#I know in the grand scheme of things this isn’t a HUGE problem

[quibbs126]

I know maybe this sounds a bit pedantic, but can there be another term for female Transformers? Because personally, I really don’t like the term “femme”

Because I mean it’s like, male bots get “mech”, which can be another term for robots, and also starts with the same letter, meanwhile “femme” is just “woman” basically. Like I know female Transformers have issues of being more “gendered” than the male ones outside of this, but this does not help the situation. And personally I just don’t like how the term has nothing to do with being robots, it just has to do with them being women

I’m aware Animated maybe coined the terms, or at least used them officially, but I mean it’s not like we can’t change it, it’s not like these terms get used often in official media, as far as I know

And I know in part because of that, like how it only really gets used in fanfics and such, it’s not that important, but I just don’t like it, I want something else for them

What would be a better term? I don’t really know, best my brain can come up with is “droid”. Yeah it doesn’t really sound like “female”, but I mean it is another term used for robots, and it’s like what all robots in Star Wars are called, so it’s not like, more dehumanizing like maybe the term “drone” would be; as far as I know, “droid” doesn’t have connotations in the Transformers mythos. Maybe it’s not the best term, but at least it’s something

I don’t know, I just have to complain about this, it really bothers me when I read fanfics

[21iskindafunny]

Can we know more about your Croatia?

DA! Of course!! Thank you for the ask:-)

Here’s a summary of my Croatias main aspects!

(Before I talk about him, I gotta say that my main inspirations for Croatia are Hidekazs incredibly short introduction of a design, my own experiences with Croatian folk, and some historical stuff that molded Croatia (and it’s stereotypes) to be the way they are today. Of course since I’m not really croatian myself, I can’t really say how accurate I depicted him, but I hope you enjoy it anyways xaxa)

1: His general personality; Croatia is a charismatic man with a high ego. He prides himself in his newer, cleaner aesthetic that he acquired after joining the EU, though it’s mostly just a well-kept façade. Under this façade he has some alcohol and drug problems, which he only shows to other balkaners. Admittedly, the drug problem does slip sometimes when he goes on coke-induced rants, dropping his EU-branding momentarily. He is quite the asshole to most of his neighbours, of which he is frenemies with.

2: Touristic integrity; Croatia loves nothing more than his beaches. He tries his best to take good care of them so the Germans and Brits who go on Vacation in the summer are enjoying it enough to come back. Though when the summer is over, he isn’t as happy and well-adjusted as usual; with the lack of tourism he gains some sort of seasonal depression, where he gets incredibly irritable and pissy.

3: Fudbal Freak; An incredibly huge hooligan, loving this sport to death. Don’t let him get a Penalty. He will get hard. Anyways, he would fight anyone without hesitation if they say Modrić sucks. He is not afraid of giving someone a blue eye for having opposing opinions.

4. (Fr)Enemies; One of his biggest problems in Life are Serbia and Bosnia. Most of the time he’s only happy to see them when heavily intoxicated or high. Though he doesn’t like to admit it, it’s very important for him to be Serbia’s Nr1 Enemy. If he isn’t Serbias number one problem in the moment, he gets mad, but usually can’t do anything (the EU is a party pooper!), so waits till the 78th feud between Albania and him are done to finally annoy him. Bosnia is mostly just a side-hustle to annoy while waiting nowadays. All of the annoy each other.

5. EU-Buddies; Though not as close as the Ex-YUs, Croatia does have good friends in the EU. His main accomplices (next to Slovenia) are Romania and Bulgaria, whom he hangs out with every now and then. After EU-Meetings they like to go out for beers. They are often all cornered into the group of… well.. a bit odd EU members because of their behaviour, but he doesn’t care since it doesn’t affect him in the grand scheme of things.

These are the basics of my Croatia! If you have any Questions about specific things, don’t be afraid to ask. I‘ll go and snort some Cedevita now.

[yesterdayiwrote]

Tw: weight and eating

Watching the build up to fp1 and managed to catch bits of George’s press conference and I’m paraphrasing here that they knew going into spa race that they were a little lighter, and that it was too late to make a substantial chance without eating a steak which isn’t ideal. Bernie Collins and another presenter also said that he lost around 2kg of weight during the race. I don’t know how training and the eating regime works, but seriously feels like something is going wrong with George’s one.

Okay, so drivers always lose weight during the race, that's not unusual in the slightest, and whilst the figure given for the car being underweight was 1.5kg, I think it's important to remember they're only talking about George's weight being a contributing factor to that, not responsible for the entirety of the deficit. Like we could be looking at 0.5kg difference which in the grand scheme of things is not a huge amount. I think you also need to remember that George himself still appears to have come in above the minimum weight, so whatever fluctuations in his personal weight, he still weighed in at 80kg with his kit.

It might be that the team has worked on the basis that George will shed 1.5kg in the race, so they ballast the car to allow for 2kg then not only has he shed more than they were expecting ... he's also 250g lighter than they thought he was going to be and suddenly not only has their room to spare has been wiped out but they're starting to create a deficit. Then not only has it happened on the track where he can't pick up marbles to counter it, but actually his tyres weigh 0.5kg less than they thought they were going to because he ran them longer and suddenly he's fucked...

I don't think there's an immediate reason for concern, but no, it's not particularly nice thinking of the kind of blunt way they talk about food. I think it's his way of trying to bring some levity to the situation as well. I don't think it's a problem with him or anything he's doing wrong. He's competed in over 100 races now and this is the only time it's happened. It really does seem that the ultimate issue is that Mercedes juggled their numbers and ended up dropping all their balls.

[uterialmotive-blog]

Book Review: Bookishly Ever After

TITLE: Bookishly Ever After

AUTHOR: Mia Page

SUMMARY:

Two rival bookstore owners. One chance for a happily ever after…

Bookshop owner Lexi Austen’s problems are stacking up. Her dating life is a mess and Sam Dickens – devastatingly handsome, arrogant, and fiercely competitive rival bookshop owner – is hellbent on stealing all of her customers.

Frustrated, Lexi turns to her shelves for answers. And what have the classics taught her? That when lovers start as enemies, there’s no distraction quite like love…

Lexi plots to charm Sam: she invites him to a ball (well, a party), drags him to a dance class (does it matter if it’s not a quadrille?) and swoons into his arms while taking a turn in the park (note: next time, make sure he isn’t holding a hot drink).

As their rivalry reaches scorching levels, it’s not just Lexi’s beloved bookshop at stake, but her heart too…

A charming, bookish enemies-to-lover romance, perfect for fans of Emily Henry’s Book Lovers and Sally Thorne's The Hating Game.

*REVIEW CONTAINS SPOILERS*

I have really gotten into books about book nerds recently - I suppose because it's easy to relate to something that appeals to me so much. I was really excited to read Bookishly Ever After as it sounded a bit like You've Got Mail and, let's be honest, who doesn't love You've Got Mail.

I struggled to get into this book for quite a while and even after Sam and Lexi began getting on, it still seemed a bit boring. I stuck with it though because, in the grand scheme of enemies to lovers, they got together quite early on. Things started getting interesting after around the 50% mark and I was glad I stayed with it until it started getting better.

This book felt very dialogue light. I was really looking forward to some hot enemy banter but there wasn't much in the way of this as a lot of the story was focused on Lexi's inner thoughts and her issues with the bookshop.

I think it's important for me to focus on my favourite part of this story - the bookshop. I cried when it seemed that there was absolutely no way out for Lexi other than to sell the bookshop and I really liked the relationships she had with her staff and with the shop itself. I felt this was so well written and it made me want to visit this fictional shop. I hate to say that this was probably the only part of the book that I loved.

On to the bad -

Sam is actually kind of a dick. So, Lexi and Sam sleep together and his response to her wanting to woo him in a "Jane Austen" way was to try and ruin her financially. He did not act like a reasonable human being and just came off as a huge bag of red flags. He then had his ex-girlfriend working at his bookshop, serving drinks, talking in "we/us" and at no point felt the need to let Lexi know that there wasn't anything going on there, until she asked him about it. There was also absolutely zero point to Amanda being introduced. It worked well enough that Sam had an ex who had really hurt him by attempting to use him for his family's money, it served no purpose her being in the story other than to create a bit more drama.

And what was the point of Erin? OK, she appeared and gave some advice when needed but to be annoyed and visibly "frustrated" with your best friend because they have completely blown off by the guy she likes on top of potentially losing a business that was left to her by her grandmother, meaning she would have to leave the country that she thought of as home, all because Erin just got engaged and wants to stay in her loved up little bubble? Absolutely not. Erin definitely came across as one of those friends who wants to know you when things are good but not when things are bad.

I feel like I need to mention again what a dick Sam is. He stole ideas that Lexi shared with him while they were (sort of) in a relationship, purposely competed against her, let her believe he was bac with his ex-girlfriend and just generally acted like an absolute douche, and then ha the fucking audacity to be upset when she said that he had to leave because of him? When he had literally run her out of business??? On purpose?????

Overall, I was not a lover of this book, although that was more due to the walking red flags that Lexi seemed to surround herself with. I would be willing to read by this author again but probably not an enemies to lovers. I am definitely of the opinion that Sam and Lexi should have remained enemies. Did I mention that Sam is a dick?

Tropes:

- Enemies to lovers

- Business rivals

- Book nerds

- Bookshop owners

- Brit in the US

Thank you to Netgalley and the publisher for the ARC of this book.

[itsclydebitches]

Clyde, I’m angry because they’re doing it again. They had the opportunity to make a complex situation and they’re making black and white again, Clyde. I’m not happy. I’m very angry, Clyde. The fact that Jaune isn’t allowed to lash out for a second when a village he was protecting was destroyed while Ruby can bitch and moan about a burden she placed on her shoulders really makes me fucking angry, Clyde. Duck this SHOW. Christ.

I feel you 🤣

I do understand the fans - RWDE included - who are fully anti-Jaune because yeah, in the grand scheme of things it's a problem that he is again allowed to hog the emotional spotlight when we've got a cast of four to develop. But within the non-meta context of the story and what we have to work with... hard agree. My problem with the focus of Ruby's meltdown isn't simply that she's complaining about something she actively took from others with horrific consequences (though that is a huge part of it), but that it's explicitly pitted against the death of Jaune's village. Yes, we can infer that Ruby is upset about a lot of things - like Penny - but that's not what's written in this scene. So what you end up with is:

Jaune: I'm lashing out because the family I've been protecting for years in my unimaginable isolation have all been killed and my supposed friends are calling me crazy and won't even acknowledge that this is a true loss

Ruby: I'm lashing out because my self-imposed leadership has gotten too hard for me to handle and my teammates haven't noticed that I'm crumbling under the authority I demanded others grant me

The middle part of that is the only part of Ruby's meltdown I agree with - yes, her teammates have been awful to her since landing in Ever After and I HATE that Yang's sisterhood/Weiss' partnership/Blake's supposed pride in Ruby have all but disappeared - but that's only a small part of her underlying complaint which is... that she got what she wanted? Ruby wanted to call the shots and now she's pissed that people expect her to call the shots. Like yeah, you can (and often should) write a character who regrets their choices, but if they don't acknowledge their agency in those choices (which Ruby veeeery much hasn't) they just come across as a selfish asshole. Which is also a great archetype! ... just maybe not in the supposedly innocent, pure soul meant to be a pretty simplistically good hero?

Then you toss in the fact that Ruby's meltdown is contrasted with Jaune's and things look so much worse. Ruby is regretting her own choices. Jaune is grieving countless deaths at the hands of an established villain and the narrative's uncomfortable suicide metaphor. These are not the same. These are not even CLOSE to comparable and the only way you can try to weigh them equally is if you a) toss in all Ruby's trauma which explicitly isn't brought up or b) buy into her idea that the Paper Pleasers are "make believe" and therefore their loss is of no emotional consequence. Sorry, but that doesn't work for me in a story that (originally) positioned Penny as a person despite not being human AND in an episode that JUST had the girls prioritizing the Paper Pleasers' perspective over Jaune's. The story can't criticize Jaune for not listening to the highly-articulate, autonomous beings and then also claim they're nothing but insignificant figments of his imagination. It's one or the other. If the Paper Pleasers are "human" enough to treat their desire to die with respect, than they're "human" enough for Jaune to grieve the hell out of when they're gone. Plus, I know a lot of people won't buy into this because we didn't see the relationship develop on screen, but Jaune spent years with these non-human people who act innocent and silly and a little bit "dumb" sometimes. That sounds a lot like Penny! If Ruby is subtexually lashing out because she's still grieving a non-human friend she had for a year and two-ish months... why would we expect Jaune's grief to be any less after loosing a whole village of those friends after years of living together? He's grieving countless Pennys all at the same time, after all that time being alone. This basically takes Ruby's situation and magnifies it by a hundred: what if you had LOTS of friends die and the world ACTUALLY forced you into being the hero (Jaune becoming the Rusted Knight) and instead of just being ignored for two days, you were without your friends and family for two decades?

Seriously, Jaune's situation is a lot like Ruby's situation just with trauma squared - right down to him being a leader - except he didn't bring much of this down on his own head. Having these two meltdowns in the same scene isn't just a problem because Jaune gets more emotional screentime, it's a problem because I can't take Ruby seriously compared to the insane horrors Jaune is enduring beside her.

[michelleelizabethtanner]

Why do you think Rio revealed to Beth that he had a kid right at the beginning of season 2? I would think he’d want to keep as much of his life to himself as possible

Ooooo one of my favorite things to obsess over, Anon!!! I will preempt this with: not all these thoughts and headcanons are my own. This has been a topic of discussion for me with so many wonderful people in the fandom. So a lot of my opinion is shaped by just… a fandom consensus, I guess.

So, of course, 1.10 and 2.01 go hand in hand. It is the beginnings of Beth intentionally making choices to slide down that rabbit hole to the darkness she keeps trying to deny in herself. The closing scene in 1.10 is set to this song here:

I drift over waterfalls

And nothing hurts, nothing hurts

This is my escape

Until I wake

So let this wild heart run free

Let this wild heart run free

The significance of this song in this moment is that Beth has a choice. This nightmarish moment is actually a dream come true. She has an out. What will she choose to finally be “free.��� And Rio is the one who gives her this choice. She just made a very bold move, attempted to take him out of the picture…

I’m gonna pivot to Rio for a second because I think his mindset here holds significance to this moment, and then his subsequent actions toward Beth. I don’t view Rio as someone who fears incarceration. Not only does he have Nick, (or at this point in our knowledge some ambiguous connections to make his legal troubles go away,) I really think he isn’t a man who views a temporary loss of freedom as some huge, impactful event. Kinda like a been-there-done-that, he speaks of incarceration so flippantly throughout canon. “Three years in club fed.” “There are worse places to end up.” Like it’s nothing. I imagine he routinely is arrested for whatever, and very likely has served time besides his juvie stint when he was a kid. That being said, I don’t see him as enraged by Beth’s attempt to remove him from the picture through an arrest. Especially because we’re shown that he very obviously is already managing any witnesses or evidence against him and has the Turner problem covered. This arrest was nothing to him in the grand scheme of things. If anything, he is maybe feeling a sense of indignation at Beth’s audacity and hubris to have even attempted something and in such a sloppy way.

Rio’s lesson to her isn’t to not cross him. I don’t want to say he isn’t upset at her betrayal. He’s… something else. Idk what word to use here. He’s almost amused at her amateur attempt. I keep looking up synonyms for “indignant” and none of them read right to what I think he’s feeling. He came to teach her. To show her that she’s a novice. “Oh, does this bother you?” at her obvious distress over seeing a bloodied Dean. “I thought you wanted to be me?” A challenge. Because he knows she isn’t ready. He hands her a loaded gun knowing she won’t have the balls to shoot him. (His own hubris.) He offers her freedom. An escape from her life. An offer of mentorship, and watching Dean get shot is lesson #1. “So watchu think? You got what it takes?” Like it’s a job interview. What will it be, Elizabeth.

And Beth chooses. Part two of this scene is set to this song:

Her eyes

She's on the dark side

You are my angel

Come from way above

Love you, love you, love you…

Beth chooses Rio as her salvation. And Rio sees her do it.

Which brings us back to the very domestic parental moment of him introducing her to his son. At this point no, I don’t think he wants to keep as much from her as possible. He has gained respect for her beyond the amused, impressed little smiles he gave her in season 1. Her betrayal of him and her fight to win his kingdom showed him she was capable of more and he decided to use that. Add to his already prosperous kingdom and give her a way out of her unhappy life. He has offered to mentor her and she has accepted. That reset their dynamic.

Him showing her that he is a father was lesson #2. It’s almost a fandom joke at this point how much she hides behind being a mother. Well, Rio showed her that bosses don’t back down from their responsibilities just because they have kids and families. He gave her clear expectations and showed her that he himself has the same balance in his life. So she can’t just sputter and make excuses. She wanted a place in the kingdom? Ok, she got it.

His mentorship of her continued into “I’m gonna teach you,” and beyond. He really was trying to take the time and give her tools and skills to “be something.” And kinda like I mentioned in this post, I really think he was grooming her to run something on her own. Maybe legitimate, maybe not – but I think he was planning on keeping an amicable relationship with her, giving her a life of her own, and just passively working together as needed in a professional capacity. Aaaaaand then they had sex and he saw she was never going to leave her unhappy life no matter what he offered her, so he flipped his game. Lesson #3. 😁

[dreamkidddream]

I’m the Doll!MC Anon and I just wanna say I’m so glad that you enjoy a soft/delicate!MC and I really didn’t expect it to get so much love!

Since I kinda want to be evil and see the boys be overprotective, can I request hc’s of them seeing Doll!MC getting hurt by some lesser demon that bumps her into the ground and she gets a bruise? 🌚

Omg Doll Anon I wasn’t expecting it to get so much love either (here’s the original Doll!MC HCs if anyone wants to read)!! So I actually had your request saved for when I was done with the prompt special bc it’s so good, so I decided to combine them and I have definitely been waiting to write this 😈😈 Reader is gender neutral!

