#Basmajian

[vispoarchive]

Shaunt Basmajian. "After Weeks and Weeks in the Intensive Care Unit." from  bfp(h)aGe: An Anthology of Visual Poetry and Collage (Sober Minute Press, 1989).

[beingharsh]

Shaunt Basmajian

[garadinervi]

International Anthology of Concrete Poetry Vol. 1, Edited by John Jessop, Missing Link Press and Poetry Toronto Books, Toronto, 1978 [room 3o2 books, Ottawa]

Cover: Gerry Shikatani

Contributors: Shant Basmajian, Bill Bissett, Marianne Bluger, Ulises Carrión, Thomas A.Clarke, Rosalind Eve Conway, Geoffrey Cook, Michael Dean, Guillermo Deisler, Raoul Duguay, Gregorio Dujovny, P.C.Fencott, Peter Finch, Greg Gatenby, Michael Gibbs, LeRoy Gorman, Bernard Heidsieck, Dick Higgins, Judi Hurst, Hans Jewinski, Lionel Kearns, Ken Lewis, Valcárel Medina, Steve McCaffery, Peter Murphy, Maurizio Nannucci, Sandra Ballalai Neumann, Sean O'Huigin, Olaf W.Pollmann, Chris Redmond, Gerry Shikatani, Steven Smith, George Swede, Richard Truhlar, Horacio Zabala

[newstech24]

The place Does The U.S. Financial system Stand In the present day?

This text was written by Observe Eric Basmajian is the Founding father of EPB Analysis, an economics-based analysis agency offering Enterprise Cycle Analysis to asset managers and enterprise homeowners. Eric leads the investing group EPB Macro Analysis, the place he applies his distinctive Enterprise Cycle Framework, serving to asset managers and enterprise homeowners enhance their portfolio…

[korlieblog]

When Faith Finds a Voice: ‘Please Find Me’ by Mike Basmajian

“Please Find Me” is a Christian ballad by Mike Basmajian, a retired deli manager from South Carolina whose lifelong love for Jesus and music shines in every lyric. With decades of songwriting behind him and the support of his son and manager, Chris Basmajian, Mike finally shares his testimony with the world. Also Read: Faith and Legacy Unite in “The Price We Could Not Pay” by Mike BasmajianThe…

[perfettamentechic]

Cerruti è una casa di moda fondata nel 1967 a Parigi dal stilista Nino Cerruti. Cerruti progetta, produce, distribuisce e commercializza prêt-à-porter, jeans, abbigliamento sportivo, fragranze, pelletteria, orologi, occhiali da sole e altri accessori come oggettistica da scrittura. Il marchio commercializza questi prodotti con tre linee, ognuna per uomini e donne: Cerruti (top line), Cerruti 1881 (linea di diffusione) e 18CRR81 (abbigliamento sportivo).

Nino Cerruti si è ritirato nel 2000 e ha venduto l’azienda a un gruppo di proprietà italiano durante il 2000 e il 2001. Nel periodo compreso tra il 2001 ed il 2011 Cerruti Holding cede la sua partecipazione nella Cerruti 1881 per dedicarsi esclusivamente all’attività del Lanificio Fratelli Cerruti dal 1881.

Nel 2006 Matlin Patterson ha comprato la casa di moda. Jean Paul Knott è stato nominato direttore artistico nel 2007, a cui è seguito l’annuncio del presidente Florent Perrichon. La società era di proprietà della società americana MatlinPatterson Global Advisors dall’agosto 2006 al 2010. Dal dicembre 2010, la società è di proprietà di Trinity Ltd (gruppo Li & Fung).

Nel 1881, il nonno di Nino Cerruti fondò il mulino tessile Lanificio Fratelli Cerruti. Situata a Biella (Piemonte, Italia), l’acqua della regione viene utilizzata per lavare e trattare la lana , che viene importata principalmente dall’Australia e dal Sudafrica, in modo da produrre: flanella, tweed, cashmere e mussola. Nino Cerruti rilevò l’azienda di famiglia dopo la morte di suo padre nel 1950.

