#Fold and Form Relining
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pipemanagement1 · 1 month ago
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Fold and Form Relining
At Pipe Management Australia (PMA), we are committed to delivering innovative, high-quality solutions for pipe rehabilitation across Australia. A key part of our service offering is our advanced Fold and Form relining technique, designed to restore deteriorated pipelines efficiently and effectively. This cutting-edge method involves inserting a folded thermoplastic liner into the damaged pipe, then applying heat and pressure to reform it tightly against the host pipe’s interior, creating a seamless, durable new pipe within the old one.
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pipemanagementaustralia · 2 months ago
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Fold and Form Relining
At Pipe Management Australia (PMA), we are dedicated to delivering innovative, efficient, and environmentally conscious solutions for pipe rehabilitation. Our specialised focus on Fold and Form relining technology allows us to restore aging or damaged sewer and stormwater infrastructure without the need for intrusive excavation. This advanced technique involves inserting a folded PVC liner into the existing pipeline, then applying heat and pressure to reform it to the original pipe shape, effectively creating a new pipe within the old one.
Fold and Form relining stands out for its minimal disruption to the surrounding environment. In contrast to traditional pipe replacement, which often involves digging up roads, driveways, and landscaped areas—leading to increased costs and extended project timelines—our trenchless approach significantly reduces downtime and restores functionality quickly. This is especially valuable in Australia’s diverse and often challenging terrain, where excavation can be both logistically complex and environmentally damaging.
At PMA, we combine technical expertise with the latest in pipeline technology to ensure long-lasting, high-performance results. Our commitment to sustainability, safety, and innovation makes us a trusted partner for municipalities, developers, and utility providers across the country. With Fold and Form relining, we redefine what it means to rehabilitate pipelines—efficiently, effectively, and with minimal impact.
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ratatouillewastakendammit · 2 years ago
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Pls write for shoto 😩😩😩
I gotchuuu (I wasn’t sure if this is asking for Shoto smut in particular but all I’ve written for Tumblr so far is smut so that’s what you’re getting. This was so rushed but I hope you enjoy!)
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Pairing: Pro!Shoto Todoroki x reader
Summary: It's hard not to be jealous when your fiancé is loved by so many. Thankfully, he seems more than willing to prove that he's yours.
Warnings: smut, praise, language, the tiniest smidge of angst, also not proof read
Word Count: 1.8k
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Jealously wasn't a word you would particularly use when describing yourself.
On the contrary, you were quite a laid-back individual, especially in light of the difficulties present whilst dating such a well-known hero.
While many saw it as a life of glamour and luxury, there were many hardships that came along with it, such as the multitude of fans that showered the pros with adoration and praise.
It was even worse when that pro was someone as strikingly handsome as Shoto Todoroki.
Beauty was effortless for him. With eyes that could melt hearts and jawline capable of grating cheese, it was no surprise to anyone that he was given the title of "Most Attractive Pro-Hero" two years in a row.
So while jealous wasn't exactly a very fitting adjective to characterized you as an individual, hot was definitely one that described Shoto, meaning that there was no shortage of fans sending their affectionate devotion in the direction of your partner.
You tried your best to stay off social media and ignore the masses of comments his pictures or videos warranted. At first, you were actually good at it, but as your relationship progressed, you realized how difficult it really was to turn a blind eye.
Self-consciousness was a nasty emotion. When mixed with a simmering coil of envy, it made for quite the unfavorable combination.
There were times when the duo honestly got the better of you, playing a cruel game of contrasting superiority with your own career and physical attractiveness as its pawns. You would often find yourself wondering why Shoto was still with you; he outranked you in so many arenas, making it increasingly difficult to ignore the praise he got when it came from people that might've been so much better than you.
And every so often, it would get to the point where curiosity overcame your usually unbothered persona, leading you down a rabbit hole of digital exploration that was most definitely not beneficial to your mental health.
So when your fiancé came through the door, he was met with your form sprawled on the couch, scrolling tirelessly on your phone.
"I'm back." He walked over, bending down to place a kiss on the top of your head. However, the displeasure evident in your face caused him to blink back in surprise. "Are you alright?"
"Hm?" You looked up, conjuring a hollow smile. "Oh, yeah, I'm fine."
Heterochromic eyes bore into yours as he leaned forward, forcing you back into the chair with the intensity of his stare.
"Uh... What are you doing?"
After standing up again, he gave your expression one more scan before folding his arms. "You're lying."
Although he had displayed a blatant lack of emotional awareness during high school, Shoto was peculiarly talented in reading you, a fact you found endearing and a bit problematic at the same time.
"I'm not lying." You sputtered, averting your line of sight from his.
"You're doing that face you make when you're upset."
"I don't make a face when I'm upset!"
Shoto's gaze trailed downward to the device clenched in your hand. With astounding speed, he effectively snatched it from you, allowing him to examine what was making his significant other so perturbed.
You made a lunge for the phone, but he was quicker, not to mention taller as well. He held it above his head for a few moments, far out of your reach as you grumbled in vexation. "Give it back!"
"One second, I'm not finished reading." He effortlessly pushed your feeble attempts back with an arm.
Taking a few more moments, he finally relinquished custody of the item. He offered you an inquisitive head tilt as he handed it back, almost like an animal who had yet to comprehend what command their owner had issued.
"You're mad about my PR Instagram page?" You watched as the gears in his head started to turn, train of thought trailing back to the actual part of the account you had been scrutinizing. "Are you jealous?"
Yes.
"What? No!" You waved his suspicions off, tossing the phone back on the couch before resuming your own position as well. "Like I said, I'm fine. Probably just tired from work today."
And while he might've once been insufficient in the realm of interpersonal talents, he was in no way, shape, or form dumb, especially not when it came to you.
Shoto knew perfectly well that his assumptions were correct and, in all honesty, found them to be quite endearing, despite your obvious vexation.
