#Cesar Hidalgo

[sapientiasequori]

The concept of 'collective memory' and the loss of it is so natural to successive generations (between shifting fashion, science, stars etc) that most people would hardly give it a second thought in today's world. Which in a way makes it even more important to notice.

"... Some people would say collective memory decays based not on calendar time but the speed at which new content is being produced. We forget Elvis because the Beatles came up and we forget the Beatles because Led Zeppelin came and we forget Led Zeppelin because Metallica came up, and so forth. But things become very dear to a generation and people will not forget about them just because new content came in. So decay would be something characteristic of humans, not the volume of content. To separate those two things, we would need to look at content from very different time frames. At the moment, we don’t have the richness of data that we would need to answer that question."

[illustratus]

Don Quixote and Sancho Panza by Cesare Agostino Detti

[krispyweiss]

Song Review: Los Lobos - “Three Hundred Pounds of Joy”

Often thought of as the quintessential Mexican-American band - which on one level they are - Los Lobos are also very much a blues band. And one so highly regarded, the group gets its own 45-rpm single on the forthcoming Antone’s 50th Allstars - 50 Years of the Blues.

Sharing company with, among others, Albert Collins, Gary Clark Jr., Otis Rush, Jimmie Vaughan, Doyle Bramhall II, Ruthie Foster, Pinetop Perkins and James Cotton, Los Lobos present themselves as authentic as any blues act on the Willie Dixon-penned stomper.

With Cesar Rosas wailing at the mic and Steve Berlin blowing sax like natch’al born Chicagoans, the band from East L.A. are temporary South Siders on this studio version of a song that all-too rarely makes it to the stage.

And when Rosas and David Hidalgo get their respective six strings in a tangle, Los Lobos’ seemingly unlikely inclusion - on a seven-inch standalone no less - on a various-artists boxset devoted to the blues suddenly makes perfect sense.

Antone’s 50th Allstars - 50 Years of the Blues is due Aug. 22.

Grade card: Los Lobos - “Three Hundred Pounds of Joy” - A

6/25/25

[balletthebestphotographs]

Yvonne Slingerland Cosialls

Yvonne Slingerland Cosialls as “Cupido”, “Don Quixote Don Quichotte“, choreo by Aleksey Ratmansky Алексей Ратманский after Marius Petipa and Aleksandr Gorsky Александр Горский, music by Ludwig Minkus, Anton Simon, Volodymyr Shishkov, Cesare Pugni, Yuly Gerber, Eduard Nápravnik and Riccardo Drigo, set and costume design by Jérôme Kaplan, libretto by Marius Petipa based on the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” (“The Ingenious Nobleman Sir Quixote of La Mancha”) by Miguel de Cervantes Saavedra (1547-1616). With the cooperation of pupils and students of the Dutch National Ballet Academy Amsterdamse Hogeschool voor de Kunsten, Het Nationale Ballet Dutch National Ballet, Het Muziektheater, Amsterdam, Netherlands.

Source and more info at: Photographer Altin Kaftira on Vimeo Photographer Altin Kaftira on Twitter Photographer Altin Kaftira on Threads Photographer Altin Kaftira on You Tube Photographer Altin Kaftira on Facebook Photographer Altin Kaftira on Instagram

Altinfilms Website Altinfilms on Twitter Altinfilms on Facebook Altinfilms on Instagram

via: Yvonne Slingerland Cosialls

Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.

Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.

[sinceileftyoublog]

Los Lobos Live Show Review: 12/14, Cahn Auditorium, Evanston

BY JORDAN MAINZER

The Chicago area was a fitting stop for east L.A. Chicano rock band Los Lobos on their current 50th anniversary tour. Sure, Los Lobos is one of many bands not from the Windy City to call it "like [their] second home," as did David Hidalgo on Saturday night at the Cahn Auditorium in Evanston. But Los Lobos, especially, have been influenced by and increasingly seem to absorb the aesthetic of the various music scenes within Chicago, big and small, from Chicago blues to alt-country. Even their most recent album Native Sons (New West), a covers album of entirely musicians from L.A., has a secondary Chicago feel to it: I can imagine Jackson Browne and The Blasters rubbing elbows, played on WXRT or booked at the Old Town School of Folk Music, back-to-back. In Los Lobos' direct and indirect embrace of Chicago, music fans here have espoused them right back.