CW: mention of blood (nothing graphic) and spoilers for Lesson 16 (Lucifer, Mammon, Beel, and Belphie’s part)

The Brothers and Diavolo with Doll!MC who Gets Hurt

Lucifer

Okay whoever is dumb enough to hurt you in front of him deserves this 100%

The air around this man is already more than intimidating, so whoever tries this is a poor, stupid soul

When he saw you fall down the stairs, he felt his stomach turn. He already caught you before you could injure yourself further, but after seeing the blood coming down your face, the damage was already done

Now, Lucifer is the brother who always has control over himself and what he does. But, we also know that how his temper can get, especially when it comes to his family

This demon is dumb enough to push you but not dumb enough to crack a smile in front of him, especially with how tense Lucifer is getting right now

He sat you up and tried to remember some first aid techniques to stop the bleeding. You’re on the verge of losing consciousness, but you’re okay right now. He’ll take you home, but first-

His glare is making the demon freeze in place right now, and the anger radiating off of him is petrifying

How dare- how dare this fool harm you, in front of him no less?! Did they think that he wouldn’t do anything? That Lucifer, the Avatar of Pride, one of the strongest demons to ever grace the Devildom, would just idly stand by and let this happen?

He’s stalking towards them, and he can feel his fangs showing and his diamond appearing on his forehead, growling out how they will pay for this-

But he’s stopped by Lord Diavolo, who was shocked by the scene. You’re unconscious, and Lucifer has this poor student hanging in the air by their uniform, claws ready to slice through them. Needless to say, he understands why his close friend is upset, but for everyone’s safety he should just take you home like planned

You thought Lucifer was a helicopter parent before? You haven’t seen NOTHING yet

He would start inviting you more to his room to sleep in his bed while he works away, and it started happening so much that he didn’t even ask anymore and started expecting you to always be in there

So instead of him being glued by your side, you’re glued to his. It’s obvious that he can’t let you out of his sight without something happening (again), so hope you’re ready to see experience Lucifer’s daily routine from sunrise to sunset and a whole new set of rules. Basically playing follow the leader, but with a lot more handholding and kisses

You had to practically beg to be back into the kitchen, and he only relented when he could be the one to supervise you, and even then he still didn’t want to hold anything sharp or be near anything that could injure you (which is pretty much everything)

The main one to put a stop to his brothers’ schemes, handing out harsher punishments than before each time they try to involve you. This man is not playing any games with anyone

You know he means well, he was already overprotective from the start, and this is just his way of showing that he cares about you. You can tell every time he gives you that soft look in his eyes, and the regret that he shows every time he catches sight of your bruise. He may not like to be vulnerable, but he couldn’t hide his emotions from you too long. You’re like a weakness to him, one that he isn’t against indulging in

And he hasn’t forgotten about that student, oh no. He made sure to have a nice lengthy chat with them when you both returned to RAD. You didn’t question it when he informed you that the student had been rightfully punished and no longer an issue, and you tried to ignore the red dots splattered on his shoes, or that sadistic gleam in his eyes...

Mammon

This isn’t happening, this isn’t happening, this isn’t happening-

The blood is pouring from your head, and your eyes are closing too fast for him, and his heart stops

You look lifeless, like when Belphie killed you, when he was too late to save you-

He’ll never forget that image, it’s drilled deep into his mind, forever a reminder of his failure to protect you. And now he failed again-

This demon is gloating about this, and that’s when he snaps

He was already in his demon form and beating the life out of them when he was restrained. Many people were shocked that he was capable of this, that Mammon the scumbag, Mammon the dummy, Mammon the punching bag was capable enough to be this dangerous, this deadly. He’s the second born after all, and he’s the strongest right under Lucifer himself, and he holds a lot in

He could- he would do a lot more because they deserve it, but just seeing you so still, it snaps him out of it. You’re more important to him than getting his anger out, and you’re the one he needs to be focusing on right now. But rest asssured, this isn’t over

You thought he was attached to you before? He is glued to your side 24/7 and will not be leaving anytime soon. Ever since you woke up he never let go of you, calling you “his human” and just hugging you tight

Also if you have to go down the stairs you guys are FLYING no exceptions! The stairs are the devil in his eyes (how ironic) and he will not be risking anything with you

If you guys aren’t out and about under his careful and watchful eye (and I mean very careful, he’s like your very own bodyguard but with a lot more growling and snapping on strangers than usual), then you’re in his room doing whatever. Watching movies, playing cards and somehow beating him every time (he swears that he isn’t letting you win! Lies), whatever you wanna do. As long as you’re with him, giggling and safe, he’s happy and stress free

You mean so much to Mammon MC, he can’t even tell you if he tries. Under his tsundere traits, he really loves you, like really loves you! He’s just so scared of being rejected and losing you a second time. But now that he knows you’ll always be there for him, he’s going to do the same for you (but he already was even if you didn’t like him) He hates looking at that bruise right now, but it’s set as a reminder to not let something happen to you again

Also, another thing that people forget about Mammon is that he can talk to crows. So it wasn’t much to have them track down the person who caused you pain, and it didn’t take long for him to find them either. He thinks that the aftermath will set a good lesson for everyone else who continues to underestimate him when it comes to you: don’t

Leviathan

See, this is why he never leaves his safe haven AKA his room!

After he saw your head hit the ground hard, he was freaking out. He doesn’t know what to do, he wasn’t prepared for this! He tried shaking you to keep you awake, but your eyes were steady closing

Everything is happening in slow motion. You’re slumped over on the ground while the person who did it is laughing at him

If anything, the person who did it should be the one on the ground, not you, not his Henry. It’s not fair, it’s not fair, it’s not fair!

The demon stopped laughing when their windpipe was getting crushed by the second. They couldn’t even try to loosen the grip, Levi’s tail is rather strong, and so is he. He is the third strongest out of his family and the Grand Admiral of the Navy, yet people tend to forget that

Everyone knows how bad Levi’s tantrums can be, but this isn’t just a tantrum, it’s much worse. Had the brothers not intervene, he would have done much worse than summoning Lotan (which he was on the brink of doing anyway)

When you did wake up, he was so upset. Of course he let this happen, he’s just a worthless otaku who couldn’t even keep his crush safe-

OMG why are you hugging him and patting his head?! Quit it- well wait, this does feel kinda nice...Ugh you’re such a normie! Getting hurt so easily and still trying to put a smile on his face. But it does make him feel better

He rarely left his room before, and you guys are definitely not leaving it now. It’s like having a sleepover, but it never ends. That sounds great, right MC? Endless marathons of TSL and other anime, co-op video games, trying on his cosplay outfits that he made (some even made just for you and he needs to cover that bruise somehow), it’s going to be so fun and you’ll be safe with him! Who wouldn’t want that??

We all know that Levi is very self conscious. He knows that he isn’t confident like Lucifer and Mammon, or attractive like Asmo, or smart like Satan or Belphie, or physically fit like Beel, he knows. But every time you listen to him ramble on about this new anime show that he wants you guys to binge, or when he rants about a stupid move his teammate did in an online match, he feels valued. He feels loved. And while it’s hard for him to express his feelings, it’s no doubt in his mind that you’re important to him, and that he’s beyond happy that someone like you is his best friend

One day he’ll get the courage to say those three words, but he hopes that you already know with everything that he does for you

For example, Levi is an aquatic demon, and he has the ability to communicate with all types of sea creatures. Granted, he knows right from wrong, but in his eyes he’s taking care of the problem. So it wouldn’t be a huge issue if he used them to clean up the remaining mess of said problem, right? I mean, his venom can only do so much, and he doesn’t need anyone questioning him, and Lotan does get hungry...

Satan

He could only see red. Both from his anger surfacing and from the fact that you’re bleeding

He had his claws wrapped around the neck of the one responsible before they could even think about running. This- this filth dared tried to escape after he hurt you? And they thought that Satan would just let them get away with it?

They must forget that he’s the Avatar of Wrath, the one who doesn’t show mercy

He just kept pounding the demon into the ground, over and over and over and over. He didn’t even care about the blood splatter it was leaving on the lockers or on him

He was this close to finishing them off when he heard you call out for him, and it took everything in him to drop them. He squeezed their neck a final time, not even close to being satisfied with the whimper he heard, and growled out a promise of that he will find them and will make sure that they suffer before he threw them down. They better count themselves lucky that they get to crawl away in one piece (for now), because had you not been there-

Oh, he is seething the more he thinks about it

But you bleeding is a distraction from it, even if it is making his stomach turn, it’s helping him know that he needs to help you now

He didn’t have to let his brothers know as they came to see what the commotion was, and Lucifer (even if he didn’t want to believe it himself) was anxious that he was the cause of it. But after he saw the hold he had on you and another demon barely clinging onto life, he knew otherwise

It was decided that you two going home would be the best course of action (which it didn’t matter to Satan, you both weren’t going to stay here whether it was demanded or not), and he calmed down enough to properly treat you

You didn’t leave his room for the rest of the day, and he even gave up his bed for you to lie in so that he can do some research. The human body is a complicated thing, but Satan can learn it like the back of his hand just for you. So just go ahead and rest for now MC- or maybe not, you might have a concussion according to this book and if you do he needs to monitor your condition!

Even after you were healed, he didn’t let you out of his sight and daily checkups were a must. Dr. Satan is in the building!

You eventually moved back into your room (you would have stayed longer but he’s a little nervous with his towering stacks of books and doesn’t want anymore accidents), but he practically moved in with you with how much he comes over, either falling asleep at your desk reading a book or falling asleep in your chair right next to your bed

Very reluctant to have you around stairs, it makes the hairs on his neck stand up. He’ll let you go down the stairs ONLY if you’re holding his hand. If you’re upset with those conditions (spoiler alert you’re not), then you better be ready to learn some teleportation spells (but even then he’s still not leaving your side)

He doesn’t hold his temper back with the others when it comes to you for the time being. If he even senses that Mammon, Asmo, or Levi is coming to you with something that can cause trouble, he’s growling at them to leave you alone, horns slowly coming out and tail whipping furiously

However, he tries not to lash out in front of you. He realizes that he lost control with that demon, and how it could have terrified you had you been fully conscious, but he doesn’t want you to think that he’s just a monster. He wants you to continue to treat him like you do now, and not have the image of bashing someone’s bloody body on the floor repeatedly

Speaking of bashing someone, Satan made well on his promise of coming back. The demon thought that avoiding coming back to school would save them, but Satan is a genius, and has many associates that he can sweet talk to get what he wants. It didn’t take much to figure out where they went, and he made sure to get out all of his pent-up frustrations from that fateful day. He felt better when he came home, but he needed to take a shower before he went to see you...

Besides from that, he does appreciate the peace that you do bring him. You just have this aura around you that’s so calming to him, and he needs to steal you away more he realizes

Also you make better cat-themed desserts than the cafe and he can’t risk Beel eating them all again

Asmodeus

He’s shook, and not in the good way

He just had your hand in his, complaining about how you cuticles look so good and his is lacking and how guys have to go to the nail salon after class, and then your hand is jerked from his, your form at the bottom of the stairs

The blood staining your uniform is alarming, but he can’t worry about that now. He’s trying to keep you talking, but you’re already on the verge of passing out

“MC, you can’t sleep yet! We have plans to go to the nail salon remember? And I need you awake so we can talk about what matching color we’re getting! So what color should we get now, MC? MC? MC!”

He’s trying to keep himself from panicking, but he can’t help it! You’re suppose to be smiling and laughing with you, loving him, but you’re unconscious on the ground, and he’s scared

Quickly dials Lucifer and tells him the whole situation, and he’s surprised to find himself blinking back tears

The demon who did this is long gone by the time Lucifer and Diavolo come, but he remembers the face, and he has something exciting planned when he comes face to face with them

Obviously you have to go home, but Asmo is so distraught that he has to go home with you. But when you wake up, prepare to be tackled to the bed with him crying his eyes out. All you can do is try to comfort him and tell him that okay, giving him little kisses on his cheek

But now that the sadness is out of the way (all this crying and worrying is causing him stress wrinkles), it’s time for a makeover/stress relief!

Fashion shows, makeovers, painting nails, face masks, the whole nine yards. All in the comfort of his dazzling room!

It’ll make you both feel and look better, and honestly you two need that right now. It also gives him the opportunity to cover that unappealing bruise. Your beauty outshines it but it’ll be best to cover it up for your and his sake (mainly his)

Every time Asmo sees your bruise, he gets upset and he’s tired of being reminded of what happened. He knows that he’s only loved for his looks, his vanity, but you see more in him than that

You’re...you’re the first person that loves him for him entirely, not because of his features. And when he tells you that he loves you, he honestly means it. He would have never thought he would fall so deep for someone, let alone a human, but...he’s glad that it’s you. He’s happy that it’s you

Which is why he wants to keep you safe and injury-free. Plus, your skin is too pretty and doll-like to be roughed up!

You guys still go out of course, he just has a better eye on you now. This one incident isn’t going to hold him back for picking out new cute outfits for you!

And don’t think he forgot about that demon who caused all of this in the first place. He actually waited by their locker, and convinced them to come with him. But what should Asmo do with them? He could always have them steal Beel’s food, annoy Lucifer, say something horrible about Ruri-Chan, the possibilities are endless! As long as they don’t cause him to get dirty, of course

Or maybe they should do something so severe that they have no reason than to leave RAD forever, or even leave the Devildom forever, depending on how far he’s willing to take it. He’ll do anything if it means you’re safe and he gets to keep you all to himself

Beelzebub

He thought it was an accident at first, you get so excited about things that you stumble over your own feet sometimes, but he’s always there to catch you or pick you up

You keep saying that you’re okay as he’s holding onto you, and after he sits you up he’s confused because he smells blood. His heart is beating a little quicker, and you’re not talking anymore, and your head is drooping, and that’s when he sees the blood running down the side of your face

He’s starting to panic, and he’s so scared that if he tightens his hold against you he’ll just make things worse, that he’ll just hurt you more. But he needs to go find Lucifer, he needs to get you help, you’re feeling so light in his arms and it reminds him of the Celestial War when he witnessed his sister dying-

He hears someone snickering behind him, and that’s when he loses his temper

You’re a part of his family now, someone that he loves and cares for more than he can describe, and they did this to you? Someone who wouldn’t even squish a bug, someone who made him late night snacks without even asking, always there to give him hugs after his games no matter how sweaty, someone that put his family back together and they did this to you?

Lucifer and Mammon struggled to hold him back after they found the demon flung through the wall, laying under the rubble. Beel just kept growling, fangs bared and wings buzzing. He won’t stop trying to get out of their hold, and he keeps inching closer and closer to the demon, and it’s only a matter of time before he finishes what he started

You were already in the infirmary getting treated, and Beel isn’t calming down anytime soon so you were both escorted home

You woke up to Beel upset and pouting. He’s so worried about you that he couldn’t even eat. Beelzebub could not eat, that’s how you knew this was a something serious

Poor Beel was so terrified of hurting you himself that he failed to protect you from the people that do want to hurt you, or worse

But this won’t happen again, he swears, both to you and himself. Move over Mammon, Beel is officially your new bodyguard!

Wherever you go, Beel is right behind you, literally. He’s like your shadow, just bigger and a lot more...menacing. Also isn’t taking any chances with Mammon’s schemes, just carrying you away before he can even open his mouth about another get rich quick plan

Speaking of carrying, you are not allowed to walk down the stairs anymore. As soon as you step near some you find yourself in his arms like it’s nothing. Both at home and at school, it doesn’t matter to him

Also he’s very cautious to have you around people besides his brothers, and the exchange students (but he’s still hesitant about Solomon, anyone who can cook food like him is automatically getting the side eye)

Also you practically moved in with the twins, and it’s nothing compared to the sleepovers before. Belphie sleeps easier, Beel’s stomach is satisfied (eating your homemade sweets with you is better than everything combined at Hell’s Kitchen, and trust me he knows) he feels all warm inside, and you’re protected. Everyone’s happy!

Beel is a sweet guy, just don’t come in between his family or his food. After that whole incident with the demon, everyone has come to understand that, especially after seeing just how much damage he caused both to the demon and the school in so little time...

Belphegor

If he was sleepy before, he’s completely awake now

You’re holding the side of your head, and he can see the blood seeping through your fingers, groaning in pain. You keep trying to say that you’re okay, but your words are starting to slur and he’s getting nervous, he’s getting scared

It’s reminding him too much of his worst mistake, of what he did to you, when he murdered-

No. He doesn’t need to be thinking about that right now, especially when the person who did this is bragging about it while your body is slumped over. Right there, he knows what exactly needs to be done

Belphie was already in front of them before they even registered it, and didn’t give him any time to form an excuse. His claws were already at their throat, inching deeper and deeper the more they swallowed

“I should just slit your throat now, it’ll be easy and not a lot of work. But you deserve much worse than that. You’ll wish I did by the end of this.”

After a tap to the demon’s forehead, they just collapsed before him, unmoving. He didn’t even look down when he stepped over them (or rather stepped on them) to get to you. You’re passed out, but still breathing. You can’t stay here like this, and he refuses to tell Diavolo or Lucifer. He’ll figure something out, maybe Satan has some books in his room on what to do...

When you woke up, you found yourself wrapped in blankets and Belphie sleeping beside you, arms wrapped tight. You were confused, when did you get home? You remember walking with him down the stairs, but everything was blurry after that. What happen-

“You’re always thinking so hard MC, you’ll never be able to get good rest if you keep that up. But Satan did say to check on you every couple of hours, so I guess it’s fine. And quit touching your head!”

“Oh, sorry Belphie, I didn’t mean to-”

“Tch, how annoying...”

But he’s lying. Even as he’s carefully re-wrapping the bandages, he’s relieved that you’re awake, that your eyes are still full of life, not like the dullness that he saw that fateful night

When Lucifer finds you he is not happy with Belphie, but he doesn’t care and tells him that everything is already under control and that he isn’t needed. Belphie didn’t miss the scowl that he sent his way, but he just smirked in response. You didn’t need Lucifer as Belphie is already taking care of you, as it should be

You know how he always carries around his favorite pillow? Yeah he’s doing that with you basically, minus the carrying. You’re practically attached to his side, wherever he goes you’re either right there with him or in his room, which is mainly just you two lazing around or sleeping (as usual)

Honestly, the only demons who he’s okay with disturbing you two is Beel and maybe Satan. Beel because that’s his twin and it’s his room too, and Satan only if he’s checking on you medically or if he has some new ideas to mess with Lucifer. Everyone else is just trying to bother you and be annoying, and you don’t need that

Of course he blames himself for this! How is he suppose to keep you safe, to make up for his mistake? But then it clicks

It’s not the fact that he’s weak, people think that he’s weak. But he realizes that this is fine, he’ll use that to his advantage.

