#Extremelywicked

[raurquiz]

#happybirthday @lilycollins #lilycollins #actress #themortalinstruments #CityofBones #mirrormirror #loverosie #abduction #Priest #MaXXXine #Windfall #EmilyinParis #Inheritance #Tolkien #StuckinLove #TheLastTycoon #Mank #LesMiserables #ExtremelyWicked #ShockinglyEvilandVile

[lovingzacwasred]

So I watched Extremely Wicked, Shockingly Evil and Vile earlier and I was so blown away! That movie was so damn good. Incredible. Just incredible. Zac’s performance was so convincing that I thought I was watching Ted Bundy, and not Zac. His mannerisms were so on point to the fact that I was so creeped out. Lily’s performance was also amazing. The way she portrayed the character was exceptional and I definitely felt so much sympathy for her throughout the whole movie. Their chemistry was on point. The casting was perfect, so good. Everything worked so well. The route the movie took into not showing the violent crimes but showing the charm and charisma of Bundy that he used to make people believe he was innocent was perfect. I almost felt sorry for Ted throughout the movie, up until he admitted he did the crimes. I cannot stress this enough that Zac’s performance in this movie is the best performance we have seen of him so far in his career. I was blown away. The scene where he’s given the death penalty and they do the close up shots gave me chills. And that final scene with Zac and Lily. Just wow. I can not recommend this movie enough. I am so so unbelievably proud of Zac and I am definitely going to watch it again as soon as possible. A 10/10 from me. A huge 👏🏻 for the whole cast and crew from me. I truly hope that this movie will get the awards it deserves (Ahem ahem, Academy Awards..ahem ahem 😉).

[allthingslilyjcollins]

Lily at #ThisMorning to promote #TolkienMovie and #ExtremelyWicked (April 30, 2019) ❤️ https://www.instagram.com/p/BxCST7zg25k/?utm_source=ig_tumblr_share&igshid=36wsptxirtjh

[wayfzac]

The two faces of #TedBundy go and watch the Movie on #netflix #skycinema #TVnow!!! Zac and Lilys performences are great! All of them did a great job! #direktor #joeberlinger #ewsev #extremelywickedshockinglyevilandvile #extremelywicked https://www.instagram.com/p/BxCoTJ5Bvc2/?utm_source=ig_tumblr_share&igshid=t76tnrrsjbgn

[mattsagervo]

Avengers Endgame Breaks the Internet

[shortandsweetfilmreviews]

"#ExtremelyWicked is engrossing & is anchored by an effective turn by Efron. Berlinger's film though would have been better served by putting the focus on Collins brilliant tumble down the rabbit hole performance & allowing Bundy to be a supporting player." ⭐⭐⭐#SeeIt #StreamIt #Netflix #extremelywickedshockinglyevilandvile https://t.co/PO52nujCf8 -M.N. Miller, Short & Sweet Film Reviews #film #filmreview #filmreviews #filmIG #shortandsweet #movie #movies #moviescenes #movieclips #moviequotes #movienight #filmcriticism #filmtwitter #filmcritic#Netflix #netflixmovies #netflixandchillbymyself https://www.instagram.com/p/BxFbg4Wl83P/?igshid=14tmm6anjwp08

[geekinsiders]

Check out the comprehensive list below for all the titles coming and going to Netflix. Happy streaming and enjoy your spring! https://gkinsi.de/2IJ24eL

[raurquiz]

#happybirthday @lilycollins #lilycollins #actress #themortalinstruments #CityofBones #mirrormirror #loverosie #abduction #Priest #StuckinLove #TheLastTycoon #Mank #LesMiserables #ExtremelyWicked #ShockinglyEvilandVile #Tolkien #Inheritance #EmilyinParis #Windfall #TheEnglishTeach

[lovingzacwasred]

The new trailer of Extremely Wicked is out! Unfortunately it was unavailable in my country to watch it as it isn’t coming out over here on Netflix but luckily a couple of people posted it for those who couldn’t see it. Netflix need to understand that just because it’s not coming out everywhere around the world on there doesn’t mean that it isn’t coming out and it’s unfair to international fans 😑 but I managed to watch it on twitter and it’s so good! I am so proud of Zac and the rest of the cast, you can clearly see how good they are in their roles! It’s such a better trailer than the last time. ❤️🥰🤗 the only qualm I have about the release date of May 3rd in the US is the fact that they wanted to release it in the awards season so it isn’t going to help Zac or the movie being released so early. I am glad that the US fans don’t have to wait as long as everyone else and it’s coming out the same day as it is here in the UK but I am worried this will affect Zac’s chances in the award season..🙁

[adultinthemaking]

Elizabeth Kloepfer Deserves Better

I just watched Extremely Wicked, Shockingly Evil and Vile. Here’s my thoughts on it.