So when you caught wind of the tiny chuckle coming from his direction, your eyes shot up to meet his, narrowing. "Would you care to enlighten me as to what's so funny?"
For someone who wasn't the most skillful in expressing his emotions, the amusement was evident in his demeanor.
"Nothing." He offered you a gentle smile. "You're just cute."
You cocked an eyebrow. "Excuse me?"
"I said you're cute." He repeated, a little louder this time.
"No, I heard what you said. I just don't know why you think me being jealous is cute." Letting out an embarrassed huff, you fell back into the sofa.
"Because it is." He placed an arm and leg on the inside of the couch, situating his own body so then it hovered directly over yours. "I think it's cute how blind you can be, that you might actually believe I would want someone else when I have you."
One of his hands traveled under the cloth of your shirt, ghosting over the skin of your stomach.
You shivered under the chill of his touch as it trailed upward, finding your chest and beginning to gently knead the flesh. "Sho..."
He placed a kiss on your lips, catching the soft gasp he drew from rolling your hardened nipple beneath his fingers.
Envy and indignation soon began to fizzle away under the pleasure his contact provided. It flooded across your mind, sweeping the negative emotions in its wake to leave pure desire behind.
Continuing to pepper his mouth against your neck, he took notice of the way you unknowingly began to shift your hips upward in search of his.
The hand that had been palming your breast moved to tug your shorts downward. It snuck beneath your underwear, pulling it away as well so he could effectively apply pressure to your clit.
A quiet moan broke from your throat at the feeling and he hummed in satisfaction. "I think it's cute that you can make such pretty sounds and still think I might want to hear them coming from someone else."
Shoto's thumb kept a constant stroke on the sensitive nub as pushed a finger into you. Your body melted into the increasing euphoria, thighs clenching around his hand as he used the other to undo the string of his own sweatpants.
Soon, he added another finger, pumping in and out of your slit that quickly had you dangerously close to the brink of ecstasy.
You were cruelly yanked back from the blissful seconds later when he pulled away completely. The loss had you whining in dissatisfaction until you looked up.
As previously stated, you were a firm believer that Shoto Todoroki was one of the most attractive individuals that had graced your line of sight.
However, without clothes, he was breathtaking.
Scars were scattered up his arms and torso. There had been a time when he had tried covering them up in front of you, uneasy about the imperfections painted upon his skin.
You, however, had thought they were pretty and had told him as such. Each mark was a physical reminder of the lives he had guarded, a symbol of some child who got to see their parents one more time, or maybe a killer who was behind bars now because of his heroic duties.
Shoto had stopped trying to hide them after that.
And maybe, if you weren't so concerned about your own personal shortcomings, you might've been able to see that you were the reason why.
As he looked down at you from above, bi-color hair perfectly framed every angle of his face, accentuating every detail that you had grown to adore.
Irises, while differently shaded, burned bright with desire and adoration.
And it was all for you.
Positioning himself in front of you, he teased his tip at your clit before slowly entering. "And I think it's just so cute that you actually think I would ever want to fuck anyone else when I have you, waiting for me to come home and sink my cock into."
And he did, thrusting his hips into yours in a way that had every nerve in your body on fire. Your previous turmoil had washed away, overpowered by the sweet bliss that Shoto provided with every movement.
"So, yeah, you're pretty fucking adorable if I'm being honest."
The sound of his voice and the praise lacing his callous words had you melting, a moaning puddle overflowing with need. Hot tears were brimming at the corner of your eyes, a mixture of pleasure and the bitter feeling of an unmet release.
Already close, every thrust tightened the coiled simmering in your stomach. With his thumb still trained on your clit, you could feel the subtle warmth that he had sparked blaze to life in your abdomen.
One final kiss to your cervix pulled you over with a snap, your walls offering one final convulsion that had him reaching his high as well.
The both of you took a moment, allowing the air to reenter your lungs. Your heart was still jumping in your chest, overworked but completely full.
Then he gently pulled out, pushing a stray strand of hair behind your ear. "I'm yours, just as much as you're mine. Do you understand?"
Mind still foggy, you were at least able to understand what he was asking of you. You offered a weary nod in breathless acceptance.
"Good girl." Shoto wiped a tear from your cheek, offering you a loving smile. "So, what do you want to do for dinner?"
Shoto's Instagram comments had been left untouched by you since then.
With every bit you held for him, he easily met the admiration tenfold, even if you failed to see it sometimes.
It didn't matter; he would always be there to remind you, in whichever way he deemed fitting.
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beinmybonnet · 5 years ago
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hmmm ok, joe/nicky "colour"
(classic seeing colour soulmates au BECAUSE ALL THE TROPES FEEL NEW WHEN YOU’VE GOT IMMORTALS)
- you see the world in black and white until the day you touch your soulmate. when they die, you lose the colour they brought to your life - 
*
“Oh, that’s beautiful.”
Nile comes up on Joe’s right shoulder, mug of tea cupped between her palms.
“Thank you.” He shuffles over so she can sit beside him on the bench, moving aside his paints. She’s studying his work intently.
“The shades here are perfect,” she tells him, eyes darting between the painting and the view before them, “it’s like the shadows are lifting off the canvas. What colours have you used?”
Joe’s smile is wide, and he flips his paintbrush to gesture with the end. “Here, whites and greys for the houses at the bottom of the hill. Here,” he points the handle higher, “yellows with pink, and then some red here, just as the sun rose.”
“So, that would be orange right here? Pale though?” she points at the right splash of colour and Joe turns, brow lifting in surprise. “Art History with a focus on colour differentials,” she says proudly. “My professor said I had the best monochromatic eye he’d ever seen.”
Joe promptly slides the paints across the bench and picks his spare canvas up off the grass. “Join me?”
