#He is a complicated character with a lot of layers

[shakingparadigm]

what is the theory that ivan manipulated the event where till and mizi met the wagyein?

It's not a theory, actually! It's confirmed that Ivan orchestrated the whole event. The true reason as to why however is still unknown. The information provides more context to this scene, though:

During the earlier times of ALNST the most rational explanation for this scene was that Till ran after a flower crown (presumably Mizi's) and Ivan followed him in out of curiosity. Now we know that Ivan was conveniently just standing there because he was waiting.

Side note, I find it heartbreaking (and maybe a little funny, sorry) that Till most likely didn't notice Ivan in this scene. That's just like him, isn't it. Always too busy running after Mizi while Ivan trails behind, an ever-present shadow.

I'm not sure how Ivan manipulated the circumstances for both of them to end up there, but it is confirmed that everything was intentional. What strikes me most is how they describe this particular scene:

I can't copy down what they said word-for-word (Patreon info), but they described Ivan watching "creepily" as Till and Mizi are faced with danger. We know that Ivan was familiar with the Cerberus wagyein beforehand, enough to touch its teeth and even to rest himself inside its maw. To Ivan, the wagyein is not dangerous, but to Till and Mizi, it could be. Ivan prepared the wagyein, led them there, and watched "creepily" from afar as Till fell on his knees, seemingly injured.

The closest I can get to making sense of Ivan's "scheme" is that he wanted to see how other children would react in a dangerous situation. Ivan's always been an observer, after all, and he's learned to survive by copying the more "normal" behaviors of his peers. This situation occured when Ivan was still young and had not yet developed his more charming mask, so perhaps he staged this encounter to study a situational response, to learn and mimic the emotion of fear. And what better subjects for the experiment than two of the most expressive and reactive humans of their batch? It helps that he was already fixated on Till beforehand, too. I think Ivan became irreversibly obssessed after this incident, especially since it's framed as a turning point in Ivan's life, comparing Till to the stars.

This is just my attempt at an interpretation, though. It could very well be for another reason. He most likely chose Till and Mizi specifically for personal reasons, not just for reaction. I'm still not sure on the purpose behind the whole thing.

The team wanted to capture Ivan's "dark emotions" through the shot of his stalking, which could relate to his more sinister intentions. His gaze can be read in a few different ways, though. Curiosity, interest, fear, etc. Maybe that's why they decided to redraw the shot in ROUND 6.

I think this better sells the feeling they were trying to convey.

[jez-bez]

unpopular opinion: Korn is not the baddest of bad guys

Is Korn a good guy? No. Definitely not. He, without a doubt, accepts his place in the gambling/money laundering part of his father's company. Does he have a choice, though? I don't think he does.

I've seen people talking about Korn being the bad guy, who takes advantage of Ton Kla, their Sugar Daddy arrangement, cheats on him with Fasai (which imo is NOT something he enjoys or even wants to do. I think he's being forced into it but that's for another time I guess) etc etc but I see it differently

Korn loves Ton Kla. Plain and simple. He loves him. Korn just unfortunately, like a lot of people getting raised by shitty excuses for parents, is acting and reacting in the only way he knows how. By control.

It's so clear to see.

The scene where Korn comes back to Ton Kla after two weeks, to me, speaks volumes of Korn's feelings. He's an open book right there.

"How about I fill you in on what happened, okay?"

You can see the hope on his face. He's been gone for weeks, feels guilty about it and now he really wants to tell (his lover) where he was and what happened. I mean, he did just get promoted too (even if its into a fucked up money scheme wth). But he wants to tell Ton Kla because he's finally got time to see him again, he wants to share his hardships and joys. Like normal couples would, right?

But then when Ton Kla doesn't want to listen, doesn't want to hear any of it, Korn gets disappointed.

he then makes the stupidest mistake ever by assuming a fuck would fix everything. Give the boy what he usually wants and the boy will forgive him, right? right?

Wrong.

Ton Kla doesn't want to have sex , which tbf, after being ghosted for two weeks (and having found another toy to play with) isn't weird. I wouldn't either. Go Ton Kla for pushing him away.

The face of realization because Korn is losing control. Not that he's had any control over anything the last few weeks, because not even his subordinates listened to him when he ordered them not to hurt Nan. In fact, I'd even say Korn is naive for believing they'd follow his order.

And then Ton Kla drops a massive, all left over peace shattering bomb because 'his brother was killed and Korn wasn't there, Korn didn't know, Korn let him down.' <- aka Korn's inner monologue probably.

"Who did it, Ton Kla?"

Baby tries so hard, to come up with something to do, to help. Suggesting the only things he's knows, the only things that's probably helped him: his connections through his father. And here's where people bitch about 'he didn't even ask Ton Kla if he was okay!'

listen, I know, I understand. But the man has also been through some shit, he's just reacting right now. He needs to know what happened, so he can help. So he can get that control back that he lost and desperately needs back.

"You don't have to help me. Someone else is already helping."

And once again he gets rejected by his lover, shattering the already shattered pieces of whatever's left of his heart and patience.

Korn so badly wanted to come back to his love, his boy, to share with him what happened in the past two weeks, to finally breathe and calm down. But unfortunately, a lot has happened to Ton Kla too, who just can't handle Korn's absence and random appearance.

"Just go."

Another rejection. Shot straight through the heart.

Ton Kla is not playing around, that's for sure. And honestly, good on him. This is not a pity party for Korn. Both are just reacting to their feelings. Poorest little meow meows. Stuck in their own dysregulation.

"You dare chase me away?"

That right there, is the look of a man who is hurting. Who can't believe what's happening. Knowing he fucked up and won't be allowed to fix it.

He even stumbles out of the house! Poor Korn. I feel for him.

Korn may not be the best character, is very morally gray, but I think people shouldn't forget the home that brought him up. You become what is preached to you, and if you don't know that that is wrong, you can't change. Nothing.

[hellotailor]

armand’s costumes are such an interesting data point re: his nebulous sense of identity.

when analyzing any costume, there are always many factors to consider: the setting, the character’s personal taste and economic constraints, storytelling concerns like tone and genre, etc. with armand, we also need to remember that he’s 500 years old and violently disconnected from his human origins. everything he wears has an element of disguise, selected to blend into a new environment.

armand was enslaved as a child in 16th century delhi, and barely remembers his mortal life. unlike louis - who can return to new orleans after 80 years and reconnect with his past - armand has no home to return to. his whole backstory, even his name, is rife with traumatic subtext, leaving him with an obsessive need for structure and control. this adds an extra layer of meaning to costuming choices that initially seem like straightforward menswear. 

armand’s 1940s wardrobe is very put-together - primarily three-piece suits and coats that make him look wealthier and more formal than louis, who is purposefully dressing down. most of these outfits are tailored to bulk up armand's frame, leaning into the "maitre" persona. and like his business-casual dubai wardrobe, he always leaves his collar open. when i interviewed costume designer carol cutshall, she described this as a symbolic power move, signalling that he's an apex predator who doesn't need to protect his throat.

my personal interpretation is that while armand clearly likes to look good, he has a complicated relationship with attractiveness. he doesn't always want to draw attention. his color palette is shadowy (black, grey, brown, olive green), and he’s much less flashy than the other Théâtre vamps. however when he’s feeling confident and flirty, he becomes more of a power-dresser - for instance his hunting outfit with the big coat and sunglasses, or his habit of wearing kohl.

interestingly, most of armand's 1940s costumes set him apart from the coven. the Théâtre vampires dress like cabaret performers, embracing a lot of period-specific styles. by contrast armand is more timeless and neutral. in fact, due to the relatively minor changes in men's suits over the past 100 years, there's a lot of overlap between his wardrobe in the 1940s, '70s and 2020s:

the rest of the Théâtre squad share an unofficial uniform of boldly clashing monochrome patterns with pops of bright color. meanwhile armand has a very plain wardrobe, emphasizing the image of him as a businesslike authority figure surrounded by zany artistes. he only wears subtle stripes on a few occasions in the '40s, reflecting the recurring prison motif we see in lestat's trial suit and (most famously) the dubai penthouse bedroom:

if we ask the question, "what does this person like to wear?" there are easy answers for lestat, louis and claudia. we understand their tastes, and the motives behind them. but armand is more enigmatic. we can recognize through-lines in his wardrobe, but his "taste" is dominated by whatever role he's currently decided to embody, whether that's a parisian theater director or a real estate mogul in dubai.

the times when he appears to have the most fun with clothing are when he steals a pair of sunglasses from his human dinner (!) and when he's pretending to be rashid. in other words, when he's explicitly performing for an audience. "real armand" is still a mystery.

(i may write more about armand's dubai wardrobe later, but for now, you can find all of my iwtv costumes posts on this tag!)

[thankskenpenders]

Thoughts on Sonic 3!

On December 10th, 2018, I was on the last day of a trip to Milwaukee. The night before, I'd attended the wedding of one of my best friends, Jake, who I've known since high school. Even though half of us were sick the whole trip, it was a great time. Derek had asked the wedding DJ to play "One Week" as the first request of the night, and proceeded to lip sync the entire song on the dance floor. On that cold winter morning in a hotel room hundreds of miles from home, Derek and I groggily checked Twitter on our phones and saw the shocking news: Paramount had teased the design for Sonic from their upcoming live action film. Even in silhouette, the shape of his face and the realistic curvature of his limbs made him look like a grotesque little homunculus. This movie was going to suck.