• Lily Collins is so pretty, my first thought as the movie opens.

•Zac Efron is already coming strong with his performance and it’s the first 10 minutes.

•I feel so bad for Elizabeth Kloepfer, the actual person, because I can’t imagine the grief and the anger of having a man turn out like Ted Bundy did. The shock and horror. It makes me want to read her stories

•The soundtrack is really good, I really like the vibe of the music.

•I don’t feel anything like sympathy for Zac’s portrayal, like he is coming off as caring and sweet for Liz. However, I see through it, like I see the madness in his eyes. So, I don’t feel like this movie is glorifying Ted, just rather seeing from Liz’s eyes to see how Ted was to her.

•Zac Efron is doing a great job, he’s the best actor in this movie so far.

•I wonder how Molly, Liz’s daughter, feels. Does she remember Ted? Does she feel disgusted, knowing that he was once a father figure?

•😶This scene where Ken is talking to the press and Ted tries to talk to them. It was creepy how similar his mannerism was to the actual footage.

•ughhh, Ted never stops talking about how he is innocent. It makes me annoyed and I can’t imagine the actual reality of being around him.

•hmmmm, Liz and her co-worker is a weird thing right now, I wonder if this actually happened in real life or just trying to give Liz an another plotline/character development

•Carole Ann’s character is throwing me off and I’m not sure why. Maybe it’s because we know Ted is guilty and it seems obvious, so I feel like she should have known. However, Ted is really manipulative.

•I do not feel bad for Ted, but prison guards are nasty. They should not be biased, and treat everyone the same.

•The florida trial makes me uncomfortable because the judge and Ted has a banter going on. Plus, all of the girls in the court is crazy. Thinking about how that was real, that they were making jokes and letting Ted be Ted is gross. The victims’ deaths were not jokes.

•the descriptions of the crime is so gruelsome. I can’t believe Ted did that. The interviews of the girls in court are really uncomfortable because it’s real and lewd.

•The interaction between Ted and his lawyer as Ted gets riled up is very chilling because you see the murderer in him.

•Ted is becoming more scary as the movie progesses. Omggggg, he fired his counsel and I just want Ted to stop talking. He’s very annoying. Like Zac is hot but his character is so irritating, so I don’t think anyone is going to like his character.

•yessss, the judge told the girls to shut up, thank god.

•ohhhhhh shittttt, Ted talking to Liz’s boyfriend is very uncomfortable. Oh gosh, Ted looking at Liz like that is so eerie. Oh, actual sex scene. Yikessss, he’s upset. Oh boy, Liz came up. I wonder if the real Ted Bundy was this upset about Liz. I doubt it.

•”are you shitting me” my mood

•oooo, Liz and her co-worker are fighting. I kinda don’t care about this but let’s see what happens

• “Why do you act like you’re responsible for the things that happened to him” This is a great like since victims of abuse feel responsible for the abuse set upon them. This is what Liz is going through and I feel terrible for her.

•Liz was the one who gave the police his name but I know the police didn’t use the tip. Still, Liz, you did do the right thing.

•Mr. Simpson is a real one for dealing with Ted.

•Bless Ted’s mom. She was a mom and he was still her son. The horror she must have felt.

•Go Zac, great emotion. Hard to believe he was Troy Bolton.

•I don’t feel pity for Ted and I’m trying to feel emphatic towards Carole and her baby but 🤷‍♀️I don’t care.

•Go Liz, got her own office. Oh yeah, I forgot about the opening. She’s going to visit him. Did she actually visit him in reality?

•My heart is breaking for Liz. Yessss it’s his guilt, not yourssss Liz.

•Kimberly was a child. KIMBERLY WAS A CHILD. Just wanted to remind people of how awful Ted is.

•the intensity between Lily and Zac is great, loving it.

•when he wrote hacksaw, I got chills.

•poor Liz. 💔

•god, over 30 murders. My stomach is hurting

•they did a tribute of listing all of the names of the victims and I love that. Anyone who was thirsting over Ted has to read the names.