“Really?” Nile grins, bright and eager as he hands her a brush. She hovers over the paints for a moment, chewing her lip between her teeth. Her eyes rove determinedly over the unlabelled paints and the sky, before she plucks up a purple pot. Joe has to resist the urge to wrap his arm round her shoulders.
Back when Joe had first leaned to draw, colour had meant nothing to him. He’d had chalks and charcoals as a child and had lost hours to sweeping strokes across paving stones. He’d learned to differentiate between subtle shadows and muted tones, blending new greys between his fingertips to smudge over his clothing.
Black, white and the thousand shades between them were comfortable and sure. Colour was just, unnecessary. As he grew, he was gifted graphite and dark inks and a roll of rough parchment was always tucked against his hip. He could recreate everything his eye could see and his mind could form with the two fundamentals in his hands. All his most treasured early memories remain this way; his mother’s shining ebony hair, the smoky shade of her skin. The bright white of his father’s teeth as he spun her around in front of their home.
But there’s still no denying that colour changed everything. Colour that had come into his world with all the subtlety of the man at its source. Suddenly his life had burst into bold tints and fierce hues; endless possibilities for him to explore with paints and oils and pastels. Nine hundred years to experiment with the vibrancy of the world around him.
He and Nile reach for the blue together and smile. 
*
Nicky’s got his eye pressed tight to his scope when everything fades.
He’s dialling left, settling his weight into his hips and then a curtain of heavy grey drops across his view. He rears back rubbing at his eyes, trying to force the colours back.
“Shit… just- Book, hold up!” Andy’s voice crackles out of the earpiece Nicky’s placed on the rooftop beside him. He scrambles to jam it back in.
“Andy-”
“Take the shot Nicky.” There’s shouting coming from below and Andy is swearing vehemently. “I’ve got him, just take the shot!”
He lurches back into position trying to clear his mind. It’s all wrong though, the shadows too dark and his depth perception is ruined -he’ll have to start all over. The dilution of his vision is making his heart thump erratically, and he has to count breaths in his head to keep himself still enough to reline up the shot.
Seconds later, the target steps out of the blackness and Nicky fires. The bullet cracks off the window frame, striking home at a cruel angle. He swears under his breath; it wasn’t clean, but he doesn’t care – the job’s done. He just needs to find Joe.
He takes the stairs at a speed that leaves his knees numb. At the extraction point, the van is already moving away as the door slides open. Nicky hurls his gear in and leaps after it. He gets the briefest glimpse of eyes too dark, and thick pewter stains across a torso before the door is slammed shut and he’s hauling Joe into his arms. They collide with a thump and Nicky quickly tucks his face against the grey skin of Joe’s neck with his eyes clenched shut. A hand burrows under the edge of his tactical gear until he feels the warmth at the small of his back.
Nicky pulls back to open his eyes and relief has him sagging further into the arms around him. Warm tawny skin shines against the dark khaki of Joe’s vest. He drags his mouth up the rich line of his throat, reluctant to break contact.
“Sorry.” Joe’s expression is chagrined when he lifts his head. “Got pinned down.”
There’s a smear of blood at the corner of Joe’s mouth, the newly crimson stain brash and mocking. Nicky rubs at it with a gloved thumb until the skin is clean and then presses his mouth gratefully to his favourite colour.
*
“A lilac ribbon in her hair. First colour I ever saw.”
The slight waver in his voice makes Nile wonder if she’s over-stepped again, if she’s put her foot in some unknown no-go zone and she opens her mouth to apologise. But Booker’s smiling, and that in itself is rare enough that Nile waits.
“It happened in a crowd. Must have been a hundred people in the square, easily…” his smile is widening. “God, it would have been so easy to have missed her. Soldiers were separating people, everyone was running and pushing and we just… brushed hands.”
Booker lifts his hand from his lap and turns it over slowly. “The back of her hand touched mine as she ran past. That was all.” He touches that spot, a glance of his finger. “I looked back, and her ribbon was lilac. But it was so busy, I lost sight of her in the rush.”
“But you found her again?” Nile has her head propped on her hands, trying not to sound too eager. Booker laughs gruffly.
“She found me. Came back for me.” He’s gripping his own hand tightly now, nails biting at the skin. “Lilac ribbon, hair like honey. Everything else came after that.”
“She sounds lovely.”
Booker looks up at her properly, and Nile’s acutely aware that whilst now they see the world in the same shades, it wasn’t always that way.
His voice is soft. “She was.”
*
Joe barely has time to shout before his world is plunged back into negatives, colour leaching from his vision. He’s scrambling, sliding in the pool of viscous grey he knows is blood as it spreads around Nicky’s skull.
He moves to cup Nicky’s face and can’t bear it. The sharp edge of his cheekbone throws dark shadows over his too pale face. Flecks and streaks of black over his skin; blood or dust or ash, Joe can’t tell anymore and the panic is rising in his throat. He can’t look at Nicky’s colourless eyes – he can’t- he’ll carry the sight with him too long.
He tears his head away, his own eyes clenched shut – but before he has time to pray, to plead, Nicky is gasping beneath him. The breath Joe releases is sticky and harsh, and he’s curling forward in his relief. Their hands collide quickly against each other’s forearms in an instinctive, accustomed clasp, and colours start seeping back immediately. The first to return are the shades of blue; bright aegean tones bursting in Nicky’s wide eyes, chased into existence by familiar notes of green. The weight lifts off Joe’s chest and for a moment he just breathes, air that tastes sweet and smooth as his other senses adjust to the disruption.
Then Nicky’s rolling. “Let’s go, Andy.”
*
They’re stood close enough to see the tremble in Andy’s arm as she reaches for Quynh’s face for the first time in over four hundred years.
Joe is frozen at his side, and Nicky’s breath is jammed somewhere in the base of his throat. He can’t believe this is actually happening.