Six years later, I've now seen the third entry in what's become a hugely successful Sonic film franchise. It features Keanu Reeves as the voice of Shadow the Hedgehog in a fairly faithful adaptation of his story from Sonic Adventure 2. At the time of writing, it currently sits at a whopping 86% positive rating on Rotten Tomatoes, vying for the title of the best-reviewed theatrically released video game movie of all time. Critics are saying nice things about the emotional journey of Shadow the Hedgehog. Never in a million years did I think I'd see this day.

I, too, have now seen this movie, and... yeah, it's pretty good.

I'm gonna get deep into spoilers here, so I'll just say up front that I liked the movie. It feels like just about the best possible execution of this version of Sonic. But that's also damning it with faint praise, depending on who you ask.

If you're a fan of the games who didn't like the second movie, you probably won't get much out of this one, either, unless you just really love Shadow so much that nothing else in the movie matters to you. It doesn't reinvent the wheel for this film series. It's still got a heaping helping of broad comedy, cheap pop culture references, bad one-liners, and characterization that diverges greatly from the source material. This is not high art, nor is it a direct adaptation of Sonic Adventure 2. If you're the kind of person who hates this portrayal of Sonic and Eggman, or a lore nerd who'll hate that they let Shadow do Chaos Control without an Emerald, then just don't bother with this.

On the other hand, if you did enjoy the last movie, then you'll probably have a fun time here, too. Shadow is very cool. The action is the best it's ever been. There's a bit more focus on characters from the games, and less on human characters invented for the movies—with the exception of Agent Stone, who's in this a lot because everyone likes him. There's a lot of SA2 fanservice. They even play "Live and Learn." It's a fun time! Be sure to stick around through the end credits.

And now, to dig deeper, let's get into the spoilers! I'm gonna jump around a lot and talk about different aspects of the movie, spoiling everything along the way.

Shadow and his reams of lore

Here's the main thing you came for: Shadow is great in this! They really did him justice. Keanu Reeves is extremely solid in the role. He can be a bit flat as an actor sometimes, but I think he did well here. He can be tough and menacing, but he can also be earnest and emotionally vulnerable. Good casting call. Excited at the prospect of seeing more of him in the future.

Really, as a Sonic Lore Nerd I'm most interested in discussing the changes they made to Shadow's backstory. I'm sure there will be many fans upset with the changes, but for the sake of streamlining a complicated backstory that was subject to a bunch of retcons and multiple layers of amnesia and fitting it into a 110-minute movie, I think they generally made smart choices.

For one, Gerald didn't create Shadow using Black Arms DNA, because Gerald didn't create Shadow at all! Instead, Shadow arrived on Earth inside a meteor, and Gerald was merely the prominent GUN scientist who studied him after he was captured. (That meteor does have very strong Black Arms vibes, though, so I wouldn't rule out the possibility of them exploring that stuff in the future.) This simplifies things a lot and allows Shadow to be a direct foil for Sonic, kind of a version of our hero who was treated as a lab rat and lost the only human he considered family instead of finding happiness like Sonic has. Then later Shadow hurts Tom and Sonic wants revenge, and it mirrors Shadow's feelings about Maria, and after they fight they can empathize with each other over this, Shadow sees the error of his ways and helps save the world, yada yada yada. You get it. People predicted 95% of this movie's plot from the trailers, but it's effective.

Likewise, all of the stuff about creating Shadow as the ultimate life form who's immune to all disease to cure Maria's illness is completely cut out. Shadow's still called the ultimate life form, but he's treated as more of an energy source than a genetic research project here, playing off of the stuff about Eggman wanting to harness Sonic's natural Chaos Energy in the movies. The original intent behind the ultimate life form project was always hard to explain in the games and doesn't even come up that much, so I don't blame them for cutting it.

Because Gerald isn't doing genetic experiments and creating artificial life, the Biolizard also doesn't exist. It does, however, appear in an old monster movie Shadow and Maria watch in a montage, with Shadow later commenting that he worries he's a monster like the one he saw in the movie. That's a clever way to include it, I think.

The ARK sort of exists. There was no space colony back in the '70s, all of the events of Shadow's flashbacks just took place at a secret GUN base on Earth. Fair enough for a version of the story ostensibly set in the real world. The big space laser in the third act of the film is obviously supposed to evoke the ARK, but it's referred to as simply the Eclipse Cannon. It's still not a full-blown space colony, just a weapon of mass destruction Gerald designed for GUN in exchange for his release (while also secretly planning to use it to blow up the planet in an act of revenge). I am, however, pleased to report that the Eclipse Cannon still has a giant Eggman face on it.

And as for Maria: I like her in this! She's obviously not going to get a ton of screentime, and she's always going to be a very straightforward character, but she's more playful and lively here. She teases Shadow for being grumpy and plays with him a lot. She feels less like this perfect embodiment of everything good and pure in the world and more like an actual kid. She's still not a complex character, but it works.

And the most important question: do they show a child getting shot and killed by the military? The answer is almost. In the flashback, GUN soldiers chase Maria, Shadow, and Gerald and ready their guns, but the young Commander Walters (who's in his 20s rather than being a kid) grabs them and tries to stop them from firing on a child. In the chaos, a soldier fires, missing Maria but hitting a generator that then blows up and kills Maria. So, y'know, close enough I suppose.

So, yes, many of the details change here, but they captured the gist of Shadow's story from SA2. The emotional core is there. I will say, though, I almost feel like Shadow isn't in this movie as much as I thought he'd be? I think he's used effectively in all of his scenes, and they make room for his backstory, and BOY does he get to kick ass in his fights, but for much of the middle part of the movie he's overshadowed by Ivo and Gerald. Though this might be a compromise to leave more screentime for...

Tails and Knuckles

I'm relieved to report that Tails and Knuckles both get a good amount of cool stuff to do in this! They don't feel like an afterthought.

I was worried that Tails in particular would completely fall by the wayside, since even his debut movie didn't entirely know what to do with him. But he's good here. He pretty much just feels like the Tails from the games at this point, especially since they dropped that fawning admiration he had for Sonic with that running gag of him going "Only Sonic the Hedgehog could do that!" He often chimes in as the one who wants Team Sonic to stick together when Sonic and Knuckles bicker. He particularly gets to shine in the Mission Impossible-inspired heist sequence at the GUN headquarters in London that serves as the climax of the second act, which feels like it was tailor made to let him shine as the tech guy of the team. He also gets several opportunities to swoop in and catch someone for a save in an action scene. He's good in this!

Knuckles is... fine. He's definitely fallen into the role of the comic relief dumb bruiser since joining the good guys, but he's at least a little better than he was in his own streaming show. The jokes lean more into him just being really brash about his strength and skill, rather than him being this archaic warrior who doesn't understand anything about the modern world. He also gets a few more serious bits in the back third of the movie where he gets to shine a little more, so overall it evens out to him being fine. They could've done way worse.

As for the relevance of the Knuckles show: Knuckles is now said to be the guardian of the Master Emerald, like in the games, though with no Angel Island this amounts to him hiding it somewhere for safekeeping. It's eventually revealed that he just gave it to Wade, who gets exactly one scene (sorry, Wade-heads) for a joke about him using the Master Emerald as a hockey puck. So, the miniseries explained why Knuckles has a connection with Wade. That's it! Also I think Knuckles might use the Flames of Disaster a bit in fights, but they never called the technique out by name, so I never really thought about it. So, yeah, the six-episode streaming miniseries about Wade bowling has zero meaningful relevance to the Shadow movie. Who could have seen this coming?

Miscellaneous humans

For that matter, the human supporting cast is MASSIVELY downplayed in this one. Tom and Maddie are there for two key sequences (the beginning of the movie and the GUN HQ heist), but otherwise they disappear for long stretches of the movie. They don't go to Japan in act I, nor do they go to space in act III, and there's no subplot for them during those periods, either. There's nothing like the wedding subplot in Sonic 2 where they'd constantly cut back to Hawaii for comic relief with the humans and only reveal why this was relevant to the plot near the end. (There's also no random dance battle in Siberia.) If a human character is here, it's because they have something to contribute to the plot right away. Most people will probably consider this an improvement, and I'd certainly say it makes for a much tighter script, though I have to remind everyone that I thought the wedding being a GUN sting operation was such a funny twist that I'm a defender of the Hawaii subplot.

On the subject of Tom, something funny I've noticed is that they've just completely downplayed the fact that Tom and Wade are cops. Tom being a cop never comes up once. Wade being a cop only gets referenced via the fact that he's practicing hockey on the roof of the police station in his one scene, but he's not in uniform or anything. They clearly got the memo that we don't want Sonic to hang out with cops.

