#Daina Reid

[oocstephenkingtv]

Stephen King TV series adaptations (2017-2021) + female directors

Mr. Mercedes 1x8 From the Ashes (2017)

2x6 Proximity (2018)

3x5 Great Balls of Fire (2019)

The Outsider 1x6 The One About the Yiddish Vampire (2020) Teleplay by Jessie Nickonson-Lopez

1x7 In the Pines, In the Pines (2020)

1x9 Tigers and Bears (2020)

The Stand 1x3 Blank Page (2020) co-written by Jill Killington

1x4 The House of the Dead (2021) co-written by Jill Killington

[moviemosaics]

Run Rabbit Run

directed by Daina Reid, 2023

[cemyafilmarsiv]

Run Rabbit Run directed by Daina Reid

[cappedinamber]

Run Rabbit Run (2023)

Directed by Daina Reid

Cinematography by Bonnie Elliott

[moviesframes]

Run Rabbit Run (2023)

Directed by Daina Reid

Cinematography by Bonnie Elliott

[guiadeterror]

Apenas Corra

Apenas Corra (Run Rabbit Run) SINOPSE: Uma médica de fertilidade tem suas crenças colocadas à prova quando sua filha começa a exibir comportamentos estranhos. Ela enfrentará pela primeira vez um fantasma de seu passado. Informações técnicas: DIREÇÃO: Daina Reid ROTEIRO: Hannah Kent ELENCO: Sarah Snook, Lily Latorre, Neil Melville PAÍS/ANO DE PRODUÇÃO: Austrália, EUA, 2023 GÊNERO: Terror,…

[bob-the-movie-man-film-reviews]

Run Rabbit Run (15): Playing Hide-and-Seek with History.

#onemannsmovies review of "Run Rabbit Run" (2023). #RunRabbitRun. #netflix mystery/horror that has good acting but didn't ignite for me. 3/5.

A One Mann’s Movies review of “Run Rabbit Run” (2023). Sarah Snook is a wonderful actress, and she seems to have burst out of the “Succession” gate running. This Australian film, “Run Rabbit Run”, is the second of my movie reviews in succession (no pun intended!) that has featured her. This time she’s in a starring role. Bob the Movie Man Rating: Plot Summary: Sarah (Sarah Snook) is a…

[brotherconstant]

SARAH SNOOK in RUN RABBIT RUN (2023) dir. Daina Reid You're a good girl. You're a good… You're a good girl. | You're a monster.

[lyledebeast]

August 13: Run Rabbit Run

This 2023 film by Daina Reid was brand new to me, and I don't think I've really given it a fair shake by watching it the day after Hereditary. This is also a film about family trauma that relies heavily on the creepiness of little girls. Run Rabbit Run is absolutely not Hereditary Down Under, though. The cast is very small and almost every scene focuses on the mother-daughter relationship. Sarah Snook is phenomenal, and while the film overall is less scary than Hereditary--like every other horror movie from the past, idk, decade!--it has the spooky atmosphere down pat.

I was able to guess the twist fairly early on, but the execution of it is no less brutal for that. I definitely would recommend this, particularly to fans of Succession, but I don't think I enjoy it as much as I would have had I watched these films in a different order.

That white rabbit is creepy as fuck, though! It kind of steals the show tbh.

[meddling-in-horror]

31 movies 31 days (kind of)

It's that time of year again folks, where I go insane and try to watch a movie a day for the entirety of October. You may see the addendum of 'kind of' attached to this years, and that's because I've decided to be rather ambitious: I'm watching 36 movies this year. This is in part due to a Halloween party hosted by a dear friend of mine, but whatever. You're here for the list, which is as follows:

X (2022, dir. Ti West) Pearl (2022, dir. Ti West) Maxxxine (2024, dir. Ti West) Satanic Hispanics (2022, anthology/multiple) Carrie (1976, dir. Brian De Palma) Blood Relatives (2022, dir. Noah Segan) Suitable Flesh (2023, dir. Joe Lynch) It's a Wonderful Knife (2023, dir. Tyler Macintyre) One Cut of the Dead (2017, dir. Shinichirou Ueda) Audition (1999, dir. Takashi Miike) A Girl Walks Home Alone at Night (2014, Ana Lily Amirpour) Possession (1981, dir. Andrzej Żuławski) Jennifer's Body (2009, dir. Karyn Kusama) The Lure (2015, dir. Agnieszka Smoczynska) The Craft (1996, dir. Andrew Fleming) Stopmotion (2023, dir. Robert Morgan) Werewolves Within (2021, dir. John Ruben) The People Under the Stairs (1991, dir. Wes Craven) Def By Temptation (1990, dir. James Bond III) Day Shift (2022, dir. J. J. Perry) Candyman (1992, dir. Bernard Rose) Bodies Bodies Bodies (2022, dir. Halina Reijin) The Pope's Exorcist (2023, dir. Julius Avery) The Deliverance (2024, dir. Lee Daniels) It Follows (2014, dir. David Robert Mitchell) Run Rabbit Run (2023, dir. Daina Reid) Child's Play (1988, dir. Tom Holland) Child's Play 2 (1990, dir. John Lafia) Bride of Chucky (1998, dir. Ronny Yu) Seed of Chucky (2004, dir. Don Mancini) Trick r' Treat (2007, Michael Dougherty) You're Next (2011, dir. Adam Wingard) Behind the Mask: The Rise of Leslie Vernon (2006, dir. Scott Glosserman) Tucker & Dale v.s Evil (2010, dir. Eli Craig) Repo! The Genetic Opera (2008, dir. Darren Lynn Bousman) Terrifier (2016, dir. Damien Leone) Most of these are relatively new, and I haven't seen 32 of the 36 of them, but I think it's a promising lineup. Plus, I can go in and elaborate on Obvious White Director Syndrome.

I'll also be posting some con round up things from the year in the beginning of November as well, since my last con of the year is coming up mid-October. This was a really good year for horror, and I was able to have some great conversations with some really fucking cool people (my favorites being Bonnie Aarons, Felicia Rose, Rachel True, and Terrance Zdunich).

That's all for now, but I'm going to be a mite more active than normal, as I'm working on scripting for the podcast and a few fun video essays.

[pynkhues]

I don’t know much about that industry but I don’t understand sn**k’s attachment to Rabbit. Like why she was in it

Why was she in Run Rabbit Run? I think plenty of reasons.

I think when she and her agent were pitched the project, it probably felt like a really exciting film.

It's the debut screenplay of a really 'hot' Australian author, Hannah Kent, who wrote the enormously internationally successful Burial Rites, as well as The Good People and Devotion (which are all dense historical fiction novels, which is a part of why I was suspicious of such a vast genre switch for screen which was basically confirmed for me when Kent said she doesn't watch horror) and the second feature of a really 'hot' Australian woman director, Daina Reid, who's worked extensively on really 'good' genre TV - The Handmaid's Tale, The Shining Girls, Romper Stomper, The Spanish Princess, Offspring.

That is, on paper, a really exciting creative team! I can see why her agent would recommend it and why she'd think it was going to be something that's more than what it is as a film.

I also think it probably had both personal and strategic benefits for her since she's moved back to Australia. The first one's pretty easy to see, I think - she's from Adelaide originally, Run Rabbit Run was shot in Adelaide / South Australia. Shooting a movie there means she gets to stay for a longer period of time and spend time with the friends and family she has there.

A lot of actors take jobs in their hometowns for that reason - a sort of working homecoming, as well as a way to support the industry you originally came from. A friend of mine who's a theatre director has actually just accepted a job directing a play back in her hometown pretty much for that reason exactly. It's a level below what she'd normally do, but she's really looking forward to spending a lot of time with her Dad around the play as he had a health scare not too long ago and this gives her the opportunity to spend three months there.

The strategic benefit is speculative, of course, and a bit more specific to the Australian industry, so bear with me as I try to explain it, haha.

Each state here has their own screen agency, and these screen agencies play an enormous role in funding and supporting local production, while also attracting overseas production with specific local advantages. Queensland for instance, my home state, sells itself on its beaches, Warner Brothers' large studio, and the fact they have some of the biggest water tanks for shooting underwater sequences in the Southern Hemisphere. It's why things like Aquaman, Pirates of the Carribbean and every mermaid show you've ever heard of are shot there.