Diavolo is upset and Lucifer is running out of excuses for him, but Belphie just plays stupid and says he can’t remember how to remove it (even though he does). Let the demon lose some more sleep until they learn their lesson, whether it’s from the constant nightmares or from sleep deprivation trying to stay awake to avoid said nightmares. He’ll remove it when he feels like it, and he doesn’t see that happening anytime soon

Let people think the Avatar of Sloth is weak, that he’s not a threat, and he can show them exactly how wrong they are. Better yet, this demon can be the perfect example, and many more if they become a bother to you (and him)

You’re too nice MC, too delicate. You treat him so good, like he’s not a demon, like he’s not the monster who took your life, and he has to thank you for that somehow. He feels like whatever he does won’t be enough for the kindness you give him, but protecting you from others who used to be like him could be a good start

Also now he can hog all of your head pats and cuddles for himself, and he doesn’t feel bad at all. Everyone else had their time with you when he was locked up, so he’s finally got the opportunity to be selfish

Diavolo

First of all...this demon is dumb enough to harm you in front of him??? The Demon LORD???? The FUTURE KING OF HELL??!

They have more than just a death wish

It all happened so quick, he just crossed paths with you in the hallways and started to ask about your day (and maybe invite you for a small tea date after school) but he didn’t even get the chance to open his mouth

One second he saw your eyes light up and hand extended to excitedly wave, then he saw your fragile form tumbling down the stairs

Barbatos was soon called to his side as Diavolo saw the red coating his palms and you barely staying conscious, trying to say that you’re okay and not to worry

See...he feared that this would be a problem. While Diavolo is a very kind and understanding ruler, there are still some demons out there who think he’s too lenient, too soft. But that’s where people are mistaken. Diavolo is kind, but do not mistake his kindness for weakness

He felt his anger rising, his demeanor starting to crack, but he set aside his emotions. You’re his first priority, and he needs to make sure that you’re okay! He’s still a ruler, and you’re his responsibility (and first love)

However, he made sure that Barbatos took the demon who did this and kept them in the dungeon until he was done treating you. He won’t let this go unpunished, he can’t and he won’t

You’re an important part of the exchange program, and you’re most important to him, and he’s upset with himself that you got hurt. You’re so delicate, and you don’t deserve any of this happening to you, but what can he do? While he trusts the brothers to keep you safe, he wants to keep an eye on you personally, but how?

Then it struck him

You liked to stay in the castle, always smiling and having fun whenever you spent time with him there, so why not relocate you there?? It’ll be like an extended sleepover/retreat with just you two!! You guys can do all of your favorite activities and won’t have to worry about going home because you won’t have to leave!! Why didn’t he think of this sooner?!

The brothers are very upset with this incident, and even more so when he announced this. Diavolo decided that your condition needed to be monitored closely, and since he’s the person directly in charge of the exchange program AND the ruler over the Devildom, there was no room to argue. You weren’t going to stay in the castle forever, just until he deemed it right to return to the HoL

Which would be...some time soon, maybe. He’s not really worried about that now, his number 1 concern is you after all!

You’re getting the royal treatment, literally. This is the chance that he gets to pamper you without interruptions and he is not wasting it!

You kept trying to convince him that you’re fine, but he wasn’t hearing any of it, especially after he sees the nasty bruise that was left. “MC, please! You still need to rest. How about I have Barbatos bring us some tea to help, and we can even have the royal staff bring us some outfits of your choosing if you like? Oo, we can even have our portrait painted!”

“Dia, I promise that I’m fine, you have more things to worry about than me-”

“Nonsense, MC. You’re what’s important to me, now and always. Don’t ever forget that.”

Even finished it with a hand kiss, UGH he really is a Prince Charming

Once you did return to RAD bruise free, Diavolo, being the gentleman that he is, walked with you everywhere in the beginning. Coming into the building, walking to class, lunch, even to the student council meeting, he was by your side. But he couldn’t avoid his duties forever (unfortunately), but he always made up for lost time afterwards

You never realized that when he wasn’t with you, someone else always was. Whether it be Lucifer who miraculously had spare time, or Barbatos who decided to escort you back to the castle to try a new recipe for his Lord, it was always one of them that stayed with you

Also, it never dawned on you why people were starting to be so nice to you. You thought it was because of what happened, not paying attention to how tense they would get, the fear in their eyes. You did notice that the demon who caused your fall never came back to class, and their desk is starting to collect dust...

When you did ask Diavolo about it, he just pat your head and said that what happened was unacceptable and that the demon has been dealt with accordingly.

You don’t need to hear about what really happened to them, he doesn’t want to scare you or taint your innocence! But he doesn’t mind if anyone else hears it, he’ll be more than happy to explain in full detail what happened and what will happen to demons that even think about attempting to harm you or think that he’s “too soft”. They won’t think he’s a soft ruler after that

Diavolo is a very sweet man, one that treats you as if you’re ruling by his side as his partner and one that you never have to be scared of, but even you didn’t miss the deadly glint in his eyes whenever he spoke about that demon...

But enough about that, he wants to try that new recipe that you made just for him!

He enjoys the time that he gets to spend with you, and after this, you’ll be in his company a lot more. He can’t risk having this happen again to his love- I MEAN favorite exchange student right?

[accidental-host]

Wanted to do this in a separate post so it shows up in tags better

Ranting: Why I think Eggnog’s design sucks actually

Readmore time, you know how it is with my rants

First thoughts:

When it comes to character design, devsis is generally really really good at it. They’re not all winners, but devsis has made COUNTLESS really good designs with incredible charm and personality even at first glance, they know what they’re doing.

And the point of this post is to highlight the They’re Not All Winners point, because this one isn’t that great.

When it comes to character design in a style like this, there are three important aspects.

Theming

Color palette

Silhouette

All of the best designs devsis have done are really strong in all three. A good design has to be strong in at least one. Eggnog has none.

Theming:

This is generally based on flavor/profession with cookie run designs. It’s what the character immediately reads as at first glance, and if you’re able to guess a character’s name/profession correctly before knowing it and only looking at them once, that means the theming was good.

Characters I think have some of the best theming:

Croissant: She’s an engineer, you can see it in everything pretty quickly. The tank top and bulky pants + belt, the tied up hair and steampunk goggles, it is extremely easily readable as Engineer

Marshmallow: With her tall hat and fancy outfit and horn, you can instantly tell she’s in some kind of marching band. And the hat mimicking the shape of a marshmallow just adds to the theme by referencing back to her flavor

Licorice: The reoccurring bones and skulls in his necklace and scythe immediately give off him being a villain, every part of his design is perfect for a cheesy stereotypical villain and that exactly what he is

With this, I don’t think Eggnog’s theming is nearly strong enough to instantly read as particularly anything. With his outfit not being a classic Santa look, he doesn’t immediately read as Santa well enough to come across that way. But he also doesn’t particularly look like eggnog. He doesn’t look like any one thing, which just leads into a confusing design that looks like an NPC.

Color Palette:

Color is EXTREMELY important to me, so I think this part pisses me off the most. His palette is all over the place, the green and red paired with the offwhite just seem tragically dull, which makes an awful combination with his bright orange skin tone that’s far too saturated.

This is his palette pulled directly from his sprite seen in the update video. The bright orange skin tone doesn’t go well with the rest AT ALL for a Christmasy theme, I know it’s the standard Ovenbreak character skin tone but they are very capable of changing that on a character-to-character basis. Meanwhile the green, red, and offwhite create the exact opposite problem, they feel so dull and lifeless, especially since they’re both used pretty sparingly in the grand scheme of his design.

Looking at actual eggnog, it’s a gorgeous color palette. The offwhite is there, as well as great shades of brown from cinnamon and star anise, Eggnog has NONE of that in his design. It’s just a very odd red and green, the offwhite is there but it has none of the backing from any colors that actually look good with it.

Silhouette:

This is probably the most important one, this is where so much of the charm comes in. This category doesn’t only apply to the silhouette, but mainly it’s the idea of big logic-defying elements that make designs interesting. It’s the exaggeration to get a visually striking character.

Most of this exaggeration comes in the form of either hair or clothes for cookie run characters.

Espresso: The main point of visual exaggeration is his cape, a big unrealistic shape with a massive collar that makes him extremely memorable looking. As well as the huge glasses in the shapes of coffee mugs seen from above, which ties back into the theming point as well.

Timekeeper: Their outfit is relatively normal, you CAN find a lot of it irl. But one big thing with their design is the hair, huge perfectly circular hair makes a super striking looking character that would not be nearly as visually interesting without it.

Cream Unicorn: Once again, so much of it is in the hair. The huge ponytail frames the rest of their design perfectly, and they’ve got an amazing color palette and theming as well.

So much of what makes cookie run characters look good is that exact exaggeration. Devsis picks a design element and leans into it HARD, and that focus is what creates a character that doesn’t just look like some guy. These unrealistic fantastical elements are the best fucking part, and Eggnog is completely missing it.

His beard and hair are normal. A sorta unrealistic color, but normal. His outfit is normal. His body type is normal. His face is normal. Everything is so NORMAL, which makes his design painfully unappealing.

More thoughts:

I’ve seen a lot of people comparing him to Almond, which I will now do as well to address that.

If you take my complaints about Eggnog into account, it seems like a lot of it would apply to him too. But it really doesn’t.

Almond’s theming is obvious, the attire being formal but with the chest strap, the trenchcoat, he reads as Detective very well. It’s his entire thing and he sticks to it, and it reflects in his design as well.

His color palette is amazing, monochrome but not boring, with the desaturated blue eyes being a great contrast that isn’t too distracting.

And when it comes to silhouette, his trenchcoat does most of the work. It’s too big for his body, absolutely massive, and this aspect of logic-defying cartoonishness makes him much more visually interesting than if he lacked it.

These things do not apply to any part of Eggnog. His design is so lacking, in pretty much every department.

Final thoughts:

I plan to do a redesign of him when I get transparent sprites so I can put my money where my mouth is, but for now all I can do is complain. I’ve really not liked the look of this update, and I didn’t much like the recent Kingdom one either, so I’ve got a lot to talk about.

I think the Chess Twins’s costume is ADORABLE, I really really like it, and the Cookiemals costume is cute too. I’m honestly indifferent on Tiramisu, I don’t have much to say.

That’s pretty much the gist of it. I’ve gone on for long enough by now, thanks for making it this goddamn far into hearing me complain.

[ilikekidsshows]

I Was wondering if you could talk more about the conflict in Syren please?

The most important thing about the conflict in 'Syren' is this: it's not actually about the relationship between Ladybug and Cat Noir, it's about the relationship (or lack thereof) between Master Fu and Cat Noir. But, because Master Fu was still using Marinette as the go-between between himself and Adrien, Marinette ended up being the target of Adrien's ire towards Fu. The divide between Cat Noir and Ladybug in 'Syren' isn't caused by either of their character flaws or a misunderstanding: it's caused by Fu.

A very easy to miss detail in 'Syren' is that Adrien didn't know that all their rules weren't coming from the Kwamis or Ladybug. When Ladybug tells him that she'll "talk to him about it", the existence of a "him" comes as a surprise to Adrien. At the start of the episode, Adrien being upset at his partner keeping things from him of seemingly her own accord was 100% justified. Even if he's more annoyed at her than he should be considering someone else is literally telling her not to tell him anything, Fu was creating a link between himself and Ladybug in Adrien's eyes. It's like when your region manager comes up with a new crappy policy but your local manager is the one who delivers the news so you end up upset with them instead. Fu was the one who demanded secrecy, but made Ladybug tell Cat Noir about it. Fu even further put Marinette in the role of a bearer of bad news by not really addressing her concerns over Cat Noir's growin frustration, only giving her some vague metaphor that meant she had to come up with some way to soothe her partner herself. He didn't give her a reason.

Adrien was being asked to put to up with a lot. He has to put his life on the line to protect Paris, he has to keep all these secrets and he has to make himself available whenever there's an Akuma. But nowhere is there a written rulebook that says he has to be happy about it. Ladybug calls them partners because, to her, they are. They carry the same burdens and responsibilities. However, they are not equal. Only Ladybug gets to know who the part-time heroes are, only Ladybug gets to know how the part-time heroes get their powers. Whenever they need a part-time hero, Ladybug abandons him in the middle of the fight to go get backup, a process which's details are unknown to Adrien. If Ladybug can just go and fish up a partner whenever, why does she need Adrien? If Cat Noir isn't treated any different from a part-time hero, who never get to know any of the details of anything, what's the point of him being one of the only two full-time heroes? If only Ladybug is necessary in the process of saving the day, what is Cat Noir even for?

A very important aspect of the scene where Adrien almost gives up his powers is this: Adrien has no idea what kind of help Ladybug will bring. All he knows that his powers are useless against Syren. All he knows is that, once again, his help, which used to be all Ladybug needed, wasn't enough so Ladybug had to go get someone else. And he wasn't being told why he wasn't being told anything. Maybe it was because Ladybug needed someone better to help her and they were just screening potential candidates. Maybe Adrien was making things easy by removing an unnecessary piece from the proceedings. Because, if he was being treated as equally expendable as a part-time hero, that meant he would be easy to replace, right?

When Adrien gets the powerup and helps Ladybug defeat Syren, he tells her "Thank you for keeping your promise, My Lady." This is an interesting line because it tells us that, after meeting Fu for mere moments, he already had him figured out from context clues. He knows Fu approaching him was thanks to Ladybug and that taught him that, even if Master Fu doesn't consider him as important as Ladybug, Ladybug does. And that's enough for him.

I'm fully convinced that Fu telling Marinette: "there's a right time for everything," was nothing but a dodge. I have a feeling he's been warding her off with that for a while, considering she says something similar to Cat Noir in the scene before Fu says it. We learned from Fu's relationship with Marianne that, for Fu, waiting for the right time can literally mean decades. This is why this episode, in the grand scheme of things, isn't about the Ladynoir relationship even if it does give some nice fodder for it; it's about Fu.

The thing about the way Fu's character is presented in the show is that something about him gets introduced in a throwaway or innocuous manner, only for it to end up being really important later. Fu mentioning his past mistakes came back to literally haunt the main characters in 'Feast' and even Fu's reaction to the monster was foreshadowed by 'Sandboy', where the seemingly silly bedsheet ghosts cried out his guilt in the demise of the Order of the Guardians, and Fu responds by fleeing.

Fu has been running his whole life. He was taken away from his family by this mysterious order who never taught him anything properly, and who then all died in a cataclysmic event caused by Fu's mistake. Fu lost the book with the Guardians' secrets almost immediately after. With the huge responsibility of the Miraculous on his shoulders and no knowledge to go on if anything went wrong, Fu had little choice but to hide the best he could and hope for the best.

We see in the opening scene in 'Backwarder' that Fu being willing to let anyone use a Miraculous is a new attitude, one most likely fostered by his closer association with Wayzz. Wayzz generally seems to be the one between them with the better head on his shoulders, which is the opposite of the Marinette+Tikki and Adrien+Plagg partnerships, where Tikki can often cause Marinette's catastrophizing to spiral while Plagg's advice to pretty much anything is "be happy, do crimes". However, Wayzz is very put together and wise, which is most likely why Fu chose him as his companion.

Still, considering how Fu was perfectly content with playing his role as an anonymous benefactor to our heroes, he still wasn't ready to be a mentor. He only started telling Marinette things because circustances brought Marinette to hunt him down and the Lucky Charm literally started telling her to seek out Fu every once in a while. But, considering how Fu's go-to response to a problem is still "run away" by the time 'Feast' rolls around, he didn't do Cat Noir the same courtesy. Ladybug he had to stay connected to because she'd need to come pick up a Miraculous from him every once in a while, but Fu preferred to live in a way where he was ready to pack up and disappear in a moment's notice and that would be easier if he had fewer personal connections to miss.

The thing about Fu is that he's low-key going through a character arc behind the scenes of the narrative. 'Syren' is the first time Fu gets character development in the show's current timeline. And the lesson for Fu in 'Syren' was: sometimes change happens, and you'll need to make the best of it. Fu only gained the solution to the recipe because Marinette helped him, because someone else was in on the secrets. So Fu revealed himself to Adrien. We still don't know how much Fu told Adrien but, considering how little Adrien was ready to listen to him in 'Party Crasher' and how he looked like a sympathetic outsider in the scene where he and Marinette were saying goodbye in 'Miracle Queen', they definitely didn't meet up as often as Marinette and Fu did.

Still, 'Feast' is when Fu basically completes his character arc, deciding to trust Marinette with his life's work by naming her his successor once it's time for him to retire. I'll note that he never properly discussed this matter with Marinette, because of course Fu's not gonna learn anything from his own experience as being given a huge responsibility as a child just like he didn't learn anything from being left alone and without answers as a child since he didn't approach Adrien because he recongized his own situation, he did it because the situation forced him to do so. Fu has a character arc in the show, but I'm not sure it went into a good direction considering the other characters.

One final thing about Fu's character arc is that he never truly overcame the urge to run that had been his creed for almost his entire life so far. We see in 'Miracle Queen' that he'd prepped a full "in case of my demise/disappearance" package for Marinette. Fu had probably been counting the days he'd vanish since 'Feast', when he left his massage shop behind.

[traincat]

I feel like I've read a ton, but I'm honestly still pretty new to comics rn. That being said... What is one more day? Ik we don't like it and it happened a while ago, but that's about it [,=

Time for Spider-Man History With Traincat: Highly Controversial Storylines! And that feeling is totally normal with comics with huge canons -- you can read a ton and still have some fairly big blindspots in your understanding of the total picture. That being said, this is kind of a big one, both in terms of Spider-Man history/canon and in terms of how Spider-Man fandom functions. I would say probably no other storyline has had quite as much impact on how the fandom views and interacts with the source material as One More Day/Brand New Day. It's been the Wild West out here ever since it happened. (Which was in 2007, so like, yes, fairly long ago, especially when you look at how Spider-Man canon has evolved since, but in the grand scheme of things, also kind of recent. One More Day is not old enough to rent a car.)