Here's something else funny: Rachel and Randall got character posters, but they're actually not in the movie! Not technically, anyway. During the heist sequence at GUN HQ, Tom and Maddie use some gadgets Tails invented to holographically disguise themselves as those other characters. But the real Rachel and Randall never show up in the flesh. It's a very odd way to shoehorn the actors into the movie. (Jojo is also absent. They did not give her Amy's role of being the girl who reminds Shadow of Maria. Instead they just let Sonic have the big heart to heart with Shadow that makes him switch sides.)

You know who IS in this movie? Krysten Ritter. Not as the voice of Rouge, as the fandom once hoped, but as a director for GUN. She gets like three scenes and she feels completely checked out the whole time. Can't say I blame her! She's not really a character, just a plot necessity. Commander Walters dies in Japan but gives Sonic one of two keycards needed to activate the Eclipse Cannon, and then Ritter's character assumes Sonic stole it and labels him a bad guy. So that's why they have to break into GUN HQ in the second act instead of just talking things out with them. Still, I am at least relieved that Sonic doesn't work with GUN for most of the movie.

I gotta be honest: when Walters pulled a credit card-shaped object out of his pocket, I thought he was about to give Sonic another Olive Garden gift card as his final act before dying. Part of me wishes that happened.

The supporting human character in this who really gets to shine is Agent Stone, which I'm sure most fans will agree was the correct choice. There's a LOT of Agent Stone in this. He's good. I don't have much to say about him, but he's fun as usual.

But, of course, the ones who steal the show are Jim Carrey, and his costar Jim Carrey.

The Robotniks

I've gone back and forth on whether or not I can actually see movie Robotnik as Robotnik. I think with this third and final entry in the Jim Carrey Robotnik Trilogy, I've landed on... yeah, that's just Jim Carrey playing a Jim Carrey character. He's absolutely having fun with the role, and I enjoyed watching him, but I think a lot of that comes down to the fact that I'm a millennial who grew up watching Jim Carrey movies. If you didn't like him before, this movie will probably be nails on a chalkboard to you, because now there are two of him.

Ivo's arc here leans very heavily into the fact that he grew up as an orphan and never knew his family, a thing offhandedly mentioned in the first movie that's never been a thing for any other version of the character. Here, he learns that he has a living grandfather who's also a mad scientist, and it feels like a hole in his heart has been filled. It certainly makes sense for a place to take this version of the character, and it fits with the movie's themes of finding and losing family, but the cartoonish, childlike affection Ivo feels towards Gerald and all the scenes of them frolicking and dancing together have basically nothing to do with the characters from the games. He's a fun villain for this movie, but he's overwhelmingly used as comic relief this time rather than as a serious threat. He doesn't particularly feel like Sega's Dr. Ivo Robotnik, the arch nemesis of Sonic the Hedgehog who'd take over the world with an army of robots and a fleet of airships in the span of a day if Sonic wasn't around to stop him. He's a guy who lives in a big crab robot and has some drones. He has more in common with Carrey's depictions of the Grinch or the Riddler or Count Olaf than Dr. Eggman. Though he does, at least, finally get his outfit from the games by the end of the movie. So that's something. And also he's in a fat suit now. They only make jokes at the expense of his weight a little. Hooray...?

Gerald, meanwhile, is... largely the same character as movie Eggman, but older, so they can make jokes about him having saggy flesh and smelling funny and needing dentures. (Also, his voice kind of sounds like Homer Simpson sometimes?) To his credit, Carrey absolutely nails the handful of more serious scenes Gerald gets, whether it's Maria's death or his sinister turn when he reveals that he actually wants to destroy the Earth. But then it's right back to goofs about there being two of the same guy. Even the final battle features a lot of slapstick shenanigans with the two Robotniks fighting each other. I was able to enjoy the absurdity of it all, but if the humor doesn't land for you the dual Jim Carrey schtick is a hell of a lot of the movie. I wouldn't be surprised if there was more Gerald than Shadow in the movie, when you go and tally up their screentime. I was able to enjoy the sheer absurdity of it, but your mileage will vary.

I will, however, say that the split screen stuff they do with the two Carreys is EXTREMELY impressive, from a filmmaking perspective. They were absolutely flexing with their ability to pull the effect off. They don't rely on cheap tricks like cutting a lot, or having shot/reverse shot scenes where you're looking at the back of a body double's head. Instead they have a lot of long takes where the two Robotniks are talking to each other, you can see both of their faces, and they'll even hug and touch each other a lot, and the whole time the conversation maintains a natural pace like it really is two actors playing off of each other. It's really well done. It's an incredibly silly idea, but boy did they commit to it.

Sonic

I've hardly said anything about Sonic himself in all of this. It's his movie, isn't it! Well... I don't know, he's fine.

I feel like movie Sonic is a known quantity at this point, and either you like this take on the character or you don't. There was some speculation early on that this was supposed to be a younger Sonic who would grow into being the character we know from the games and comics, the one who's still got lots of quips but is also kind of aloof and cool, a free spirit who goes where the wind takes him, a figure the other characters look up to. And... no, that didn't happen. Once again he gets more serious as the stakes are raised, and he's totally badass when he goes Super, but the rest of the time he's still a little goober with tons of generic one-liners who learns schmaltzy lessons about the importance of family. He's still constantly going to undercut the tension of most scenes by cracking a pop culture reference that will make the average American parent go "haha I've heard of that." I don't think they're ever gonna change that. I think this just what the writers think Sonic is like.

And, again, for what it is, it's fine. He's a little annoying. You already know how you feel about movie Sonic. This third entry won't change that. But they do, at least, have him say "Talk about low budget flights, no food or movies... I'm outta here!" before jumping out of a helicopter. As my thoughts on the climax will show, I am not immune to fanservice.

The climax

God, the climax is SOOOOO fucking good. It's fantastic. Easily the best action these movies have ever done.

Rather than saving Super Shadow for the team-up with Sonic at the end, they have both of them go Super to fight each other first, and they just go full DBZ with it, fighting across the entire planet. It absolutely rules. I think this is the new coolest fight the two of them have had in anything ever. And then they have to stop the Eclipse Cannon together, and sure, there's no Biolizard. But Gerald DOES release a swarm of GUN Hunter robots, and the ensuing space battle turns into some Gundam shit. It's good! It's so good!!! The movie's flaws kind of melt away for me here when I'm watching Super Shadow take out an army of robots with Chaos Spears on the big screen. What a timeline we're living in.

And yes, they play "Live and Learn." They had to. They knew the assignment. They actually play a slight remix, but it's still got the original vocals, so it's perfectly recognizable. Actually, the tune of the song is used as a leitmotif for Shadow throughout the movie, first introduced via an acoustic guitar version played by Maria, and I really love that. I've been begging these movies to use more music from the games the whole time, and I'm glad they finally did so here. (They also use the traditional level clear jingle early in the film, and Eggman's theme from SA2 is very briefly used as a ringtone.)

... Anyway, uh, meanwhile Eggman, Tails, and Knuckles straight up just kill Gerald to save the world? They unceremoniously knock him into an energy field at the end of their slapstick fight aboard the Eclipse Cannon and he disintegrates like he hit a bugzapper. It's over in an instant. It's not graphic or anything, but it's, like... I didn't expect them to show it, or for it to be such a casual murder! Eggman has one quip about it and then immediately moves on.

Shortly after this, Eggman and Shadow sacrifice themselves to stop the Eclipse Cannon. Shadow's sacrifice doesn't stick, obviously (he's revealed to be alive by the end of the second stinger—pretend to be shocked), but Eggman's probably dead dead. I seriously doubt Jim Carrey's gonna come out of retirement for these movies again. His final moments before the big explosion are also SO dragged out and belabored. He has a dramatic final line like ten times in a row. It really just feels like the series saying goodbye to Carrey. And, again, it feels like a fitting enough end for this Eggman's arc, but it's an odd adaptation of the character from the games.

And so, that's what we're left with. This is far from Sonic Adventure 2: The Movie. It's not that, though there are many, many references made to that game in particular. It's a sequel to the film Sonic the Hedgehog 2 that has a similar tone and style, but Shadow and Gerald are in it, and Shadow gets some really cool fights, and there's a liiiiiittle more focus on stuff from the games than last time, and the script's a little tighter. If that sounds fun to you, you will have fun with this. I know I did. If it doesn't, you're probably better off waiting for them to inevitably do an animated reboot whenever this live action series runs out of steam.

It hasn't quite run out of steam yet, though...

The post-credits scenes, and the future

One of the big questions going into this was: what's next? How do they top a Shadow movie with heavy Sonic Adventure 2 overtones, in terms of hype for the fans? How do you fill Eggman's shoes after Carrey retires, for real this time? There are still more fan favorite rival characters to get through, but how many movies in a row can they introduce a furry foe for Sonic who inevitably turns good and helps him stop a larger threat by the end? And when the hell are we gonna see the girls?

Well, we now have our answer, and it's one I'm cautiously excited for: a whole army of Metal Sonics, and Amy!

Yes, Amy! Finally!! It's an absolute crime that we've gone three whole movies and a streaming miniseries without including the female lead of the series. I've complained about this ad nauseum (and also the fact that they cut Rouge from the story). But at least now they're finally doing something about it.

