#Daniel Cassidy: “A bagel.”

[lurkerdemon]

Random DP x DC Though #10:

I blame @stealingyourbones for this one, cause I recall seeing a thread at one point about Blue Devil and then this eventually cropped up in my brain.

Blue Devil & Constantine just not having a good time of dealing with some green magic schmuck that decided to interrupts Daniel's day when he was with Constantine.

Needing a bit more oomph to deal with things, Constantine sets up a quick summoning circle intended to use a focus to bring something in to help deal with them (ideally without going overkill and causing more destruction). He even had his own focus for summoning something at the ready.

Which is just his luck when the bastard knocks that away and the spell pulls in... some green baton?

"Behold! I am Technus! Thank you for freeing me into this world once more dirty trench coat man!" "First of all, git. Second of all, just do your bloody job and get rid of this tosser."

So Technus does, by possessing the closest and most powerful tech he can see. Which just so happens to be one Blue Devil exoskeleton.

One fight later and the two unhappy body-time-share occupants are informed by Constantine that Technus is a bit stuck onto Daniel.

Daniel being fused with his suit means he's overshadowed in a sense, with the ability to wrest control from Technus when he wants.

Technus possessing the suit however means that undoing the summoning and sending him back could have some unfortunate side effects on Daniel's long term health. (RE: People usually don't do well when the outer layers of their body go poof)

So yeah. Constantine will look into it. And whatever the green attack dog that went after them was. Surely it can't worse right?

"HEY! That baton belongs to me, thank you very much."

"I'll have you know-" Gasp.

"Oh my gosh- are you Daniel Cassidy?"

Right. Random blonde civilian now. Why not.

- - - - -

In which Blue Devil, Constantine, and one Star from Amity Park in the midwest are forced into a paranormal investigation involving the company Star works at.

Blue Devil and Technus are forced to try and figure out how to cooperate on things.

And despite their efforts to dissuade her, Star refuses to give up a chance to hang out with her secret movie favorite.

Just randomly making it up that Star knew of the movies Daniel Cassidy worked on and had a secret love for the effects and stunts so she was actually a huge fan.

Also that she just never actually gave back the anti-ghost weapon the kids were given in Pirate Radio. Cause why not keep an anti-ghost weapon when living Amity Part? Plus it works just as fine for beating off creeps in everyday life.

Hoping that my brief wiki-skimming means I haven't overlooked anything too huge but feel free to make corrections or such.

[justforbooks]

Daniel Ellsberg, a US government analyst who became one of the most famous whistleblowers in world politics when he leaked the Pentagon Papers, exposing US government knowledge of the futility of the Vietnam war, has died. He was 92. His death was confirmed by his family on Friday.

In March, Ellsberg announced that he had inoperable pancreatic cancer. Saying he had been given three to six months to live, he said he had chosen not to undergo chemotherapy and had been assured of hospice care.

“I am not in any physical pain,” he wrote, adding: “My cardiologist has given me license to abandon my salt-free diet of the last six years. This has improved my life dramatically: the pleasure of eating my favourite foods!”

On Friday, the family said Ellsberg “was not in pain” when he died. He spent his final months eating “hot chocolate, croissants, cake, poppy-seed bagels and lox” and enjoying “several viewings of his all-time favourite [movie], Butch Cassidy and the Sundance Kid”, the family statement added.

“In his final days, surrounded by so much love from so many people, Daniel joked, ‘If I had known dying would be like this, I would have done it sooner …’

“Thank you, everyone, for your outpouring of love, appreciation and well-wishes. It all warmed his heart at the end of his life.”

Tributes were swift and many.

Alan Rusbridger, the former editor-in-chief of the Guardian, said Ellsberg “was widely, and rightly, acclaimed as a great and significant figure. But not by Richard Nixon, who wanted him locked up. He’s why the national interest should never be confused with the interest of whoever’s in power.”

The Pulitzer-winning journalist Wesley Lowery wrote: “It was an honor knowing Daniel … I’ll remain inspired by his commitment to a mission bigger than himself.”

The writer and political commentator Molly Jong-Fast said: “One of the few really brave people on this earth has left it.”

The MSNBC host Mehdi Hasan said: “Huge loss for this country. An inspiring, brave, and patriotic American. Rest in power, Dan, rest in power.”

The Pentagon Papers covered US policy in Vietnam between 1945 and 1967 and showed that successive administrations were aware the US could not win.

