#CoAP)

[masterfuldoodler]

I made a new quiz! Have fun!

[opelman]

The Blue Hour by Treflyn Lloyd-Roberts Via Flickr: The Yorkshire Air Museum's Dassault Mirage III lit up against the trees as dusk falls during a Centre of Aviation Photography night shoot. Aircraft: Armée de l'air/French Air Force Dassault Mirage IIIE 3-QH/538. Location: Yorkshire Air Museum, Elvington, York.

[its-flame-art]

| 𝘵𝘩𝘦 𝘵𝘪𝘮𝘦'𝘴 𝘢𝘭𝘸𝘢𝘺𝘴 𝘳𝘪𝘨𝘩𝘵 𝘵𝘰 𝘧𝘪𝘹 𝘸𝘩𝘢𝘵'𝘴 𝘸𝘳𝘰𝘯𝘨 |

don’t know why the quality is so bad…if you want to see it in a teensy bit better quality plus a cool time-lapse of said drawing check me out on instagram!

[techenthuinsights]

Discover the leading IoT protocols, including MQTT, CoAP, HTTP, AMQP, DDS, and more. Understand how these protocols facilitate communication within IoT ecosystems.

[ysaefinn]

I need to keep reminding myself that the people who see my art don't nitpick and instead just think "wow man boobs"

[halfalivez]

truthfully ive never used tumblr and im just on here to find more half•alive fans , heres sum josh drawings as an offering

[voidlight00]

[youngmar4]

250703 DONGHYUN OFFICIAL INSTAGRAM STORIES ~

as I bought 4 of these but I didn't get to use them...

Cr: boy_e.black | Trans by me youngmar4 ^-^💝

[maple-leifarts]

does anyone. does anyone listen to half alive

[jabberjay-tblr]

1. hot tea

2. conditions of a punk

3. never been better

4. call back

5. what’s wrong

(6. everything machine)

i keep forgetting to tag you sorry @masterfuldoodler

[opelman]

Seeing Double? by Treflyn Lloyd-Roberts Via Flickr: No, just a Mirage (or two). The Yorkshire Air Museum's pair of Dassault Mirages seen during a Centre of Aviation PHotography night shoot. Aircraft: Armée de l'air/French Air Force supersonic strategic bomber Dassault Mirage IVA 45/BR and fighter Dassault Mirage IIIE 3-QH/538. Location: Yorkshire Air Museum, Elvington, York.

[mapsmessaging]

MAPS Messaging delivers unified MQTT CoAP STOMP middleware with protocol-agnostic translation and zero-copy processing. It supports enterprise-grade security, sub-10 ms latency, and real-time routing. Seamless integration across edge, container, and cloud environments.

[emailgremlin]

h•a post-opener check in

[rightnewshindi]

GATE 2025 स्कोरकार्ड जारी: IIT रुड़की ने खोले भविष्य के दरवाजे, ऐसे करें डाउनलोड #News #HindiNews #IndiaNews #RightNewsIndia

[now-notyet]

Do you think the full album Conditions of a Punk tells a story? Starting with the title track that's almost a preface before the first chapter (Summerland)

Yes! Absolutely! (thank you for your ask :>) It's a breakup album - about the 'emotional' - and it's a story of longevity. There are many references to the summer, and the fall - the summer being the good (as shown in Summerland) and the fall - well, we can tell from the song - being the bad times. Seasonal imagery is summed up in 'Back Around' as seasons are cyclical, always repeating, never stopping. COaP is weird in a way to me as it's written and presented in a way that it is both happening in the past and in the present, like the circle of thoughts is consistently repeating. Each song follows a theme, has an aspect, and this can be traced throughout the songs.* *I just quickly want to acknowledge that I interpret half alive's discography in a secular manner because religion does not inform my worldview. If you want some really great, probably more accurate to artistic intention interpretation that does include Christianity, check out @sunkissedliterarylightofchrist!!

(more below the cut) - part 1 2

Conditions of a Punk is a retrospective far in the future. It is the point past the pain where it is detached - and it is about what it taught the 'speaker' - 'Love [isn't] what they thought it was'. It's unique in it's approach, as it is also a prelude to the story forthcoming. It's almost saying 'This is a Cautionary Tale'. It's a disclaimer, but with that it leads us into - Summerland is a song that is undoubtedly about the time spent with friends. It is on the good times, but dips very slightly into the bad every so often.

Everything is freedom 'Til the seasons change And the trees start dying And the sunlight leaves your face

As showcased by the Summerland music video, and the blurb attributed to it;

In the middle of summer, two friend groups meet, one of Finn Francis , the other of Rorey Roberts. Rorey is only in town for a month, but during that short time, Finn & her connect in ways that will live nostalgic, forever in their memories; wrapped up in the reckless adventure of Summer. Finn & Rorey get close, but as the weeks come to an end, Rorey flies home, & they are left with the bittersweet end of Summer’s romance.

This is the start of the relationship, which will eventually breakdown and fizzle out throughout the album.