But now the question is, how will they characterize Amy? Sega's struggled with her for years, and there's a million different directions you can take her. Her one scene here has her smashing a bunch of Metal Sonics and wearing a cloak for the sake of a dramatic reveal, which gives her the vibes of a mysterious, badass action girl. This is, of course, completely different from how Sonic and Amy met in the games. What will her personality be like? She doesn't speak here, so who will they get to play her? Where did she come from? Will she even have a crush on Sonic? All of these have yet to be determined. So, like, I'm hyped to finally see Amy, a character who should've been in the movies from the start, but they could so easily end up playing it safe with an incredibly boring girlboss version of Amy who's no fun at all. We'll have to wait and see.

(My prediction: they're going to try to cast either Zendaya or Ariana as Amy.)

Metal Sonic, likewise, is very exciting, and he looks perfect. He looks just like the design from the games. But the question is: what will they do with this army of Metals? Will they be lead by one main Metal Sonic, perhaps Neo Metal Sonic, who gets to be a proper bad guy? Will they take some cues from Sonic CD, Heroes, and the OVA, or do something completely original? Where did they come from? Were they activated as a failsafe after Eggman died? Did they and Amy come from some sort of bad future, riffing on Sonic CD's time travel? Will they explore the fact that Metal wants to be the one and only Sonic? Or will they just be an army of disposable robot grunts for Sonic and friends to mow down like it's a Dynasty Warriors game, while some other villain takes center stage?

It could go so many different ways, and some prospects are more exciting than others. I mean, the Knuckles show had endless possibilities for what it could do with him, and none of the options on my bingo card were "Pachacamac's ghost tells him to help Wade win a bowling tournament." And while I'm a sicko who thinks it's funny that the Knuckles show is what it is, forgive me for keeping my hype about Amy and Metal Sonic in check here until we learn more.

Regardless of what they do, it'll still be hard to top the hype of Shadow, and it'll be hard to fill Jim Carrey's shoes for general audiences. So despite this clear statement of intent, I have no idea what the future of this film franchise holds. But regardless of what they do, I can say one thing for certain: the kids in my theater were hyped as hell for it. They popped off over Metal Sonic, and they were screaming their heads off with excitement over Amy. I heard a teenage girl on the opposite end of my row of seats say "finally!" over Amy's reveal, verbalizing my exact thoughts. She also said that this movie was "peak," though it diverged from the games, and she hoped they'd do a movie with Silver and Blaze someday.

The kids are gonna be okay.

[skyenish]

I am not your pet | Scarabia animatic 🐍☀️ |

——

——

I ask you to think about Jamil and Kalim, really think about them. How much of what they say about how they feel about eachother is true? And why do they do the things they do? They’re such interesting characters to study and pick apart, a complicated and layered relationship full with lies. A boy who can’t handle the truth and his lying snake.

Jamil lies, because he did like Kalim, he did care about him, and despite what he says, he will keep waiting for Kalim. He will always wait for him (though after the events of the main story, he won’t wait in quite the same way anymore). What is true however, is that Jamil bites. Not literally of course, but he does bite. But just like the dog in this audio, Jamil has a reason to bite, everyone does! He’s been like a cornered and caged animal throughout his life, even more so after the Octatrio pulled that little stunt in Scarabia. That’s a lot of stress, I would’ve fallen to the floor and started sobbing honestly

I genuinely love how the twst cast is often represented as animals or items, because there’s so much potential for angst and fluff and cool things there! Jamil being a little conniving snake is one of the best things that ever happened to me and I couldn’t be happier! Hey, want to know something funny? Snakes can’t see the stars ;D

——

[akanemnon]

reading while I'm driving to work? 100% but don't tell the cops

"the one with the creepy smile" you bet oh my goodness. chara has always been my fav character in undertale, even though we see them so little. it's the fandom and comics like tr that give them life (hahaha) and only fuel my love for how complex and unique each creator's iteration of them is, and thus, fuels my love for the character itself. so them saving susie after they've gone through so much ptsd sort of trauma in the past few hours, and giving her THIS smile and twitched eye, GOOD. GOD. it's crazy how the way that you are able to draw an expression in such a unique way to that character that adds...everything to the comic. the body language and facial expressions and speaking mannerisms that you've assigned to each character makes your comic so lively, in a way that many outer artists can't do. I can't do it. it's not just chara, and it's not just that frame. it's all of them, but this one just like... sent a chill down my spine. gg akane.

I feel like i write one of these praises each month and they go on forever, but I could write an essay on how your comic and characters are so lively and accurate to how most of us see them in game. hell--i opened this app the other day and my first thing on my feed was someone's fanart of lesslo. I was like "oh, that's a cool one" and deadass thought for a moment that he's an ACTUAL character from deltarune, because he's THAT well written.

anyway, I'll stop my ranting now. have a good rest of your day/start of your day, and remember to treat yourself! go get a pastry, your favorite fun drink, whatever.

So, if there's one thing I'm putting A LOT of focus on, it's that every single character in this story has a unique way of emoting and speaking.

To me, it's almost like a science. Not everyone shows emotions the same way. It all varies from person to person. And there are SO many ways of conveying an emotion. It is extremely complicated and layered. A smile doesn't just convey happiness. People can smile when they're sad, frustrated, or even angry. It's nuanced as hell. Which is WHY it's so fun and challenging as an artist to try and capture that.

I want these characters to feel like real people. And this is one of many ways to achieve that.

[spookierdeer]

OL EUA YUGQ G XGOYOT OT MXGVK PAOIK, OZ ZAXTY OTZU G MXGVK. NGVVE NGRRUCKKT! 🎃⚠️

(costume talk and yapping under the cut)

starting from back to the front:

stan and ford are handing out candy this year, stan dressed in his vampire costume and planning to scare kids and ford is wearing a mabel (turtleneck!) pumpkin sweater, about as festive as he's willing to dress up this year. ford was originally planning to hole himself up in his lab and work on data analysis or whatever nerd shit he has going on but stan invites him to help scare the hell out of kids. ford declines initially, better things to do, but after checking to see how stan's doing (badly), ford decides to help by bursting out of the bushes with a glowing laser gun, face cloaked in shadow. it's more fun than he expects or admits and he eventually fully joins stan.

soos and melody are trick or treating in a couple costume, soos as zelda and melody as link. melody wanted to cosplay link for awhile and you cannot convince me soos wouldn't jump at the chance to dress up as a badass anime elf princess who can fire lasers.

mabel, pacifica, and waddles are dressed as utena, anthy, and chu chu respectively. i have a headcanon that post working at the diner and slowly getting used to normal kid things, pacifica discovers anime. specifically shojo princess anime. she finds utena and loses her mind over it in private, with mabel eventually breaking down her walls and getting her to admit to the sin of liking anime. mabel gets pacifica to show her her favorites and mabel immediately insists they need to cosplay as utena and anthy for halloween, pacifica is a princess after all! (said in jest, but baby gay panic ensues on pacifica's end. mabel is pretty oblivious to her plight and doesn't realize why being pacifica's knight makes her feel so giddy until later on.)

dipper sees pacifica joining mabel as an excuse to flake out on trick or treating without being a total jerk, especially since they'll be joined by candy and grenda later. i know he's working on not trying to grow up too fast by the end of the series, but kids and teens are full of anxiety and doubts and i figure he would be pretty awkward about a lot of things still, even after learning otherwise. wirt doesn't want to dress up since the previous halloween ended with him in the unknown then waking up in the hospital, but greg still wants to go trick or treating. dipper tags along to help babysit greg despite it not really being necessary, wirt's just glad to have someone to chat with while he takes greg, especially someone who doesn't leap to finding him strange. greg is going as a ghost elephant and wirt assumes it's just the weird kid tradition of layering costumes over the years, but greg's logic is that he "died" as an elephant last year so now the elephant is a ghost. if wirt heard this he would probably end up freaked out, but kids are often more aware of things than expected. dipper is wearing wendy's hat since she traded with him at the end of the series.

putting wirt and greg in there could feel a little random, but these are my two favorite shows to watch during autumn and i associate them with each other. plus, it's otgw's ten year anniversary and it's so perfectly halloween, i think it makes enough sense to put them together. idk i love joy and whimsy, i am cringe and i am free.

i initally wanted to include other characters, candy, grenda, and wendy for sure but i was also considering coraline, wybie, and norman. felt way too complicated so maybe i'll draw something with those characters some other time.

[wolviensabes]

SFW Alphabet: Wolverine

a/n: yayyy I am writing a new character finally. I've been wanting to do Wolverine for a while, I just got around to doing it. Especially after D&W, I can't help myself. So like my main, I will start off with the alphabet and gradually write more into him. My characterization will be mixed based on film, show, and comic so not one specific source. I have never written this character before so the way I write him may change as I continue. This is also unedited ignore mistakes <3

A = Affection (How affectionate are they? How do they show affection?):

Logan is a fairly affectionate dude, once you get past his gruff and rugged outer layer. He will pull you close to him and let you lay on him or snuggle up close. He's very warm and makes the perfect heater since he generally likes to keep his room cold to combat his body temperature.

He enjoys cuddling, though he won't outright say it. He likes feeling you lay close and seek him out for comfort and warmth regardless of the time of day or situation. He won't ever deny you that.