Il marchio Cerruti è stato lanciato nel 1967 con una collezione uomo . Nel 1976 fu creata la linea “Cerruti Woman“. Prima di creare il proprio marchio nel 1974, Giorgio Armani aveva lavorato a Parigi con Cerruti dal 1964 al 1970 lavorato per Cerruti a Hitman.

Nel 1996 Nino Cerruti ha nominato Narciso Rodriguez, ex Anne Klein, Calvin Klein e designer della TSE, come direttore creativo di Cerruti.

Nel 1997 Cerruti sostituì Rodriguez con Peter Speliopoulos, designer DKNY.

Nel 1978, il brand ha lanciato la sua prima fragranza con Nino Cerruti pour Homme, seguita da numerose altre fragranze per uomini e donne come Fair Play nel 1985, Cerruti 1881 pour Homme nel 1990, Cerruti Image nel 1998 e l’Essence de Cerruti in del 2008.

Nel 1980, Cerruti ha iniziato a produrre abiti per film.

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Nel 1994, Cerruti è stato il designer ufficiale della famosa Scuderia Ferrari.

La collezione Primavera Estate 2002 ha segnato la fine della “passione” di Cerruti disegnata personalmente dal stilista.

Nell’autunno 2001, Fin.Part ha istituito Roberto Menichetti, che in precedenza era responsabile del rilancio creativo di Burberry come direttore creativo. Menichetti ha lasciato la casa della moda dopo solo una stagione ed è stato sostituito da Istvan Francer, ex designer DKNY. Francer rimase per due stagioni.

Nella primavera del 2003, David Cardona, che aveva lavorato per Richard Tyler e Chrome Hearts, sostituì Istvan Francer come direttore creativo di Cerruti. Lo scozzese Adrian Smith è stato nominato capo delle collezioni maschili.

Nel 2004, Fin.part era in una profonda crisi finanziaria e dichiarò bancarotta nel 2005. Nell’agosto 2006 Cerruti è stata venduta a una società private equity americana  MatlinPatterson. MatlinPatterson nomina direttore creativo Nicolas Andreas Taralis, ex designer di Dior che possedeva anche il suo marchio di moda Homme.

Nell’ottobre 2007, Taralis è stato sostituito dal belga Jean Paul Knott, un ex designer di Krizia, Yves Saint Laurent e Louis Féraud che possedeva anche un omonimo marchio di moda. Knott era stato inizialmente assunto da Taralis per supervisionare la linea di diffusione dell’etichetta Cerruti 1881 nel marzo 2007.

Richard Nicoll ha avuto la direzione creativa dell’abbigliamento femminile Cerruti Paris, per le collezioni: AW10, PRE SS11, SS11.

Nel 2011 la società di Hong Kong Trinity (Gruppo Li & Fung) acquista i marchi globali Cerruti (esclusi i tessuti). I tessuti Cerruti sono ancora prodotti nei laboratori Lanificio F.lli Cerruti 1881.

Nel 2012 Aldo Maria Camillo diventa direttore artistico.

Lo stilista succede a Zoran Bosana, andatosene per «perseguire progetti personali».

La direzione generale di Cerruti è stata affidata in ottobre a Catherine Vautrin. Aldo Maria Camillo è dal 2009 il direttore del dipartimento ‘Moda Uomo‘ di Valentino. In precedenza, è stato senior designer all’interno del reparto ‘Formale e Su Misura‘ di Ermenegildo Zegna. In tre anni, trasforma Cerruti in uno dei brand più à la page della fashion week parigina, con un nuovo posizionamento nella sfera del luxury fashion.

2017 Cerruti 1881 celebra il 50° anniversario del marchio. Basmajian, direttore creativo, ha celebrato il 50° anniversario del marchio con un film documentario con Nino Cerruti.