Because they are state funded though, these films and tv shows have state talent quotas attached to them. In other words, they have to have a certain amount of both Above the Line Talent (these are producers, directors, writers and principal actors), and Below the Line Talent (all crew, extras, stunties, craft services, etc.) that are considered as being 'from' that state.

These quotas are designed so that interstate and international productions can't just ship in crews or whole casts from interstate or overseas, and effectively makes them invest in local talent.

But what local talent means can vary a little.

Using myself as an example, I'm from Brisbane, so I automatically qualify as local talent for Screen Queensland, but I live in Melbourne, which doesn't actually mean I automatically qualify as local talent for VicScreen. To qualify, I had to live in the state of Victoria consistently for two years, and be able to supply evidence of that, which I can, and is why I am now on the talent registers both in Queensland and Victoria.

For Sarah, she's from South Australia, but she also lives in Melbourne, which means she's considered basically a talent asset for both the South Australia Film Corporation (which funded Run Rabbit Run), and VicScreen (which interestingly enough actually was involved in developing Run Rabbit Run). Her last Australian productions were Winchester (2018), The Beautiful Lie (2015), Oddball (2015), The Dressmaker (2015) and The Secret River (2015), all of which are VicScreen, meaning they were all filmed in Melbourne / Victoria (which makes sense! Melbourne has a much bigger industry than Adelaide).

With her moving back to Australia, and moving back with the status that means she's always going to be a principal actor, I think it makes sense that she'd want to strategically show that she can qualify as Above the Line Talent in both Melbourne and Adelaide. It shows her off a bit as supporting her home state's industry / remembering her roots, but also makes her appear as available / accessible for filmmakers there and the state's funding body.

Given she's heading to London's West End again for theatre too, I think it probably was a pretty smart strategic move to sort of stake such a local claim like that before she goes international again too.

[laurazepam26]

31 Days of Horror - Day 9 - Run Rabbit Run (2023) directed by Daina Reid. I decided i just HAD to watch a movie that I have never seen before! This was an interesting one, a slow-burn which was imbued with a heavy foreboding. The countryside really added to the creeping sense of dread. I haven’t watched any Australian horror in a while…maybe I should revisit Lake Mungo (eek!)

[winterange]

Mon prochain film pour voir . Avez-vous des avis sur le film.

Run Rabbit Run 2023

Sarah est un médecin spécialiste de la fertilité et une mère célibataire. Un jour, elle commence à remarquer un comportement très étrange chez sa jeune fille, Mia. En effet, cette dernière prétend avoir des souvenirs d'une autre vie. Sarah devra alors faire face à un fantôme de son propre passé et remettre en question ses propres valeurs, afin de protéger sa fille et de régler les problèmes non résolus de sa famille.

Date : 28 juin 2023 sur Netflix

Réalisatrice : Daina Reid

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A post shared by Wilfrid Morningstar Winter (@wmorningstar30)

[simplylove101]

2023 Horror Challenge: [22/?]

↳“Can people come back?"

"Come back from where?"

"From where they go when they die.“ Run Rabbit Run (2023) dir. Daina Reid

Plot: After noticing the strange behavior of her young daughter,  a fertility doctor who believes firmly in life and death must must challenge her own values and confront a ghost from her past

Starring: Sarah Snook, Lily LaTorre, Damon Herriman & Greta Scacchi

Oh Sarah Snook, you love a confusing little horror movie, don't you? lol Almost 10 years after Jessabelle, she chose to return to the genre and honestly, she really suits being a scream queen. But then she's really that great that I encourage her to do all the genres. lol I wanted to like this for her but it does feel like a just okay merge of better movies that we've seen before. And the twist doesn't make much sense for me to fully buy it tbh. It just feels like a waste of talent. Oh well, I tried.

[tctmp]

Run Rabbit Run: Directed by Daina Reid. With Sarah Snook, Lily LaTorre, Neil Melville, Katherine Slattery. Sarah Snook plays a fertility doctor who believes firmly in life and death, but after noticing the strange behavior of her young daughter, she must challenge her own values and confront a ghost from her past.