So when people talk about Spider-Man's One More Day, they're usually actually talking about two related arcs: One More Day and Brand New Day. For the sake of simplicity, I'm going to be covering both. For the sake of transparency, I am going to admit that I think One More Day, as a self-contained story, is good, actually. This is controversial! I admit that! But I stand by my stupid opinions on this blog, for some reason. I think One More Day when you examine it on its own, by which I mean you ignore the decade and a half worth of canon that came after it, as a Spider-Man story and as a PeterMJ-centric story holds up under scrutiny and that people who don't like it don't like complicated love stories and might actually throw their own mothers under buses. No offense to the OMD haters. Little bit of offense to the OMD haters. Brand New Day, which is the continuation of One More Day, on the other hand -- largely bad. Very largely bad.

But let's backtrack. One More Day is a four issue crossover storyline that takes place directly after Civil War, during which Iron Man and Captain America got divorced and divvied up the superhero community and Spider-Man made some startlingly bad decisions and made a fugitive out of himself and his family in a manner that got Aunt May shot, and Spider-Man: Back in Black (Amazing Spider-Man #539–543) which examines Peter's actions immediately after Aunt May is shot and ends with him humiliating the Kingpin in front of an entire prison. One More Day consists of Amazing Spider-Man #544 -> Friendly Neighborhood Spider-Man #24 -> Sensational Spider-Man v2 #41 -> Amazing Spider-Man #545. In One More Day, Aunt May is dying, all of Peter's efforts to save her have thus far failed, and, consumed by guilt, he is rapidly running out of time. Approached by Mephisto, a literal demon from hell, Peter is offered a deal: Aunt May will live -- and Peter's identity, which was previously revealed to the world at large during Civil War, will once again be hidden from the memories of all but a select few -- if Peter trades him his marriage to Mary Jane. Peter and Mary Jane struggle with this, but eventually both agree to the deal. The clock strikes twelve, the deal is done, and Peter and Mary Jane's marriage fades into history.

(ASM #545) A reasonably simple premise for a story that caused so many problems -- most, I would argue, not actually the original story's fault. So obviously, this was an unpopular move -- Peter and Mary Jane had for a long time been a fan favorite Marvel couple, and in a fictional universe where most relationships are doomed as soon as they begin, the enduring Spider-Marriage was sacred ground. And then, with a snap of its fingers, it was gone: Peter wakes up in Aunt May's house, no longer married, with Mary Jane out of the picture. (She would not return to the book on any sort of consistent basis for over 50 issues.) In the wake of One More Day began Brand New Day, which is basically what it sounds like: a promised "brand new day" of "exciting" Spider-Man content and a publishing schedule where Amazing Spider-Man came out three times a month. (Which sounds good on paper but I think in practice caused more problems than it created good storylines.) Peter, newly single again, had new love interests! And also Harry Osborn was alive again for some reason! I generally like Harry's post-BND stories so that part's fine with me.

But overall? Brand New Day is a mess. It knows it wants to tread new and exciting ground with Peter -- tell new stories! ensnare new readers! make them fork out for a book three times a month. -- but it doesn't know what those stories should be. Readers who were invested in Peter and Mary Jane's relationship -- a major facet of Spider-Man comics for decades at that point -- felt rightfully betrayed that the marriage could be so easily traded in and that Mary Jane herself, perhaps the second most important figure in Spider-Man comics after Peter, could be tossed aside. From a personal point of view, I think Brand New Day fails in large part because it abandons what has always made Spider-Man such a compelling series, and that's the mix of Peter's personal life with his vigilante life. BND sees Peter with new friends, new jobs, new love interests, etc -- it is very much a brand new day! But it isn't a better day compared to the stories that came before it. I do like some post-BND stories, especially American Son (ASM #595-599) and Grim Hunt (ASM #634-637), but compared to pre-BND where I think the majority of canon is good, it's a very lacking body of work that is hurt by the way it divorced itself from the PeterMJ marriage as Spider-Man's central relationship.

"But Traincat, I thought you said you liked One More Day?" Yeaaaaah. I do. This is why I keep saying I like One More Day on its own merits, and not on the merits of the stories it opened the doors for. I like a good romantic tragedy in fiction, and the way Peter and Mary Jane's final scene in One More Day plays out is beautiful. I like the idea of Peter caught in this impossible situation, being asked to choose between two women he loves more than his own life. A really common criticism I see leveled against One More Day is that Peter should have chosen his relationship with Mary Jane over May's life, which is -- okay, I think it's weird that people keep insisting on this, not in the least because by asking Peter to sacrifice his aunt's life they're essentially demanding he commit a callous, out of character act in order to further his own interests. It's also weird because the thing is, Peter already chose Mary Jane over May -- that's what gets them into this situation. It's literally in the scene where May is shot:

(ASM #538) When the gun goes off, Peter's spider-sense kicks in, and he covers Mary Jane, leaving May in the path of the bullet. He does choose Mary Jane over May, regardless of whether he realized what he was doing. And that's why he can't make that choice a second time. His actions in One More Day do make sense for him as a character, whether or not any individual reader likes them, and Mary Jane's actions make sense, too -- after all, she's the one who ultimately tells Mephisto that they agree to the deal when Peter can't bring himself to voice it.

A lot of people also like to nitpick One More Day by going, well, why could (x) or (y) with life saving powers save Aunt May which is like -- yeah, I guess, but if we're going to ask that about this specific comic book near death setup, you kind of have to do it with every single one, and I'm not going to stake every single moment of comic book drama on whether or not that gold kid from the X-Men was busy at the time. Comics are soap operas in flimsy paper form: serialized longform storytelling that relies heavily on melodrama. Sometimes you have to go with things. Sometimes you sell your marriage to the devil. Stuff happens. That in and of itself doesn't make One More Day a bad story -- and while some people blame the Spider-Marriage's dissolution entirely on One More Day, I think that's a little shortsighted when you look at the history of Spider-Man since the turn of the century. It's clear -- and Marvel themselves have been perhaps a little too open about this -- that Marvel in the past few decades has had trouble with the direction they want to take Spider-Man. They WANTED Spider-Man to appeal to a distinctly youthful audience that they didn't think they were actually reaching -- understandable, considering that Marvel nearly went bankrupt around 2000 and was saved by Ultimate Spider-Man, an out of main continuity series which retold Spider-Man from the beginning and focused heavily on Peter as a teen -- but the problem was Spider-Man in the main continuity was at that point in canon a happily married man who was pushing the dreaded 30 whether or not they wanted to admit that. This is also why Marvel has continually pivoted away from Spider-Man having kids, because they feared that making him a dad would age him too much and make him unrelatable to their coveted audience of Teens. (This is also why almost every new Spider-Man property, especially the live action movies, perpetually stick him back into high school, despite that occupying a very small slice of 616 canon.) So around the year 2000, they started trying things in relation to the Spider-Marriage, which was viewed as a major problem -- after all, what's more adult than being married and liking your wife. First, they had Mary Jane presumed dead. Then, they had Mary Jane and Peter separate. Then, when Mary Jane and Peter had only recently gotten back together, One More Day struck. If One More Day specifically hadn't gone the way it had, it's pretty clear that the Spider-Marriage was going to go one way or another -- it's a little bit of a shame it happened when it did, because OMD is the end of J Michael Straczynski's run, and JMS wrote a really beautiful Peter and MJ relationship. But Marvel as a company and especially editor in chief at the time Joe Quesada viewed Peter and Mary Jane's relationship as a major problem in how they wanted to portray Spider-Man and thought that striking the relationship from the books would allow them more freedom in their portrayal of him as younger and more relatable to their Desired Audience of people who I guess really wanted to see Peter sleep with characters who weren't Mary Jane.

(ASM #546. Younger! Fresher! Less attached! Kissing random women in the club!)

The problem with One More Day has always been in the follow through -- from the content of Brand New Day to the pacing of events to the fact that Marvel withheld key information for such a long time that it allowed misinformation to thrive. After all, what does it MEAN to trade Peter and Mary Jane's marriage to the devil? It altered the events of canon in Peter and the majority of other characters' memories so that the marriage didn't exist, but it left people wondering -- did the relationship as they remembered it existed? How much of Spider-Man canon was altered? And the answers didn't come for over 100 issues of Amazing Spider-Man. One Moment In Time or OMIT (Amazing Spider-Man #638-641), which revealed that while Peter and Mary Jane never got married in the altered canon they did continue their long committed relationship up until just after Civil War, was published in 2010, so essentially readers were hung out to dry without answers for three years. That's a long time to string people along, but not as long as it took Marvel to confirm that the popular fan theory that Mary Jane retained her memories of the original timeline as part of her own deal with Mephisto was also true, which happened this year. I would say, at least from my perspective, a lot of the frustration doesn't come from the individual One More Day storyline so much as how Marvel has continually dragged out the aftermath, using the promise of a Spider-Marriage return to keep fans on the hook. Which is why One More Day continually comes up in discussion of current Spider-Man, because Spencer's run has relied very heavily on imagery from that period with a serious question of whether or not there actually was going to be payoff, something which is still up in the air.

This has been Spider-Man History With Traincat, brought to you by anonymice like you.

[dailytomlinson]

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

Too many incredible memories to mention but not a day goes by that I don't think about how amazing it was. @NiallOfficial @Harry_Styles @LiamPayne @zaynmalik . So proud of you all individually.

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

[purrincess-chat]

Marinette Dupain-Cheng’s Spite Playlist: Remix CH12

It’s ya boooooy! Malin is here!! Super huge shout out to @salty-french-fry for bringing him to life. I commissioned her to draw all of my OC hero babies, so you can see Malin in all of his anime boy glory here! We stan a trans bicon. And for those who are unaware, Malin is another name for fox in French, but like with the connotation of calling someone sly or tricky. I hope you all enjoy this chapter! I tweaked it quite a bit from the original. ;)

Previous     First      Next     AO3

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Chapter 12: WTF Do I Know

“I know our duty is to the city, but I can’t help these feelings stirring my heart. Every time I see her brilliant blue eyes shining in the moonlight, I am overcome with passion and admiration. She truly is Miraculous.” Eliott looked to Marinette sitting cross-legged on the floor for approval. “How was that?”

“Incredible! You really have Chat Noir down,” she said.

Eliott rubbed the back of his neck. “Thanks, but I still feel like I could do better. Opening night is only a week away, and I’m playing one of the leads. Everything has to be perfect.” He paced the length of the stage, adjusting his black mask.

“I’m sure you’ll be fine. You make a wonderfully convincing Chat Noir.” She assured him—and she should know.

“Wonderfully convincing isn’t perfect. This play is a tribute to Ladybug and Chat Noir’s triumph on Heroes’ Day. If I screw up then I’ll be dishonoring them.” He turned and gestured to the impressive backdrop of the Eiffel Tower.

“No, you won’t.” Marinette stood up and placed a hand on his shoulder. “You’re an amazing actor, and I know you’re gonna kill it.”

“Places in five everyone!” The director swept through the stage.

Stagehands rushed around the set. Costume designers made last-minute alterations, and each prop was meticulously tested and placed for ease of access during scene changes. Marinette never realized how chaotic theater was behind the scenes.

Eliott let a deep breath past his lips, and Marinette offered him a smile. “I’ll be watching in the audience. You’re gonna do great.”

“Thanks, Marinette,” he said. “And thanks for coming to watch our dress rehearsal.”

“Thanks for inviting me.”

“Sorry I’m so crazy about everything, I just want to be the best.” He fiddled with his gloves. “I’ve been studying English since I was little because my dream is to perform on Broadway. I know it’s a long shot, but it’s what I’ve wanted ever since my grandma and I watched a play together when I was a kid.”

“You’ll get there, and I’ll be sitting in the front row with Macy, Martin, and Adrien.”

Eliott smiled at that, pressing a soft kiss to her knuckles. “I actually owe you, Marinette. You’ve helped me a lot as an actor since we met.”

“Me? How?”

“You taught me to take risks. Before I met you, I was just coasting through life, staying out of the way, playing it safe, but now I can stand up for other people and speak out,” he explained. “You helped me find the courage to step outside my comfort zone.”

Her cheeks burned, but she smiled at the sentiment. All of her new friends gave praise so easily—something Marinette wasn’t used to. Helping others wasn’t about getting rewarded, and in most cases, the attention just made her squirm. She helped her friends because she cared. Although, even if their compliments embarrassed her, it was nice to know she was appreciated.

“Watch where you’re going!” A nasally voice grabbed their attention.

“Sorry!” A tiny stagehand shrank under the icy glare of her aggressor.

Eliott sprang into action to diffuse the situation. “Margot, is there a problem?”

“She bumped into me! Can you imagine if I had fallen and broken my wrist a week before opening night? How can I play Ladybug with a broken wrist?” Margot shouted.

Eliott stepped between her and the stagehand, holding up defensive hands. “I’m sure it was just an accident. No one got hurt, so why don’t you go cool off? We’re almost ready to start.”

“Ugh, whatever. Just stay out of my way!”

As she stalked off, Eliott turned to the small girl. “Are you okay, Lisette?”

“You know my name?” Her eyes widened.

“Of course. You hand me my props before I go on stage,” he said. “Don’t let Margot get to you. She’s just nervous because the show is in a week, and it’s her first time playing a lead.”

“It was my fault. I wasn’t watching where I was going,” Lisette said.

Eliott tucked a strand of her blonde hair back into place, brushing her cheek with his thumb. “Hey, don’t worry about it. We’re all a little high strung right now.”

“You’re not.”

Eliott flashed her a playful grin. “I’m a good actor.”

“I know,” she said, and when Eliott quirked a brow she fumbled to add, “I-I’ve kind of had to watch you for the past several months. You’re really good.”

“Wow, thanks, Lisette. I’m flattered that a pretty girl like you is a fan of mine,” Eliott said.

Her cheeks flushed, and she gave a small nod before scurrying off to her position at the director’s order.

Marinette couldn’t help the smile on her lips as Eliott found his mark and took a few deep breaths to center himself. He’d grown a lot since they met, and if someone had to play Chat Noir, she was glad it was him. She’d been uncertain at first, but Eliott really was worthy of being a hero, even if his costar was the worst. How could they cast such a brat to play Ladybug?

Taking her seat in the audience, Marinette thought back to her encounter with Gabrielle several nights prior. True to her word, Gabrielle hadn’t bothered them since, but what she was doing out on her own like that? And what was up with the apron in her bag? Something fishy was going on with her, but at least she was keeping her word. It was about time Marinette got some peace and quiet.

♪♫♪ I’m Not Calling You a Liar ♪♫♪

When the school bell rang, Alya remained seated, lips pursed. Her other classmates gathered their backpacks, eager to enjoy their weekend plans. Adrien paid her no mind as he slung his bag over his shoulder and followed everyone else out. They hadn’t spoken since their last encounter, and Alya still wasn’t sure what to think. He sounded so sure of himself. After being friends with Marinette, she knew far more about Adrien Agreste than she ever cared to, and truthfully, Alya didn’t think he was capable of being malicious.

Don’t believe everything Lila tells you. Be a journalist. Investigate.

But how? It’s not like Alya could just call up a bunch of celebrities and foreign princes to ask them to corroborate all of Lila’s stories, and even if she could, what would Lila think if they proved Adrien wrong? Or worse, what would Alya think if they proved him right? If they proved Marinette right…

It had been two weeks since she left. Two weeks since they… Alya had been hurt at first, and her heart still ached thinking about it now. In the grand scheme of things, she hadn’t known Marinette that long—only a few months—so it was possible that there were things Alya didn’t know about her. Dark secrets she kept hidden. But if that were possible for Marinette, couldn’t the same be true for Lila? And why was Alya so afraid to go looking?

“Alya? Did you hear me?”

She blinked out of her trance. “Sorry, what?”

“You’ve been awfully spacey lately,” Lila remarked. “I was just saying that I have an important meeting today with my youth ambassadors committee. Clara Nightingale has promised to sponsor our clean water initiative, and today’s the only day we can meet with her. Is there any way you can take care of that thing Mlle. Bustier needed for me?”

Don’t believe her.

“Actually, Lila, I have to go pick up my little sisters because Nora has practice this afternoon, and Mlle. Bustier did ask you to do it,” Alya said.

Lila’s eyebrows raised, but just as quickly, she puckered her lips into a pout. “Is there any way you could have Nino pick up your sisters? This meeting is really important.”

“Nino promised Juleka he’d help Kitty Section with their sound system today so they can practice before their gig this weekend.” Her heart pounded as Lila’s lip twitched.

“I mean, I guess I can put off my meeting. Those kids in India will just have to go a little while longer without clean drinking water…” Lila eyed her.

“Ya know, if you’re too busy to keep up with your class rep stuff, you can always tell Mlle. Bustier to let us elect someone else. I’m sure everyone would understand,” Alya said pointedly.

“And let Chloe become the class rep again? I couldn’t do that to you guys.” Lila shook her head.

“True, but I can’t cover for you all the time. I have my own stuff going on. Maybe I’m not saving third world countries, but sometimes I have a life to live too,” Alya said. “You were elected to do all of this, you know.”

“No, I understand,” Lila sighed. “I’ve been putting too much pressure on you to do my job. It’s just so hard to juggle going to school and saving the world. I’ll figure out a way to do it for all of you because you’re my friends, and my friends are just as important to me as any starving, third-world country.”

“Good. I’m glad to hear that you’ll be putting in more effort.” Alya stood up. “Have a good weekend.”

“Oh, I’m sure my weekend will be better than those thirsty children in Iran.”

Alya stopped in the doorway. “Don’t you mean in India?”

“What?”

“Earlier you said the meeting was for children in India. Now you just said Iran,” Alya said.

“Oh, yeah, that’s what I meant,” Lila said. “I have a different thing for Iran next week. It’s hard to keep everything straight when you’re so busy.”

“Right.” Alya’s eyes narrowed. “Well, good luck.”

“Give your sisters a hug for me!”

Alya’s hands shook as she headed up the hall. It was probably nothing, just a simple mix up like she said, but… Given the circumstances, it was a little suspicious. One thing was certain: Alya would be keeping an eye on her.

♪♫♪ Thnks fr th Mmrs ♪♫♪

“Your rehearsal was amazing,” Marinette said afterward over tea. “Well, except for Margot’s prop mishap. I thought she was going to have a meltdown.”