Il flagship store globale Cerruti si trova a Parigi in 27 Rue Royale. Ci sono negozi Cerruti 1881 e 18CRR81 a Milano, Cosenza, Madrid, Praga, Kiev, Marbella, Atene, Dubai, Riyad, San Pietroburgo, Hong Kong, Giacarta, Teheran e Tokyo, tra le altre località. Inoltre, l’etichetta è venduta attraverso circa 1.500 venditori.

Cerruti 1881 si separa dal designer Jason Basmajian, chief creative officer dal 2015.

Basmajian si è dimesso di comune accordo con il gruppo di Hong Kong Trinity Ltd, a cui fa capo il brand.

È stato un privilegio lavorare per questi marchi iconici e scrivere un altro capitolo della loro storia. Voglio ringraziare i miei incredibili team e i talenti con cui ho collaborato nel corso degli anni. Devo molto anche alla guida e al supporto di Cerruti.

aggiornato al 21 ottobre 2019

Autore: Lynda Di Natale Fonte: cerruti.com, wikipedia.org, web

Cerruti - Cerruti 1881 e 18CRR81 #cerruti #cerruti1881 #18crr81 #perfettamentechic #CerrutiMan #edgy #CerrutiStyle Cerruti è una casa di moda fondata nel 1967 a Parigi dal stilista Nino Cerruti. …

[vintagelasvegas]

State Line (Primm), Nevada, 1931

Double exposure photo of the Ishibashi family. Ishibashi Collection, California State University-Dominguez Hills Archive and Special Collections.

The same sign for CA Route 31 is seen in the John & Edna Basmajian photo. 

[bregenz]

Cerruti 1881 Fall 2018 Menswear.

[fashionbooksmilano]

Nino Cerruti Fashion Icon

Cindy Cook

Foreword by Jason Basmajian (formerly chief designer Cerruti 1881) and a contribution by Julian Cerruti (son of Nino Cerruti)

teneues publishing, Düsseldorf 2022, 224 pages, Hardback,30 x 23,5 cm, 120 color ill., ISBN  9783961714261

euro 52,00

email if you want to buy :booksinprogressmilano@yahoo.it

"Fashion is balance, with a dash of theatre," was Nino Cerruti's favourite bon mot. This monograph, the most substantial on him to date, is an entertaining and gorgeously illustrated homage to the great Italian fashion designer, whose deconstructed jackets and supple fabrics revolutionised menswear in the 1960s. He took over the family business, which his father established in 1881, at the age of 20 and immediately began to make his mark. In 1965 he opened a boutique in Paris where he launched women's fashion, being the first designer to focus on pants (this at a time when many restaurants in Paris denied women entry if they were wearing pants). He dressed generations of movie stars, both on and off screen, including Jean-Paul Belmondo, Yves Montand, Catherine Deneuve, Richard Gere (wearing a Cerruti suit in Pretty Woman), Jack Nicholson, Michael Douglas, Tom Hanks, and Kathleen Turner, among others. This book showcases the elegant nonchalance and uncompromising creativity that went into his designs and follows his career as one of the great pioneers of 20th century fashion.

26/11/22

orders to:     booksinprogressmilano@yahoo.it

ordini a:        booksinprogressmilano@yahoo.it

twitter:         @fashionbooksmi

instagram:   fashionbooksmilano, designbooksmilano tumblr:          fashionbooksmilano, designbooksmilano

[mostlysignssomeportents]

1941 film shows striking animators brandishing a working guillotine at the Disney studio gates

The 1941 Disney animator's strike was bitterly fought, as Walt Disney refused to grant the concessions that all the other animation studios had agreed to, and instead grew paranoid and accusatory, convinced the "Communist infiltrators" had turned his animators against him.

One poorly remembered -- but vivid! -- moment from the strike was when Chuck Jones led Warner animators came to join the picket line in solidarity, bringing with them a working guillotine with a mannequin styled to look like Gunther Lessing, the Disney attorney.