Andy’s hand falters just shy of Quynh’s cheek with a ragged sound, fingers hovering. She opens her mouth to speak but Quynh reaches up and clamps the hand desperately to her face with her own. They shudder so violently Nicky wonders for a moment if the ground has physically quaked.
He knows the sensation well; that fierce swoop in the stomach. Like he’s stepped into free fall as the world saturates around him at Joe’s first touch. When they can reach each other quickly after a death, colour comes back in slow, precious increments; the shining browns of Joe’s eyes, or the dusky pink that rises in the shell of his ear. The longest they’ve gone after a death was four days. Four days in an east Indian jungle trapped in wet, translucent tones of black and white, the frustration building until he’d screamed at the sky. When he’d finally gotten his hands on Joe, grasping desperately at his bared shoulders, colour returning was an immediate detonation that had left his whole body throbbing for hours.
Nicky can’t even begin to imagine what Andy and Quynh feel in this moment.
They go down as one, limbs folding together as they collapse into the dirt. Clutching at each other as their worlds transform. Quynh has Andy’s face trapped between her own palms now and is sobbing, laughing, trying to pull her closer. Andy’s tears are silent, but steady. Her eyes flitting over Quynh’s face in awe while she runs trembling fingertips over rosy cheeks she can see.
Joe is squeezing his hand so tightly his fingers have gone numb, but the rush of joy in Nicky’s chest is golden and fierce. To stop himself moving forwards to pull Quynh into his own arms, he steps behind Joe and tugs him back, arms looping firmly around his middle.
“See? We are meant to find each other,” he whispers. Joe chuckles wetly against him.
On the ground, Quynh is smiling through her tears. “You’re beautiful Andromache,”
Andy hums hoarsely and runs her hands over Quynh’s arms, coming up to cradle her collar through the thick fabric of her coat. Her fingers rub at the material and Nicky knows the scarlet shade must be iridescent to her eyes. Andy lifts a thumb to Quynh’s lower lip.
“Red always was your colour.”
                                                        
*
adriana i’m so sorry this took so long. i physically couldn’t stop it getting longer and longer and then i got really stuck and it was a whole mess. 
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vercopaanir · 5 years ago
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Who You Are
The Lovely Moons, Chapter 5
Masterlist for this series
Pairing: The Mandalorian x Blind!Reader
Summary: Just when things begin to settle, a dogfight between the Mandalorian and another bounty hunter leaves you injured, stranded on Tatooine, and in need of money.
Rating, Warnings: None. I honestly don’t think I’ve needed to warn for anything so far, but if I miss something, please let me know!
Notes: This chapter contains some Mando’a that I found via the internet. Translations are at the bottom, and inspired by @themandjalorian​’s “i imagine how your name would sound.” It was the first story I read from this universe, so I dedicate this part to her! Go read her things! This is also on AO3. Also, I did write in a part directly from the show. I’ll try not to do this too much in the future, but let me know what you think!
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Ever since your argument on Quanera, you and the Mandalorian fall into a comfortable, if not an easy rhythm.
It goes something like this.
In the mornings, you take the baby outside and let him run through the grass, which is almost too tall for him to see over. He often chases insects and climbs on top of small rocks. One afternoon, just before it started to rain, he picks every blue flower he can find, and when you both return to the Razor Crest as the heavens open up, he waddles up to the Mandalorian to present the drooping bouquet.
The bounty hunter kneels on the floor of the hull, using a soldering iron to fix the wiring of one of the ship’s consoles, but he sets it carefully aside to take the wilting flowers from the child. “Thank you,” he whispers, resting his gloved hand on the baby’s head with gentle affection. You see, later that evening before you retire to bed, the pale blue flowers resting in a clay cup of water on the control panel of the cockpit.
After a little exercise, you feed the baby mashed fruit, and he tends to try to feed his stuffed bantha toy some, too. You have already washed it more times than you thought possible, sure it will fall apart any day, now.
Then, in the afternoons as the child sleeps, you find things to keep yourself occupied. One day, you walk up behind the Mandalorian while he cleans one of his many weapons. The noises of scrubbing and tinkering draw you over, but you cannot tell what weapon he’s disassembled. The small table is absolutely littered with different parts, gears, and oiled cloths. It would look the same to you whether you were blind or not. But it’s the bit of light shining through the holes of his cloak that cause you to frown.  
“This isn’t the one you lent me,” you say, picking up the hem. You feel with your fingers the holes and tatters. One portion of fabric is nearly worn away entirely.
He turns his helmet towards you, pausing his ministrations of scrubbing off the carbon of the barrel of a gun. “No.”
“Why don’t you wear the other?”
There is a heavy pause where he grows very still, and you have the distinct impression he isn’t actually looking at you.
“Because you’re wearing it.”
A blush blooms in both your cheeks, and you flex your fingers over the fabric that you still hold between your hands. You have taken to wearing the cloak whenever you go outside, since Quanera’s air is still cooler than what you were accustomed to. It does not seem to phase the Mandalorian at all, and he hasn’t asked for his cloak back. You use it as a lap blanket when you join him in the cockpit, either perched in the pilot’s chair to practice your landing and take-off, or nodding off in the co-pilot’s seat. You prefer it to the hull, since there’s more light, and the three of you are together.
“That’s ridiculous,” you finally insist, ignoring how weak your voice sounds. With a frown, you step closer behind him, and you rest both hands on his pauldrons. “Here, take it off.”
Immediately, he grows so tense you can taste it in the air. You tilt your head, trying to gauge what the problem is. “I have a needle and thread,” you say after a moment, fingering the fabric where his shoulder and neck meet. “I may be blind, but I can sew a hole or two.”
You see the moment his shoulders drop by inches, and for a moment, he continues to remain still. You don’t think he is actually going to acquiesce from how long he hesitates, but then he turns back to the gun he is cleaning and mutters, “Suit yourself.”