Eliott stirred his drink with a smirk. “She’s a great actress until something goes wrong,” he chuckled. “I just feel bad for Lisette. She looked like she wanted to kill her.”

“Speaking of Lisette…” Marinette gave him a knowing look. “I think she might have a crush on you.”

“Lisette? Nah.” Eliott averted his gaze, taking a sip of his tea. “I’m not anyone important. There’s no way she’d be into me.”

“That’s not true. You’re an amazing actor,” Marinette said. “I mean that, you don’t have anything to worry about.”

“Thanks, I guess the thought of someone liking me just makes me nervous.” He bit his lip.

“Come on. You flirt with everyone all the time,” Marinette said. “You flirted with me on my first day of school.”

“Flirting is different. Just because I flirt with people doesn’t mean they have to like me back,” he said, then biting his lip, added, “Do you really think she likes me?”

“As someone who struggles to get two coherent sentences out around the boy she likes, I think she likes you more than you know,” Marinette said.

“Speaking of… You and Adrien sure seem to get along.” He sipped his tea with a satisfied smirk as Marinette’s cheeks burned. He didn’t waste any time flipping the script, but it was her fault for opening that door.

“Oh, do we? I mean, of course we do. We’re just friends, I don’t have feelings for him at all,” she said with a nervous titter.

“I never said you did,” Eliott said.

“Oh, um, yeah, well then I- don’t tell Macy.” She hung her head in defeat.

“Your secret’s safe with me.” He shrugged. “But you don’t have to worry about Macy’s crush. It’s superficial. She fixates on some famous guy for a while, then moves on when something new catches her eye.”

Marinette relaxed. “Good. I’ve just liked Adrien for a long time, and ever since I left my old school, he’s been paying more attention to me, so…I don’t want it to come between us.”

“Nah, I’m sure if she knew she’d back off,” Eliott assured her. “She’s extremely loyal to her friends and would never try to take away something you wanted even if she wants it too. One time she and I argued for twenty minutes because she convinced herself I wanted the last cookie on the plate. We ended up breaking it in half.”

“That’s a relief.” Marinette let out a breath.

“Though I do have to wonder which sounds better, Marinette Agreste or Adrien Dupain-Cheng?”

Marinette nearly choked on her tea. “Eliott!”

“I’m kinda partial to Adrien Dupain-Cheng myself.”

“Stop!” She covered her face, cheeks burning, and Eliott threw his head back with a laugh.

A herd of people stampeded up the sidewalk right before a loud crash sounded a few blocks over. Debris fell from the ceiling, and Eliott tackled Marinette to the ground, cradling her head.

“That sounded close, we should run.” He pulled her to her feet. “My yacht isn’t far from here, we can hide there.”

As much as she hated to do it, Marinette needed to get away. Gradually, she let herself slip from his grasp in the crowd. Eliott turned over his shoulder in an attempt to reach her again, but too many people stood between them.

“Marinette!”

“Go! I’ll catch up,” she called.

His eyebrows furrowed worriedly, but he pressed on without question.

Marinette ducked into a nearby alley and opened her purse. “Ready, Tikki? Transform me!”

Ladybug tossed her yoyo across the street, tugging the slack and launching herself into the rooftops. Racing down the row of buildings, she followed the civilian trail to the scene of the attack. Overturned cars and broken windows signaled that she was on the right track, and she arrived at the same time as Chat Noir.

“Well, well we meet again, m’lady.” His flirtatious lilt echoed between the buildings as he staff-coptered down to join her.

“I would hope so since saving the city is our job.” She flicked his bell. “I think it’s about time we clocked in, don’t you?”

“Ladies first.” Chat Noir bowed as Ladybug tossed her yoyo and shot into action. “Don’t mean to interrupt your tirade, but I’m gonna need to see some license and registration for that car,” he said as they landed. “What’s the matter? Rough break up?”

The akuma turned to them with a growl, tossing the car aside, and Ladybug spotted a small blonde girl cowering underneath.

“Civilian alert!”

“On it.” Chat Noir charged forward, brandishing his staff.

“Ladybug! Chat Noir! I am Showstopper, and I’m about to give Paris the performance of a lifetime after I get rid of her.”

The small girl on the ground cowered under Showstopper’s glare, her blonde buns oddly familiar…

Ladybug gasped. “That’s Lisette which means Showstopper must be Margot! She really was upset by that mistake.”

Lisette attempted to run, but Showstopper served a ball of light at her with the tennis racket—the lucky charm prop from the play and likely where the akuma was hiding. The attack froze Lisette in place, but before Showstopper could make her next move, she blocked a blow from Chat Noir’s staff. A few seconds passed, and the magic faded, sending Lisette toppling forward.

“So that’s it,” Ladybug said, then to Chat Noir called, “Don’t let her hit you, or she’ll freeze you for a few seconds!”

“Got it!” He dodged an orb.

Once Showstopper drove him back several paces, she dashed after Lisette, launching a bus to the end of the street to block the exit.

“Going somewhere?”

“No, but you are.” Ladybug hooked her yoyo around Showstopper’s ankle. Showstopper lobbed several orbs at her before she could pull the slack, and Ladybug backflipped out of the way, diving for cover with Chat Noir behind two flipped cars.

“We need a plan to get that girl out of here.” He peeked over the side.  

Ladybug palmed her yoyo. “Lucky Charm!” Her eyebrows raised as a paper lantern landed in her hands.

“Oh great, you can light the way for her to wreck that girl,” Chat Noir said.

Ladybug pursed her lips contemplatively. “I need to go to Master Fu,” she said. “Can you handle things until I get back?”

“Just don’t keep me waiting too long.” Chat Noir nodded before they broke off.

Leaving in the middle of a battle was always risky, but this wasn’t a fight they could win alone. She just hoped that she could find an ally in time.

“Master Fu?” Marinette knocked, peeking her head inside.

“What is it, Marinette?” He glanced up from his book.

“I need to borrow a Miraculous to win this battle.”

Master Fu retrieved the Miracle Box from the phonograph and placed it on the mat in front of her. “Have you found someone you trust to wield it?”

Marinette contemplated her choices carefully, running strategies in her head. After she and Alya split up, she wasn’t sure she’d ever trust someone enough to replace Rena Rouge, but her new friends proved her wrong. Taking a deep breath, she nodded and reached for the fox. “I know exactly who to pick, and I won’t let you down this time.”

Master Fu offered her one of his proud, grandfatherly smiles. “You never have. I have always had faith in you, Marinette.”

Her chest swirled with pride as she stood up. “Transform me.”

Eliott’s yacht was empty when Ladybug touched down on the deck. He told Marinette to hide there, so she’d been certain it was where he’d be. Then again, Eliott wasn’t the same cowardly boy he’d been when they met, and he didn’t turn his back on a friend. She knew where to find him.

“Marinette?” His voice echoed between the buildings of the abandoned street, and he flinched when Ladybug landed behind him. “Ladybug! Thank goodness, have you seen my friend Marinette? We got separated, and I told her to meet at my yacht, but-”

“Don’t worry. She’s safe,” Ladybug said. “Actually, I need your help.”

“My help?” He arched a brow. “I mean, sure, I'll do anything.”

“Eliott Chasse, this is the Miraculous of the fox which grants the power of illusion. You will use it to fight for the greater good.” She extended the box to him.

“Whoa, you're giving me a Miraculous?” he gasped. “But wait, why me? What happened to Rena Rouge?”

“She's...not around.” Ladybug averted her gaze. “Will you help me?”

“I-I dunno. I think my friend Marinette would be way better at this than me.” He rubbed the back of his neck.

“Eliott…” Ladybug smiled, placing a hand on his shoulder. “You are the right person for this job. Have courage and believe in yourself. That's all you need to be a superhero.”

Eliott pressed his lips together, then accepted the box with a nod. Shielding his eyes from the bright light, he gaped in disbelief as Trixx materialized. “Whoa!”

“My name’s Trixx. I’m a kwami, and if you want to transform all you have to say is ‘Trixx, transform me!’” she explained as Eliott fastened the clasp of the necklace.

“Alright then. Trixx, transform me!” When the orange light faded, Eliott examined his orange and white suit with wide eyes. “Wait, is this really happening?”

“Do you know how your powers work?” Ladybug asked. There was no time to waste.

“Of course. I studied news footage in preparation for my role as Chat Noir in an upcoming play. I wanted to accurately portray the team's dynamic,” he said.

“Good, then follow me.”

Ladybug tossed her yoyo and shot off. Eliott hesitated only briefly, taking a few steps before leaping over the building after her. He touched down lightly beside her before they shot off again.

“I know it's a lot to take in, but we don't have a lot of time,” Ladybug said. She pulled up the news coverage of the akuma. Showstopper had taken the battle all the way to the Eiffel Tower. She skidded to a stop behind a chimney and closed her yoyo. “Hmm…Lucky Charm!”

“A bottle of soap? At least the villain will be squeaky clean?” Eliott shrugged.

Ladybug turned it over in her hands, a plan forming in her mind. “Okay, here’s what we’ll do.”

- - -

Showstopper held a frozen Lisette over the edge, and Chat Noir held up defensive hands as he attempted to negotiate.

“Hand over your Miraculous, or I'll drop her!”

“Maybe we can come to a compromise,” he reasoned, but Showstopper was in no mood.

“You have five seconds. One!”

“There has to be something else you want.”

“Two.”

“After all this is murder we're talking about.”

“Three!”

“I'm sure she didn't mean any harm.”

“Four!”

“Ladybug, hurry up!”

“Five!”

Before Chat could react, Showstopper released her grip, sending Lisette plunging toward her doom. Chat Noir attempted to dive after her, but Showstopper pitched another orb at him. To his relief, Ladybug swung in to deflect it just in time, but there was no time for gratitude.

“Ladybug! The girl!”

“Already taken care of,” she assured him.

- - -

Lisette unfroze midway down, eyes widening in fear as the ground grew closer. Just as a scream reached her throat, Eliott caught her, carrying her safely back to the Eiffel Tower. Her screams echoed across the bars as she clung to him for dear life, but they quieted the moment she looked into his eyes.

“Falling from heaven, angel?” He set her down gently. “Stay hidden. Showstopper can't see you if we want our plan to work.”

She blinked in shock, cheeks flushing. “Wait!” She caught his wrist as he turned to leave. “W-Who are you?”

“Uh… Call me Malin.” He winked, giving a two-finger salute before leaping up to the rafters.

Malin summoned his Mirage on the way up, cheeks still hot. Now wasn’t the time to worry about what Lisette thought of him. First, he needed to save her.

“You're too late!” Showstopper proclaimed, and Malin cleared his throat.

“Are we?” He clocked a brow.

Showstopper spun around where Malin held his fake damsel. “No!” she growled.

“New friend?” Chat Noir sized him up.

“I'll tell you later,” Ladybug said.

Malin set his illusion free with instructions to run, and as expected, Showstopper gave chase. Ladybug really was a wizard at coming up with plans. When Chat Noir moved to follow, Malin stepped in front of him with a wink.

“Who are you?” he asked, eyes narrowing.

“Name's Malin, and you are one foxy feline in person, Chat Noir.” He looked him up and down.

“Less flirting, more running. Phase two,” Ladybug ordered. “Kitty, follow me and get ready to use your Cataclysm. Malin, you know what to do.”

“On it.” Malin nodded, leaping back over the edge with a whoop.

Showstopper pursued the fake Lisette to the second-floor restaurants, falling right into their trap. She skidded against the soapy floor as Malin's illusion faded before her eyes. A broom perched between two chairs clotheslined her, sending her tennis racket flying from her grasp right into Chat Noir's waiting Cataclysm.

Malin helped Margot up as Ladybug captured the akuma and returned everything to normal. “Seriously, losing your cool over a prop malfunction is so lame.” He chided. “You're playing Ladybug, so my suggestion is: take a lesson from the real thing and let go of that bad energy.”

Lisette peeked up from the stairs timidly, pacing over to join them. “I'm sorry your yoyo string was tangled. I should have checked it,” she said.

“Yeah, whatever.” Margot rolled her eyes. “Sorry I tried to throw you off the Eiffel Tower.”

“Technically, you did throw her off the Eiffel Tower,” Chat Noir said pointedly.

“You were awesome, Malin.” Ladybug nudged him with her elbow.

“It was your plan, all I did was help.” He rubbed the back of his neck.

Ladybug shook her head. “You saved this girl, and we couldn't have done it without you. Be proud. You're a true superhero.”

Malin bit back a smile, surveying his suit and squaring his shoulders with a new sense of purpose. Ladybug was right. He had his doubts when she asked him because he still had a long way to go before he would consider himself an actual hero. If anyone deserved the title without a Miraculous, it was Marinette, and he owed this opportunity to her. He never would have had the courage to accept Ladybug’s offer without her. It was a shame she’d never know how much she truly changed his life. Maybe one day he could tell her this secret, but for now, he’d wear his secret identity like an invisible badge of honor.

“Pound it!” The three heroes said in unison.

Malin turned to Lisette and bowed formally. “Perhaps I will save you again someday,” he said.

Lisette bit her lip before stretching up to kiss his cheek. “Thank you,” she whispered.

Ladybug took his wrist and toted him off as a dopey grin spread across his lips. They retreated to a private corner at the base of the tower, and Malin returned the necklace to Ladybug. Shoving his hands in his pockets, Eliott shifted his gaze to his shoes with a sigh.

“What's wrong?” Ladybug asked.

“Nothing, just… Lisette kissed Malin, not Eliott.” He kicked at the ground.

“You really like her, don't you?” Ladybug asked.

Eliott flinched, rubbing the back of his neck. That morning the thought of falling in love with someone terrified him, but now… Maybe he hadn’t come down from his heroic high, but with Lisette’s kiss still burning on his cheek, he smiled.

“Yeah, I do,” he said.

“Well, Malin is very charming, but I think she might need someone to walk her home. Think Eliott can handle that?” Ladybug pointed to where Lisette was stepping off the elevator.

Have courage and believe in yourself.

On any other day, the fear of rejection would have convinced him to walk away, and maybe tomorrow it would. But today, today he wasn’t afraid.

“Lisette! Wait up.”

[popculturebuffet]

Ducktales Finale Review: The Last Adventure! or So Long and Thanks for All The Ducks

Hello all you happy people. The day we’ve all simultaneously waited for and dreaded is here. The grand finale to a five year journey.. and for me an almost one year journey of covering season 3 as it came out. It was thanks to this show i’ve been able to make money doing what I love. Without it I never would’ve found my patreon Kev, and I never woul’dve had the solid focus to keep going as long as I have. And I never would’ve had all you lovely people reading my work. Thank you for that. I hope you’ll stick around even though the series is gone, I love you all. But as the sun sets on this series I have one last episode of the season, and the series to cover. I won’t be doing it in my usual recap style due to it’s sheer length and scope, but I promise you if you join me under the cut I will break down eveyrthing I can about this final adventure, it’s huge, awe inspiring twists.. and it’s heartwarming conclusion. It’s everything you could want from a finale short of a Grandma Duck Cameo, and i’ts under the cut with full spoilers. Seriously if you do not want any spoilers TURN BACK NOW. I’m opening with probably the biggest spoiler of the finale. 

I Think She’s A Clone Now You were warned. So.. Webby is Scrooge’s Clone, made by FOWL as part of a decades long scheme to find the papyrus of binding, and raised by Beakly to keep this precious child out of their sinister clutches. I have hundreds of reaction images, several for what the fuck.. none of them seem sufficient.. ALL OF THEM together like some megazord of what the fuck are not sufficient for how much this reveal caught me off guard. It caught ALL of us off guard. I’m sure even those who called it still were suprised that’s the direction it took. I think we all expected her parents died by FOWL, or her parents were FOWl with Pepper being one of them, or anything else. So naturally it took around 14 drafts, and me going the fuck to sleep as I had stayed up to watch the finale and thought I could just smoothly transition into writing the review despite there being a LOTTTTT to unpack.

Even after the recharge though this took a bit of doing... so now i’ve done it... what’d I think? Whelp....

I liked it. I like it the more I think about it. Even the problems I had with it just kinda melted away as I thought about it. I understand if you do not. This twist will not be for everyone, it changes Webby’s character and story entirely, ruins tons of fan theories, and in general is batshit even for a series that in the same finale, turned Manny into a shout out to Gargoyles, complete with Keith “My Body is Ready” David. This series is genuinely batshit and loves it, but this is a LOT to ask dramatically, a lot to rewrite expectation wise and a lot to thinka bout. There’s a reason besides sleep deprevation it took me a whlie to fully grasp how I felt. So if you don’t like it fine, but i’m going to make my best case. 

Starting with something that made me realize I fully like it: It dosen’t invalidate Webby’s charcter. The one little problem I had left was “Well dosen’t Webby having the McDuck bloodline mean she couldn’t be specail if she wasn’t a McDuck? That sure the rest of the cast are specail but you can’t be really important without it?” Honestly.. no. Webby is who she is not because she’s a McDuck.. but because she’s Webby. She got her martial arts and mystery solving skills through Beakly and being raised. She had intate talent sure.. but as we’ve seen with the boys through the whole series, talent has to be honed. Skill has to be earned and learned.  Webby worked hard to research other civilizations, worked hard to hone herself into a deadly fighting machine with her mother’s help, worked hard to be every bit as cool as her idol who turned out to be her biological dad. She earned her badassery, her wisdom and her courage SQUARE. 

And more than that she’s her own person. Her adoptive parent and biological parent are both paranoiacs afraid of betryal, unwilling to trust, and slow to let anyone in. By all accounts Webby should be the same.. but she’s not. Oh sure she has some paranoia and is willing to slit some throats, she was raised by the world’s best spy and is the daughter of the world’s greatest hero, that was never going to be gone entirely. But at her core she just wants to trust people. She just wants to love them and be loved. And.. that’s why her family loves her. Because she’s the kindest, the warmest and the best of them. They love her because she’s Webby and that’s she’s family, they could care less who she’s related to. All it really changes is how Scrooge acts around her and that gives us fans tons to work with. 

