#How to Make Love to a Woman

[willowsfanarts]

but now that I'm broken - latest artwork

[elisalovesfilms]

[finitalacommediah]

will you be my overexplainer if I'm an overthinker?

[hellspawnmotel]

epsilons

[shiroselia]

So we all agree Jinshi was unreasonably horny when watching Maomao rain hell on Lihua's ladies in waiting for being shit at taking care of Lihua right

[pinacoladamatata]

blink and you'll miss it moments around skyhold....

[lemon-wedges]

A summer in love

[andyoullhearitagain]

Literally they could have stopped making Deep Space Nine and made seven seasons of this show and I would have been happy.

[ghost-ofmyformer-self]

Imagine hating me while I'm literally rotting in my room, listening to music and doing my girly makeup just for a bunch of pictures I'll never post

[mytardisisparked]

The reason Psych is the Important Show of All Time is because it said "friendship is the MOST important thing." Like, yes, the romances were good but the show spends even more time emphasizing and developing the friendships and that's why it rocks. Lassiter and Juliet love and support each other unconditionally without even the slightest whiff of romance and it is SO. REFRESHING. When Juliet almost dies, Lassie sacrifices his favorite gun to save her without any hesitation. He's the one there to hold her while she cries. She's his confidant. She leaves everything she knows behind so he can chase his dream of being chief without reprocussion. That's a deep, wholesome kind of platonic love. They also never had Shawn be jealous of how close Jules and Lassie are - instead, in the final episode, we see Shawn thanking Lassie for loving and supporting Juliet. We simply don't do that jealousy crap here. Lassie and Jules are best friends and that's an excellent thing. And then there's Shawn and Gus. Those characters are narratively and physically inseperable. The show makes it VERY clear that, without the other, neither one is complete. They balance each other and exacerbate each other's hijinks at the same time. They're closer than close and everyone around them just accepts it. It's just the way those two dumb boys are and no one is going to try to get between that. And then, of course, SO many friendships develop over the course of the show. Lassie and Shawn form a begrudging friendship eventually. Juliet and Karen end up bonding more than I think either expected. Friendship is the beating heart of this series and it's presented in a way that is unique and fun and I just don't see a lot of other shows that do it like Psych did.

[viktorarcanedeservesbetter]

I feel like something that should have been explored more in Arcane is that despite the dangers and pretty much horrific conditions, Zaun children seemingly grow up a lot more caring and have a larger understanding of family in comparison to Piltover children. And if such a reflection of the real world in a sense.

The kids of Zaun seemingly grow up with a lot more adult support. Ekko is easily welcomed under Benzo’s wings. Vander adopts 4 kids (two of which we learn he knew of before their parents death, two of which we can’t be sure of). Silco, despite all what happened, and his ulterior motives, shows no problem adopting Powder/Jinx. In the alternate universe it seems as though he’s still played a part in the kids lives. Jinx adopts Isha easily and Sevika cares for her as well. Hell, even Mr. War Crimes Against Humanity does well with little Viktor (until ya know, the animal abuse).

Hell, up until Vander dies (the first time) there seems to be a large understanding of if there’s an orphan or a kid in need of guidance, take them in! (And certainly don’t inform them of your plans to turn a giant pink salamander into drugs and be confused when a nine year old doesn’t understand). If a kid wants to be your apprentice, let them! For the most part, until things all went wrong in the end of act 1 of season 1, the worst parts of Zaun seem pretty typical for any city in poverty.

Match that with what we see with how Caitlyn and Jayce grow up. Caitlyn is given adult support, yes, and it’s clearly a good adult mentor, but it’s not entirely by her choice. It’s been chosen for her. She’s safe, but there’s a lack of freedom of choice. Meanwhile, when Jayce gets older, and that same accident in Act 1 happens, the family that supported him and his mom turns their backs. His own mom doesn’t support him either, because she’s afraid of what he’s talking about, but also because he’s damming them to being outcasts.

Conversely, Vander is more than willing to take the fall for what Claggor, Milo, Vi and Powder did. He’s willing to go to prison for a long time, in order for them to have a better future. Despite Vi’s best efforts, he’s not going to listen to her (she is just a kid) and he’s not letting his family go down and get hurt.

Meanwhile, a man who grew up in this mentality, where there’s a wide sense of family support from people who aren’t your biological family, is the one to go to Jayce, a stranger, and tells him he believes in him. It’s why it’s such a shock to Jayce; his own family and family friends denied him. They didn’t support him.

I think that’s what makes all the difference. Piltover and Zaun have wildly different understandings of family and forgiveness. For Piltover, it shuns and damns the lives of those who upset the balance. For Zaun, it provides safety and never ending understanding.