With a short sigh, you begin removing the pauldrons that secure the cloak beneath, your fingers working beneath the beskar to locate the leather straps that keep them secure. The armor itself draws your attention as you lift one shoulder guard between your hands, and you form an idea. He appears distracted enough, so you remove the other before taking the cloak and both pieces of beskar with you.
The Mandalorian finds you that evening sitting in the co-pilot’s seat, one leg crossed over the other as you feel with your fingers every stitch you made, careful not to prick yourself and bleed all over it. In the pilot’s chair, his pauldrons shone like beacons, freshly polished and his thicker cloak you’d been borrowing folded nicely underneath.
“I gave this one to you,” he had said, sounding tired and petulant. His voice was thick with another emotion you can’t put your finger on, and you lift your chin up and set your sewing in your lap, the well-worn cloak resembling a black banner against your legs.
“And now I’m giving it back. It’s terribly heavy,” you insist with a wave of your hand, looking back down at the seams you’ve created on the thinner one you were mending.
“Then-then I’ll get you another one,” the Mandalorian huffs, sounding endearingly irritated. He begins to put the armor back on, thorough and precise with every movement. “That thing isn’t worth the thread you’re using on it.”
“You were wearing it.” It’s an accusation, and you mean it that way. His armor is beautiful, but what should keep him warm is so thin even you can see through it. “Besides, I don’t intend to wear it.”
And you don’t. What you do is reline the child’s cradle, using the older, thinner blankets as padding and attaching the newly mended cloak on top. You notice the little one burrow under the blankets more than once, and one evening when you pick him up, his ears feel near to freezing off. This project takes you several days to complete, your penchant for a well-done job motivating you to perfect the cushion of the cradle and securing the lining in neat, hemmed rows.
When the baby finally crawls in, he practically bounces from the soft stuffing, cooing in wonder. You cannot keep from beaming with pride at your work, your fingers a bit more stiff and sore than before, but it is worth it to see the child fall asleep so quickly. You wonder if he is comforted by the scent of his father.
The Mandalorian says nothing of it. He finds some work collecting a renegade mechanic who had stolen a ship from Cantonica, and when he returns-wearing the cloak you’d forced back onto him-he seems too tired to even hold a conversation. You manage to take off without needing his supervision, and you assure him you would let him know if you needed help.
Returning to your own bunk that night, you find bolts of fabric that have your mouth falling open. The different textures feel as silky as water against your fingers, softer than anything you’ve ever worn before, in shades of the sea. Blues, greens, greys, darker but rich in a quality you could never afford. Your eyes sting at the kind gesture, unsure what to make of such a gift.
You stay up that night until the sun appears on the horizon, sewing and hemming until your fingers are too raw to even pick the child up, but you know the Mandalorian sees the midnight blue dress that replaces the old threadbare clothing you wore before. He even helps secure the cloak you’ve sewn for yourself, his leather gloves whispering over the pewter material when he fastens it at your shoulders before going out with the child.
That was this morning, before you took off. Now, you’ve set course to a planet called Nevarro, where the Mandalorian says he needs to speak with a business associate from the Bounty Hunter’s Guild. You have plenty of curiosity for the venture, but now you are distracted.
There are few sounds in the world that make you as happy as listening to the child laugh. The burbling squeal, thick with joy, makes your face crease with a helpless grin as you lounge in the pilot’s seat in the Razor Crest’s cockpit. The ship is currently cruising on autopilot, and you are facing the co-pilot seats where the child is propped up in his cradle in one, flailing his arms and hiccupping with laughter as the Mandalorian sits across from him, attempting to speak sternly in Mando’a.
“Ori’skraan,” the Mandalorian is saying, holding out a small bite of a herb encrusted bread to the child. When the child simply giggles so hard his ears fluttered up, you can’t keep from laughing either, covering your mouth. The Mandalorian chokes on his own chuckle, dropping his helmet forward and shaking his head side to side. “Epar, verd’ika!” he insists, wagging the bit of food at the small green creature.
The baby falls back into his cradle, giggling and kicking his little feet in joy at the Mandalorian’s fruitless language lesson, and you throw your own head back with laughter.
“He’ll starve at this rate,” the bounty hunter snorts, dropping the small slice of bread onto the plate he’d brought for the child.
“Oh, I doubt that,” you snicker, missing the way the gleaming helmet with it’s sharpened visor tilts towards you. “And I have a feeling that he’s taking in every single thing you’re saying. One day he’ll just simply start speaking full sentences.”
The Mandalorian glances from you to the child, then back again, radiating skepticism. The baby still wobbles from his laughter, toddling back upwards to grin with all his teeth. When the bounty hunter looks down at him, the child tilts his head as if daring the armored warrior to continue.
“Duraani, burc’ya?”
Immediately, the child squeals laughing, and you have the rare pleasure of listening to a true belly laugh modulate from the Mandalorian’s helmet, his armor nearly shaking with laughter. He leans forward in the co-pilot’s seat and lifts the baby out of the makeshift cradle, setting him in his lap. Your eyes slip closed as you savor the sweet sounds of receding laughter echoing off the metal walls of the ship, a small smile on your face.
When the Mandalorian speaks again, his voice is soft, almost too quiet for even the modulator to pick up. “Ni kyr’tayl gai sa’ad,” he murmurs to the child, and you open your eyes in time to see him do something you find incredibly strange. He bows his head and taps the smooth beskar crown of his helmet to the child’s little wrinkled forehead. The tiny three fingered hands reach up to pat just beneath the visor, and the baby coos in response.
It is one of the most tender sights you’ve ever witnessed, and you’re compelled to turn your eyes away.
“Mesh’la,” whispers the Mandalorian, and when you turn back, you find that both the bounty hunter and the child are gazing at you. The child coos in his arms, looking up at the armored guardian before blinking back at you. If you didn’t know better, he seemed to understand.