Oh, and it certainly helps their case that whether they're playing their original material or others', Los Lobos expand their songs such that the studio or original versions sound like ditties in comparison. Folks were dancing in the aisles on Saturday to everything from the dynamic "The Neighborhood" to ripping psychedelic jams like "Chuco's Cumbia". The band found new ways to elevate well-known songs. On the beloved "Kiko and the Lavender Moon", Hidalgo's accordion, Steve Berlin's keyboard delay, and Cesar Rosas' guitar distortion congealed into a dub-like haze, emphasizing the groove above all else. And for their encore, they threw a bone to not just the Chicago area but the Midwest in general, inviting on stage to play with them Milwaukee-based guitarist/singer-songwriter/bandleader Paul Cebar and Chicago jazz and blues guitarist Dave Specter, who opened the night. They played, as expected, Ritchie Valens' "La Bamba", interspersed with The Rascals' "Good Lovin'" (as Los Lobos are known to do), but it was the preceding performance of "Buzz, Buzz, Buzz" that caught my ear even more. Los Lobos covered the 50's doo-wop song, originally recorded by The Hollywood Flames, for their 1995 collaborative children's album with Lalo Guerrero, Papa's Dream. Given the President-elect's cabinet's promise to make Chicago ground zero for mass deportations, there was perhaps no better time than now to pay tribute to the late Guerrero, a farm labor activist. I don't know whether or not the political connotation of the song's inclusion in the set was intentional. That, however, is the richness and magic of Los Lobos, who have five decades of songs and albums about Mexican-American life, struggles against oppression and joy and thriving in spite of it.

[longliverockback]

Los Lobos The Ride 2004 Hollywood ————————————————— Tracks: 01. La venganza de dos pelados - Café Tacvba 02. Charmed 03. Is This All There Is? - Little Willie G 04. Charmed 05. Somewhere in Time - Dave Alvin 06. Wicked Rain • Across 110th Street - Bobby Womack 07. Kilate - Tom Waits & Martha González 08. Hurry Tomorrow 09. Ya se va - Rubén Blades 10. Wreck of the Carlos Rey - Richard Thompson 11. Matter of Time - Elvis Costello 12. Someday - Mavis Staples 13. Chains of Love 14. Phone Call from Rita 15. Monstra’s Out 16. Jockey Full of Bourbon —————————————————

Steve Berlin

David Hidalgo

Conrad Lozano

Louie Pérez

César Rosas

* Long Live Rock Archive

[thebowerypresents]

Willie Nelson Brings Outlaw Music Festival to Forest Hills Stadium

Outlaw Music Festival – Forest Hills Stadium – September 17, 2023

You don’t so much attend a Willie Nelson concert these days as you conform to its warmly understated, sometimes leisurely, sometimes-invigorating pace. Then again, he’s always seemed to have that pause-a-sec-and-listen effect: Whether 30 or 90, delivering sad-eyed, tear-in-beer weepers, tender folk, inspiring hymns or outlaw country rousers, he’s got you. Hearing him play, surrounded by his adoring band, still has that time-stopping quality, and Forest Hills Stadium was in thrall to one of American music’s true and unimpeachable legends on a rainy but warm Sunday evening. 

The Outlaw Music Festival, a going concern for a while now, is Willie’s eclectic seasonal caravan, loading up a sprawling six-hour bill with a range of artists that don’t sound quite like Nelson but are at the same time just right for a show like this, underscoring his own lineage and place in the history of many potent strains of Americana. As ever, he and his impressive band crowned the show with an hour-long set of their own, setting a brisk but not workmanlike pace through his classics (“Whiskey River,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” “On the Road Again,” “I Gotta Get Drunk,” “Always On My Mind,” “Roll Me Up and Smoke Me When I Die”) and those of friends and favorites, including Billie Joe Shaver’s “I Been to Georgia on a Fast Train,” “Stay a Little Longer” from the Bob Willis catalog, “Move It On Over” from Hank Williams, and the immortal “Georgia on My Mind.” Willie’s sung these songs thousands of times, but each one still felt like a warm embrace, even the wistful ones, and even the ones for which he wouldn’t need to do more than go through the motions but is just too classy for that.