Archivist John Basmajian has preserved and digitized a film of the guillotine, along with many other Disney rarities.

As Gizmodo's Mat Novak notes, we tend to gloss over the more radical elements in union history in our contemporary retellings of famous strikes, but these were not polite, timid affairs. Unions attained their goals through radical, relentless action that put them at risk and brooked no compromise.

https://boingboing.net/2019/11/26/radical-art.html

[the-velvet-year]

Jason Basmajian’s French Country House | Photography by Julio Piatti

[processtheroy20]

An excerpt from Boundaries Limits and Space by Shaunt Basmajian

[thegaitguys]

The muscle they named wrong?

Why would you name a muscle after its supposed function when its function is actually something totally different? Probably due to what made sense from how it looked, not by how it acted. Of course, we are talking about the abductor hallucis.

Think about all the anatomy you have learned over the years. Think about all the taxonomy and how it was done: sometimes by thename of the discoverer and more often by its anatomical location. The abductor hallucis seems to be the latter. 

The abductor and adductor hallicus function from approximately midstance to pre swing (1-4) (toe off), applying equal and opposite rotational vectors of force (in an ideal world) of the proximal phalynx of the hallux. This should resolve into a purely compressive force (5). In a closed chain environment, the transverse head of the adductor hallicus should act to prevent “splay” of metatarsals, along with the lumbricals and interossei (6), providing stabilzation of the forefoot (7) and rearfoot (8) during preswing, while the oblique head serves to help maintain the medial longitudinal arch. 

The abductor hallicus is actually a misnomer, as it most cases it is not an abductor but rather a plantar flexor of the 1st ray, particularly the proximal hallux, (assisting the peroneus longus) and supinator about the oblique midtarsal joint axis (5).  In the majority of cases, there doesn’t appear to be a separate, distinct insertion of the adductor hallicus to the base of the proximal phalynx, but rather a conjoint insertion with the lateral head of the flexor hallicus bevis into the lateral sesamoid and base of the proximal phalynx (9-11), emphasizing more of its plantar flexion function and stabilizing actions, rather than abduction. 

In one EMG study of 20 people with valgus (12) they looked at activity of adductor and abductor hallucis, as well as flexor hallucis brevis and extensor hallucis longus. They found that the abductor hallucis had less activity than the adductor. No surprise here; think about reciprocal inhibition and increased activity of the adductor when the 1st ray cannot be anchoroed. They also found EMG amplitude greater in the abductor hallucis by nearly two fold in flexion. 

So, the abductor hallucis seems to be important in abduction but more important in flexion. Either way, it is a stance phase stabilizer that we are beginning to know a lot more about. As for the name? You decide...

Dr Ivo Waerlop, one of The Gait Guys

1. Basmajian JV, Deluca CJ . Muscle Alive. Their Functions Revealed by Electromyography Williams and Wilkins. Baltimore, MD 1985, 377

2. Root MC, Orien WP, Weed JH. Normal and Abnormal Function of the Foot. Clinical Biomechanics, Los Angeles, CA 1977

3. Mann RA. Biomechanics of Running. In Pack RP. d. Symposium on the foot and leg in running sports. Mosby. St Louis, MO 1982:26

4. Lyons K, Perry J, Gronley JK. Timing and relative intensity of the hip extensor and abductor muscle action during level and stair ambulation. Phys Ther 1983: 63: 1597-1605

5. Michaud T. Foot Orthoses and Other Forms of Conservative Foot Care. Newton MA 1993: 50-55

6. Fiolkowski P, Brunt D, Bishop et al. Intrinsic pedal musculature support of the medial longitudinal arch: an electromyography study. J Foot & Ankle Surg 42(6) 327-333, 2003

7. Travell JG, Simons DG. Myofascial Pain and Dysfunction: The Trigger Point Manual. Williams and Wilkins, Baltimore 1992; 529

8. Kalin PJ, Hirsch BE. The origin and function of the interosseous muscles of the foot. J Anat 152, 83-91; 1987

9. Owens S, Thordarson DB. The adductor hallucis revisited. Foot Ankle Int. 2001 Mar;22(3):186-91. Am J Phys Med Rehabil. 2003 May;82(5):345-9.