It’s also expertly revealed, which helped ease us into it. Webby is just as shocked and confused as we are and is seriously hurt, which makes her vulnerable to the villains. Kate Miccui deserves a goddamn award for voice acting and if their isn’t an award show for that their should be. While she’s been fantastic with Webby all series long this is her finest performance, going from Webby’s usual self, to all the hurt she goes through.. to her quitter moments at the end, calling Scrooge dad and giving out a little noise that makes it clear as Beakly tries to leave, that no.. she’ still her family.. she’s still her mom and she’s not going anywhere. 

As for the concept being a bit ridiculous yes it is.. but so is this universe. This universe is entirely insane in the best fucking way possible: I mean.. look at this final group shot. 

We have an old man whose somehow still alive simply because he was too busy to die, an inventor whose cloned himself multiple times so clones are fesable and is probably a clone himself given how the last finale went, an awkward armored superhero and his biotech filled girlfriend, a small boy robot weapon of discretion who put his head on his brother’s body, a no longer headless manhorse former harbinger of the apocalypse with the silky voice of keith david as one big homage to gargoyles, a lesbian living shadow and her sister, a superhero who based himself on a fictional character and his boyfriend/sidekick who by all accounts should be dead by now, a lesbian military superheroine from the moon, STORKULES COCKBLOCKER OUT OF MYTH, his moong goddes sister, two adopted family stunt pilots, a bunch of super intelligent mice, an odd duck whose kinda sorta dating a giant shrimp, his cousin with super luck powers, my globetrotting boys, an immortal treasure hunter and in the family proper: a former spy turned adopted mom of a clone, a woman who lived on the moon for a good decade, a man who once trapped everyone in what would essentially be the plot of the mcu’s second best work by pure accident, a blue boy whose piloted a plain, captained pirates, and has his own talk show, a green boy whose ran a multi-trillion dollar company, nearly destroyed all of time and space and is under investigation for fraud, and a red boy who has a hulk-esque rage filled embodiment of all his suppressed emotions, whose fondest wish was tall legs, and who can easily take out a giant magica supermachine with some fancy wiring. So the richest duck in the world having a clone daughter, while divisvie and what not.. is far more plausable than we give it credit for. As are her new sisters who Id in’t forget but are part of the whole twist. 

So yeah, I like the twist and my nitpick is more that despite having a full season to set it up.. they saved it for the last episode. Instead of BUILDING on Webby’s desire to know more about her family and having the twins show up earlier.. it’s all shove into the finale. It’s a well done shoving but there’s so much that could be explored with Webby being Scrooge’s daughter, so much that futzes with the regular family dynamics and we don't’ get any of it. Sure it was probably saved for a possible season 4 but they treated this season as the last. Manny being an apocalyptic man horse voiced by the uber sexy keith david, and no I will not stop bringing that up even outside of it’s own section and why yes it is getting it’s own section, is the kind of revelation you can leave for one last episode. “One of the main cast is a clone” really isn’t and that’s disapointing. 

Especially since thinking back to life and times.. Webby IS a lot like Scrooge was before circumstance hardened him. She’s tough, resourceful.. but also has a peppy spirit to her. It adds interesting shades to her character, where she zigs where Scrooge zags, how much of it is her upbringing with Granny versus his with his parents, how much did Beakley play into it. There’s A lot to dig into and given I have most of the series left to review, I will get to dig into it, and there’s a lot to be explored in fanfic so if I wasn’t already planning a massive one before I sure as fuck am now. So it’s not a bad twist nor bad we get to write the future.. but I do wish the crew THEMSELVES had done more with it. Still my bar for “not fucking up the entire show” is pretty low after Star Vs ended with her committing implied genocide to stop a genocide and How I Met Your Mother ended “But the real journey was in how much I want to bang, bang bangity bang I said a bang bang bangity bang your aunt robin now your mother conveniently died”. I can handle “This twist is kind of weird but also really intresting.” If the twist isn’t for you, as I said i get it. This is my opinion. Now for the thing I won’t shut up about. 

I LIVE AGAIN:

Look i’ve made no secret how thirsty I am for Keith David nor how much of a national treasure I rightly believe him to be. He’s one of my faviorite voice actors, with a mind boggling number of awesome rolls, mostly recently as a fowl mouthed coffe cup encouraging a teacher to sabotage his rival teachers breaks on close enough. Even if I didn’t like Gargoyles, which I do, i’d have an entire section talking about that Manny reveal. 

Manny was already objectively one of the best parts of the show, a hilariously weird addition that was also relatable as he just wanted to fit in. I did not know you could make him better. Then they gave him Keith David’s voice and revealed he’s one of the four horseman of the apocalypse, but doesn’t want to end the world he just wants to be a normal dude, AND turned him into a shout out to the last part of the disney afternoon they hadn’t touched, my favorite part of it and a show i’ve been sitting on watching in full for far too long. Motherfucking Gargoyles. 

But given how unique it was for the Disney Afternoon and how much Disney had no desire to ever reference or use the franchise, still no fucking clue as to why they are sitting on money here, I expected it to be sadly but understandably left out. Instead they made Manny into an expy for them, gave him the voice of their leader Goliath, the voice of an angel, and had him say “I LIVE AGAIN” complete with the utterly transcendent theme song. Seriously give it a listen. 

So yeah I couldn’t not mark out at this. Amazing fucking stuff and almost as unexpected as the clone thing and easily my second faviorite part of the fiinale only NARROWLY topped by the curtain call. Which we’ll get to. Keith David took his time getting to this series but they saved the best guest voice for last. Utter tremendous. 

Huey Season?: I”ll save more of this for my breakdown as the season as a whole but yeah while the finale as a whole was good.. I do feel Huey got short changed. He got PLENTY of development this season, and some REALLY good scenes with Bradford.. but ultimately he got overshadowed by the Webby thing. it just never quite felt like Huey got a real resolution to his character arc the way his brothers did. He still got some REALLY good moments, his “Just cough up the information Bentina!” was one of his finest and Danny Pudi did his best. The BUILDUP was good but hte payoff was non existant and easily the weakest part of an otherwise triumphant finale. I feel the final plot was ultimately just a bit too jam packed to really have Huey feel vital to it the way Dewey was to the Della arc and Louie was to his own arc. Both tgot big emotional payoffs in his finale but the most I could gather here was he accepted adventure? I guess. It just really feels off, like I missed the payoff to everything when it’s probably just nonexistent and that bothers me a lot. In a finale that was almost all hit.. this was easily the biggest misstep. I don’t have as much to say here on it.. but that’s because it’s really that simple: they gave Huey’s arc a ton of build up in this last episode and some of his others, really made him into Bradford’s good counterpart.. then just sorta.. forgot it because “oh shit Webby’s scrooge’s daughter kinda need to pull focus here”. Had they given this arc at least one more episode, we might of had time for it. Granted i’m not sure how much they could get away with but we clearly needed at least one more episode and what they chose to jettision, the climax to Huey’s story.. was way more important than they clearly thought and i’m heavily disappointed. 

Bradford’s Big Hole Speaking of payoffs the missing mysteries payoff.. is a mixed bag. I expected all of them to combine some how into some elaborate plan I just wasn’t seeing. In hindsight it does make sense that wasn’t it: Bradford hates overcomplicated schemes, so his would be incredibly simple and require as few moving parts as possible. It still dosen’t stop the fact that the big plan to cap off the entire series built over a season... was to build a giant stygian hole of non existence to throw people into. 

Yes really. Instead of using the Payprus to write them out of existance, if carefully worded or try doing it all at once or anything practical.. Bradford just plans to shove everything he dosen’t want in the world anymore into a hole.  Look i’ts not like it ruins the episode, there’s still tons of tension from him holding Scrooge’s loved ones over his hole and threating to throw them into it’s gaping void. And it’s foiled by a 12 year old just.. shutting it off. Like I get him leaving an off switch on, that’s just common sense.. but why wouldn’t he have a remote or something to turn it back on? one with a password or something to lock it. There’s something inherently underwhelming about as series ending plan that can be summed up “hope no one shuts my unguarded hole. “

The finale does make for it by using the missing mysteries all in VERY clever ways. In fact every episode in the season had some sort of payoff here. It’s what makes up for how baffling the main plan is: every other thing, from the missing mysteries to the guest stars has lead up to this one moment, this one final adventure. Which leads me too

An Hurricane of Payoffs:

So from the top Challenge of the Senior Junior Woodchucks!: Isabella Finch herself ends up being VITAL to the story and to Bradford’s backstory, as does Junior Woodchucking as a whole. Quack Pack!: Gene is the fuel for Blot’s glove.. though he also fucks off right afterwords.. never to be seen again or help out at any point...

Double-O-Duck in You Only Crash Twice!: This was the most unexpected and elevated the episode in hindsight for me as what seemed like a waste of time.. wound up setting up the first part of the finale, and the final battle with Steelbeak, and in clever ways with Steelbeak using the intelliray on himself, Launchpad muttering the map in his sleep via his smart self and Dewey remembering the base layout. 

The Lost Harp of Mervana: Used as a lie detector for that heartbreaking interrogation scene. 

Louie’s Eleven: Introduced Daisy setting up Donald’s plot which i’ll get to. 

Astro BOYD: My baby boy comes back for this episode! He also gets one of the best lines of it “I’m a Head!”. That is the most ralph wiggum the boy has ever been. I’m so proud. 

Rumble For Ragnarok: Okay I was wrong nothing from this one comes back. Still a great episode. Same with the trickening. Both are VERY stellar episodes though, so I give it a pass. You can’t give a nod to EVERYTHING. 

The Phantom and the Sorceress: The Blot and Super Sayian God Super Sayian Lena, as well as Lena’s character development from said episode.  They Put a Moonlander on the Earth!: Launchpad helping Penny realize her purpose.  Forbidden Fountain: Jeeves is un-babied as a trap Let’s Get Dangerous!: Drake and Gosalyn Return, and Solageo’s Circut ends up being vital to the climax.. in the strangest and funnest way to say possible but still. It counts.  Escape from the Impossibin: Beakley’s near breakdown at the idea FOWL has come back. It was already heartbreaking and the first adventure had made it even more so.. but now it’s out and out DEVISTATING. The one thing after her daughter is not only back.. but SHE’S the reason he’s in Scrooge’s life and home and her giving up SHUSH has now left her wide open. 

The Split Sword: Probably the best out of all of these as it ends up directly playing into the climax in an awesome way i’m saving for Bradfords New Gods: Storkules shows up. Okay so that every episode claim bit me on the ass. Also when did these two meet? I mean probably at end of spear of selene but the more important question is WHY DID YOU ROB  ME OF THESE TWO MEETING AT ANY POINT IN THE SERIES. 

The First Adventure: Naturally the Payprus comes back as Does herons needling bradford to stop denying what he is. 

Fight For Castle McDuck: Suprisingly the blessed bagpipes ended up being VITALLY important. And giving us sexiest man alive infinity years running Keith David for an episode.  Last Christmas; Santa Cameo

Beaks in the Shell: Gandra being taken and the Lost Library being setup for this episode. 

Lost Cargo: The Stone of What Was. And Credit where its due what FELT like simply a filler episode with a tantengal connectoin.. ended up probably being one of the most important episodes. Fair play. 

Life and Crimes: Magica turning Bradford into a non sentient bird, like what happened to her brother.... proving once again this episode really REALLY needed as subplot attached to lead into the finale or something. 

Bonus Round: Pilot payoffs by the pound. Seriously Scrooge and Donald’s last lines to each other, the badass return of “I’m a Pilot”, more on that in a minute, and even other smaller call backs like “Keep Getting Up” and webby sucessfully getting some juice to Louie’s pride. All top notch stuff and it really makes the finale FEEL like one with all this coming back full circle. So i’ve hinted at it enough, let’s bring on the bad guy. 

The First Woodchuck

We’ve had some mixed payoffs so let’s get to one that’s just out and out excellent. Bradford Buzzard.. is the best villian the show ever had. Now I will give the caveat that my favorite forever and always will be

You know it, I know it. But Bradford is the best genuine threat of the series, with Marc Evan Jackson perfectly balancing his menace and genuine evil.. with his steadfast believe that he isn’t evil, and his calm, controlled business demeanor. It’s one of the best performances of the show and he deserves all the credit for it and after seeing him in supporting roles for his career, even if his role as Kevin on Brooklyn Nine-Nine is fucking awesome and I’m sad that show is ending, it’s nice to see him step into a big meaty role as the big bad and utterly nail it. 

And the finale.. pays eveyrthing off with him, apart from the plan itself perfectly. Starting off him being revealed as Isabella Finch’s grandson... was  a stroke of genius. I didn’t expect her to come back in play but it gives perfect reason both why he knew about the mysteries.. and why he’s like this. 

Like Scrooge did with his nephews, niece and daughter, Isabella dragged Bradford all around the world seeing the unseen, thinking it was fun. The problem was... Bradford HATED it. He hated every minute of it, like as one post pointed out Rusty Venture from the Venture bros, and felt he should be in school. He wanted a normal life and a normal world and not.. this waking nightmare. So to him, fixing the world, stopping this sort of thing is the only way and that doing so is a good thing. His problem is how he adapted to it.

We see that best in his mirror images, the people he’s in direct contrast with and the show knows it. Starting off with the one he���s not like at all is Scrooge. Part of what makes Bradford perfect is he’s Scrooge’s evil opposiite. The Luthor to His Superman, The Joker to his Batman, the Green Goblin to his Spider-Man, the Iron Monger to his Iron Man, the Sinestro to his Green Lantern. Both come from a long line of adventure but while Scrooge embraces that and loves it, Bradford hates it and wants to destroy it. One is energetic and always ready, the other’s calm, calculated. And one sees what he is.. and the other dosen’t. Simple as that.

But his other mirror’s are more like him, moving onto Huey. Their both woodchucks, both prefer caution and planning, and both want to make some sense of a nonsensical world. Both want to feel safe when they constnatly don’t. One’s prone to panic attack the other’s calm. But what makes Huey the better man... is that he accepts the world is the way he is. It goes all the way back to terror of the terrafirmains. While he was all for adventure he started his doubting things, not beliving things were real.. because the reality that there are some things you just can’t prepare for, just can’t know, and you can’t be always ready.. it shattered him. He nearly let himself die rather than live knowing what’s out there. Webby pulled him out of that, literally and figuratively.. and he never went back. Sure he still tries to have an order to things, still breaks when his structure’s broken.. but it’s gone from a paranoid fear of the unknown and weird to embracing it. To relishing in finding unsolved mysteries and new clues to unlock, to finding new things to explore. He went from seeing this chaotic world as something to run from, to embracing and studying it. To loving it the way it is the way his family loves him for who he is. Bradford.. denies reality belongs the way it is and wants to force it into what HIS idea of it is Superboy Prime Style. The world isn’t waht he thought it should be so he’ll MAKE it that way. Huey grew as a person.. while his arc didn’t have a full payoff.. it still pays off here by showing what he COULD’VE been. had he let his earlier fear and his always present neurosis drive him like Bradford has. Let his big brain make him think he knows what’s better for EVERYONE instead of using it to genuinely help people. Bradford lacks the boys heart and empathy and that’s why he fell. Huey had his family backing him, his best friends coming to get him, and his brothers ultimately rescue him. Bradford.. threw his only true ally down a styigan murder hole. 

Finally.. we have the one that’s not brought up directly.. but is very much there. Donald. While the two don’t interact hardly at all... it’s VERY fitting that Donald is the one Bradford picks to threaten Scrooge with. Like Bradford... Donald grew to hate adventure, he wanted to get as far away from it as possible and took it from his boys for as long as he could. Granted that was in part Bradford’s fault, and that was an INCREDIBLY clever twist: it dosen’t make him entirley responsible or anything that robs the moment of it’s imapct, Della still chose to take it out by herself, she still lied to Donald and she still got lost all by her own decision and impuslviness. But it fits perfectly into it: Bradford’s horrifying smile when Scrooge gets taken away from saving her is even WORSE now with full context, and it still fits that knowing about the project.. he’d want to set it up to screw up Scrooge’s life. I don’t think he sabotaged the rocket or anything, too obvious and something Della would’ve mentioned by now.. but he knew it was unfinished. 

Back to the parallel the diffrence is once again.. change. Donald let go of his hate of scrooge and his past and realized it wasn’t all bad. He let himself grow as a person after a decade of bitterness and anger. But most tellingly and poignantly is Quack Pack... both had a chance to make a world that was safe, normal and what they always wanted. Both out of terror of the danger of this world.  Thing is.. Donald’s was noble. He feared for his kids, his sister, his uncle.. loosing one again and any of them at all. He wanted a normal life to be safe, to hide from that.. but it’s not what THEY wanted or who they are. He accepted that’s not how the world works and how it does.. is still pretty great. And his growth shows: he’s ending the series planning to go off with his girlfriend globetrotting, KNOWING things might not be safe, but diving into adventure, having accepted it as part of him. He even finds some new family and takes in two girls who badly needed a home. He learned to accept things how they are... and Bradford refuses, not beliving in this world as it is and vowing to force it into the way he wants it to be. 

And it’s that inherent selfishness.. that makes Bradford the Cartoon Supervillian he desperatley claims he isn’t. Bradford dosen’t care how many lives it takes, how much worse it makes the world, or how many people he has to stab in the back... the world WILL be “normal”. Bradford cares for no one and nothing except his own ambition. He kills Heron despite her loyality, and his own clones who loyally served him.. simply because their chaos too. No one or nothing else matters, not how they feel, not their right to exist.. only HIS vision. If he wanted to keep the world safe he’d be more of a hero, if still throughly a bastard... but he dosen’t. He wants to make it “normal”. He wants the world the way he thinks it shoudl be and damn anyone else and perfectly represents all the old assholes like him today who refuse to accept something diffrent or against the norm because “that’s how it’s always been”.  Like those real world assholes.. Bradford is wrong. The Duckverse is beauitful how it is in it’s chaos and risk and love. And he just can’t see it because it’s not what he WANTS to see. 