By the end of the war in 1975, more than 58,000 Americans were dead and 304,000 were wounded. Nearly 250,000 South Vietnamese soldiers were killed, as were about 1 million North Vietnamese soldiers and Viet Cong guerillas and more than 2 million civilians in North and South Vietnam, Laos and Cambodia.

The Pentagon Papers caused a sensation in 1971, when they were published – first by the New York Times and then by the Washington Post and other papers – after the supreme court overruled the Nixon administration on whether publication threatened national security.

In 2017, the story was retold in The Post, an Oscar-nominated film directed by Steven Spielberg in which Ellsberg was played by the British actor Matthew Rhys.

Ellsberg served in the US Marine Corps in the 1950s but went to Vietnam in the mid-60s as a civilian analyst for the defense department, conducting a study of counter-insurgency tactics. When he leaked the Pentagon Papers, he was working for the Rand Corporation.

In 2021, a half-century after he blew the whistle, he told the Guardian: “By two years in Vietnam, I was reporting very strongly that there was no prospect of progress of any kind so the war should not be continued. And that came to be the majority view of the American people before the Pentagon Papers came out.

“By ’68 with the Tet offensive, by ’69, most Americans already thought it was immoral to continue but that had no effect on Nixon. He thought he was going to try to win it and they would be happy once he’d won it, however long it took.”

In 1973, Ellsberg was put on trial. Charges of espionage, conspiracy and stealing government property adding up to a possible 115-year sentence were dismissed due to gross governmental misconduct, including a break-in at the office of Ellsberg’s psychiatrist, part of the gathering scandal which led to Nixon’s resignation in 1974.

Born in Chicago on 7 April 1931, Ellsberg was educated at Harvard and Cambridge, completing his PhD after serving as a marine. He was married twice and had two sons and a daughter.

After the end of the Vietnam war he became by his own description “a lecturer, scholar, writer and activist on the dangers of the nuclear era, wrongful US interventions and the urgent need for patriotic whistleblowing”.

Ellsberg contributed to publications including the Guardian and published four books, among them an autobiography, Secrets: A Memoir of Vietnam and the Pentagon Papers, and most recently The Doomsday Machine: Confessions of a Nuclear War Planner.

In recent years, he publicly supported Chelsea Manning, the US soldier who leaked records of the wars in Iraq and Afghanistan to WikiLeaks, Julian Assange, who published Manning’s leaks, and Edward Snowden, who leaked records concerning surveillance by the National Security Agency.

On Friday, the journalist Glenn Greenwald, one of the Guardian team which published the Snowden leaks in 2013, winning a Pulitzer prize, called Ellsberg “a true American hero” and “the most vocal defender” of Assange, Snowden, Manning and “others who followed in his brave footsteps”.

Steven Donziger, an attorney who represented Indigenous people in the Amazon rainforest against the oil giant Chevron, a case that led to his own house arrest, said: “Today the world lost a singularly brave voice who spoke truth about the US military machine in Vietnam and risked his life in the process. I drew deep inspiration from the courage of Daniel Ellsberg and was deeply honored to have his support.”

In 2018, in a joint Guardian interview with Snowden, Ellsberg paid tribute to those who refused to be drafted to fight in Vietnam.

“I would not have thought of doing what I did,” he said, “which I knew would risk prison for life, without the public example of young Americans going to prison to make a strong statement that the Vietnam war was wrong and they would not participate, even at the cost of their own freedom.

“Without them, there would have been no Pentagon Papers. Courage is contagious.”

Three years later, in an interview to mark 50 years since the publication of the Pentagon Papers, he said he “never regretted for a moment” his decision to leak.

His one regret, he said, was “that I didn’t release those documents much earlier when I think they would have been much more effective.

“I’ve often said to whistleblowers, ‘Don’t do what I did, don’t wait years till the bombs are falling and people have been dying.’”

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[glenngaylord]

OUTFEST 2020 FILM REVIEWS:  The Rest Of The Fest

As the curtain closes on another Outfest, this one presented under extremely unusual circumstances, I sit in awe of the filmmakers and of the staff who put together not only a great group of films, but managed to creatively bring them to its audience online and at drive-in screenings.  Typically, you find yourself having to choose one film over several others, but with this new format, you have a great chance of seeing everything you want.  In past years, I found myself lucky if I saw 15 films.  This year I saw 23 features and 4 shorts programs out of the 160 on the schedule.  

As it’s impossible to get full reviews submitted for everything while the festival is still chugging along, I wanted to write capsules of the remaining films not covered at TheQueerReview.com .  Please visit the website for all the other reviews I wrote as well as those by my colleagues.