“What are you telling him?” you ask with a soft smile, raising your eyebrows when the beskar helmet looks away from you. Amused suspicion lingers in your voice, not trusting the conspiratorial tone of the hunter or the curious ear perk of the little one he holds.
“I am telling him who you are.”
The quiet, reverent way he says the simple words stirs something in your heart, and your mouth goes dry as bones. You certainly do not speak Mando’a, which he’s certainly exploiting in the moment, but you suddenly desire fluency from the gentle, beautiful language from the way he speaks it alone.
And then, everything falls apart.
A thundering explosion throws everyone and everything in the cockpit forward, the Razor Crest lurching from the hit of enemy fire. You’re thrown to the side right out of the chair and land half sprawled across the control panel. A sudden impact to your side from a gear shift radiates pain all the way from your hip to your shoulder, and you can’t muffle the painful cry that bursts from your mouth.
The Mandalorian hits the wall of the cockpit, turning his body just in time so he absorbs the fall and the child in his arms doesn’t smash into the metal siding. You shove yourself up, scrabbling for the controls, and you pull the ship up, every instruction and piece of advice the Mandalorian had instilled in you falling into place. The whole right side of your body is burning with discomfort, and when the bounty hunter grabs your shoulders and pulls you out of the seat, you can’t help the dry sob that tumbles from your throat.
“Move!”
You change places, stumbling quickly to the co-pilot’s chair and struggle with the buckles. They click in place not a moment too soon, because all of the sudden the ship is crashing into a high speed, and you shut your eyes from dizziness.
A voice breaks the silence over the communications link. “Gotcha, Mando!”
The vocoder is all static when the Mandalorian growls with annoyance, gloved hands conducting a symphony over the controls to push the Razor Crest into flying maneuvers that leave your stomach somewhere down in the hull of the ship. With the thrusters fully engaged, the ship is flying faster than you’ve ever experienced, and it seems the child feels the same terrifying tension you do.
You reach over as best you can, lifting him from his cradle and wrapping your arms around him, focusing on how he nuzzles beneath your neck and coos at the attention rather than the pain radiating in your side.
“Hand over the child, Mando,” a voice hums over the communications link, and you realize belatedly what’s actually happening. He had told you the Empire was after the little one, that there was danger hanging over his head wherever he went. Your heart begins to pound in your breast, and you know the child can feel it, because he whimpers and clutches at your clothing.
Instinctively, you hold the baby closer to your body, feeling the Razor Crest dip before tilting back and up to gain speed. Another hit on the back of the ship causes it to lurch forward, and you and the child would’ve gone careening into the floor had you not been buckled in.
“I might let you live,” comes the voice again, half a threat and half a taunt.
More impact from enemy fire sends the ship shuddering, and alarms begin to go off, blaring in the cockpit. Something off to the left side of the ship implodes, and the crackling of fire on metal resounds in the walls. The baby whimpers and begins to fuss against you, and you’re only dimly aware that the Mandalorian responds to the threat by flipping several switches all the while ignoring the blaring alarms.
“Hold on.”
You slip your arms tighter around the baby, pressing your face between his ears, and you feel the ship turn quickly in a move that dodges excess fire. The red glow of the alarms distorts the cockpit, and all you can see is the gleam of the beskar helmet as he leans forward over the controls. It occurs to you in that moment that there is a certain thrill in something like this, a horrifying adrenaline rush that dangles you between safety and risk.
“Come on,” the Mandalorian mutters, angling the ship back and forth to avoid the shots.
“I can bring you in warm, or I can bring you in cold,” the pilot says over the radio, and those words sink into your stomach like a stone.
You don’t have time to consider the ramifications of the threat because the Mandalorian suddenly grabs the controls and rips them back, causing the ship to thrust backward in space. The starfighter flies past, directly overhead, and you suck in a breath when the ship clips one of the Razor Crest’s engines.
“That’s my line.”
The starfighter is in view one moment, and the next it’s a brilliant shower of sparkling vermillion clouds. The communications link dies, and the engines are shut off, allowing the Razor Crest to list in space silently.
For a long, horrible moment, the alarms going off feel like they’ll never stop, and you’re afraid you’ve forgotten how to breathe in the midst of the chaos. The Mandalorian tests a few gauges, flicking a switch or two before saying, “Losing fuel.”
With a few more quiet clicks and punches, the alarms are swallowed by the quiet and darkness of the engines powering down. The child giggles in the dark, his ears perking up and down curiously, and you’re glad he’s having fun, at least. When the Mandalorian turns in the pilot’s chair, he seems to remember the both of you and leans forward, putting his gloved hand on the baby’s head. “Are you alright?”
Your eyes are closed, head bowed to try and breathe. The panic from such jeopardy would have been one thing to deal with, but the hot pain spreading up your side from landing on the control panel is becoming harder to ignore. You bite your lip and jerk your head side to side, and there’s a shift of fabric in the darkness, followed by a quiet clink of metal on metal when the Mandalorian kneels in front of you. “What is it? What’s wrong?”
“I think I hurt myself when...earlier,” you frowned, trying to remember how it even happened. Everything was a blur, both mentally and physically, and it seemed like years ago now when the two of you were laughing at the child’s giggle fit. You shifted and swallowed a painful groan building in your throat. It came out as a muffled noise. “It’s hard to breathe.”
Without missing a beat, the bounty hunter takes the child from your arms and places him in the cradle in the opposite co-pilot’s chair. Turning back to you, he places a hand on your shoulder, and you suppose he must see how you’re favoring one side, holding your right arm across your abdomen.
His hand gently squeezes your shoulder, and he rumbles from behind the helmet before nodding.