He likes to ruffle your hair and he will lightly nip at you and grin when you give him a surprised look.

He's all for hugs, he likes when you hug him and try to hug as tight as you can, he's completely unfazed. Sometimes he will grab you and lift you up, and laugh when you try to do the same. His adamantium skeleton weighs him down more than you thought. He's strong as hell to be able to move so much and you realize it the moment you try that.

When you lay close he will rub your back or idly rub another part of your body. Any kind of touch he can get. His fingers are so warm, it feels especially good if you're shirtless laying on him. He really enjoys skin to skin contact.

B = Best friend (What would they be like as a best friend? How would the friendship start?):

He'd be a bit of a loner, but in the end he will always come through. He's hard to initially bond with, so be prepared for him disappearing a lot, hopefully you are a patient person.

At first he might not want to bond with anyone because his life is a roller coaster of shit, but persistence might wear him down enough to let you in his friend circle.

He's the type to drink with you, have a cigar and talk about whatever. He's down for brawling, he likes to mess around in that sense.

But Logan likes his alone time too, so balancing out social and private time is important. If you push too much I think he will back off a lot. He's had a shit life and if he cares a lot about you, he might not want it to be too obvious you are important to him. A specific mutant tends to kill off his close relationships.

*cough* Sabretooth *cough*

C = Cuddles (Do they like to cuddle? How would they cuddle?):

He does, he just won't admit it. I don't see Logan as a touchy feely guy with words, his actions mean a lot more than what he says.

Logan accepts cuddling basically anytime you want, just get close and snuggle up against him.

He might invite you to do so if he notices that you want to but are too unsure to initiate it.

D = Domestic (Do they want to settle down? How are they at cooking and cleaning?):

It's shown that Logan has settled down before. So he'd do it again with the right person.

He would rather be the type to support or provide rather than be the one to cook and clean, but he will lend a hand if necessary.

Compromise is possible. He might make a huge mess in the kitchen though.

I can see him working a grill pretty well.

E = Ending (If they had to break up with their partner, how would they do it?):

Straightforward and to the point. He'd tell you about his past and how complicated his life is, and he doesn't want you caught up in the mess of it too.

Logan might try to break things off after they get serious, worrying about what could happen to you, but if you insist, he will stay. He just doesn't want you to get hurt.

F = Fiance(e) (How do they feel about commitment? How quick would they want to get married?):

It would take a while before Logan would be ready for marriage. The life of an X-Man is complicated enough, and his especially is hard to handle. He wouldn't want to settle down for a long time.

But once you find that sweet spot, and have a long conversation and understand the concerns and dangers, he would be willing. You just have to be careful.

G = Gentle (How gentle are they, both physically and emotionally?):

Logan is naturally more rough than most, but he can be gentle when he wants to be or needs to be. He has a good heart, despite what he likes to portray himself as.

He's able to caress and hold you like a man who hasn't been through the worst Hell of his life, and he's able to understand and connect with you emotionally too. He does try his best for you, even if he isn't very good at first.

H = Hugs (Do they like hugs? How often do they do it? What are their hugs like?):

He does. He likes when you hug him. As mentioned before, he likes to lift you up and he chuckles as you try to lift him (and fail).

He throws you over his shoulder when he picks you up and he teases you as you try to squirm away.

A lot of the time your hugs turn into play fights.

I = I love you (How fast do they say the L-word?):

For Logan, saying that would take a long time. He'd be very reluctant to admit it or even begin a relationship in the first place so he doesn't want to endanger you by admitting he has such intense feelings for you.

When he does, he makes sure you two are alone and he whispers it to you either when you are being intimate together, or he admits it to you after something happens where he thought he lost you.

J = Jealousy (How jealous do they get? What do they do when they’re jealous?):

Logan doesn't necessarily get 'jealous' but I can see him being very possessive. He knows his partner wouldn't cheat and he is very comfortable and secure in his relationship with you, but sometimes he can't help but feel a twinge of jealousy.

He will come up to you and growl at the person he feels jealous of, possessively wrapping his arm around your waist and tugging you closer to him, glaring daggers at the person.

I can totally see him unsheathing his claws and asking you how they look, he claims he 'polished them' and wants you to see, but it's just a way for him to further intimidate the person in front of you.

It always works.

K = Kisses (What are their kisses like? Where do they like to kiss you? Where do they like to be kissed?):

Naturally, he's a bit messy. He likes kisses that leave you breathless, but are pretty passionate and demanding. He will kiss you until you are pulling back to breathe, and he lets you take a few breaths before diving back in for more.

He bites your lip, his tongue explores your mouth, the works. His hands are gripping onto you and holding you flush against him, his dominance fully showing when he is kissing you and you cannot complain.

L = Little ones (How are they around children?):

Logan doesn't really like being around kids, but he's surprisingly good with them. he's not mean to the kids obviously, he just prefers not to be around them. He doesn't like 'babysitting,' even though he's been forced to do so multiple times.

He has a natural instinct to protect, and he's proven time and time again that despite his attitude towards the children around the mansion, he's protected the entire mansion and the children inside with ferocity.

M = Morning (How are mornings spent with them?):

Grumpier than normal, if that's even possible. He hates mornings. He'd much rather wake up on his own and have the time to slowly wake up fully and start his day than awake to an alarm.

He has trouble sleeping at night because of nightmares, so by the time morning comes, he's fallen asleep. He wakes up late morning to mid afternoon on a good day.

N = Night (How are nights spent with them?):

Logan is more active at night due to his nightmares. He doesn't sleep well and rarely gets a good night's rest. When you came along, he asked if you could sleep in another room since he woke up swinging a lot. But gradually your presence helped and you were there for him when he woke from his nightmares.

Now, he can sleep without waking up and worrying about hurting you. Nightmares still plague him, but they're much quieter when you sleep beside him.

O = Open (When would they start revealing things about themselves? Do they say everything all at once or wait a while to reveal things slowly?):

Logan has to be open with certain things, just for your safety. You learn things with him about his past and himself, he does try to keep some of the things he's done to himself just to prevent any possible arguments from you asking too many questions. Logan doesn't like to sit and explain why he did things he had to do, especially if it's generally something considered to be bad.

P = Patience (How easily angered are they?):

To a degree, he's...somewhat patient. He can snap quickly, but he is verbal about his irritation before he acts on it.

But this can also depend on the person annoying him. Some people just make him act before he can even get the words out.

Q = Quizzes (How much would they remember about you? Do they remember every little detail you mention in passing, or do they kind of forget everything?):

He has a very good memory, I mean he remembers things from decades ago, so he can remember something simple like your favorite song or color.

He remembers little things. Your favorite things, how you enjoy specific scents or tastes, and all the meaningful stuff that warms your heart that he remembers.

R = Remember (What is their favorite moment in your relationship?):

I don't think he has one specific thing he enjoys the most. I would say maybe the first time he could actually sleep without worry of hurting you and he woke up feeling pleasantly rested, because you were by his side and he didn't have any nightmares.

S = Security (How protective are they? How would they protect you? How would they like to be protected?):

Congratulations, you have an insane attack animal on your hands.

Logan is insanely protective over you. He can't help himself. You are his, and he needs to keep you safe at all times.

It's in his nature, and sometimes he can't turn it off. He's always hovering over you, watching the people around you and making sure no one is looking at you for too long.

He's very vigilant by nature, so his head is almost constantly on a swivel despite his cool appearance.

Logan wouldn't hesitate to fuck someone up if you asked him to, or defend you at any time. He'd break someone's nose for talking bad about you.

T = Try (How much effort would they put into dates, anniversaries, gifts, everyday tasks?):

He would try as much as you liked him to, I think for him, getting you flowers or treats that you like is his default until he recognizes what means the most to you and he begins to do that.

As for planning things, he mostly leaves that for you unless you want him to plan something. He's very open to doing whatever you want, as long as you're happy.

U = Ugly (What would be some bad habits of theirs?):

At the beginning of your relationship, he disappears a lot and his communication is shit. It makes you think that he isn't very reliable, and it causes some drifts in your relationship early on. He also doesn't explain a whole lot at first, but once you progress further he gets better at communication.

V = Vanity (How concerned are they with their looks?):

Logan is a very rugged man, he doesn't spend too much on his looks, but he does enough not to be considered unhygienic. Otherwise his concern for his appearance isn't very strong. Unless you had a problem with it, he wouldn't put any more effort into his looks.

W = Whole (Would they feel incomplete without you?):

Once you get to the bonded stage, he doesn't want to be apart from you. He cares a lot about you and once he admits to loving you, he is fully committed. Nothing could keep him from you and he'd tear a rift in the world to get to you.

X = Xtra (A random headcanon for them.):

Play fighting is one of his love languages. He loves to play fight. He can win, every time, you know that. But he still likes to wrestle around and let you think you're winning...then he pins you down within seconds.

Y = Yuck (What are some things they wouldn’t like, either in general or in a partner?)

Anyone who would try to boss him around in an annoying way or try to change him. He doesn't want a partner who tries to change who he is. He wants to be accepted, he wants to be able to be himself. Playful bossing around is different, but if you genuinely try to make him do every single thing you say, you two will butt heads and you won't be compatible.