THE OBITUARY OF TUNDE JOHNSON ★★★★★

Melding a Groundhog Day-style concept with police violence against black people, this stunning film could not be more prescient and emotionally overpowering.  A black gay teenager relives his moment of murder over and over again, with slight shifts in the narrative taking us to someplace unexpected and earned.  Director Ali LeRoi directs his first feature as if he’s been doing it all of his life and has interpreted Stanley Kalu’s ingenious script with a great cinematic approach.  Gorgeously framed, beautifully acted, written, and directed, this is one of the most powerful films of 2020.

TWO EYES ★★★★★

I can’t form sentences here so I’m gonna vomit out words:  Instant classic. Glorious. Set over three centuries seamlessly melding a triptych of stories about gender identity.  I’m a blubbering mess.  Fantastic and very funny last line.  Travis Fine is a very gifted filmmaker who screams love child of Terrence Malick and Kelly Reichardt.  Heartbreaking. Inspiring. Unforgettable.  Montana is so beautiful.  Barstow is not.  A perfect film for anyone who wants to find their place in the world. I wouldn’t complain if TUNDE and TWO EYES both received Best Picture Oscar nominations.  

DRAMARAMA  ★★★★

Theater nerds rule in this incredibly endearing, early 90s set film about a group of high schoolers discovering themselves in one night at a ridiculous Murder Mystery-themed party.  Hilarious script, vivid and wonderful performances, and the opposite of a “Coming Out” movie in the best possible way.  Jonathan Wysocki has given us The Breakfast Club for air-kissing, mid-Atlantic accented freaks and geeks. 

CICADA ★★★★

What happens when a traumatized, bisexual man who has more sex partners than any standard montage can contain slows things down to concentrate on one kind but also traumatized young man?  This elliptically told film has a fun, flirty side but carries its heaviness with great ease.  A terrific feature debut for director/writer/editor/lead actor Matthew Fifer. 

THE STRONG ONES (LOS FUERTES) ★★★★

From Chile comes this sexy, moving story of two men at cross purposes who form a beautiful bond.  Set against some stunning scenery and mining the chemistry between its two leads for everything it has, I am half-jokingly calling it Brokeback Andes.  It’s so much more than that trite, hackneyed comparison.  

MONSOON ★★★1/2

Director Hong Khaou’s followup to Lilting sets its sights on modern day Vietnam as Henry Golding’s character visits to find a suitable place to distribute his mother’s ashes.  It’s a terrific mediation on a gay man finding a sense of belonging in a place he’s never been and Golding proves himself to be a subtle, compelling actor.  Perhaps a little too quiet and reflective, the film makes up for what it lacks in narrative drive with its awe-inspiring cinematography and immersive qualities.  

P.S. BURN THIS LETTER PLEASE ★★★★1/2

What an unexpected surprise.  Michael Seligman and Jennifer  Tiexiera’s documentary about a treasure trove of letters dating back to the 1950s brings us into the world of drag queens from almost 70 years ago.  With many of its subjects not only alive but in fine form telling their stories and the dishiest voiceover readings ever to grace a film, I was not only thoroughly entertained, but I didn’t expect to weep like Laura Dern at the end.  Oh, this is so so so so good. 

MINYAN ★★★★

Eric Steel’s feature debut has its own unique tone and a star making performance by Samuel H. Levine, a spitting image of a young Al Pacino/Sylvester Stallone hybrid.  With its 1980s Jewish Brighton Beach backdrop, this powerful yet subtle film about a young man coming to terms with his sexuality as well as his place within his religion, it’s a stunning debut.  Ron Rifkin is stellar as Levine’s charming grandfather and Alex Hurt (William Hurt’s son) has his father’s intensity.  Fantastic, lived-in production design which feels like its decade without resorting to the usual candy colored tropes and a evocative score makes this a memorable experience.  Reminiscent at times of On The Waterfront, this film puts a fresh new spin on a coming of age tale and finds so many moving moments from first sex to an elderly gay couple hiding in plain sight.  A must-see. 

SHIVA BABY ★★★★

Writer/Director Emma Seligman must have studied Rosemary’s Baby quite a bit with this angsty story set mostly at a memorial service.  Rachel Sennott is fantastic as a young lesbian who moves from one cringe-worthy moment to the next in an attempt to avoid as much conflict as possible.  The great supporting cast includes Polly Draper, Fred Melamed, Dianna Agron, Molly Gordon, and Jackie Hoffman, all note perfect.  Less a comedy and more of an emotional horror story, Seligman knows how to make the best of a cramped space and throw up an endless variety of obstacles.  You just want Sennott’s Danielle to get her goddamned bagel with lox and cream cheese, but the fates have something else, something better, in store. 