And that’s why I also love the Sword giving him big, black and red classic villianous monster, slowly mutating him as he fights the duck family. Because that’s his inner strength: he may deny he’s a villian but he’s forcing his will on others, refuses to see the world as it is for selfish reasons, and is willing to kill his own friends and allies if it means getting it. He’s the bad guy. And while he denies it to those around him... it’s clear from the fact the sword is working for him that he KNOWS IT, he knows he’s a villian and this is just what he wants but is so up his own ass he can’t SAY it or admit it. And in the end he’s fully beaten by the fact that his forcing his will on everything’s what’s unnatural: While his plan was ingenious, have scrooge sign a contract agreeing never to adventure again, since he’s right Scrooge would solve nonexistance it’s the same reason “launch hulk into space” only resulted in a smarter, more skilled hulk coming back with a space army to get revenge. He just didn’t bank on the inherent rediclousness of the unvierse: family really is the greatest adventure of all.. and the papyrus accepted it. It was the one thing he coudln’t palnf or because he can’t see the woirld how it is.. and that’s why he lost. He was so confident how he saw the world and how he worked was the only way... another way beat him. 

His fate.. was also awesome and endleslly apporirate. Being mocked by the other villians who while less capable aside from Magica, at least admit what they are and what their doing.. and turned into a Vulture for Magica, left to be a mindless lackey in tons of chaotic schemes for the rest of his life. It couldn’t of happened to a nicer jackass. Okay three more sections to go. Let’s go.

Come Sail Away, Come Sail Away, Come Sail Away With Daissssyyyy

Donald’s leaving for a long, romantic adventure with Daisy is the perfect capper to Doanld’s character. Donald started the series hating adventure: blaming it for della being gone, his rough times during it, and wanted to escape it in the boat and keep from loosing his kids to it. He felt like a looser for not having reached his dreams or properly provided for his nephews, when really he did his best and still raised three wonderful kids. A bit overproective, god yes.. but despite his grief and anger he still got through ten years with them on his own merits, hard work and determination. 

As the series went he reconclied with his past, realized Scrooge lost something too and that blaming him soley when it was Della’s choice was just taking his anger out on the one person he had left to take it out on instead of embracing his only family left, accepted Storkules as his friend (JUST his friend), accepted adventure through quack pack realizing that while it may be weird, dangerous and sometimes stressful for him... it’s what his family love doing and they should be who they are instead of who he wants them to be, and finally.. accepted himself by finding Daisy, someone who loves him for who he is, and literally and metaphorically understands him and turned right back around from dumping him to save him from a giant monster she roared at. He’s finally at peace. 

And that’s why leaving. Not forever, He , Daisy, and his girls will be back in a few months or even a month. It’s very clear this is a vacation.. but it’s one  he’s earned.  He’ll always love his boys, his surrogate daughter/cousin, his sister, and his best buddy launchpad. But it’s okay for him to want to form his OWN family, to spend time with his future wife and show her the world. To make his own story for once instead of sharing it. To find his voice. 

I also find it very poetic that a story that started with Donald raising his nephews like their dad.. ends with him adopting two more children. Two kids whose lives had been misrable: rapidly aged in tubes, deemed failures, constantly bellittled by the closest things they have for parents, so desperate for answers they’d kidnap their own sister and betray her trust and do things they know are wrong, And all this.. for nothing as their  Dad kills their mom, bad as she was, and plans to kill them. And Donald’s first thought when given the chance to have a kid free time to himself, with no guilt having earned it? To take these girls in, start his own family, if Daisy’s cool with it mind he thankfully clearly called to talk this over first, and give them their own. Because that’s who Donald is, a good man whose finally earned his happy ending and the life he always wanted.. and accepted who he always was. An adventuerer, a loving fiance.. and  dad. 

The Real Hero: One last one before the bonus round and a quick one. The Launchpad Scene.. was one of the shows best. His arc in this episode of thinking he’s not a hero.. made sense. He’s been plenty heroic.. but his boyfriend is a martial arts and gymnastics savant and one of his three best friends has a giant suit of armor and is a genius. But the payoff made even more: He may not be the strongest, the most skilled or the smartest.. but he has the heart of a hero. He’s always been the kindest, most trusting, most friendly one of the main family, a guy who never gives up, even when he should, never surrenders and loves everybody. And that’s why he’s inspired so many people: Fenton to not give up after his firing and keep going, leading to his path as Gizmoduck. When Drake was lost, his fllm gone and his mentor seemingly dead (In fact skulking around the sewers like an evil ninja turtle), and his future unclear... TOLD HIM he could be Darkwing, that he could become the hero they both ihdolized and the inspiration to kids he wanted to be by his own bootstraps, and he gave Gosalyn faith in darkwing and hope at at time she had none. He also gave those mice their freedom. Not as poignant but you try creating the rescue rangers and see how far you get. I’ve lost a lot of chipmunks and mice that way. 

Launchpad’s last stand makes up for his lack of being in the season during the final  half. Launchpad realizing that despite his quirks he’s just as noble, valuable and wonderful as his families, both of them. And that he is a pilot. Sure he gets the gizmoduck armor.. but the armor isn’t what makes hi ma hero... i’ts being launchpad that makes him a hero. Loving adopted dad, wonderful partner, best friend... and a pilot

Bonus Round:

Okay this is just stray stuff from throughout the episode I didn’t have several paragraphs worth of material on before we get to the final thoughts. But it had so much good I can’t not talk about it. So...

Gyro calling Little Bulb BOYD’s brother. My heart wept. So sweet. As was him fixing his son at the end. BOYD has the two loving families he deserves.. and the brother he deserves.. and the brother he dosen’t deserve who will probably also is skulking around the sewers like an nafarious ninja turtle as the series ends. 

Gosalyn fixing up Darkwing’s outfit for him. Awwww. Adopt that child you coward. Also if they don’t base the reboot on frank’s work here, I will riot. 

“Just cough up the information Bentina!” that was just pure comedy gold especially the sheer fear radiating off him. Also right. 

Manny’s “I can explain” and , once he has silky smooth keith david voice going “Come on man I just want to live my life.” That man is a legend. 

Dewey and Louie just not talking the “you kids stay behind shit” pointing out both their stake in this and how they’ll just go anyway and him proudly accepting it. Given the kids turned the tied of things a lot, good call. 

Dewey and Don Karnage singing their own background music as they air joust. Hell yes. 

Pepper got a promotion! Goodf or her... it’s meaningless now but hey she has a partner in both senses. 

Speaking of pepper she had the best line of the episode “He’s a grown man who has the strength of a baby!”. Only Amy Sedaris could’ve given that delivery just the perfect way she did. 

The Funzo’s opening sequence was dynamite, from how well set up it was as an infilfration, to Webby having learned how to scam free drinks (Louie was so proud), to Lena cheating for her sister at DDR, to Scrooge paying full price.. it was wonderful> The payoff was also great as rather than be mad her special day was used as part of an elabroate spy operation.. she’s giddy. Because of course she is. Two specitic  bits that get their own items

The Cabs came back one last time! It dosen’t effect my now finished retrospective, but after spending all that time with them it was nice to see them for what will probably be the last time for some time. 

The whole scene where Della finds out about the trip. Just all of it. Her casually and accidentally choking daisy TWICE, Fethry, who sadly did not get an episode this season, being the one to blab about it and only realizing it .. after repeating that they told him not to, and Gladstone who not only was casually winning at Skeeball while his cousins both got pissed at it, relateable as hell, but then awkwardly escorting his baby cousin out of the situation. 

“Satstically with Hubert gone one of us should be pancking but WHO I ASK YOU WHO?” As if I needed more evidence they were perfect for each other. 

Lena just.. slumping over after Dewey finally has her drop the cloak. Comedy gold. BOYD scanning her later likewise so. 

The second best line and line read of the episode goes to Louie/Bobby Monihan. “That is not comforting, I do not want to die”. He couldn’t of summed up Louie in one line any better. 

Ludvwig was a national treasure.  Not only did I squeel internally when it turned out he was alive but the explination for it was hilarious as it was batshit, and him just causally revealing Webby’s origin was fucking amazing “Ill give you all a moment ot process” The acomplanying “bless me bagpipes” was also amazing. 

I do wish we found out where FOWL went but it was probably to leave the remains all free to come back as villians of the week. Frank outright said they had a tailspin sequel episode ready to go.

The Webby and June fight was a masterpiece and I REALLY need to do a top 12 fights list someday. 

Lena connecting with the new twins , having pretty much the same background of being created by a villian for shitty reasons. 

“one is silver and the other is “ “Flintheart glomgold!” they should consider a teamup. What’s a little brainwashing between friends?

“We’re sisters’. No you and violet are sisters, Webby is your girlfriend your both just in denial. I only say this because Webby also thinks Della and Penny are just friends and I feel she simply dosen’t know what being gay is or again is in denial. They’ll get there. Plus it feels like Lena just didn’t want to loose her and would say anything which is valid. 

Curtain Call and Final Thoughts:

The Curtain Call was the perfect way to end a spectacular finale. Each bit of it’s a masterpiece, and every character gets one last awesome, heartfelt and hilarous goodbye with the camera and ending how it should: on our five most important characters, in a circle, together, smiling, freefaling into the next adventure. I”d have it no other way and any other series finale credits and last moments will now pale in comparison. 

So the finale as a whole is messy, some bits aren’t resolved as good as they could’ve been, Huey go the shaft, and it REALLY needed another episode leading into it to help take the pressure off. While it needed 90 minutes for the plot it had to tell, it needed more to build up to that and while the season was tight with episodes they BADLY needed one more they didn’t get or even a subplto to help take the load off this episode. 

But even with that... it was an utterly awesome finale on par with other recent standouts like “Let’s Fight to the End”/ “Thank you For Watching the Show” (Both feel like finales to me but in diffrent ways), “The Future” and the whole arc leading up to it, both parts of “Heart” and “Nice While It Lasted” . It was heartstopping, heartrending and heartfelt and ended the show as it should be: with over the top insanity, big reveals, a hell of a final battle.. and a focus on family. It’s not the perfect finale, and I defintely need more ducktales.. but it’s still a classic one and one of the series finest hours.. literally in this case. 

I.. am going to miss this series. I went into it before but it’s thanks to this series I make a living. If you’d like to contribute to that, I have a patreon, patreon.com/popculturebuffet, my next stretch goal is a darkwing duck epsiode a month so  kick in a buck won’t you? and take comissions so if theres an episode from the first two seasons that’s not part of the season 1 arc (I’m almost done there) or Lena’s story (already being paid for that) feel free to shoot me a line to comissoin it for five bucks an episode. 

But more than that it was an excellent well crafted show that took a franchise I love and updated it for a new generation. My nieces love it, I love it, and I will always love it for that. Young or old, this show as phenominal, it was stupdendous.. it was a duckblur. It will remain in my heart for probaly the rest of my life among such shows as Steven Universe, Parks and Recreation, The Venture Bros, Letterkenny, DBZ Abriged, and so many more that have touched my life. It was simply the best. And i’m going to miss it. Thank you for reading this, i’ll see you at another rainbow, if not one quite like this.

Next on this Blog: Duck week continues after this review took two days to complete. Sorry about that. Our heroes head to castle McDuck and Dewey is forced to face the consequences of his actions, while Scrooge yells at his dad , his dad yells at him and his mom is the most precious thing tha’ts ever lived. Also Launchpad in Donald Cosplay. And it won’t stop there as till saturday the rest of the week is all dedicated to Ducktales as I finish up the Della and Lena arcs for season 1 and get started on Lena’s last three episodes. So if you liked some ducktales, stick around. And once again.. thank you. 

[witcher-and-his-bard-archive]

Good as Gold pt.18

[part seventeen] | [part nineteen] [prostitute!jaskier masterpost]

This chapter was inspired by Shagouti over on ao3. I may have gotten a little carried away with the ‘moping’ aspect of this, but I hope it’s still okay <3

It’s not the first time Jaskier has struggled to get an erection; it’s not an uncommon problem in his line of work and most of his clients couldn’t care one way or the other. If he can get hard to fuck them, they’ll fuck him. Simple. Few of them care what is going on with his body, so it’s never really bothered him before. It hasn’t happened for a long time and he’s come to be able to predict when it’s going to happen - usually shortly after Geralt visits.

This time, Geralt hasn’t been around in a while and Jaskier assumes his body is just exhausted. He doesn't mind much. The man under him has a very different opinion, but there’s nothing for it. After three failed attempts to get hard, including the most irritable blowjob Jaskier’s ever received, the man angrily tugs his clothes back on and stomps out of the room, demanding to see another whore and Jaskier flops back against his bed.

He can still hear the man - not a regular - outside in the hall making demands and he feels surprisingly… bad. He rarely feels anything with his clients - Geralt notwithstanding - but he feels guilty today, as though he has any control over what his body is doing.

When the noise dies down, he peeks out into the hall and the first person to walk by is Jakob, one of the few other men working there. Jaskier smiles at him before ducking back into the room. Problem solved then, he’ll just have to turn his customers away for one day - no huge loss in the grand scheme of things.

A couple of hours later, he's lounging on the bed, with a glass plug in his hand, watching the way the light reflects off of it when someone comes to the door. Jaskier sighs to himself, he had made it clear to everyone that he wasn’t seeing customers today, but the knock comes again and he sighs. He’ll just have to turn them away himself.

Sighing, he lifts himself from the bed, setting the plug down on the table and tying his robe around his waist but when he gets to the door it’s Jakob standing in front of him.

"Sorry," Jakob says, "I know you're not seeing customers today, only your Witcher is here." He says it with a little smirk and Jaskier's stomach churns uncomfortably.

He groans and earns himself a questioning look from Jakob. He would never send Geralt away, but he doesn't want to disappoint him either.

"How did he seem?" Jaskier asks and Jakob's smirk turns into a full-on grin.

"Seemed eager to see you."

"Fuck."

"That's bad?"

"Today, it is," Jaskier huffs. He exhales dramatically. "Send him up. I certainly hope he's feeling patient."

To his credit, Jakob doesn't ask and he flashes Jaskier an enthusiastic smile before starting toward the stairs. For the first time, Jaskier is anxious to see Geralt and he wonders if Jakob would be willing to see Geralt if he can’t please him. The thought sits uncomfortably, but he'd rather it was Jakob than anyone else and he certainly doesn't want Geralt to leave unsatisfied.

It isn't long before he hears the telltale footsteps and the soft knock on the door. He shuts his eyes and inhales deeply, bracing himself for the worst. His stomach turns over itself and he remembers a cousin describing the feeling as butterflies once. It's certainly an accurate metaphor.

Jaskier pulls the door open and Geralt smiles at him. He tries to remain calm, but the second Geralt's expression falls, he knows he's failed.

"What's wrong?"

"Nothing," he says brightly, "come in, darling, make yourself comfortable." Fuck, he's really fucked now.

He shouldn't have let Geralt come up, he should have told Jakob to keep him company for the afternoon, as much as the thought makes him nauseous. But this isn't about him and his misplaced feelings, it's about Geralt and helping him get what he wants. It’ll be fine, it’s Geralt. He can get through one awkward day. Jaskier gestures for Geralt to sit on the bed, but when he turns around to compose himself, warm hands settle on his hips. He stiffens immediately and Geralt withdraws. Jaskier shuts his eyes and silently pleads that Geralt doesn't leave when he finds out.

Usually, he loves the feeling of Geralt's hands on him, especially like this, the way he holds him and pulls him close, but today he just feels like a failure. Like Geralt is going to walk out as soon as he realizes what's up.

"I'm sorry," Geralt whispers, "if you don't want me-"

"No," Jaskier says a little too quickly, a little too harshly. His chest is tight and he feels like he can't breathe. It scares him and he's so focused on trying to pull in air that he doesn't realize Geralt is touching him again until he's facing him and Geralt's palm is against his cheek. Geralt looks anxious and it doesn't help with the pressure in his chest.

"Jaskier?" Geralt's thumb brushes over his cheek and Jaskier realizes it's wet. Fuck, he's crying. "Jaskier, what's wrong?"

"Nothing," he chokes. He worms his way out of Geralt's hold, wiping at his eyes, and turns to prop himself up on the dresser. Geralt's hand slides up his back, settling between his shoulder blades and Jaskier can feel the heat from his body. He shuts his eyes and focuses on that.

"You said you'd tell me if you didn't want it," Geralt says softly, "I don't want you to be uncomfortable."

"It's not that. I want to be able to please you, but-" he chokes and Geralt presses closer, moving both hands to slide down Jaskier's biceps. "I'm just... having some trouble rising to the occasion, so to speak." Which is actually terribly frustrating right now when he'd like to push Geralt down to the bed and fuck him until they both forget what an idiot he's being.

Geralt is a customer. Sure, he's a hell of a lot different than the others and Jaskier may have a little bit fallen for him, but he's still a customer. And in this context, he'll never be anything else unless Geralt makes the first move. Jaskier had tried and he had been so close. He even thought Geralt was going to kiss him that night. But here they are now and Jaskier shouldn't be thinking these things anyway.

"Oh," Geralt says and Jaskier is expecting a follow-up is that all to just further affirm how stupid he's being, but Geralt hums softly and presses his nose to the back of his neck. "You don't have to fuck me," he says, "we don't have to do anything, but-" He seems uncertain and Jaskier turns back to him, stepping forward so Geralt's arm can slip easily around his back.

"Could I stay?" Geralt asks and Jaskier nods quickly, not trusting his voice despite the relief that floods through him. Geralt smiles and lifts his free hand to wipe away the remaining tears, using the other to guide Jaskier back toward the bed with him.

Geralt only lets him go when they reach the bed and he climbs up, pulling off his gambeson and tossing it to the end of the bed as he lays down. When Geralt looks up at him, it's all Jaskier can do not to climb on top of him and kiss him stupid. Carefully, he gets up and lies down next to him, propped up on one elbow.

For a few moments, they lay in silence and Jaskier settles knowing Geralt still wants him. He shuts his eyes and lets himself relax, sinking into the mattress, basking in the warmth radiating from Geralt’s body. Then, seemingly out of the blue, Geralt shifts and looks up at him.

"Can I touch you?"

Jaskier smiles softly, eyes still shut. "You know you can, darling. Just don't be too disappointed if nothing happens."

"I don't mind," Geralt says almost bashfully, "I just want to make you feel good." He moves slowly, rising up to his knees over him and Jaskier doesn't have a chance to consider just what this means before Geralt is curling an arm around his waist and turning him onto his back.

From here, his only view is Geralt, soft and cautious. But, Jaskier notes, not as cautious as he once was, not even as much so as he was the last time they were here. It prods at something in his chest that Jaskier tries not to focus too hard on and he shuts his eyes to block it out.