About the bill: There were plenty of willing conspirators and indeed, half the fun of a tour like this is the cross-pollination and spirit of collaboration that happens throughout. No less than Norah Jones — a surprise guest, unannounced — low-key sat in on keyboards for most of the Willie set. (It wasn’t even clear it was her until she took a few backing vocals and then a full verse of “I Gotta Get Drunk.”) Harmonica ace Mickey Raphael — a stalwart of Nelson’s band — joined for sections of earlier sets from Los Lobos, the String Cheese Incident and Bob Weir & Wolf Bros using a range of harmonica modes, from sawing roadhouse blues to sweet-’n’-tender folk. And as ever, Willie made his customary invite to many of the musicians, including a game and all-smiles Weir, to join in for the rootsy, hymnal “Will the Circle Be Unbroken” and several more selections, hootenanny-ing up the stage to close the night.

Weir’s Wolf Bros — one of the most interesting post–Grateful Dead bands and as oddly compelling a capture of Weir’s Weir-ness as any other group he’s been part of — got about 90 minutes to roam as the night’s coheadliner and more than made the most of it. The core trio of Weir, Don Was and Jay Lane has mushroomed on the road into a full ensemble, including Weir’s longtime swingman Jeff Chimenti on keys and ace pedal steel from Barry Sless, plus a sturdy horns-and-strings section called the Wolfpack. That bigness was well used here: “Jack Straw,” “Estimated Prophet” (neatly segued into its forever companion, “Eyes of the World,” which itself neatly segued into Marvin Gaye’s “What’s Going On”), the Sunday-special “Samson & Delilah” and a rollicking “Turn On Your Lovelight” were Grateful Dead staples all getting jammy workouts.

Earlier came a potent set from jam-bluegrass stalwarts the String Cheese Incident, somehow now approaching their own 30th anniversary. And earlier still came the mighty Los Lobos — themselves, whoa, 50 years along! — who played a ripsnorting 45-minute frame full of cumbia and full-boogie rockers, including the beloved “Georgia Slop.” 30 years? 50 years? So much beautiful longevity here, but the bar appears to be 90 years, gang. —Chad Berndtson | @Cberndtson

Photos courtesy of Silvia Saponaro | @Silvia_Saponaro

[graphicpolicy]

Mighty Morphin Power Rangers: Recharged Deluxe Edition preview. With new allies and an all-too-familiar minion, will the Morphin Grid manage to withstand Mistress Vile's onslaught? #comics #comicbooks

[mitjalovse]

Mitchell Froom did what he did with his own set of skills, but I would claim he could have let some of his favourite players on their own. For instance, he helmed Los Lobos and one can dare to claim his collaboration with them made them popular, but they did sort of lose their cooperative skills later on. Mind you, this happens to everyone, there's nothing out of the ordinary in this, so when you notice how the songs on This Time could've benefitted greatly from a different person behind the helm? Stuff like this happens. Then again, this was their late 90's record with all the latter phrase entails, which suggests they assumed the following – let us work again with the guy who lead us through our biggest success. Well, who could have begrudge them of that?

[proseotube]