If you nag too much that would annoy him. He drinks, he smokes cigars, you either have to deal with it or say nothing. He will continue to do it regardless of your personal opinion about it.

Z = Zzz (What is a sleep habits of theirs?):

Logan tries to get as much sleep as he can, but he has chronic nightmares so sometimes it's very difficult for him to sleep fully during the night. Having you with him helps, and gradually as you sleep beside him, his nightmares calm enough for him to sleep through the night without waking up swinging or trying to stab the closest thing near him.

He generally sleeps late at night to late morning or early afternoon, he doesn't keep normal sleeping hours.

He likes having you by his side when he does sleep, he feels more secure with you tucked under his arms and snuggled into his chest. Your presence, your scent...everything, it helps relax him enough to fall asleep.

He always sleeps closest to the door so he can jump up and protect you if necessary.

Thanks for reading.

*SNIKT*

dividers by @/strangergraphics

[tjodity]

I feel like Ros is a tragic character for a lot of reasons. And one of them is that despite being this incredibly vibrant and layered person, a genius architect, a black and white judge jury and executioner, deeply suicidal, capable of massive feats of empathy, deeply lonely even among friends, none of that really seems to affect how people treat her. It isn't the cause for the good or the bad things that happen to her. What influences these things is instead the 'idea' of what she is that they project onto her. Ros is treated as a damsel in need of saving, or someone misguided by more conniving, more truly malicious forces, or the nice and eternally patient confidant, or an infallible beacon of kindness. When Aimsey challenges Ros to a duel and gets killed it's because he refuses to believe that she could truly hold a deeply cruel and violent mindset of how the kingdom needed to be run. When people protest Ros's concerns about her place in the kingdom they call her the "heart", the "glue" that holds the kingdom together, they do not bring to mind that she built the kingdom brick by brick, killed to defend it, took the throne when Foolish died, and has handled most of the negotiation with other factions. When people cast aspersions on her friendships with Bad or Clown it is because they cannot believe that her flaws and poor choices are a real aspect of her born from a complicated human being. The further layer of the tragedy is that only her enemies and those who leave her seem to actually understand her. Owen is the one to comment on how greatly the kingdom undervalues her. Mocha is one of the few people to interrogate and dig into her thinking, and Pili2 becomes one of her closest friends in the kingdom despite being around for a fleeting amount of time.

[literaryvein-reblogs]

Character Development: Obstacles

At the heart of any story is a main character on a quest to resolve a conflict and reach a desired goal. A writer’s job is to make the story compelling by placing obstacles in the protagonist’s way.

Obstacles - a literary device that can build tension, transform characters, and propel a story in a new direction. Obstacles—combined with a protagonist determined to overcome them—are essential elements of a great story.

Ways to Use Obstacles to Enhance Character Development

The best way to accentuate the tension, raise the stakes, and fast-track character growth in a story is to create problems for your character that threaten to derail their journey. Here are ways you can introduce obstacles to enhance your story:

Use obstacles to reveal character motivation. As a writer, you need to understand what motivates your characters and how they respond to problems. If it helps, work on some basic character development exercises. While you should flesh out the basics, like the character’s personality traits, mannerisms, physical appearance, and quirks, you need to know more about their life and what they’ve been through to figure out what motivates their actions. In the actual story, obstacles will illuminate your character’s motivations by drawing on these attributes. This will help you create a dynamic and relatable character.

Layer obstacles for deeper tension. Obstacles can be literal—a physical person or object that stands in the protagonist’s way—or they can be unseen forces acting against a character. Use both types of obstacles to layer tension and create a story with texture and depth. For example, weave an internal conflict into the storyline, and create a way that a character’s beliefs are challenged by their problem-solving actions.

Use subplots to complicate things. Every subplot needs a purpose. Write subplots for secondary characters that ultimately create complications for your protagonist.

Put obstacles in your antagonist’s way. Why should your protagonist have all of the problems? Make your antagonist more than just the bad guy. They need everything your main character has—complexity, backstory, problems, and obstacles. Figure out what their motivation is for going against the protagonist, and slow down their chances of success with obstacles.

Use obstacles to build a transformative character arc. Just when things are looking good for your protagonist and it seems like they’ve found a solution to their problem, put up a barrier to impede their progress. Obstacles are a force for transformation that creates memorable characters. When a character changes over the course of a story, they become more three-dimensional and intriguing. Think of Scrooge in A Christmas Carol. Each obstacle he meets changes him until his encounter with the Ghost of Christmas Future and his final transformation.

Reasons Problem-Solving Is Important in Storytelling

To overcome obstacles, fictional characters need to develop problem-solving skills. Creating challenges for your protagonist is an important element in storytelling for several reasons:

Problem-solving propels a story forward. Every story hinges on a character facing a problem. When the main character’s dilemma is revealed at the beginning of a story, most often during the inciting incident, it establishes the purpose of the plot. The main character’s journey as they navigate obstacles and solve problems drives the narrative arc through to the end of the story.

Problem-solving skills are a powerful tool for character development. When real people face challenges in real life, they reveal a lot about themselves by how they react. When you put obstacles in a character’s way, it’s an opportunity to reveal deeper details about who they are by how they respond. If you ever have a story with a flat character, give them a situation that forces them to employ problem-solving skills and watch them come to life.

Source ⚜ More: Notes & References ⚜ Writing Resources PDFs

[alaskan-wallflower]

eyes (2025 redraw)

i’m very glad i finished this lol—i spent quite some time on it—this definitely caters more to me and my personal designs (which i’ll explain under the cut for those who wanna read it) but i had a lot of fun with this :)) im not usually a soft shading/airbrush person and ive never really done it before, so this was a new experience, but im glad i tried something new :) i still prefer hatching tho

here’s a side by side for comparison

i think this is almost an exact year later too? idk i’ll have to check the posting date of the first one lo)

rambling under the cut if you’re interested :)

ponyboy’s is actually my least favorite one 😭 but honestly i think he does actually have grey green eyes rather than just green eyes like some people say. i just think they’re leaning more towards green rather than being completely green. also i know his hair is more ginger than auburn here. but yk what its ok

sodapop with heterochromia!! this one kinda came to me cause i saw a bunch of people talking about how both movie and musical sodapop have creepy blue eyes while in canon soda’s described with warm brown eyes, and i really liked both so !! kinda combined ‘em. also freckles! my guy has a LOT of ‘em

darry…i don’t like how his came out :/ but i think he’s another one whose eyes are more blue than green, although there’s definitely a hint of green if you look closely. if his looks jumbled it’s cause i merged the layers early and closed out of the app and once you do that you can’t undo it and i had to move some stuff around so that’s why some things look off

johnny’s was a lot of fun tbh—i’ve mentioned a few times but i headcanon that johnny has vitiligo. i tried showing that? i dunno if i did a very good job, i used references as best i could and tried to shade it with my utmost effort but idk if it really worked? also his eye scar! i forgot that in my previous drawing of johnny, which i realized after posting it, but i tried to go with the “big and hard to look at” part of it but i don’t think i did a very good job admittedly—

dally!! dally gave me a chance to kinda show myself with this cause i headcanon that dally has albinism (cause i have it and y’know, i wanted to add it for my own self indulgence)—i used myself as reference for this (minus the hair and with a bit of exaggeration to fit my style better) but i really like how his turned out!! i assumed he’d have some facial scarring too tbh from the fights he’s gotten into, and i wanted to add it in.

two bit—honestly, admittedly, his design is the only one i prefer from the musical over the movie (minus pony) but i still really like the movie/book description since its classic, so i figured why not add both aspects? personally i headcanon two bit to be half polynesian and half irish, and i kept the ginger hair because i thought it was neat and i like it, so i kept it. i also really like him having stormy grey eyes, and i kind do have my own concept for him that’s easier to draw than describe so i guess if/when i make a lineup for all of the gang it’ll be there.

steve…okay i had a change of heart with steve yesterday lol—an anon came to me about steve with green eyes and i had originally said that personally, i headcanoned steve had brown/black eyes…BUT then i thought about it and was like “why not both?” so boom, hazel. (i also think tom cruise has hazel eyes, no? idk) BUT there’s a reason for this. ponyboy originally says he “hates most guys with green eyes” and it kinda made me think like “oh, maybe ponyboy sees steve as one of those guys with green eyes” because he doesn’t like him, but maybe part of both of their character development is go from “steve has green eyes” to “maybe he doesn’t”. it’s more for my own symbolism than anything. oh, also he has a slit eyebrow because he thought it looked tuff and thought it’d look stupid to let it grow back so he just keeps it cut. also rather than “complicated swirls” i kinda think he has big, untamable hair so i tried displaying that, but thats another thing that’ll look better if i get to drawing a lineup lol

sorry steve’s was so long, i just put a lot of thought into that one far—

also just some little things but ive never really done airbrushing before so this was kinda new (which is prolly why they look kinda ehhhh but yk what it’s okay, i tried something new even tho i didn’t want to so i consider it a win

i dunno, i switch between liking how these turned out and hating them so idk, maybe you guys’ll like them more than me! i think ive been staring at em for too long

[moonberry69]

Not that anyone asked, but here’s my take on Caleb. I am deeply in love with him, your Honor. Yes, I am still married to the fish but Robo Apple will be taking his rightful seat as 2nd husband.