He’s got a stubborn urgency about him now, leaning over you and pressing several controls. A switch clicks, and the engines power back up. He retakes his seat in the pilot’s chair, and you let out a shaky breath, the pain growing from your side like a hug-around your back and up to your chest. You listen to the beeps of the console and the radio static that hums back to life.
“This is Mos Eisley Tower.  We are tracking you. Head for bay three-five, over.”
“Copy that. Locked in for three-five.”
You lean your head back against the headrest and try to ignore your heart palpitations when the engines sputter and pop, closing your eyes. When the Razor Crest lands, you are surprised at how gentle of a landing it is considering all the damage it’s taken. When you open your eyes again, it’s just as the Mandalorian is turning in his seat to look at you, and you wonder what he must see. You certainly don’t feel your best, and you think you must look it because he murmurs, “Stay here.”
The child fell asleep once the ship entered the landing program, and the bounty hunter gathers him in a blanket before disappearing down the ladder and into the hull. When he returns, you feel your throat begin to tighten at the worry of being able to breathe. It’s hurting worse now, and the pain is sharper. He says your name, but when you don’t respond, his hands are unbuckling you from the seat. Gloved fingers ghost over your temple, and your eyes lift open.
“Can you walk?”
You consider it, and the very idea of anyone lifting you up makes your entire body viscerally react with dread. You nod but add, “I need help standing-and going down the ladder.”
He nods and gives you his hand, his other resting behind your shoulder. You bite your lip on a noise building from your chest, feeling weak and useless. Surely he’s nearly come close to dying, and here you are, hardly unable to stand all because you fell. Hot tears of shame prick your eyes, and you hold onto his offered hand as he helps you down the ladder. When you start to walk the length of the hull, your head drops to the side until it’s propped up against his shoulder. His arm naturally curves around your back, but you hiss when he touches your side.
You adjust his fingers and shift them up beneath your arm, muttering a quiet thanks as he helps you walk down the ramp.
The sun is hot and the air is dry on Tatooine, and you shut your eyes against the bright light when you both step out from the shadow of the Razor Crest. So when three pit droids begin chittering and ambling toward the ship, you nearly jump out of your skin when the Mandalorian unholsters his blaster pistol and shoots with smooth fluency.
“Hey!” a shriek from within the bay makes you wince. “ Hey! ”
“You won’t make friends with warning shots,” you whisper under your breath, leaning into him as he walks with you off the ramp, still tucked under his arm. He ignores you.
“You damage one of my droids, you’ll pay for it!” A woman strides out from the operating booth, and her fiery, direct attitude is a refreshing change from the quiet and stoic atmosphere of the ship. If you had full possession of yourself, you would appreciate it more, you think.
“Just keep them away from my ship,” the Mandalorian warns, adjusting his arm behind you so that you lean more of your weight on him. Though his tone is usually the same reserved, level baritone, you notice his voice takes on a more unflinching edge when he mentions the droids.
“Yeah? You think that’s a good idea, do ya?” the woman asks, her own unflappable and direct voice a match for the bounty hunter’s. She puts one hand on her utility belt before gesturing with the other. “What’s wrong with her?”
You’ve closed your eyes again, sweat beginning to prickle your brow in the heat, or perhaps it’s from the strain of keeping yourself upright. The beskar helmet tilts down towards you before regarding the mechanic again. With no answer, and you are almost thankful for it, the mechanic gives a short sigh. “Needs a doctor? There’s one down the road.”
When both of you hesitate-, it’s easier to hear your pained breathing. The woman shifts uncomfortably, glancing between both of you before huffing. “Well why are you just standing here? Get her to the doctor!”
“But the ship-”
“Oh, it’ll be here when you get back,” she says with another huff. “And don’t think I’m not charging you every minute for it!”
The two of you set off down the sand trekked street, and you feel the Mandalorian take a deep breath. “I could carry you, and we would be there faster.” It might have been a complaint, you think, if his voice wasn’t suddenly so tender and quiet.
“If you even try, I think I’ll pass out,” you whisper, unable to fathom your body bending with the pain in your side. Underneath the armor, you wonder if he’s rolling his eyes. Surely he didn’t prepare for this contingency, and you bite your lip on the feeling of guilt remembering the baby is alone on the ship. “If I can get to the medic, you can go back. The child shouldn’t be alone.”
“I can’t just leave you,” the Mandalorian shoots quickly, his tone full of surprise.
“I’ve survived without you this long,” you murmur with a small smile, and he’s quiet at that until you reach the medical service center. The name itself is a bit too grand for the small dusty building with sand on the floor and aged equipment. You suppose your face must be washed pale from the pain, because there are several on staff who rush forward to help you when the Mandalorian shoulders you through the doors. They all ask questions and begin to escort you to the back, but the bounty hunter speaks up before they get too far.
“Wait.” Everyone freezes, and you squeeze your eyes shut. Standing and breathing are becoming two things you aren’t sure you can handle at the same time, swaying between two physicians who keep you propped up. “Be careful with her. Please.”
You don’t turn your head to look back at him, but you wonder if he remains until you’re out of sight.
-
Mando’a Translations:
Ori’skraan - a delicacy, a real treat in terms of food
Epar - eat
Verd’ika - “little soldier”
Duraani, burc'ya? - You looking funny at me, pal?
Ni kyr’tayl gai sa’ad - an adoption vow, literally translated “I know your name as my child.”
Mesh’la - beautiful
-
Taglist: @lavenderl3mons​, @itzagoodthing​ @letaliabane @yodaswrinkles @rzrcrst​ @kateb013
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same-side · 6 years ago
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As always, it goes without saying, but practice is the best tool you have! I know it gets repetitive to hear, but you can’t expect someone that’s drawing for three hours a week to be on the same level as someone drawing three hours a day
For painting:
I have a tutorial on light and facial structures that you can find here! This should give a pretty good overview of how I think about faces and translate that to a painting.
