she could ever scare him away.
“Finley is terrifying,” she admits with a giggle but she seems distant. She looks up to raise an eyebrow at him again. Her words are slow, almost drawn out. “I wouldn’t blame you if you wanted to get out while you still can.” It’s meant to be light and joking, and Daniel laughs at her words. Given the way she’s looking at him, he’s not sure.
She just keeps looking at him like there’s no one else around.
She can’t help it. She keeps trying. It isn’t working.
“I’m so sorry about that,” Daniel insists as the boys rush past Marcus; he has to step out of the way to avoid them, smiling as they manoeuvre around him and race out of sight into the back of the house. He smiles fondly as they pass. “They’ll calm down in a second.”
“You hope they’ll calm down.” Coraline jabs her older brother in the ribs playfully. He chuckles as lightly as he can but it's obvious he’s tired; his shoulders slump and his eyes linger closed a little longer than normal, Coraline notices. He’s been working flat-out at his gallery every day, then running home to help with the kids. And Piper is a restless baby - difficult to get to sleep which means that, if she’s asleep when she arrives, she can’t say hello for risk of waking her up - so, unless Daniel or Kimmy are holding her while the house is still alive and humming around her, she refuses to fall asleep. “I think-” She looks towards Marcus. He’s inched closer into the room, now, but he’s still lingering like he needs to be invited in. “-you’ll just have to get used to it.” She hums.
“I’m still not used to it and they’re my kids,” Daniel grumbles, almost to himself.
“Piper seems okay with it.” Marcus points out. He watches as his best friend cuddles the tiny baby close to her chest.
Piper’s looking up at Cora with the brightest eyes. They’re Coraline’s eyes - Daniel’s too, he assumes - that light emerald green that sparkles beneath the warm living room light. Her mouth is in an ‘o’ shape, fascinated, as she stares. She looks utterly transfixed by her aunt’s face as she carries on their idle, gentle conversation, lightly bobbing her up and down, cradling her softly to sleep. Her eyelids were drooping, sleep gently pulling her in. She’s humming gently, whenever she’s not speaking; Marcus isn’t even sure she realises she’s doing it. That it’s just some subconscious instinct inside her, telling her to sing to the baby so she can sleep. She’s drawing gentle circles on her back through her onesie. Slow, idle circles that slow the wriggles and the kicking of his legs, lulling her off to sleep ever-so-slowly.
It’s like she’s a natural. She knows exactly what to do every time; with Piper, with Maisie. It’s like second nature and there’s this even brighter glow, brighter than usual, when she settles into the role. She takes it all in her stride and seems to forget the world around her just for a moment.
“How do you do that every time? Can you come and do that every night?” He jokes. But he doesn’t seem to be entirely joking.
She hums. “Perhaps-” She rests her cheek against the top of her head as lightly as she dares without disturbing her. “Perhaps I’m just a superhero.”
The yells of kids echo through the house, the hammering of feet pounding against the wood floor. Kimmy’s muffled exasperated calls for quiet come from the kitchen, falling on deaf ears as the boys continue to charge through the back of the house.
Coraline catches her brother’s gaze. “Go and help.” She’s noticed the way he’s been watching his daughter anxiously, worried that she won’t fall asleep through all the noise and excitement and the gentle hum of Coraline’s made-up song. “I’ve got her,” she insists.
“Are you sure?”
Piper is slowly drifting off to sleep, even despite the noise. Just at the warmth of her aunt cradling her and the gentle hum of her sweet voice lulling her asleep. “I’ve got her,” she repeats. “Go and help Kimmy.”
Daniel’s shoulders slump in relaxation. He mouths a ‘thank you’ as he jogs from the room, calling out to his sons to stop them from charging around, insisting that they wash their hands and settle down for the sake of their sister.
Now, it’s just Coraline, Marcus and a half-asleep Piper left alone in the living room.
The tension in the air is thick and heavy for a moment.
“Marcus, you’re staring,” she points out. She’s not even looking at him, just can just feel the weight of his kind gaze and it sets her heart racing at a hundred miles an hour. “I’d let you hold her-“ She says as he steps a little closer; now Daniel is out of the room, he’s relaxed. It’s like, without him there, he can pretend it’s just the two of them and Piper curled up content against Cora’s chest, even despite the yell of children’s voices and the unfamiliar surroundings. “-but, if I did that, we’d never get her off to sleep.”
“It’s alright,” he whispers, “I think she’s happier with you.” He settles beside her.