Julio Cesar Chavez Jr. Not yet listed in the ICE database for a week since his arrest. LOS ANGELES – A week after Ice was arrested, Julio Cesar Chavez Jr., his whereabouts are still unknown. Sometimes people who are detained by ice do not appear on the agency’s “detainee locators” for several days while in custody. Chávez Jr. has been held on ice for a week. DHS Deputy Chief Tricia McLaughlin told USA Today when DHS asked for information on his detention Wednesday and when asked whether he would be deported or officially handed over to Mexico, where he is facing weapons and drug trafficking charges. Attorney Michael Goldstein, who represents Chavez Jr. in a case not related to the ice arrest, told USA Today that the Mexican boxer is under DHS’s control. Two days ago, the lawyer said he didn’t know if Chavez Jr. was still in the US. Goldstein did not provide any information about Chavez Jr. on Wednesday. more: Chávez Jr. misses court in a case that is unrelated to Ice’s arrest, and the lawyer says his status is unknown. On Tuesday, a woman answered the door to Chavez Jr’s house in Studio City, a nearby Los Angeles home, saying that Chavez Jr’s wife Frida had just left. The woman took a business card from a reporter on USA Today and said she would give it to Chavez Jr.’s wife, but there was no response from the Chavez family. No one answered the door to Chavez Jr.’s house on Wednesday morning. On Monday, Chavez Jr. missed a court hearing in the Northwest Division of Los Angeles Superior Court, arising from a 2024 gun charge arrest. Chavez Jr. was expected to seek early release from the previous repurpose that allowed him to enter a program of rehabilitation services rather than face prosecutors. Goldstein said Chavez Jr. is not expecting at the hearing as the former world champion was detained by the Department of Homeland Security the previous week. Shortly after the hearing, Goldstein said he learned two days ago that Chavez Jr. was under DHS’s control in Hidalgo, Texas. Chávez Jr. When asked if he was still in the US, Goldstein told USA Today: “Unfortunately, there is no information.” According to DHS, Chavez Jr. was arrested on July 2nd and detained by US immigration and customs enforcement agencies, where he was processed for rapid removal from the US. DHS is Chávez Jr. said he faces an aggressive arrest warrant in Mexico on charges that include involvement in organized crime. Chavez Jr.’s arrest comes days after he fought celebrity boxer Jake Paul in Anaheim, California. Former world champion Chavez Jr. was defeated in an unanimous decision with his father, Hall of Fame boxer Julio Cesar Chavez Sr. USA Today reporter Pamela Avila contributed to this report. The post Julio Cesar Chavez Jr. Not yet listed in the ICE database for a week since his arrest. appeared first on US-NEA. Tags and categories: USA via WordPress https://ift.tt/upFAG9y July 10, 2025 at 03:08AM

[entretodosdigital]

Julio César Chávez Jr. falta a audiencia en EE. UU.; se desconoce su paradero

New Post has been published on https://entretodos.com.mx/noticias/julio-cesar-chavez-jr-falta-a-audiencia-en-ee-uu-se-desconoce-su-paradero/

Julio César Chávez Jr. falta a audiencia en EE. UU.; se desconoce su paradero

Redacción .- Julio César Chávez Jr. no se presentó ante la División Noroeste del Tribunal Superior de Los Ángeles, en Estados Unidos, donde tenía programada una comparecencia este lunes, según reportes. Asimismo, uno de sus abogados informó que desconoce su ubicación.

Durante la audiencia de este 7 de julio de 2025, se esperaba definir la fecha en la que el boxeador podría ser enviado a México.

Abogado desconoce paradero de Chávez Jr. En declaraciones para US Today Sports, Michael Goldstein, abogado de Chávez Jr., indicó que no sabía la ubicación de su cliente.

Según el medio, hace dos días se enteró de que el boxeador se encontraba en Hidalgo, Texas, detenido por el Departamento de Seguridad Nacional.

Cuando se le preguntó si Chávez seguía en Estados Unidos, el abogado le dijo a US Today Sports:

“No tenemos idea. Desafortunadamente, no tenemos información”.

Detención de Julio César Chávez Jr. Julio César Chávez Jr. fue detenido por agentes del Servicio de Inmigración y Control de Aduanas (ICE) de Estados Unidos luego de estar como indocumentado en el país, y se le vincula con el Cártel de Sinaloa.

La detención del boxeador mexicano tuvo lugar en Los Ángeles, California, el 2 de julio, según informó el Departamento de Seguridad Nacional de Estados Unidos.

“El Departamento de Seguridad Nacional (DHS) anunció que Inmigración y Control de Aduanas (ICE) detuvo al destacado boxeador mexicano y extranjero ilegal Julio César Chávez Jr., y lo está procesando para la expulsión acelerada de Estados Unidos. Chávez es un ciudadano mexicano que tiene una orden de aprehensión activa en México por su participación en el crimen organizado y tráfico de armas de fuego, municiones y explosivos”, mencionó DHS en un comunicado.

Momentos después de que se hizo pública su detención, un video fue compartido en redes sociales donde se pudo ver el momento exacto en el que ICE aprehendió al atleta.