Just. I’m thinking.

[willowsfanarts]

in the eyes of a beautiful disaster - latest artwork

[fenharels-chewtoy]

I get being a fan of Solas but you gotta appreciate Lavellan herself too. She’s the other half of the ship and part of what makes Solavellan so fascinating to me. Sure, you can play Cadash or Adar or Trevelyan and get something interesting but there’s something so compelling about Lavellan as the Inquisitor.

All Inky’s can be kind, caring, compassionate, but it takes a special level of strength to be kind after losing everything. Lavellan is taken from her old life, turned into a religious symbol for her oppressors, and stripped of her identity and culture. There is an undeniable alienation she experiences, both from the shemlen, and then from her own beliefs (and her People/Clan) as she goes through the events of the game; she learns that the history she worked so hard to study and preserve was built on the backs of slaves, that her gods were tyrants and slavers, and that Fen’Harel’s name was ruined through millennia of propaganda and perpetuated lies. She is changed from her time as the Inquisitor and from falling in love with Solas—mentally, physically, and spiritually. She fell in love with the god, with the monster, her people were taught fear, and as the stories go, Fen’Harel’s touch leaves you forever marked.

The Dread Wolf’s name is not worshipped in reverence; it is invoked in fear, in anger—it is a curse, reviled, and spit like the most corrosive of poisons.

But that isn’t who Lavellan falls in love with. Just like the Inquisitor, Fen’Harel is a title and mask worn by a broken man forced into a role he didn’t want.

She was taken, twisted, turned into something she didn’t want, but she did not let it break her. The world had taken so much from her time and time again, yet they continued to demand. She gave up her home, her life, eventually her friends, and even the very organization she dedicated everything to. Forced to make decisions that shed as much blood as it saved. The rest of her life was spent in pursuit of a man looking to end the world, long after she’s already saved it once before. She holds her head high and bears the weight of the world like she was Atlas himself. The Inquisitor bends and bows, but never does she break. Despite this, despite it all, she still remains kind. And Solas? Sweet, gentle Solas. His heart is still so kind but he’s hardened it.

A romanced Lavellan wants to help Solas, to save him from himself. She sees the mask for what it is and knows the man—the spirit—hiding behind it all. Wisdom, taken from his home, turned into a weapon and then a symbol—a god. Forced to fight for what is just, Fen’Harel breaks under the trauma wrought upon him and by him.

He is weighed down by duty and service—to Mythal and to his People. The world was broken by his actions, and he seeks to rend another to restore what was sundered.

Wisdom was lost, turned to Pride. It hides under the guise of Fen’Harel because he believes it is not what the world needs.

The Evanuris claim that Fen’Harel is a wolf in sheep’s clothing, when he was a weapon forged by their own hand.

Lavellan chooses to walk the Dinan’shiral with Solas. Maybe for some, it is because they, too, believe the Veil must come down, and the world restored to its natural state. But, as loredrinker said in their fantastic post, it may be because of connection. They see that Solas is suffering; that he’s been alone. This path would break what was left of the gentle Wisdom underneath it all. The Path of Death, he called it.

She said so herself: “I will save you.”

She walks the Dinan’shiral, not as Solas does, but parallel to him. She does not walk it expecting to reap death, but to stop it. They’ve both experienced loss—lived through horrors no being should ever experience. Leaders, symbols—burdens taken on by shoulders that shouldn’t bear them alone.

And Lavellan will not allow Solas to bear this alone. As she had done with her friends in the Inquisition, she is offering him connection. She will ease his burden if he would let her. Despite the isolation she no doubt feels, she makes sure none of her friends ever feel alone. She supports each of them, gives them a shoulder to lean on, and takes their pain as her own because that’s just who she is.

I will bear this weight with you. You are my heart. We walk this path together. Pain, terror, a terrible future, but you do not have to go alone.

And in the end, the wolf finally takes it. And oh, what a relief it must be after all this time. Millennia, suffering. Alone, lonely, on a path he set for himself, believed to end in eternal isolation. After all, Solas’ worst fear is dying alone.

But no. This is not your fate, vhenan. Ar lath ma.

[kabukiaku]

GHULEH / ZOMBIE QUEEN. 🧟‍♀️

tribute to one of my favorite tracks from Infestissunam. (let's be honest, every single track on that album goes so hard.) I love this album so much.

bonus silly doodle:

[lemonlimestar]

ok, has anyone been following the footsteps of a rag doll dance lately… i feel entranced. spellbound, even.

[divineandmajesticinone]

4 MINUTES (2024) I 1.03 "I didn't think you were like this. Like what? Like this..."