Coraline’s thumb brushes over Piper’s cheek and the baby smiles a tiny smile, eyes still close and fisting her hands tighter into the white material of her shirt. There’s a blissful silence that settles between the three of them — just for a moment — when she looks up at him beside her, watching the pair of them sway gently to a seemingly silent song. The weight of the moment engulfs them like a tidal wave.
“Marcus-“ she breathes out, barely loud enough for him to hear. But he does, in the relative silence, and the way she says his name rips the air from his lungs, like the first time she’d surprised him the day they’d met. Her green eyes are wide and wild and she’s looking between him and Piper like they’re the only things left in the world.
They could do it.
He knows what she’s going to say, if she had the chance. If Daniel hadn’t returned, calling out to them that dinner was ready.
They could do it. He knows they could, she knows they could. They could have this fleeting moment for as long as they both live. Their own little version of paradise, together. No matter how terrible the idea seems to be, they could. But Coraline knows she can’t stay in that world forever. It’s temporary and, as much as she wants that, all day, every day, for herself and not through someone else, she knows she can’t let herself get too in over her head.
Still, Marcus really does think she’ll be an amazing mom.
...
After much persuasion — and the promise of candy after dinner — Finley and Elliot finally settled down long enough for them to eat. Coraline had set Piper down to sleep in her crib upstairs, lingering perhaps a little too long to marvel down at her only niece, wondering what it would be like if she was looking down at her own daughter.
She knows it’s a hopelessly bad idea. That the feelings will catch up with her and pull her under again. Sometimes she just can’t help it.
She returns with that fake smile Marcus has become a pro at noticing. She looks wistful, longing in her eyes, disguised by the small smile that takes over her face when she slides into the seat at the dinner table beside him. She smooths out her shirt and jeans, wrinkled from the baby. Another smile, an assurance that Piper is okay and sleeping soundly upstairs, and the conversation moves on to mostly idle chatter, and Daniel asking Marcus questions about himself. Coraline keeps shooting her brother glances whenever he asks a new question that almost seems too personal. He doesn’t mind one bit, though.
Marcus finds Coraline’s free hand under the table and squeezes at some point. She doesn’t want him to let go.
“Auntie Cora?” Finley asks, leaning his chin on his hand to stretch across the table. His questioning call of her name breaks through the idle conversation they’re all having, like he’s demanding all their attention, and not just Coraline’s.
It steals a moment of quiet between them all.
“Nephew Finley?” She replies, mimicking his stance and the curious, furrowed-browed expression on his face.
“When are you going to have a baby, like Piper?”
It’s a loaded yet completely innocent question on his behalf. He’s merely a curious five-year-old with no ill intentions, and no reason to believe it’s anything other than a normal question; Coraline doesn’t even flinch, even when Kimmy scolds her son sharply and insists he eats the rest of his dinner. Though, Marcus still sees the flicker of hesitation in her eyes. Instead, she just smiles and laughs that brightly enchanting laugh, tilting her head to the side in response to her nephew as he sinks back into his chair and pokes at his potatoes.
“Well, I don’t know,” she replies truthfully, “Soon, maybe.”
Marcus almost thinks her eyes waver towards him but it’s so quick that he reasons that, perhaps, he’s seeing things.
“Soon?” Daniel catches up with her words. “You seeing someone?”
“Oh-“ Coraline swallows thickly. She shakes her head. “No, no, not at all. I’m just- optimistic, I guess.”
“I’m sure there’s someone out there for you,” Kimmy poses.
Coraline hums. Marcus doesn’t see the way her gaze trails towards him. “I’m sure there is.”
...
The rest of dinner passed without any more questions on the matter, Finley’s attention switching towards Marcus instead. He was persistent, firing questions at him across the dinner table like he was leading an interrogation, but Marcus kept answering just as enthusiastically as the first time. He’d skirted around the facts a little - it wasn’t exactly a great idea to tell a child, seemingly without a filter, that you were an FBI agent - but the whole exchange had been wonderful. Coraline was sad to see it finish when Kimmy announced the boys could have dessert and they'd leapt from their seats to race towards the cookie jar.
Marcus had offered to help Kimmy wash up as a thank you but she’d brushed him off, and, eventually, he’d resigned to the living room with Daniel. It had taken Coraline months to convince Kimmy that she should let her help clean up, there was no way she would have accepted Marcus’ offer immediately.
Instead, it’s just Coraline and Kimmy, working in tandem to clean the dishes, while Daniel spends time with the kids after a long day at work, and pulls Marcus into their conversation like an old friend.
“I’m sorry about Finn. He’s-” Kimmy shakes her head as she sets another plate down in the drying rack. “He’s been going through one of those... phases lately.”