COWBOYS ★★★★

Steve Zahn gives a career best performance in this moving story of a father with mental health issues and his trans son escaping into the Montana wilderness.  Sasha Knight makes an impressive debut as Zahn’s son and Jillian Bell expertly walks that fine line between villain and empathetic character.  Its comparisons to Butch Cassidy And The Sundance Kid are not coincidental.  Not perfect by any stretch, it may feel fairly conventional, but it’s tackling a vibrant subject matter.  Extra points for giving Ann Dowd a role where we don’t hiss at her. 

BREAKING FAST ★★★

Solid romcom with a Muslim backdrop, this very tight, deceptively simple script provides just the right amount of sparks between its charming leads, Haaz Sleiman and Michael Cassidy.  While structurally not breaking new ground, the entry point into a world we don’t see enough of on screen coupled with food porn for days makes this a fun, funny, goes down easy delight.

ASK ANY BUDDY ★★★1/2

Q: Daddy!  Daddy!  What were the 70s like down at the Piers in NYC?   A: Oh shut up and watch this movie.  

An experimental collage of vintage gay porn and archival footage from the disco, pre-AIDS heyday gives this film a mesmerizing, museum installation quality.  While technically without a story, you feel like you’ve gone on a journey nonetheless.  Would pair well with William Friedkin’s Cruising. 

DRY WIND ★★★1/2

Slow cinema meets voyeuristic gay porn in this one of a kind Brazilian exploration an arid small town, a workers’ union crisis, and a man obsessed with the Tom Of Finland drawing come to life who motors into his life.  Overlong and a little too obtuse as it goes along, it’s worth watching this Alice In Wonderland takes a quaalude, gets a very hairy back, and has a lot of sex in the dirt. 

NO HARD FEELINGS ★★★★

This year’s Teddy Award Winner at the Berlin Film Festival, Faraz Shariat’s film uses its backdrop of a refugee camp in Germany to tell the story of Iranians and Irani-Germans searching for a better life.  Its three leads bring a spark and youthful energy to a story with devastating undercurrents.  A wrenching glimpse into the emotional effects an oppressive culture has on its people, yet told with a driving pulse. 

LILY TOMLIN: THE FILM BEHIND THE SHOW ★★★

A look behind the scenes as Lily Tomlin and wife Jane Wagner workshop their legendary 1980s Broadway show, The Search For Signs Of Intelligent Life In The Universe.  It’s great to see these two at the top of their game and get a glimpse of their creative process, but this documentary is almost devoid of incident and feels more like a sweet gift to the fans than a fully realized film. 

SHORTS: WHAT A BOY NEEDS ★★★1/2

A mixed bag here of people searching for excitement, I found a couple of gems here nonetheless.  Not to take away from the shorts I don’t mention, I want to single out two exceptional films. Ruben Navarro’s Of Hearts And Castles looks great, has a beautiful vibe, and shows us a lovely connection forming right before our eyes.  Kiko’s Saints proves highly original as we follow a female Japanese artist on assignment in France become obsessed with a gay couple who have a lot of sex on the beach.  Combining animation with fairly explicit sex, I loved seeing the male gaze from a female perspective. 

THE CAPOTE TAPES ★★1/2

I love Truman Capote. I grew up at a time when smart authors found themselves on talk shows and were treated like superstars.  I’ve read his books and always have been in awe of his ability to be himself.  Featuring never-before-heard tapes of Capote’s friends being interviewed by George Plimpton, unfortunately, I don’t think this repetitive documentary gave me anything all that new.  It’s still touching at times and for the uninitiated, this is a great overview of his life, but I was watching the clock. 

OUT LOUD ★★★1/2

A moving look at the Trans Chorus of Los Angeles as they prepare for their first public performance.  With its ticking clock storyline, director Gail Willumsen expertly interweaves storylines of its founder and members.  As such, you really learn what’s a stake and what it means to them.  I was lucky enough to see the chorus perform David Bowie’s Ziggy Stardust a few years ago and basked in the power of its mere existence…and was also ridiculously entertained. 

TWILIGHT’S KISS (SUK SUK)  ★★★1/2

This quiet charmer form Hong Kong shows us something we almost never get to see on film - two elderly gay men meeting and falling in love.  The fact that both have been married to women doesn’t stop them from exploring their feelings.  A little to gentle by half, I still was in awe of this rarity.