Brighton is about love and the growth of it, but also starting to see (and ignoring) the cracks in the facade of the person you're looking at because you so desperately need their love. The speaker continuously makes reference to 'needing love' like breath, like dreams, like air to breathe - while at the same time there's described imagery of trying to wake up, but also avoiding all the edges. This is foreshadowing Did I Make You Up? and Hot Tea where those 'edges' or flaws will become more apparent.

I'm not looking for the end, just avoiding all the edges Am I so wrong? I'm tryin' not to get lost I'm tryin' to wake up

High Up is (to me, at least) about how the idea of being in love, or the feeling of being in love makes people feel. Being looked at in such a way it is like a high - or a drug - the speaker 'never wants to come down' off of it. To me, this is a rationalisation of why they continue to ignore or dull down the flaws of the person they're with. (This song has great biblical allusions which I am NOT suited to talk about).

Hot Tea as mentioned before is all of those cracks becoming toxic. There is desperation in this song. The running staccato guitar, the fact Josh is almost singing - it's all sort of kind of rapped like it's uneasy and desperate and messy and rushed, rushed speech without thought - this is toxic love. They are physically inescapable, like a drug, your body is dependent - addicted to them. Holding them close like hot tea - enough to burn but contained by something fragile. Wanting DESPERATELY to be sat below them - at their feet - 'sucking in their energy'. The sensation of someone 'clawing at the corner of your heart' - this isn't healthy, we're being shown this isn't healthy - but at the same time there is serene imagery of waves crashing at shores which is both frightening, dangerous, damaging. Hot Tea is not simply about love and disillusionment it's about the facade slipping away, coming down off the high while still seeing the hallucinations- being 'ruined by love' willingly and still looking towards it. Did I Make You Up? as noted, in another post, is a retrospective (not in the way Summerland is), but also a realisation, this is the speaker 'waking up' as alluded to in Brighton;

Was I wrong? Did I make you up? All along I've been wakin' up

Waking up can be attributed to seeing what their flaws are and realising they were never who they thought you were.

Some person you projected Were you ever telling me the truth?

This is where chronological time starts to blur, as depending on how you see it, this can be retrospective - the speaker sitting behing the piano thinking about this retrospectively- OR in the present - the present realisation- the speaker actively speaking to the subject about their realisation.

Nobody dips away from this line and shows the effects of what is happening in the relationship outside of the relationship - it's theme is the speaker and who they are without this relationship - they've changed themselves for this, and it's hard to be that person, but it hurts to find who they really are;

Oh, I hate Loving what you think I hate The way I change the way I speak

Furthermore, there is more realisation that things would be easier or better if the speaker just could be 'nobody' or themselves.

But imagine me havin' nothin' to prove And nothin' to lose And have the courage to be nobody Nobody, nobody, nobody could hold me down

Move Me is a last ditch attempt to keep it all together - the longing and begging to still feel something or to have someone. This is shown in the violent imagery coupled with the repetition of 'I want'

I want your storms Shaking the trees I want your waves Breaking on me I want your knife To cut the seams

It doesn't matter that the storms are shaking the trees violently, it doesn't matter that the waves are crashing in and breaking, it doesn't matter that the knife is sharp enough to cut - it is desperate longing and wanting. Wanting to be moved, or wanting to feel something - anything - even if it's bad. Move Me is the desperate final attempt. (In a weird way, I think this is kind of where the timeline splits. There are two different endings to COaP, and one of them starts here, where the relationship keeps going and the narrative starts again at Everything Machine where the everything machine is the relationship. The other one is where the relationship goes on and barrels forward into Yosemite. This makes no sense to anyone but me I guess)

Yosemite is a break up - but in an odd way. It's hard to say 'goodbye' but it's notable that it's never said properly because it's not over (we've got 9 more songs, after all). This is the physical break-up - where they're saying goodbye in a sort of "this is over now" but not the emotional one, where you realise it's over, and the floodgates open and all the feelings rush in, but it's coming.

Never Been Better is about the person you present against the person you are. Assuming this has happened after the physical breakup, this is the speaker presenting they're okay while really, they're dealing with a lot inside.

Back Around is about knowing you've got healing to do now, but acknowledging the healing isn't going to happen immediately, and it's not going to happen without concious effort - 'I've been waiting on the rain to // erase all the steps I've made' but they realise they need to get themselves lost, in order to find themself again.

I've been on my own Changing with the seasons Dying with the leaves I'm Coming back around

Summer is coming 'back around' but right now, the speaker is at the point where where '[they] need to get lost to find [their] way home again'.

Everything Machine is, artistically intended to be a song about the toxic relationship with technology the speaker has and how it's used as a coping mechanism to deal with the turmoil within and without.

But when your faith is gone, got me to believe in When people let you down, I'm here, you know

What's Wrong

im actually probably gonna do a part two to this later i forgot how long this fucking album is.

[whitefromthebeginning]

West Virginia coal miner Jason Ward is a good man who cares about his neighbors unlike the soulless Transylvanian Cherokee that work for the monsters Jeff Bezos, Elon Musk and Bill Gates that Satan created .