“It’s fine, Kim, truly.” Coraline sets a couple of dry plates down on the counter and turns to smile at her, before carrying on her job. Sometimes Kimmy jokes about how ridiculous it is that they use so many plates since Piper was born. “He’s just curious,” she insists. “And he makes everything a little more colourful.”
Kimmy chuckles. “That he does.” She washes down another plate. “So, Marcus is great.” She hums, changing the subject towards her with a quirk of an eyebrow and a small, knowing smirk on her face.
Coraline smiles. Though, it’s more to herself than Kimmy. “He really is, isn’t he?”
“Are you two… y’know… is there anything there or-?”
“Oh, no! No, no. We’re just-” Friends. “Just friends.”
“Well-“ She quirks an eyebrow at her sister-in-law. “-maybe you should? Just see how it goes. One date at a time.” Kimmy’s suggestion is as innocent as Finley’s question over dinner. She doesn’t understand the weight it holds. And she doesn’t expect her to, anyway. They’re close but just barely close enough. “Things might surprise you and it’ll do you good to get back out there again after, y’know-“
“No, we-” She shakes her head and turns to finish putting away the plates in the cabinet. In the quiet, she hears Marcus laugh from the living room. It’s one of those whole-hearted laughs, when his head lulls back and his eyes screw shut and crinkle at the corner. She wonders which one of them made him laugh like that, or what made him laugh like that. She hopes Daniel hasn’t pulled out the picture albums; he’s worse for that then their parents. But, since Daniel had made his fortune as an art buyer, eventually to the point he’d made enough to buy his own art gallery, a year ago, Coraline should have known that he and Marcus would get on. They had a lot in common. She’s so glad he likes him, though she can’t imagine a reason why he wouldn’t. “Friends. Friends.”
There’s another silence and she can feel Kimmy’s eyes burning into the back of her head. She turns to see the tail-end of a raised eyebrowed glare, amusement tugging at the corner of her lips. “Well, you never know unless you try, Cora.”
“There will be no trying,” Coraline insists, jabbing Kimmy in the side with her nail. She grins and lets her blonde tresses fall over her shoulder. “Of any kind. He doesn’t see me that way.” She finishes.
“Do you see him that way?”
Another pause.
“No.”
Maybe that’s a lie.
Maybe Kimmy knows that.
Maybe Marcus knows that.
Coraline isn’t sure whether she knows that, though.
“Sure about that?”
Coraline scoffs and turns to continue packing dried, clean plates into the cupboards. “You’re worse than Dan, sometimes.”
“Oh, I take offence to that.”
“Shut up and finish the dishes.” Coraline chuckles, crossing her arms and scowling at the lack of crockery left to dry.
“Just don’t write things off so quickly,” she insists, “It might surprise you.”
...
Daniel and Kimmy had tried to persuade them to stay for drinks late into the evening. The boys were shipped off to bed at the usual time, complaining that they wanted to stay up instead, as usual. But Marcus has work in the morning and Coraline has a long string of interviews; the idea of a late-night sounds less than ideal, her eyes already stinging at the idea of staying up any later than they had it.
Instead, they’d make their excuses and leave, ducking away into Coraline’s car with an exhausted groan. The boys had run wild right up until they went to sleep, nagging Coraline and Marcus to play with them every five minutes, even as Kimmy and Daniel insisted that they settle down and get ready for bed. It’s still late when they leave, though. D.C is eerily quiet as they weave through the roads, small crowds of people scattered through the repeating streets of suburbia.
The car ride home is silent of their voices. Not that uncomfortable silence, from before, when things had been awkward between them and neither of them were sure where the other stood. But that kind of satiated, happy and, admittedly exhausted, silence that pools over them. The low hum of the car engine and the radio is persistent in the space between them. Marcus keeps stealing glances over at her as she drives; he can’t help it, but he doesn’t think she notices, her eyes far too focused on the road ahead of her. And, if she does, she doesn’t mention it. Just keeps letting him glance over at her as the street lights illuminate the gentle angles of her face.
He’s glad she never mentions anything. He’d be too embarrassed if she did.
Instead, she’s lost in the music. That blissful flicker of emotion that crosses her face when she hears a song she likes, when her eyes light up at the sound of one of her favourite songs. Her radio is always tuned into some old rock station - he has no idea what it’s called, it’s usually just a continuous loop of different songs cut with the low gravelly voice of a man who sounded like he’d smoked one too many cigars - and most of the songs are the same songs she’s playing on her record player when he arrives at her apartment and she’s dancing around the kitchen while she cooks. He recognises a lot of them from his college days, songs he used to play with his band. It makes him feel old, sometimes, when she tells him they’re songs she spent her teen years with, even though there aren’t too many years between them.