Por su parte, la Fiscalía General de la República (FGR) confirmó que Julio César Chávez Jr. cuenta con una orden de detención en México desde marzo de 2023, por delincuencia organizada y tráfico de armas.

[reposted-yura15cbx]

Alfonso Santistevan_ William Shakespeare - Patron leal. Version de El Rey Lear de William Shakespeare.pdf Benito Perez Galdos - La casa de Shakespeare-ePubLibre (1895).epub Bill Bryson - Shakespeare (1909).epub Bill Bryson - Shakespeare (31.7.2020, Rba) - libgen.li.fb2 Bill Bryson - Shakespeare-ePubLibre (2007).epub Brandon Toropov - Shakespeare para principiantes-Era Naciente (1999).pdf Cervantes Saavedra, Miguel de_Padilla, Ignacio_Shakespeare, William - Cervantes & compania-Grupo Planeta - Mexico_(2016).epub Charles Bukowski - Shakespeare nunca lo hizo-ePubLibre (1979).epub Frances Amelia Yates - Las Ultimas Obras de Shakespeare-Fondo de Cultura Economica (2001).pdf Frances Yates - Las ultimas obras de Shakespeare-ePubLibre (1975).epub Francisco Calero - Shakespeare y Cervantes-Dykinson (2016).pdf Greenblatt, Stephen - El espejo de un hombre_ Vida, obra y epoca de William Shakespeare-(2016).epub HAMLET_ HOBBES, THOMAS_ - Politica y tragedia Hamlet, entre Hobbes y Maquiavelo (2005).pdf Herder, Johann Gottfried - Shakespeare.pdf Hippolyte Taine_ Jose de Caso (tr.) - Historia de la Literatura Inglesa — El Renacimiento_ Jonson, Shakespeare, Milton. 2-La Espana Moderna (.pdf Joseph Pearce - Through Shakespeare’s Eyes-Ignatius Press (2010).pdf Margotte Channing - El misterio entre Cervantes y Shakespeare.pdf Marsillach, Adolfo - Noche De Reyes Sin Shakespeare.pdf Miguel de Cervantes, Richard Wagner, William Shakespeare - Lecturas Clasicas. Espana. Francia. Alemania. Italia. Inglaterra. Antologia III.pdf Rene Girard - Shakespeare. Los fuegos de la envidia-Anagrama.epub Ruppert Ujaravi Ricardo - Shakespeare En Espa?a.pdf Samuel johnson - Prefacio a shakespeare-El acantilado (1765).fb2 Samuel Johnson - Prefacio a Shakespeare-ePubLibre (1765).epub Shakespeare, William - A Vuestro Gusto.pdf Shakespeare, William - como gusteis.pdf Shakespeare, William - El rey lear.pdf Shakespeare, William - El sueno de una noche de verano.pdf Shakespeare, William - Enrique IV.pdf Shakespeare, William - Hamlet.pdf Shakespeare, William - Julius Cesar (de).pdf Shakespeare, William - La tempestad.pdf Shakespeare, William - Los dos hidalgos de Verona.pdf Shakespeare, William - Macbeth.pdf Shakespeare, William - Otelo.pdf Shakespeare, William - Penas Por Amor Perdidos.pdf Shakespeare, William - Ricardo 2.pdf Shakespeare, William - Romeo y Julieta.pdf Shakespeare, William - Sonetos de amor.pdf Shakespeare, William - Sonetos.pdf Shakespeare, William - Sueno de una noche de San Juan.pdf Shakespeare, William - Trabajos de amor perdidos.pdf Shakespeare, William, 1564-1616 - Pericles.pdf Shakespeare, William_Modenessi, Alfredo Michel_Pujante, Angel-Luis_Oliva, Salvador - Comedias y tragicomedias-Espasa (2012).pdf Stendhal - Racine y Shakespeare (scan)-Centro editor de america latina (1967).pdf Stephen Greenblatt - El tirano_ Shakespeare y la politica-Editorial Alfabeto (2019).epub William Shakespeare - Dramas.pdf William Shakespeare - El rey Lear .pdf William Shakespeare - Hamlet -Textstream Spanish (2009).pdf William Shakespeare - Hamlet (Ilustrado)-ePubLibre (1603).epub William Shakespeare - La tempestad .pdf William Shakespeare - Macbeth .pdf William Shakespeare - Otelo -Textstream Spanish (2009).pdf William Shakespeare, traduccion, prologo y notas de Idea Vilarino - Hamlet, principe de Dinamarca-Ediciones de la Banda Oriental (1974).pdf