Number 1, can we talk about how spoiled MC was with Caleb? Brat level spoiled. He spoiled her ROTTEN. He treated her like a princess. He doted on her to the absolute max and seemed to love every minute of it. That man did anything and everything she asked him to do and beyond. He bought her everything she wanted and then some. She’s probably never heard the word “no” come out of his mouth when it comes to what she wants. Drying her hair? Cooking her meals? Doing her laundry? Buying her small gifts or snacks? Making her little gifts? Nurturing and comforting her when she’s sick? Being her rock when she’s scared or upset? Doing her homework? Defending her against bullying? Supporting her through anything and everything? There doesn’t seem to be any limit to what he would do for her. His entire life has revolved around her, her feelings, her wants, and her well being, ALWAYS. Its seems like the only thing he really went after for himself was his career as a pilot until joining the Farspace Fleet. And with that, it appears he joined for her safety.

Sure, it could be argued that Caleb did all these things because he wanted her dependent on him. That he used this to be manipulative. If she’s dependent on him, she’ll always need him around. But I don’t think that’s really the case, at least, not entirely. Possibly, but I don’t think so.

I don’t think Caleb’s need to control MC comes from a lack of confidence in her ability to take care of herself, either. He did seem to be perfectly supportive of her becoming a hunter despite how dangerous the job is. Worried yes but supportive. The powerful people he is in league with are probably more than she could handle alone and that could have a lot more to do with his more blatant controlling nature. But, I still don’t think that’s all there is to it when it comes to his “control and protect” antics. We as MC in the story assume that he doesn’t believe in our strength but that’s because he lies about everything and consistently dismisses us when we say we can handle a situation. Our strength and capability are constantly underestimated. He’s done this is the past, as well (his bond memory comes to mind). What else are we supposed to think when he is constantly trying to cage us and asks for us to let him handle everything? I believe Caleb’s dependence on MC plays a huge role in his need to control. She’s his life line. His world doesn’t rotate unless she’s in it. Caleb the man starts and ends with MC. Based on his apartment description, his lack of socializing, etc. he’s been alive but hasn’t been living since the explosion. It would also explain his desperation in her needing his protection during the bond moment (again, just an example). Her losing him is fine. But if he lost her? He wouldn’t be able to bear it. Not having her be a constant in his life is one thing. Him living in a world where she no longer exists is another. He wouldn’t be able to cope.

Caleb is possessive, yes. It’s obvious he always has been based on his Tender Moments and Bond memory but he gave the tether he wanted MC on some slack. That could also be because, as he said, he was holding back. I don’t think his entire reason for being so controlling and possessive is ONLY because he wants her safe and wants her for himself. I think there are layers to it. Caleb is such a complicated character and I love and adore him. He has a lot of moving parts. I have the most overwhelming urge to coddle him and smother him with hugs.

I don’t believe Caleb is obsessed with MC herself, either. Hear me out! I think what Caleb is obsessed with is the need to keep her alive. This goes back to his dependence on her. His need to keep her alive at any cost and out of harm’s way drives him in to being obsessed. I don’t think his obsession is with her. I think he is just a scared, trauma ridden man that is deeply, maddeningly in love with a woman that he has dedicated his entire existence to, who, right now, is in severe, life threatening danger and has been harmed in the past. In that situation, who wouldn’t be a little obsessive?

I also can’t help but wonder if part of his reason for being so adamant about wanting to hide her away is because he has doubts in his own ability to keep her safe, especially now. He seems to be well informed about many of the powers at play behind the scenes of what the plan is for MC. Maybe he doesn’t know the plan itself but he seems to know at least some of the people. Enough of them to be terrified for MC. He may know that when the forces come down on MC to take her, in the end, he’s helpless to defend her. If he was with MC while she was being experimented on, he wouldn’t have been able to do anything to help her or protect her. He was forced to be a bystander and comfort her as he could. If that is the case, then him having doubts about his ability to save and protect her now would make sense.

We just really don’t know what Caleb experienced when he was a kid. I think if we knew more, a lot of Caleb’s “whys” would make total sense. It definitely seems like he was experimented on. Again, it could be that he saw and, possibly, understood what was happening to MC, since he didn’t seem shocked that she didn’t know who he was in one of the flashbacks at Gran’s house. Gran could have told him, of course, what the issue was with MC but based on some other flashbacks we are given, it seems like Caleb was around even before Gran was Gran. Until Infold confirms for us, that’s my theory. Either way, Caleb is clearly deeply traumatized. Whether it be from his own experiences, watching MC experience what she did, a mix of both, or something else, he isn’t well mentally. Throw in what he has gotten himself mixed up with currently and the man is sinking. We do know he’s a test subject now. Currently, it’s safe to assume he is sacrificing himself to protect MC. He wants nothing more than to save her. He wants to protect her peace, even if MC isn’t pleased with his methods. He does seem to hold on to hope that MC will understand. Which, to me, is kind of tragic.

Caleb comes off as if he wants MC to blindly trust him and put her faith in him, like she used to. It seems to throw him off that she doesn’t. He’s a bit naive in this department. MC can’t trust him because she knows he’s deceiving her, among other things. Caleb lies to protect, then asks for blind faith. MC recognizes it and then lies to keep Caleb at bay. They go in circles. Caleb is in vicious cycle of his own creation. MC can’t do what he’s pleading with her to do because of his own actions. He’s trying to fall back on how things used to be. He’s constantly bringing up memories and walks down memory lane. He’s clinging to what they had. The problem is nothing is the way it used to be. He doesn’t seem to be fully ready to accept it, yet. It’s painful to watch.

But, who knows? I could be completely off base and Caleb’s motives aren’t due to any of this and he really is just batshit nuts 🤷🏻‍♀️ Either way, I’ll take him.

[astriiformes]

Okay as promised earlier, a post about Marty McFly and gender.

The reason I find a trans reading of Marty specifically so compelling beyond some of the superficial things--like the fact that he's smaller and wears a lot of layers and generally looks the way a lot of younger trans men do--is because if you interpret him as trans, there are other parts of his character that become extremely interesting.

Because, like, Marty is a decent guy. I am not the first to comment on the fact that, when compared to a lot of other young, male 80s protagonists especially, he comes across as much kinder & more empathetic, generally a lot more earnest, and less complicit in certain kinds of toxicity. But a huge huge aspect of that is that he is generally pretty respectful of the female characters in the series. Which is pretty noteworthy considering most of the other male characters have some pretty big blips in that department -- George spies on Lorraine, Doc is dismissive of Jennifer and treats women like a mystery to be solved, Biff is, well, Biff.

--And I will say that I could write a completely separate essay on masculinity in Back to the Future in general, because the other male protagonists, at least, do end up having whole character arcs about this (George coming to Lorraine's rescue at the dance and Doc realizing that he has a lot in common with Clara are both genuinely good examples of how men who have certain flaws courtesy of the patriarchy can learn to be better!) But Marty has a totally different arc related to masculinity, that stems from something else entirely, and it's a very interesting contrast!

Marty's problem is that he's insecure about being seen as weak or cowardly, which is why he's so easily goaded into doing dangerous, stupid things just because another guy dared him to (and it's very noteworthy, I think, that it's always other guys). His character arc revolves much more around accepting that it's okay to follow his conscience in those situations, and also learning to let go of other people's perception of him.

So like. You could very easily read him (as was intended) as a young cis man who has generally been raised to stand up for and treat women well but still has some very teenager insecurities. BUT. There is so, so much going with him on if you instead look at him through the lens of transmasculinity. Suddenly what you have instead is a character who probably has personal experiences with misogyny that make him sympathetic towards the women he knows, but who has very complicated, deep-seated insecurities around being seen as "enough" of a man. It explains why being a jerk to women is not only a line he won't cross, but something he actively calls other people out for, while still being deeply entrenched in other toxic ideas about what being a man looks like -- of course a trans Marty would be insecure about being seen weak or less masculine compared to other guys! He's had to fight to be seen as a man in the past, and doesn't know when and where to draw the line!

I just think it's a reading that has so much rich, interesting stuff going on--in part because the Back to the Future movies, as I said in my other post, are actually extremely full of Gender and so Marty is caught up in that already--and I am rotating him in my mind constantly. Do you understand.

[arimbaudspierre]

Anything You Knead - Doey x Reader (18+) HCs

Some headcanons for my on-going fic (nsfw!), or rather, just some scattered thoughts I have on how I've written some things about Doey, the Player, and other things. Blown away by all the sweet comments and kudos on it, just to say thanks again. HCs below the cut! Probably nothing NSFW but the fic itself is EXTREMELY NSFW so minors please DNI.

