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Being a Jedi would be amazing, but let's be honest, I’d totally be tempted to use the Force for some mischief! 😜✨

Being a Jedi would be amazing, but let's be honest, I’d totally be tempted to use the Force for some mischief! 😜✨

[aurekfonts]

Translating the Sacred Jedi Texts - Part I

By Ender Smith

Adapted from the original twitter thread

This is the first part of an ongoing Jedi Text Translation series

The Sacred Jedi Texts are ancient writings of the Jedi religion in the world of Star Wars. Though their appearance is limited to just two of the films (The Last Jedi, and The Rise of Skywalker), they are given the thematic weight of representing the entire history of the Jedi religion.

In The Last Jedi, Yoda opines: “Read them, have you? Page turners they were not!”

Likewise, Phil Szostak (Lucasfilm creative art manager) has warned:

“designers don’t have time to add Easter eggs, lore hints or layers of symbolism (outside of the obvious). If you’re searching for hidden meaning in #StarWars art, it’s simply not there.”

Let us keep those thoughts in mind as we begin to explore and translate the Jedi Texts.

Jedi Texts Filler 01 by Dan Burke

Several unobscured pages of the Sacred Jedi Texts can be seen in The Art of Star Wars: The Rise of Skywalker by Phil Szostak. The pages themselves appear to be assembled from individual blocks of text and illustrations, in order to meet the high demand of pages required for the film.

By cross-referencing these images with the Visual Dictionary, we learn that this language seems to be interchangeably referred to as “Protobesh” and “Coremaic.”

The implied etymology of the name “Coremaic” is that the language comes from the galactic core, the core worlds, or perhaps a specific planet such as Corellia or Coruscant.

“Protobesh“ meanwhile might refer to a precursor/prototypical form of Aurebesh, the most common alphabet in the Old Republic, Imperial, and New Republic eras.

Since many alphabets in Star Wars are simple substitution ciphers for English (equivalent to the in-universe “Basic”), I decided to try an automatic tool to decrypt them. (Boxentriq is my favourite).

After trying various blocks of text, and adjusting the decryption parameters, I was nearly ready to concede that it was untranslatable gibberish, until a single passage caught my attention, from the left-hand page of Jedi Texts Filler 01 by Dan Burke:

I noticed a couple of repeated words, one with 3 letters, and another with 4. After some trial and error, I began to see words resolve throughout the passage:

It reads [sic]:

IN THE SECOND PHASE OF EACH STAR CYCLE THE JEDI THE JEDI IS OFFER ED. ORCE OF THEIR.

While some of the sentences are incomplete, the pendulum had swung entirely the other way, and I was certain it could be translated!

So I turned to the right-hand page to see how accurately I could decipher it.

Translating a Lengthy Passage

There are definitely some new letters mixed in there, but because I had already accounted for over half of the alphabet in the first passage, it was possible to work out the missing letters using context:

It reads in its entirety [sic]:

IN THE SECOND PHASE OF EACH STAR CYCLE THE C THE JEDI IS OFFERED THE CHANCE TO ALIGN THEIR BEING WITH THTHE ORCEOF THEIR CHOSENCRYSTAL.

THE FORCEIS STRONGEST THE FORCE FLO WS FREELY THE FORCE IS ALL.

THIS M EANOTHING TO ME.

[this line is not readable, due to corruption in my source image] COMMON.

IS OFT EN AND EASIL Y MIS ALIGNED.

SPLIT PIECES CAN BE NO LONGER OF NEL TOANEL THE FORCEFAIL ED PIECES ARE HIGHLY. AND THEREFORE ILL EGAL TO TRAD E PIECES ARE TRADED AMOUNGST THE SMUGGL ERS AND BLACK MARKE EERS AS AS A POWER SOURCE.

KRC FOUR ALTHUGH COMMON IS OFT EN AND EASILY MIS ALIGNED FIVE SPLIT PIECES CAN BE NO LONGER THE FORCEFAILED PIECES ARE HIGHLY VOL ITILE.

A) AND THEREFORE ILL EGAL TO TRADE B) PIECES ARE OFT EN TRAD AMOUNG ST THE SMUGGLERS

C) AND BLACK MARKE EERS AS A POWER SOURCE

D) KCR FOUR ALT HOUGH COMMON

E) IS OFT EN AND EASILY MISALIGNED

F) SECTION NC TW O DENSITY RAT IO EIGHT SIXTHS CENTRAL ALITION

AND THER EFORE ILLEGAL TRADE PI ECES AR TO TRADE PI ARE OFT EN TRAD AMOUNGST THE SMUGGL ERS AND BLACK MARKE EERS AS A POW ER SOURCE

ALIGNMENT

IGNITION PROCESS

CRYSTAL WILL SDIVIDE INTO THREE PIECES IS MIS ALIGNE S IS MIS ALIGNED VOLITILE  ALTHOUGH COMMON.

Making Sense of it All

As you may be able to tell, there are several statements mixed together on this page with varying degrees of coherence.

I have attempted to reconstruct each source-statement as follows:

Regarding a ritual for the spiritual alignment of the crystal with the Jedi’s being:

In the second star cycle, the Jedi is offered the chance to align their being with the Force of their chosen crystal.

The Force is strongest when the Force flows freely. The Force is all.

Regarding the physical alignment of the crystal in the lightsaber:

Central alignment [with an accompanying illustration]

Ignition process [with an accompanying graph]

Section NC-2: Density ratio 8:6

Regarding flawed and damaged crystals:

[Crystals with some particular defect] are often and easily misaligned.

Split pieces can be no longer [functional? useable?].

The Force-failed pieces are highly volatile and therefore illegal to trade.

Pieces are therefore traded amongst the smugglers and black-marketeers as a power source.

Regarding the author’s personal feelings at time of writing:

This means nothing to me.

In Conclusion: Was Yoda Right?

If we take the literal text on the page as canonical, as existing exactly like this in the diegesis of the films, this particular Sacred Text seem to exhibit circular, stream-of-consciousness meditations upon complex scientific, religious, and economic systems. If so, I think we would be justified in agreeing with Yoda that “Page turners they were not.”

As for Phil Szostak’s statement from before, that “designers don’t have time to add Easter eggs, lore hints or layers of symbolism (outside of the obvious). If you’re searching for hidden meaning in #StarWars art, it’s simply not there,” I think it is important that we take it in context.

The concept artists behind Star Wars often do not spend more than a couple of hours on an individual painting. The pressures of the production schedule require artists to work quickly and iteratively. Ideas are thrown out and scrapped at a rapid pace as the story, design, and construction is undertaken.

While these pages are filled with references to kyber crystals and Jedi rituals, there is nothing too profound or complicated discussed. The repetition is the result of quickly copied phrases that are there to fill space and to visually tell a story of the volumes of Jedi texts and the writings they contain. That they contain any lore at all is remarkable, but we must not take that to mean that anything they say is immutable canon.

In other words, take the artist’s words at face-value here: “The Force flows freely. The Force is all. This means nothing to me.”

Resources & Acknowledgements

Here is my Protobesh alphabet chart based on my translations:

Ender Smith is the editor-in-chief of AurekFonts: the unofficial archive of in-universe Star Wars fonts.

Support future translations and typographic design at ko-fi.com/aurekfonts.

All photos used are the property of Lucasfilm Ltd. They have been used altered and unaltered for educational and critical purposes in accordance with Fair Use law.