[betshy]

Cesar Calvo Hidalgo: Key Theories and Contributions to Economics

Cesar Calvo Hidalgo is a renowned economist who has made significant contributions to the field of economics with his key theories. His work has helped to shape the way we understand economic systems and policies, and has influenced economists and policymakers around the world. One of Cesar Calvo Hidalgo's key theories is the theory of economic growth. In his research, Hidalgo has highlighted the importance of investments in physical and human capital as drivers of economic growth. He argues that an increase in investments in these areas can lead to higher levels of productivity, which in turn can stimulate economic growth. Hidalgo has also emphasised the role of technological innovation in driving economic growth, and has shown how new technologies can lead to higher levels of productivity and economic output. Another key theory of Cesar Calvo Hidalgo is the theory of comparative advantage. This theory, which was first proposed by economist David Ricardo, argues that countries should specialise in producing goods and services in which they have a comparative advantage, and then trade with other countries to maximise their economic welfare. Hidalgo's work has expanded on this theory, showing how comparative advantage can lead to gains from trade and lead to higher levels of economic welfare for all countries involved. In addition to these key theories, Cesar Calvo Hidalgo has also made important contributions to the field of public finance. He has studied the impact of government policies on economic growth, and has shown how fiscal policy can be used to stabilise the economy during times of recession. Hidalgo has also examined the effects of taxation on economic growth, and has shown how tax policies can influence incentives for individuals and businesses to invest and innovate. Overall, Cesar Calvo Hidalgo's work has had a significant impact on the field of economics, and his key theories continue to shape the way we understand economic systems and policies. By highlighting the importance of investments in physical and human capital, the theory of comparative advantage, and the role of government policies in promoting economic growth, Hidalgo has provided valuable insights that can help policymakers and economists make informed decisions. Read the full article

[krispyweiss]

Little Feat with Los Lobos at PNC Pavilion, Cincinnati, Ohio, June 18, 2024

When writing about a two-band gig, journalistic norms dictate leading with the headliner. But where Little Feat and Los Lobos are concerned, such guidelines are bunk.

For on June 18 at Cincinnati’s PNC Pavilion, support act Lobos, a band with its core quartet in place for 51 years, was the brightest star on a stage shared with the recently reconstituted Feat, with original keyboardist and onstage traffic cop Bill Payne; Dixie Chicken-era members Sam Clayton (percussion) and Kenny Gradney (bass); Let it Roll arrival Fred Tackett on guitar, mandolin and trumpet; and new additions Tony Leone on drums and Paul Barrere vocals and Scott Sharrard on guitar and Lowell George vocals.

What the fans who filled some one-third of the venue’s 4,000 seats received in return for braving the outdoor sauna was an hour from one of America’s longest-running and stable bands - horn/keyboard man Steve Berlin joined in 1982 - and 90 minutes from the world’s-best Little Feat tribute act with members of Los Lobos sitting in on multiple cuts.

It was still near 90 degrees when Los Lobos wrapped at 9 p.m., yet the fans dancing to the Grateful Dead’s “Bertha,” which morphed out of “Not Fade Away,” rewarded the group with a standing ovation. And Cesar Rosas (guitar, percussion, vocals), Conrad Lozano (bass), Louie Pérez (guitar, jaraña, drums), David Hidalgo (guitar, accordion, vocals), Berlin and touring drummer Alfredo Ortiz earned the accolades with a career- and-genre-spanning set bridging decades, cultures and influences.

The sextet opened with “Flat Top Box” and “Love Special Delivery” from 2021’s covers album, Native Sons, songs that featured Berlin’s baritone saxophone underscoring the 1950s vibe. Hidalgo’s Hendrixian guitar solo on the latter added trippy color to the song Rosas typically calls “LSD.”