It’s I Don’t Wanna Miss a Thing that plays now; she’s a sucker for those objectively-cheesy rock ballads. They’re her mom’s favourites, too. And, maybe he won’t admit it, but Marcus has heard her favourites enough to count them amongst his, now. Maybe he just likes the way they make her smile. Coraline is humming along, her fingers drumming a steady rhythm against the top of the steering wheel idly as her eyes follow the road ahead. Every so often, a flicker of neon tints her in colour when they pass a takeout, the only things still open and busy. The curve of her profile and each curl of her hair is highlighted in red.
It’s these moments of distracted bliss, when everything seems to exist without a care in the world, that he likes the most.
It never lasts long enough.
He insists she just parks in the garage she usually uses, by her apartment building, and he’ll walk her home. She protests - because of course she does - offering to drive him all the way home instead, but it’s dark and even in this quiet, well-off part of town where the streets should be safe, you never know who might be lurking. Maybe it’s the things he’s seen and heard of in the FBI - everything he’s seen during his training, heard through whispers and stories in the office - but sometimes he can’t shake the simple action of making sure someone is safe.
It’s still silent between them as they near Coraline’s apartment complex. That short two minute walk down the quiet, tree-lined street that sparkles with chains of fairy lights. It’s lethargic and lingering, each step heavy with the weight of something that echoes through the quiet neighbourhood.
“Cora, I’m sorry.”
It comes out of nowhere and it worries her. And Coraline has absolutely no idea why Marcus is apologising to her. As far as she’s concerned, he hasn’t done anything wrong. At least, not that she knows of.
“For what?” She questions, brow furrowing up at him as they walk. Their hands keep brushing but she doesn’t have it in her to move her hand away.
“I had no right to drop the baby bomb on you like that,” he admits. He reaches up to scratch the back of his neck uncomfortably. When his hand drops, his fingers brush against her knuckles. “I’m sorry if I made you feel trapped. It was a terrible idea. I should have thought-“
“Yes,” she blurts it out before she can stop herself. She’s not entirely sure she’s thought this through. But she can’t help it.
“Yes, what?”
“The offer.” Her whisper is loud in the suddenly-stifling silence of the street. “If it’s still on the table- yes. I’ll have a baby with you.”
“Coraline-” He gulps and stops dead in his tracks. They’re outside her gate, now. “I don’t want to lose you.”
“And you won’t.” Coraline insists. She steps closer to him, sea-green eyes staring up at him with heavy expectation. He’s the one that suggested it. He’s the one that had laid in bed until the early hours of the morning, losing precious moments of sleep as his brain swam with questions, wondering whether he should suggest this to her in the first place, or if it was an awful idea. But, somehow, he can’t seem to convince himself that this is a bad idea, that he should just let her down easy, now. It’s seeing her with Piper, seeing her with Maisie, seeing how she lights up around them.
If he can make her that happy, every single day, why the hell would he turn that opportunity down?
Besides, he’s pretty sure it would make him equally as happy. He’s thought about having kids since he was just a kid himself. And god knows the world seemed to have it out for him when it came to love, things aren’t happening any time soon; he can’t really think of anyone better than Coraline to have a baby with.
And, as much as Coraline knows how recklessly stupid the whole idea is, she can’t bring herself to want anything more or less than this. Than him. “It is a terrible idea, y’know?” She finds herself insisting, blinking up at him with those beautifully-wide eyes.
“Truly awful.”
“And there are a hundred different things that could go wrong.”
“Hundreds.”
“But-“
“But-“
“Maybe we should… try? Maybe just for a little while. See what happens.”
“Maybe we should.” He exhales long and deep out of his nose. “Maybe…” He tilts her chin up towards his with one finger and suddenly he’s kissing her. His fingers brush her jaw, curving up towards her ear and brushing into her hairline at the nape of her neck. Even the soft touch of his hand against hers as they walked was driving her insane but this, this is on another level.
It’s more than the first time they kissed. Less of a brief touch of lips, more of a wave of relief flooding through them both, unfamiliar feelings surging up inside them. This kiss is full of urging anticipation. She’s pulling him closer to her before she can stop herself, their chests flush, lips and hands strong and insistent against each other.
The fumble to her front door seems like the most practised thing they’ve ever done. Familiar when it shouldn’t be, even as they bump into things on their way.
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#marcus pike x reader#marcus pike x oc#marcus pike x female reader#marcus pike x fem!oc#marcus pike#sudden desire#pedro pascal x reader#pedro pascal x oc#the mentalist#original character#oc
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