10. Brenner E.Insertion of the abductor hallucis muscle in feet with and without hallux valgus. Anat Rec. 1999 Mar;254(3):429-34.

11. Appel M, Gradinger R. [Morphology of the adductor hallux muscle and its significance for the surgical treatment of hallux valgus][Article in German] Orthop Ihre Grenzgeb. 1989 May-Jun;127(3):326-30.

12. Arinci I, Geng H, Erdem HR, Yorgancioglu ZR Muscle imbalance in hallux valgus: an electromyographic study. Am J Phys Med Rehabil. 2003 May;82(5):345-9.

#halluxvalgus #halluxabductovalgus #bunion #footmuscleactivity #gait #thegaitguys

[iampjr]

RT @EPBResearch: Don't look now, but US residential construction spending fell 11.16% year over year in May. https://t.co/mQrKZNqqZa

RT @EPBResearch: Don’t look now, but US residential construction spending fell 11.16% year over year in May. https://t.co/mQrKZNqqZa

Don't look now, but US residential construction spending fell 11.16% year over year in May. pic.twitter.com/mQrKZNqqZa

— Eric Basmajian (@EPBResearch) July 1, 2019

https://platform.twitter.com/widgets.js from Twitter https://twitter.com/patrickrooney

[korlieblog]

✝️ “He paid a debt He did not owe… and the price I could not pay.” Mike Basmajian’s new single is a humble and heartfelt reminder of Christ’s sacrifice. Out now — stream “The Price We Could Not Pay” everywhere. #MikeBasmajian #NewChristianMusic #FaithSongs #GospelTruth #Worship

[qocsuing]

Highly-Anticipated Restaurant Empress

Highly-Anticipated Restaurant Empress

An iconic space in Chinatown once occupied by a bustling banquet hall called Empress by China is debuting as a completely revamped upscale Chinese restaurant. Empress by Boon plans to pump new energy into the neighborhood and attract tourists and locals alike.To get more news about last empress of china wanrong, you can visit shine news official website.

After two years of delays, Michelin-starred chef Ho Chee Boon is opening his first solo, modern Cantonese venture on Grant Avenue in Chinatown. The 7,500-square-foot destination takes up the top floor of the iconic building. Ho was the former executive chef of the international Hakkasan chain.

"I always thinking I want to make something good one in Chinatown," said Ho. "I never expect it's in San Francisco, but in San Francisco open one is something come everything together, because I love this city."

He chose a storied space. The landmark Empress of China first introduced fine Asian dining to San Francisco for nearly 50 years, before closing in 2014.

There are hints of old meets new throughout Empress by Boon. For example, a space designated as the tea lounge features a structure with beams from the original restaurant. It was an antique shipped to San Francisco more than 50 years ago from Taipei, Taiwan. Original panels with gold details have also been preserved. Ho wanted to pay homage to the special place it held in the community.

"You can see the view here it's actually it's the old San Francisco, and over there it's very new ... it's the Financial District over there," added Ho.

Empress by Boon is the latest in a series of restaurants that have transformed old banquet halls into higher end businesses. Ho believes the new restaurant will be a big part of the revitalization of Chinatown. He hopes to draw people to the neighborhood who will patronize local businesses.

Multi-leveled China Live opened in 2017 in the former Gold Mountain banquet hall space.

"The Empress is such a historic building and such a historic restaurant that there needs to be a great restaurant in that building in Chinatown and so we're really happy for those guys," said China Live General Manager Brian Basmajian. "Another great addition to Chinatown, we know the neighborhood needs it."