It was off to the stratosphere from there with Lozano, who spent the gig seated on his amp, and Ortiz signaling a deep-pocketed “Dream in Blue” with an extended sax solo from Berlin. Rosas was on maracas and Pérez on jaraña for “Maricela,” instrumentation that would be reprised later on “Chuco’s Cumbia.”

Jazz was the hallmark of a 10-minute plea for peace on “The Neighborhood;” blues and a dedication to John Lee Hooker on “Don’t Worry Baby;” and the band looked to the East (“Kiko and the Lavender Moon”) and South (“Georgia Slop”) when Hidalgo strapped on a squeezebox and Pérez retuned temporarily to his original spot behind the kit.

Though Lobos’ opening set was necessarily truncated, Berlin, Hidalgo and Rosas had more stage time to come, as each sat in during Feat’s performance, bookended with “Fat Man in the Bathtub” and “Feats Don’t Fail Me Now.” Harmonica blower Michael LoBue also appeared for “Mellow Down Easy” (with Hidalgo) and “Long Distance Call” (Rosas) from Sam’s Place, the band’s 2024 blues covers album with Clayton on lead vocals.

These songs, Payne’s “Oh Atlanta,” and 1988’s “Hate to Lose Your Lovin’” sounded like the band that recorded them, as Sharrard (Gregg Allman Band) is more adept at channeling Craig Fuller than George.

Other tracks from Feat’s golden era were less successful. “Willin’” featured a mandolin solo and was akin to John Mayer singing “Ripple” for Dead & Company; Leone (Chris Robinson Botherhood) didn’t quite capture the essence of “Old Folks Boogie;” and “Dixie Chicken” - outfitted with trumpet, bass and synth solos - lost its momentum in the gratuitous showcases.

But “Cold, Cold, Cold,” “A Apolitical Blues,” “Spanish Moon” and “Skin it Back” - the latter two with Berlin reading charts from a piece of paper taped to a mic stand and honking on a baritone sax - almost sounded like Little Feat. Not quite. But almost.

In the end, Los Lobos met the absurdly high expectations that come with being the best live band in America on any given night, while Little Feat exceeded the more-modest hopes for a group of veterans and ringers.

Grade card: Little Feat with Los Lobos at PNC Pavilion - 6/18/24 - B/A

6/19/24

[balletthebestphotographs]

Connie Vowles

Connie Vowles as “Cupido”, “Don Quixote Don Quichotte“, choreo by Aleksey Ratmansky Алексей Ратманский after Marius Petipa and Aleksandr Gorsky Александр Горский, music by Ludwig Minkus, Anton Simon, Volodymyr Shishkov, Cesare Pugni, Yuly Gerber, Eduard Nápravnik and Riccardo Drigo, set and costume design by Jérôme Kaplan, libretto by Marius Petipa based on the novel “El Ingenioso Hidalgo Don Quijote de la Mancha” (“The Ingenious Nobleman Sir Quixote of La Mancha”) by Miguel de Cervantes Saavedra (1547-1616). With the cooperation of pupils and students of the Dutch National Ballet Academy Amsterdamse Hogeschool voor de Kunsten, Het Nationale Ballet Dutch National Ballet, Het Muziektheater, Amsterdam, Netherlands.

Source and more info at: Connie Wowles on Instagram

Note I: This blog is open to receiving and considering any suggestions, contributions, and/or criticisms that may help correct mistakes or improve its content. Comments are available to any visitor.

Note II: Original quality of photographs might be affected by compression algorithm of the website where they are hosted.

[gamboagarcia]

Gracias de antemano por sus comentarios Transporte gratuito a madres trabajadoras del centro de Parral: César Peña El abanderado naranja, aseguró que dada la crisis que se enfrenta por la pandemia, es necesario defender el ingreso de las familias. Hidalgo del Parral, Chih. - Con el fin de reactivar la economía del hogar de las madres trabajadoras del centro, el candidato de Movimiento Ciudadano, César Peña propuso ampliar el programa de transporte gr... Sigue leyendo: https://www.adiario.mx/estado/transporte-gratuito-a-madres-trabajadoras-del-centro-de-parral-cesar-pena/?feed_id=162366&_unique_id=6682332722b4c