•overall, good movie with great actors. I do believe that somehow the structure could have been stronger. However, everything else was good. I did not feel like the movie was trying to make Ted look good which was what everyone was worried about. 8/10 but i enjoy movies no matter what.

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND May 3, 2019  - LONG SHOT, THE INTRUDER, UGLYDOLLS, EL CHICANO

This is another one of those infamous “lots of new movies taking on a juggernaut” weekends and surprise, surprise, I’ve actually seen three of the movies, although I’m going to recuse myself from actually reviewing them for reasons I choose not to get into.

Definitely my favorite of the three new movies is Lionsgate’s LONG SHOT, the new romantic comedy pairing Seth Rogen with Charlize Theron and directed by Jonathan Levine of 50/50 fame. It’s a fun politically-tinged comedy that surrounds Rogen and Theron with a great cast including June Diane Raphael, O’Shea Jackson, Jr, Bob Odenkirk, an unrecognizable Andy Serkis and Alexander Skarsgard. You can read my interview with Levine over at The Beat, and my interview with Jackson will go up sometime later this week.

I also liked director Deon Taylor’s THE INTRUDER (Sony/Screen Gems), a super-creepy psychological thriller, starring Dennis Quaid, Michael Ealy (keep an eye on this guy!) and Meagan Good, who I’ve been a fan of since she starred in Rian Johnson’s Brick. I’m really impressed with Taylor as a director, as he continues to crank out films via his Hidden Empire production company. He actually has about four or five movies in various stages of post-production, including two that will be released by Screen Gems, so if you aren’t familiar with Taylor’s work, don’t worry… you will be. The Intruderis certainly a fun introduction, a simple psychological thriller with three solid performances. If you’re looking for something to see this weekend, you could definitely do worse than this.

I’m not sure that Ben Hernandez Bray’s action-thriller EL CHICANO, released by new distributor Briarcliff Entertainment, is my cup-of-tea, though I’ve long been a fan of the movie’s co-writer and producer Joe Carnahan. It stars Raul Castillo in the dual role of an L.A. police detective investigating a brutal gangland murder, as well as his gangster twin brother who was killed years earlier. The title character is a vigilante who comes around to stop gang violence by any means necessary, and Castillo’s character believes that it was actually his dead brother. the movie  also stars George Lopez and a mostly-Latino cast, which is quite an achievement for Bray and Carnahan. I think some people will really dig the action scenes and the character, and I hope it does well because there’s definitely some more room to tell more stories about the characters. (You can read my interviewwith Bray and Carnahan on The Beat.)

Not sure if I have much to say about STXfilms’ UGLYDOLLS, which features a musical voice cast including Kelly Clarkson, Nick Jonas, Janelle Monae, Blake Shelton, Pitbull and Gabriel Iglesias. As you might guess, it’s the one movie this weekend I haven’t seen, and I have absolutely no interest or plans to see it ever. I just don’t care. Maybe there are kids or parents out there that do, so good for them!

Anyway, none of the above matters since Avengers: Endgame will still be doing huge business in its second weekend. By the way, I finally got around to seeing that and I quite enjoyed it, especially how it defied almost all of my expectations despite not really knowing anything about the movie in advance. In fact, the only scene I saw from the movie at CinemaConended up being a bit of a red herring, something you’ll totally understand if you’ve seen the movie.

You can see how I think those movies will do at the box office on my Box Office Preview at The Beat!

LIMITED RELEASES

I’m going to start with the docs this week, cause there are some good ones… okay?

Opening at the Metrograph Friday is Gretchen Hildebran and Vivian Vazquez’s timely DECADE OF FIRE about the South Bronx in the ‘70s and how Black and Latino neighborhoods were abandoned by the city government as building after building burnt to the ground, destroying those neighborhoods until the people stood together to rebuild. (If you saw Baz Lurhmann’s Netflix series The Get-Down, you could see some of the results of what happened.) I saw the movie at Doc-NYC last year and was blown away by how well the story was told. The screening will be accompanied by a number of related panels at the Metrograph over the weekend and also next week. You can learn more about those here.