Some little tips to remember when working in realism:
Shadows will generally have a countershadow. That is to say, when you have a very dark patch, (like the shadow on a thigh or the center of someone’s pupil) the dark will always give way to a lighter shade. We live in a three dimensional world where “absolute darkness” is only really encountered with things like vantablack. So replicate that with your art! For example, here you can see the center of the pupil is actually navy blue with a black ring around it, rather than solid black. in the second picture you can see on the neck there’s a lighter patch. This kind of countershadow will occur on thighs, forearms, necks.... really everywhere! Particularly on curvature!
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Shading isn’t linear! By that, I mean that when you paint shadows or highlights or tonal shifts on things, they don’t cross straight left or right or up or down on your color wheel! They vary in shade, tone, saturation.... I have a tutorial for this here!
For sketching:
The direction of your hatch lines should indicate shape and form of what you’re drawing!
Curvature can provide depth and dimension!
For fabric: Closely packed lines means th fabric is tight. Wide, spread out triangles mean the fabric is loose
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Drawing without a reference can be tricky. Something to think about here is just how referenceless does art “need” to be? There’s no shame in looking at something and drawing!!! No! Shame! Sometimes, of course, you can’t find the pose you want, photography isn’t dynamic or stylized enough, or you don’t feel comfortable looking at shirtless men (lmao me). But! You most likely have hands and feet right in front of you! Look at them when you draw for the love of god!!!
The biggest thing I can say is practice!! Do so much practice! Eventually at first you may need to reference a shoe to be able to draw it. But draw it enough times and you’ll hopefully memorize the details and shapes and how to recreate it from your mind! Here’s how I draw without a ref:
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I start out with just a simple composition spine to get the pose and flow down. Once the spine is there, I add a dark outline that shows me my “silhouette”. It’s really important on this step that you have a good idea of what you want to draw - I’m taking a very clear image of what I want from in my head and making the silhouette on “paper”. Then I finish off the silhouette with important details like arms and hands. It’s really important to note here that... I have hands! Right in front of me! I got TWO of ‘em, in fact, lucky me!! So of course I’m going to look at them when I draw to make sure I do it right! From there I add details like fabric folds, make slight adjustments to the silhouette as needed, and then start working on the face!
Sometimes the image I have in my head doesn’t cooperate as well with me and I have to adjust, adjust, adjust. When that’s the case, I’ll duplicate the layer a bunch of times and make tiny changes to it until I have a version I like. Here’s an example:
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This one shows me changing a face, but I do this with arms, legs, tiddies.... really anything! It allows me to compare and pick which one I like best without regret of “the one I did two times back was better”. This is a really good technique for when you don’t have a reference because it allows you to find the most natural version by process of elimination.
Additionally, if a pose isn’t being nice to me and I have to adjust it many times, I’ll finally merge that sketch down to one layer, change it to a different color, and re-line on top of it. Here’s an example of doing that. This allows crisp, clean lines. You’ll notice in this picture that many of the lines are disconnected, or have weird “hangnails” on them from where it was moved from somewhere else. Others may be blurry because they were resized. So this is where the relining becomes necessary.
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I hope this helps!
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av-rental · 3 years ago
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Hydraulic Pressure pot for cold cure acrylics
Acrylic used in dental appliances is cured using dental pressure pots. Porosity is eliminated and long-lasting consistent colour is made possible by pressure curing. Different dental pressure pots are available; some use heat, others water, or compressed air to achieve the desired effects. An internal temperature gauge, a temperature controller, an air lock, and a safety valve of some form are examples of features. Hydraulic Pressure pot for cold cure acrylics is a reasonably affordable technique to restore dental equipment. Regardless of the approach your lab takes, be sure the vendor you choose stands behind their product. The production of high-quality relines, repairs, splints, temporaries, and orthodontic appliances uses our Pressure Pot Hydraulic Water Press. With just 10-15 p.s.i., the Pressure Pot Hydraulic Water Press ensures a dense, incredibly smooth, color-stable finish on any self-curing acrylic. By eliminating voids and porosity, the Pressure Pot Hydraulic Water Press boosts strength when making a temporary. Use of Pressure pot for cold cure acrylics In order to properly cure the silicone material when the PREFERENCE Soft Denture Liner was first introduced, it was essential to generate a steady pressure of 80 psi for 14 hours. Three main factors, in particular, make the utilisation of this relatively high pressure necessary: First of all, the silicone material is a viscous substance that requires pressure to penetrate all of the master model's intimate crevices, including the maxilla's rugae area and other soft tissue folds. Second, A toothbrush can be used by the patient to effectively debride or clean the liner while also increasing the density of the final product, minimising its pores, lengthening its useful life, and reducing the invasion of bacteria or fungi (like Candida albicans). This is possibly the biggest issue with soft liners. Thirdly, it ensures that the covalent bond has the strongest adhesive properties possible, preventing the soft liner from delaminating from the polymerized resin base (acrylic), the bonding agent (primer), and the Silicone. Benefits of a Hydraulic System For a variety of reasons, a hydraulic system is an effective power transmission. First off, it's simple to start, stop, accelerate, and decelerate thanks to its push buttons and levers. Accurate control is made possible as a result. Additionally, because it is such a fluid system and lacks any heavy gears, pulleys, or levers, it can readily handle a wide range of weights. Despite variations in speed, it exerts a constant force. Because they have fewer moving parts than mechanical and electrical systems, hydraulic systems tend to be straightforward, safe, and affordable. This makes them simpler to maintain. In chemical plants and mines, hydraulic systems are safe to employ because they don't produce sparks. Conclusion A pressure pot for cold cure acrylics is a container that is tightly closed and uses air pressure to force the liquid within out to another region or an applicator as a supply method. The volume of pressure pots ranges from one quart to twenty gallons. They can be set up with agitators to keep the material suspended, and they are available with top or bottom exits.
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