‣ Obviously, Doey's an adult in the fic. There's a tape that says that Matthew was at least 15 when he was under observation by Playtime, with the expectation that he was too old to be likely adopted and that they were considering hiring him when he was 18. Given that Doey was made in 1993 and the game takes place in 2005, he's at least 27, but even if Kevin and Jack are slightly younger than Matthew was, they too would be in their early 20s at the least. ‣ To the extent that that matters though, I'm not sure-- at least not for what I've written. I actually don't treat the three personalities as distinct, I have sort of taken a page from Steven Universe on this one, but I like the idea that Doey is his own wonderfully complicated person as a result of the merging, although I know that the game has fairly unsubtle imagery to suggest otherwise. It's part of why I think Doey is so much better written than almost all of the other characters in the franchise though; in their attempt to create a character that exhibits qualities of three different people, I feel like they actually just finally wrote someone who feels three-dimensional and fleshed out, because people are complicated things who are often compelled by many wants and fears within themselves, those of which may even be at odds. So, in the fic, there is no personality that 'fronts' at different times, Doey simply is himself-- for better or worse. ‣ I do think he's tried his hand at a relationship or two before (despite what he claims in Chapter 3 of the fic, slight spoiler), before the Player walks into his life, since there's obvious hints within the game that the Bigger Bodies project has been tried with more than just the orphans (the whole theory surrounding DogDay's true identity, the Prototype, etc) and there are reasonably other hot-blooded adults sharing the space with him. But, it's probably best left to hand-wavy-head-cannon territory since I don't want to spend a whole lot of time explaining that. ‣ The Player is an adorable little bombshell so Doey is quite correct when he calls them pretty. I did a quick lil' drawing of them, taking some fashion cues that I would have worn in 2005 (but much less layering. I am so glad we are over putting flared skirts over flared jeans). They are Hispanic, 28/29ish, and you know we gotta do the pale nude lipstick and sequin 'Angel' shirt. They are based on a Bratz doll, although I don't think the Player is a toy, just a cute little nod to that theory.

‣ I think the Player was an intern or a small-time assistant at Playtime, although I know there are nods within the game that suggest otherwise. There's a part where I wrote that they used to fetch coffee for Harley at some point. If that's true, I know it's possible that they know of Doey, but I really want to put some distance between the Player and Doey in the early days. Would make for some great angst, though, and probably would be better set up for romance if they'd been friends. Someone take that idea and write it for me! ‣ The Player is selectively mute. They can talk, but I think it's rare for them to speak even in their everyday life, and the trauma they've endured at Playtime is pushing that to the extreme. Doey is great at interpreting what they mean, though, and being mute doesn't stop them from talking about their feelings. ‣ The Player's candidness in inner dialogue is also inspired by how my friends and I spoke in 2005. Sick! ‣ One thing that I have loved writing is that both the Player and Doey have aspirations beyond falling in love and sharing intimate moments together. They are both there to do what they need to do, and although it's clear that something is brewing between them, that unfortunately cannot stop what's to come. ‣ I know a lot of you really want it to be a fix-it fic, but I hope that you trust that what I have for the ending must be what it is-- love is not without sacrifice, but I think the core of the issue is that in the actual game, we don't know why the sacrifice was made (narratively, because we are in the dark about the Player's motivations and Poppy's motivations, and thematically, because Doey's crash-out and our conflict with Poppy is largely due to miscommunication). This doesn't leave us feeling like the Chapter had a good conclusion, even though stories can have feel concluded without it being one where everyone we like lives and good, sensible decisions were made. I initially just wanted to write a one-off little smut story, but since I'm tackling some plot, my terms will be that I want to give the canon ending set up that makes the pay off feel earned, but bittersweet. ‣ That being said, 100% I'm rooting for him to return in the next game. :) You can count on more stories if so. That's the end! If you read all this way, thank you. Please share some HCs with me, if you have them, I love any and everything about this stupid doughman. The next chapter of the fic is almost done, and because I am a loving and fair god, it is mostly fluff, and we will get to the angst in the chapter afterwards. Don't say I don't do anything for you guys. Bonus: here's what I listened to almost on repeat while writing the next chapter. -arim

[sunshinereani]

Pili's character analysis of Pangi x Lukey vs Pangi x Pili 1 was so good I needed to write it down.

[Pangi stream 5th April: No One Can Stop Me Anymore. Timestamp: 01:10:09]

Notes:

- Chatter message states that Pangi spent 25 streams with Pili 1 and almost 37 with Pili 2.

- CC!Pili & CC!Pangi don't miss OG Pangili because "Hating Pangi is more fun" #ProfessionalHater

------

Pili says he feels the difference that makes people like Pangi x Lukey more is that, from a viewer point, Pangili was just friends (perhaps he forced it to more a bit at the end) and were doing things as best friends and Bad was in the equation.

There were multiple layers to it in that they had a lot of break-ups, with a lot of "we're so back" "it's so over", not necessarily because of a lack of compatibility between the characters but that did play into it. Particularly in the way that Pili 1 tends to be more closed, pushing people away, avoidant attachment style.

There's a lot of issues and layers to unpack with the OG Pangili. Pangi has separation anxiety to some degree - it's this person or it's nothing, ride or die. On the other side of the coin is Pili 1 who thinks he should push this person away because things are gonna get complicated and they will suffer the consequences of Pili 1's actions (Which is why there was a constant message from Pili 1 that Pangi deserves better).

Pili 1 didn't put Pangi in his thoughts for the things that he was doing. In the way of the fight with clown, Pili 1 knew that he would probably die and Pangi would be effected by this. If Pili 1 was a better friend he probably wouldn't have done that, but he was trying to not have an attachment to Pangi - which made him not have that responsibility or thought of "What would be best for Pangi?" insted of just doing what he wanted and being selfish about it.

It wasn't that Pili 1 didn't care about Pangi, he cared about him enough to know that if he were to stay with Pili 1 he would've been broken and had his life ruined (which ended up happening anyway). He cared enough to push Pangi away.

They started as friends and, aside from a few jokes here and there, they never bluntly flirted. There was a lack of communication between them, not even in a romantic sense, they just never spoke about how they were feeling and kept things that were happening to themselves.

It was two people who vibed for a moment, but you can tell it wasn't meant to last. With the way both characters are traumatised, built and work - it was never going to work out that way between them.

On the flip side, Pangkey started being gay from point zero. From the beginning Lukey definitely has been trying to push Pangi closer, rather than away. Which is something that Pangi is always trying to seek - he needs some sort of validation, he needs a ride or die. He had Ros at some point, but Ros didn't work out because she's in The Kingdom.

This is where Lukey comes in, right time right person - what Pangi wants and how Lukey is aligns. Pangi never had friends and just wanted a friend.

Lukey is more chill vs Pangili's toxicity and layers. Even when Pangi killed him, he wasn't upset.

[miscellaneouzz]

More Vox Machina meta time bc I feel like people do NOT talk enough about how complex Pike and Scanlan’s relationship is. First off the show is very good at steering away from the typical he’s-annoying-so-she-eventually-gives-in misogynistic approach a lot of those types of dynamics have. Like it initially comes off as just cute and flirtatious until their dynamic ironically becomes the least romantically driven of the main ships in a way that’s far more layered than I expected. It always feels like Pike’s complicated feelings come with observing Scanlan from a distance, she’ll flirt back and play along but ultimately wants to see the person he COULD be, the more sincere and earnest side to him (which can also be tied to Zerxus’ comment about her taking pride in “redeeming” her friends).

But then from Scanlan’s perspective, becoming the person he “could” be means distancing himself from Pike completely, because he’s in love with her and in his mind he sees that as an example of him clinging to his old habits of “finding all the wrong ways” to fill his emptiness. His scene with her on the balcony felt like such a culmination of both their complicated feelings– him relying on those coping mechanisms and Pike recognizing that– and I think that’s part of why he cried and why Pike pulled away at the last second. After that scene, we pretty much see Scanlan stop pursuing romantic interest in Pike for the rest of the season, but she’s still the only person he’ll be vulnerable with.

So then comes this heartbreaking irony that Pike’s been wanting more sincerity from Scanlan for a while now, only for Scanlan finally opening up more about his feelings to include him saying things that end up hurting and pushing away Pike. Because now Scanlan being more vulnerable and sincere means finally admitting he doesn’t view Vox Machina as his “real” family and that he never thought he mattered when he was with them and I don’t think that’s something Pike was truly ready for. And in the end Scanlan is still defining his worth purely on his relationships with others– if he’s no longer pouring his identity into romance/sex, he’s gotta pour it all into his newfound parenthood. He’s still flawed and not in a way where everything just hinges on Pike to “fix” him.

I think when it comes to the romantic relationships in the series it’s the one I’m most invested in from a character perspective. They’re the only pairing that’s yet to sincerely confess or discuss feelings for each other despite how much their relationship focuses on the need for sincerity and it’s so interesting. Like through the relationship struggles of Keyleth x Vax and Percy x Vex, we still see them be more open and upfront with both the conflicts and resolutions of their feelings for each other.

Pike & Scanlan are the only ship we’ve seen neither for, neither a straightforward conversation on the conflict of their relationship itself nor a sincere resolution to their feelings. And I think it has a lot to do with the parallel you can make about their own crisis of identity. Their character motivations and struggles with identity are not entirely dependent on each other as Scanlan has a tumultuous relationship with parenthood and Pike with her faith yet they impact each other so deeply.

There’s a lot more to say BUT for now… onto whatever season 4 brings for the gnomes!