Speaking of the Bronx, the Netflix documentary KNOCK DOWN THE HOUSE, directed by Rachel Lears, looks at some of the amazing women who ran for the House against incumbents last year, including the Bronx’s Alexandria Ocasio-Cortez. The movie won the Audience Award for documentary at Sundance in January, and it’s opening at the IFC Center and Film at Lincoln Center in New York on Weds and will also be streaming on Netflix. I really liked this documentary a lot, mainly because like many, I’m endlessly fascinated by the amazing Ocasio-Cortez and how the ardor towards her keep growing the more she gets out there. I certainly will vote for her if she ever runs in an election I can vote for her. Lears’ movie is quite fantastic as it’s on the ground with these women throughout the political campaign process.

The next two docs played at Tribeca this past week, but I just couldn’t find the time to see either. The first is Werner Herzog and André Singer’s MEETING GORBACHEV (1091, formerly The Orchard), which compiles three conversations that Herzog had with former Soviet head of state Mikhail Gorbachev, who is now 87 years old, talking extensively about the breakup of the Soviet Union in 1991. It opens at the Film Forum in New York Friday.

I’m a little more annoyed with myself for missing Hulu’s ASK DR. RUTH, directed by Ryan White, because I’m definitely interested in learning more about Dr. Ruth Westheimer, the Holocaust survivor who became known as the country’s most famous expert, as it follows her leading up to the days of her 90thbirthday. This doc opens at the Landmark at 57 West and Quad Cinemas in New York on Friday, plus it will be on Hulu on June 1.

Also back this weekend is one of my favorite French filmmakers Olivier Assayas with the dramedy NON-FICTION (IFC Films), which I previously saw at the New York Film Festival. It’s about an author (Vincent Macaigne) who bases much of his work on his own life (kind of like Assayas?), and it once again teams Assayas with Juliet Binoche, who plays the wife of the author’s publisher who has an affair with him. What I liked about this over some of Assayas’ more verbose character-driven dramas is that it’s actually kind of funny, especially with its spoof of the publishing industry. I’ll probably try to see it again, but it’s opening in New York at the IFC Center and probably a few other places as well.

Normally, my favorite movie of the weekend would be a Zhang Yimou martial arts film like SHADOW (Well GO USA), because I’m such a fan of Heroand some of his other films in this ilk, but for whatever reason, this one just did not connect with me. Part of that was that I just found this story confusing, and it really dragged in between the action scenes, which certainly looked lovely, like a good ballet, but still kind of disappointing.

Abramorama is releasing Dan Pritzker’s BOLDEN about the life of jazz artist Buddy Bolden, known as the “first Comet King of New Orleans,” as played by Gary Carr, into select citiesFriday. The film also stars Ian McShane and Michael Rooker. I’m shocked that I hadn’t heard much about this movie, especially since I saw commercials during SNL over the weekend.

This week’s Bollywood release is Student of the Year 2 (FIP), directed by Punit Malhotra. As you might guess, it’s a sequel to the 2012 romantic comedy, this one involving a love triangle between a guy and two girls.

There’s lots of other odds ‘n’ ends, none of which I’ve had a chance to see including Tell It To the Bees (Good Deeds Entertainment), Clara(Screen Media), Hesburgh(O’Malley Creadon Productions), The Convent (Vertical Entertainment) and the movies Dead Trigger and Bardo Blues. I’ll be honest that I’m a little burnt out this weekend trying to cover Tribeca (which I hope to write about very soon) as well as all the other theatrical releases. I’m not sure any of these will make that big a difference in the grand scheme of things, and this is my column, so I decide what I write about and how much I write about it.

LOCAL FESTIVALS

The 18thTribeca Film Festival continues through the weekend but if you feel like going out to the Museum of the Moving Image in Astoria, Queens, you can check out Panorama Europe 2019, which runs from Friday through May 19. It also takes place at the Czech CenterAND the French Embassy. It opens on Friday night at MOMI with Barbara Albert’s Austrian drama Mademoiselle Paradis, starring Maria Dragus (The White Ribbon), who will be there in person. I haven’t seen the film but I love some of Albert’s previous films, Free Radicalsand Falling, both of which I think I saw at the New York Film Festival in years past? The festival continues through the weekend with new films from all over Europe, mostly playing at MOMI but with single repeat screenings at the other two venues. This is a festival I wish I had more time to cover, as I’m sure there are some great underrated films in the festival, but sadly, I just do not have the time right now.

STREAMING AND CABLE

I’ve been wanting to see Joe Berlinger’s Ted Bundy movie EXTREMELY WICKED, SHOCKINGLY EVIL AND VILE, starring Zac Efron, since I first heard about it, and I’m happy to say that it really lived up to my expectations. It’s as much about Bundy’s relationship with his girlfriend Elizabeth Kendall (Lily Collins) as it is about the trial against Bundy for kidnapping and murder dozens of women. I’m a big fan of Berlinger’s documentaries, and this is a fantastic second foray into dramatic work, working from a screenplay written by Michael Werwie based on the book by Kendall. Efron works well as the charming serial killer who is constantly in denial about his actions, but I also really liked Collins’ performance as the woman trying her best to support her man despite the horrible allegations against him.  Berlinger combines actual archival news footage with the performances by his cast to create something as compelling as any of Netflix’s crime docs. The film also stars John Malkovich, Jim Parsons, Haley Joel Osment, Brian Geraghty and more.

As mentioned above, Netflix will also stream the doc KNOCK DOWN THE HOUSE starting Wednesday, and other movies premiering this week include William Bindley’s coming-of-age film The Last Summer and Gabriela Tagliavini’sDespite Everything (A pesar de todo) on Friday. Clearly, there’s a lot of variety and options on Netflix this weekend… but lots of stuff in theaters, too (as seen above and below).

REPERTORY

METROGRAPH (NYC):

A bit of slower weekend for repertory stuff but the latest episode of the Academy Presents takes place on Saturday with Costa-Gravas’ 1969 film Z. Late Nites at Metrograph  will screen Gus Van Sant’s 1991 film My Own Private Idaho, starring Keanu Reeves and River Phoenix on Friday and Saturday night, and Playtime: Family Matinees  will screen Henry Koster’s 1950 film Harvey, starring James Stewart.

THE NEW BEVERLY (L.A.):

At Tarantino’s rep theater, people will have a chance to see Vincente Minnelli’s Gigi (1958), based on Colette’s novella, in a matinee on Weds.  On Weds and Thurs, there’s a double feature of cool indies with Miranda July’s Me and You and Everyone We Know  (2005) and Andrea Arnold’s Fish Tank (2009), starring Michael Fassbender. Friday and Saturday sees double features of Kathryn Bigelow’s 1987 vampire film Near Dark and Karyn Kusama’s Jennifer’s Body  (2009). The weekend’s KIDDEE MATINE is the 1994 Little Women, while Tarantino’s Death Proof (2007) will show at midnight on Friday. The Monday matinee is the Val Kilmer comedy Real Genius from 1985.

MOMA (NYC):

A couple new series start here on Wednesday, including the shorterModern Matinees: On the Move series, which will show Raoul Walsh’s 1930 film The Big Trail on Weds, Alfonso Cuaron’s Y Tu Mama Tambien (2001) on Thursday, and Harold Ramis’ 1993 film Groundhogs Day on Friday. Abel Ferrara: Unratedwill also begin on Wednesday with screenings of Ferrara’s 2000 film Mulberry Street, his 1995 filmThe Addiction (with the filmmaker onhand for a QnA), Ferrara’s Chelsea on the Rocks (2008) and New Rose Hotel (1998) will screen on Thursday, then his 2014 films Welcome to New York and Pasolini on Friday. (Oddly, the latter will get its first official theatrical run at the Metrograph starting Friday, May 10.) This is a fairly extensive retrospective with Ferrara and many of his actors talking about the movies after they’re shown, and that alone might be enough to get me into midtown. MOMA is also in the midst of another series called Roberto Gavaldón: Night Falls in Mexico, running through Sunday and showing rare screenings of the works of the Mexican filmmaker’s work from the ‘40s, ‘50s and 60s.

EGYPTIAN THEATRE (LA):

The Egyptian continues to slaughter… in a repertory way … with its new series Cassavetes & Scorsese: Love is Strange, a series of double features starting Thursday with Shadows (1958 and Who’s That Knocking On My Door (1967), followed by The King of Comedy  (1982) and Opening Night  (1977) Friday and Scorsese’s 1976 film Taxi Driver and Cassavetes’ Minnie and Moskowitz (1971) on Sunday. Also, the Egyptian will have the great Jean Pierre-Jeunet on-hand to talk about his Oscar-nominated film Amelie (2001) after it screens on Saturday night.

AERO  (LA):

Meanwhile, at the Egyptian’s sister theater, we get “The Fiction and Non-Fiction of Olivier Assayas” including a double feature of Irma Vep (1996) and Summer Hours (2008) on Thursday. Edward Zwick’s 1989 film Glory will be screened on Saturday followed by a QnA with Zwick, while Jean Pierre-Jeunet appears on Sunday to show his recent film The Young and Prodigious T.S. Spivet as well as a double feature of The City of Lost Children (1995) and Delicatessen (1991).

FILM FORUM (NYC):

The Film Forum’s “Trilogies” series continues with Aki Kaurismäki’s “Proletariot Trilogy” of Ariel, Shadows in Paradise and The Match Factory Girl, Roberto Rossellini’s “War Trilogy” and Satyajit Ray’s “Apu Trilogy” screening screening one final time next Tuesday. You’ll also have one final time to watch Krzysztof Kieslowski’s “Three Colors Trilogy” over the weekend. The weekend’s Film Forum Jr. is the 1962 monster battle movie King Kong vs. Godzilla.

QUAD CINEMA (NYC):

James Ivory’s 1981 film Quartet is getting a 4k restoration rerelease via the Cohen Films Collection, and Ivory himself will be there Friday night for a QnA. Isabelle Adjani won the Best Actress Award at Cannes for her performance as a woman who finds shelter with a couple played by Alan Bates and Maggie Smith after her husband is imprisoned in this adaptation of Jean Rhys’s 1928 novel set during Paris of the ‘20s.

BAM CINEMATEK (NYC):

Starting Friday and running through the month is Black 90s: A Turning Point in American Cinema, beginning with Charles Burnett’s 1990 film To Sleep with Anger, starring Danny Glover, and running along with Burnett’s short When it Rains. (Burnett will be there on Friday for a QnA after his films.) Also showing Saturday is Zeinabu Irene Davis’ Compensation (1999), Julie Dash’s Daughters of the Dust(1991) and Haile Gerima’s 1993 film Sankofa and the series will run through May 22.

IFC CENTER (NYC)

Waverly Midnights: Parental Guidance  shows the classic 1973 horror film The Exorcist this weekend, while Weekend Classics: Love Mom and Dad  goes with Mike Nichols’ Postcards from the Edge (1990) and Late Night Favorites: Spring shows John Waters’ Female Trouble (1974).

FILM OF LINCOLN CENTER (NYC):

The newly-renamed uptown is celebrating its 50th Anniversary this year by taking part in a FREE program of classic films as part of the Block Party celebrating Lincoln Center’s 60th Anniversary this Saturday.

Next week, we get more new movies including Warner Bros’ Pokemon: Detective Pikachu, the Anne Hathaway-Rebel Wilson comedy The Hustle from U.A. Releasing and STXfilms’ Poms.

[allthingslilyjcollins]

Lily at #ThisMorning to promote #TolkienMovie and #ExtremelyWicked (April 30, 2019) ❤️ https://www.instagram.com/p/BxCSORjgLCA/?utm_source=ig_tumblr_share&igshid=1obg5r5vpqdne

[wayfzac]

New image of @zacefron and @lilyjcollins in #extremelywicked #zacefron #lilycollins #director #johnberlinger #sundancefilmfestival #2019 https://www.instagram.com/p/BqvVGC_hOch/?utm_source=ig_tumblr_share&igshid=19js8qpbht2as

[lilyjcollins-news]

lilyjcollins #ExtremelyWicked is officially out tomorrow! Here we go @zacefron and @joeberlingerfilms..

[movizark-blog]

Zac Efron Shares New On-Set Pictures from His Ted Bundy Biopic!! Check It Out!!

Zac Efron Shares New On-Set Pictures from His Ted Bundy Biopic!! Check It Out!! #ExtremelyWickedShockinglyEvilandVile, #ExtremelyWicked, #ZacEfron, #LilyCollins, #JohnMalcovich, #KayaScodelario, #JimParsons

Zac Efron has shared a pair of new behind-the-scenes image from his upcoming Ted Bundy biopic, revealing The Big Bang Theory star Jim Parson as Larry Simpson, lead prosecutor in Bundy’s trial and the man who eventually put the grotesque serial killer behind bars, and Kaya Scodelario as Bundy’s mysterious ex-wife Carol Anne Boone. Extravagantly titled with the headline-killer Extremely Wicked,…

[geekinsiders]

What's Coming and Going From Netflix May 2019 https://gkinsi.de/2IJ24eL