Geralt's lips press against the inside of his calf and he lets out a little gasp at the unexpected contact.

"Is this okay?" he asks and Jaskier nods.

"Yeah, can I-" he brushes his fingers against Geralt's forehead and Geralt presses into the touch, pushing Jaskier's finger through his hair.

Jaskier runs his fingers over Geralt's scalp and Geralt lowers his head, returning to his task. He mouths at Jaskier's skin, licking and sucking his way up his legs and if it was anyone but Geralt, Jaskier would think he was still trying to get him hard. And any other night, it wouldn't even be difficult.

For someone who is so quiet and stoic in his regular life, Geralt is incredible in bed - and Jaskier would know, he's been fucked by half of Hagge. His tongue alone is enough to get him off most nights, which only makes tonight all the more frustrating.

Geralt's hand slips up, pushing up the hem of Jaskier's robe and he knows he's exposed, that his traitorous cock is in full view and for the first time ever, he feels anxious about it. But Geralt's fingers brush over his hips and his breath is hot and damp against his skin, comforting in an odd sort of way. Or maybe it's just Geralt, soft and sweet as he is, that puts Jaskier at ease.

He tangles his fingers in Geralt's hair, tugging lightly as Geralt moves up his thigh. There's a moments' hesitation and then Geralt's mouth is on his cock, kissing up the length of it. Jaskier tenses up, but Geralt wraps his mouth around him, pressing his nose into Jaskier's skin before pulling off with a soft smack.

"'S not gonna work," Jaskier mumbles. Geralt's lips drag along his skin where it's most sensitive and Jaskier shudders.

"Did it feel good?" Geralt asks and Jaskier could laugh. What a stupid question.

"Having your mouth wrapped around my cock? Of course, it did."

"Then let me?" Geralt asks, "I want you to feel good."

Jaskier nods. Geralt tips his head down and immediately his mouth is wrapped around Jaskier's cock again, hot and wet and so frustratingly good. He lets himself relax under Geralt's hands, delighting in the warmth of his cock around him, even if his cock can't properly appreciate it. Heat and affection swell in his chest and Jaskier runs his hands over Geralt's shoulders, up the back of his neck and into his hair.

He knows the reaction he'll get when he tugs on it, so he pulls near the base of his skull, expecting the vibrations of a moan around his cock, but Geralt whines, arching off the bed. His forehead presses against Jaskier's stomach and Jaskier tugs again, delighting in the little high-pitched sounds that spill from Geralt's lips.

He'll never get over Geralt, not the way he's always so eager to please or the way he falls apart when he finally allows someone to take care of him.

Before he can think better of it, Jaskier hauls him up against him. He only realizes what he's doing when Geralt's lips are inches from his own, slick and swollen and too tempting for his own good. Geralt's eyes drop to his mouth and Jaskier's breath catches.

He slides a hand down Geralt's chest, intent on distracting him, but when he finds Geralt's cock, he's already fully hard. Jaskier knows Geralt would never press him for anything he thought would make him uncomfortable and moreover, would deny himself satisfaction to make Jaskier comfortable. Jaskier doesn’t want that tonight; he can feel how badly Geralt wants this and he wants to let him have it, even if he’s not feeling it himself.

He promised Geralt he’d tell him if he didn’t want it, but that’s not what this is. He’d give anything to be able to fuck him properly tonight and it’s only his own anxieties holding him back from fully enjoying it.

He brushes his fingers up the length of Geralt’s cock, slipping up to unbutton his trousers. When he gets them open, he slips one hand inside, stroking slowly as Geralt huffs against his shoulder. Precome beads at the head and Jaskier slides his thumb through it, wrapping an arm around Geralt's waist as he shudders.

"What do you want, darling? I can't let you fawn over me all night, hm?"

"Mm, but I want to." Jaskier shuts his eyes with a soft groan.

"You like to, don't you? Fuck, is that what's got you so worked up like this?" he runs his fingers along the underside of Geralt's cock for emphasis.

Geralt groans and presses his face into Jaskier's neck, biting gently. His cock presses into Jaskier's thigh and he gives a quick little thrust of his hips, grinding into the meat of his leg. Jaskier groans in frustration, rolling Geralt's hips against him and kissing his shoulder.

"I want you," he breathes. Gods, he wants him so badly.

"Can I fuck you?"

Jaskier groans and wraps his arms around Geralt's waist, bringing him close for a moment before tipping him backward. He crawls up over him, letting Geralt's hands brush his thighs and eventually settle on his hips. He keeps his eyes on Geralt, taking in the flush of his cheeks and the soft curve of his mouth.

Reaching back, Jaskier removes the plug and strokes Geralt's cock, not even hesitating before pulling his cock from his trousers and sinking back onto him. He needs this tonight, to be able to give something to Geralt, to make him feel good. He shuts his eyes and focuses on Geralt beneath him, desperate to do what he can, to prove he can still be good for him.

He loses himself in the motion, hands pressed to Geralt's chest until he realizes abruptly that he's treating Geralt like anyone else, like the only thing that matters is getting him off. His stomach turns at the thought. This isn't what he wants and more importantly, this isn't what Geralt wants. He's said more than once that if Jaskier doesn't want something, he doesn't want it. But he'd gotten so caught up in making sure to please him, that he hadn't thought of it that way.

At some point, he must have stopped moving because Geralt runs a hand up his chest and it startles him.

"Hey," Geralt whispers, "what's wrong?"

"I'm-" Jaskier starts, but he looks down into Geralt's eyes, still wide with arousal, and he sighs. Geralt doesn't want this. "I can't do this right now. I just- I wanted so badly to make you happy so you'd stay-"

"Why would I leave?" Geralt asks softly. He lifts one hand to cup Jaskier's cheek and Jaskier climbs off of him, flopping down on the bed beside him. Geralt shifts, sliding up behind him. "Can I?" he asks and when Jaskier nods, a warm arm slides around his waist. "Why do you think I would leave?"

"What good is a whore who can't get it up?"

"Jaskier," Geralt breathes. His nose presses into his hair and he hums softly as he curves around him.

"I can find you someone else if you want. One of the others, Jakob-"

"I don’t want someone else." Jaskier falls silent, not quite sure what to say. "I can go."

"Could you stay?" Jaskier whispers, just barely. He can feel Geralt's smile as warm lips press against his neck.

"Of course."

Warmth spreads through Jaskier's chest and he remembers how to breathe. He settles back against Geralt and shuts his eyes, revelling in the warmth of the body against him. He might be a disaster and he might be making mistakes left right and center, but at least, for now, he hasn't fucked it up. At least he has Geralt.

[louistomlinsoncouk]

While many artists would jump at the chance to tell you how lockdown has been a fruitful opportunity for self-improvement, full of pseudo self-help books and pompous podcasts, former One Directioner Louis Tomlinson is adamant that he has done, well, nothing.

“I’ve just watched loads of s___ TV,” he says after a long pause. “The Undoing is decent, isn’t it?”

Twenty-eight--year-old Tomlinson from Doncaster was always the down-to-earth Directioner, frequently describing himself as fringe member who spent more time analysing the band’s contracts than singing solos, known for chain-smoking his way through several packs of cigarettes a day and swearing like a trooper. A rarity, these days, among millennials who’d rather suck on a stem of kale and tweet about their #blessings.

Far from aimless, however, today the singer is full of beans, cheerily shushing his barking dog as he potters about his North London home where he lives with his best friend from home, Oli, and his girlfriend, the model Eleanor Calder.

He's getting ready to rehearse an exciting one-off gig that will be live-streamed from a secret London location on December 12, announced today exclusively via the Telegraph. The proceeds of the night will be split across four charities: The Stagehand Covid-19 Crew Relief Fund and Crew Nation, Bluebell Wood Children’s Hospice and Marcus Rashford’s charity FareShare, to help end child poverty.

The gig means a great deal to Tomlinson, whose first ever tour as a solo artist, to promote his debut solo album WALLS, was cut short back in March after just two concerts in Spain and Mexico. It was an album he’d spent five years working on: a guitar-led project that ruptured with the preppy pop anthems of One Direction, inspired instead by Tomlinson’s love for Britpop.

No doubt he was anxious to get it right following a decade “grown in test tubes”, as Harry Styles once described the band’s formation on the X Factor, where they came third before going on to make a reported $280,000 a day as the most successful band in the world. The pressure, too, was intense: all four bandmates had already released their own solo debuts.

Was he left reeling, I ask, unable to perform at such a crucial moment?

“The thing that I always enjoyed the most about One Direction was playing the shows, so my master plan, when I realised I was going to do a solo career, was always my first tour. It’s something I’ve been looking forward to for the best part of five years now. I got so close, I got a taste for it, and it’s affected me like everyone else, but I’m forever an optimist,” he says down the phone, with what I can only imagine to be a rather phlegmatic shrug.

Sure, I say, but the last year can’t have been easy. Didn’t he feel like his purpose had popped?

“You know what,” he says, reflecting, “maybe because I’ve had real dark moments in my life, they’ve given me scope for optimism. In the grand scheme of things, of what I’ve experienced, these everyday problems...they don’t seem so bad.”

Tomlinson is referring to losing his 43-year-old mother, a midwife, to leukemia in 2016, and his 18-year-old sister Felicite, a model, to an accidental drug overdose in 2018. The double tragedy is something he has been open about on his own terms, dedicating his single, Two of Us, from WALLS, to his mother Johannah, while often checking in with fans who have lost members of their own family.

It’s not unusual for Tomlinson to ask his 34.9 million followers if they’re doing alright, receiving hundreds of thousands of personal replies. It’s not something he will discuss in interviews, however, after he slammed BBC Breakfast for shamelessly probing his trauma in February this year. “Never going back there again,” he tweeted after coming off the show.

“Social media is a ruthless, toxic place, so I don’t like to spend much time there,” says Tomlinson, “but because of experiencing such light and shade all while I was famous, I have a very deep connection with my fans. They’ve always been there for me.”

In return, Tomlinson is good to them. Last month he even promised some new music, saying that he’d written four songs in four days. Does this mean that a second album is on the way?

“Yeah, definitely,” he says. “I’m very, very excited. I had basically penciled down a plan before corona took over our lives. And now it's kind of given me a little bit of time to really get into what I want to say and what I want things to sound like. Because, you know, I was really proud of my first record, but there were moments that I felt were truer to me than others. I think that there were some songs where I took slightly more risk and owned what I love, saying, ‘This is who I want to be’. So I want to take a leaf out of their book.”

Fans might think he’s referring to writing more heartfelt autobiographical content such as Two of Us, but in fact, he’s referring specifically to rock-inspired Kill My Mind, he says, the first song on WALLS. “There’s a certain energy in that song, in its delivery, in its attitude, that I want to recreate. People are struggling at the moment, so I want to create a raucous, exciting atmosphere in my live show, not a somber, thoughtful one.”

He sighs, trying to articulate something that’s clearly been playing on his mind for a while. “You know, because of my story, my album was a little heavy at times and a little somber. And as I'm sure you're aware, from talking to me, now, that isn't who I am.”

It must be draining, I say, the weight of expectation in both the media and across his fanbase, to be a spokesperson for grief and hardship. To have tragedy prelude everything he does and says.

“Honestly, it’s part of being from Doncaster as well, I don’t like people feeling sorry for me. That’s the last thing I want.”

The problem is, says Tomlinson, he doesn’t have the best imagination. “I have interesting things to say musically, but what’s challenging from a writing perspective is that I write from the heart, and I can’t really get into someone else’s story. And right now, being stuck at home, you have so little experience to draw from. It’s actually quite hard to write these positive, uplifting songs, because actually, the experiences that you're going through on a day to day basis, you know, you they don't have that same flavour.”

There is something that’s helping, though: a secret spot near Los Angeles, where he divides his time to see his four-year-old son, Freddie, whom he shares with his ex Briana Jungwirth, a stylist. “It’s remote and kind of weird, and I’m going to go there for three days and write. I don’t know why I’m so drawn to it. I found it via a YouTube video. It’s got some very interesting locals who live there, it’s sort of backwards when it comes to technology. It feels like you’re going back in time when you’re there. But I don’t want to give it away.”

Another source of inspiration for his second album is the Red Hot Chili Peppers’ back catalogue. “I grew up on their album Bytheway. And during lockdown I've been knee deep in their stuff. I’ve watched every documentary, every video. And I find their lead guitarist John Frusciante just fascinating.”

Has he spoken to Frusicante?

“I f______ wish,” snorts Tomlinson.

Surely someone as well-known as Tomlinson could easily get in touch?

“No, honestly, I think he’s too cool for that. He’s not into that kind of thing.”

Tomlinson’s passion for all things rock is also spurring on a side hustle he picked up as a judge on the X Factor in 2018: managing an all-female rock band via his own imprint on Simon Cowell’s Syco label. While the group disbanded before releasing their first single, and Tomlinson split from Syco earlier this year, the singer is keen to nurture some more talent.

“I'm not gonna lie, my process with my imprint through Syco, it became challenging and it became frustrating at times,” Tomlinson says a little wearily. “The kind of artists that I was interested in developing – because I genuinely feel through my experience in One Direction, you know, one of the biggest f______ bands, I feel like I've learned a lot about the industry – they weren’t ready-made. So I had lots of artists that I took through the door that were rough and ready, but major labels want to see something that works straight away. I found that a little bit demotivating. I love her and she's an incredible artist, but not everyone is a Taylor Swift.”

Tomlinson spends much of his free time scouting new talent either on YouTube, Reddit or BBC Introducing – he’s currently a huge fan of indie Brighton band, Fickle Friends. His dream is to manage an all-female band playing instruments. “Because there's no one in that space. And I know eventually if I don't do it, someone else will!”

Before he drives off to rehearsals, we chatter about how much he's been practising his guitar playing, and how he can't wait to take the whole team working at his favourite grassroots venue, The Dome in Doncaster, out ice-skating after he performs there on his rescheduled tour. “Because I've got skills,” he says, and I can hear his chest puff.

And then I ask the question every retired member of One Direction has been batting off ever since they broke up in 2015, after Zayn Malik quit. Rumours that his bandmates saw him as a Judas went wild after some eagle eyes fans noticed they’d unfollowed him on Instagram. Payne, Tomlinson, Horan and Styles have barely mentioned him since. Recently, however, they re-followed him, and Payne has teased that a One Direction reunion is on the cards.

So: might 2021 be the year of resurrection?

“I thought you were going to ask something juicier!” say Tomlinson witheringly. “Look, I f______ love One Direction. I'm sure we're going to come back together one day, and I'll be doing a couple of One Direction songs in my gig. I always do that, so that's not alluding to any reunion or anything. But, I mean, look, I'm sure one day we'll get back together, because, you know, we were f______ great.”

[itsclydebitches]

V8’s loss is so baffling to me. V3’s loss was disheartening because the heroes did all that they could, but the atmosphere spoke that this wasn’t going to end well. V8 had “Everything is going great!” then Salem and Cinder won…just because!

Pairing these two asks up!

Okay, so we all understand on a plot level why the group lost: Cinder arrived unexpectedly, Neo "kills" Yang, Penny takes a critical hit, the lost Staff obliterates the walkways, etc. There are a ton of reasons why the execution of that plot is stupid imo–How did the group just forget about two of their longest running enemies? How did Neo's single sword hit break Yang's aura and knock her across the walkway and put her into a semi-unconscious state so she couldn't save herself? Why is Jaune, the healer, so easily swayed into killing Penny?–but if we're willing to just go with it, fine. Makes sense. The final two episodes do, in some ways, reflect the tone of Volume 3. Both started on incredibly hopeful notes, only to end in failure. "It's the Vytal festival! We've always fought and come out on top, we can do this! ... omg wait, Pyrrha is dead, Beacon is gone, and Yang has lost an arm." From "We have a plan now! We're implementing it! We always manage to save people in the end! ... omg wait, Team RWBY is dead, Jaune is dead, Penny is dead, two Relics are gone, and our civilians are getting picked off by desert grimm." If we're willing to be very generous in regards to that execution... I buy it. The group nearly succeeded in keeping everyone safe, but the villains screwed things up. We've seen it happen before.

What doesn't work for me–where I think the real problem lies–is in why the heroes were fighting this fight in the first place. I don't mean that in the grand scheme of things (like, why fight Salem) but in the literal, immediate battle that they wound up losing. This isn't a Volume 3 situation where the villains attacked the heroes, they defended themselves, they lost. This situation came about because the heroes were trying to transport an entire Kingdom's worth of people across a deadly walkway. So why were they doing that?

...and that's where we run into the snags.

See, none of the motivations across Volume 8 add up. Yeah, we've discussed Ironwood to death, but it's the same with everyone else too. Ruby initially told Yang that she wanted to use Amity not just to warn other people about Salem, but to call for help. She reiterates this during the staircase talk: I'm childish and I wasted everyone's time because I thought people would come and then they didn't (which, frankly, is not what Ruby should be criticizing about her own leadership, but I digress). So my question is, what was Ruby planning to do with that help? Let's say the other Kingdoms broke all internal logic and did manage to get there to help Atlas. What in the world does "help" mean in this instance? What was her plan once they got there? Ruby acts as if she's just very, very broadly planning to fight Salem with this desired assistance, but then she doesn't fight her. Not just in terms of staying inside when Salem's army attacks, but also in terms of remembering that she has access to a Relic that can create anything... but then using that to run, not try and face Salem down.

Ruby's entire stance isn't just that Ironwood is evil for leaving others behind, but that he's wrong to run at all. She emphasizes that Atlas is just Salem's first target, implying that it's foolish to Kingdom hop when she'll just turn around and attack them somewhere else instead. There were a number of compelling reasons for why they should have left when Ironwood suggested it. We can continue to debate the ethics of that until the end of time. But for the purposes of this conversation, the important takeaway is that by the time Ruby decides to leave, there are even more compelling reasons not to go. By this point they have learned that Salem isn't interested in Mantle at all, only the Relics/Maiden housed in Atlas. By this point they have destroyed her whale, cutting her off from a huge portion of her army. By this point they have turned two of her subordinates against her, as well as obliterating her for a time. By this point they know that Oscar still has some amount of energy left in the cane, giving them another weapon to use against her. By this point everyone has been evacuated to the crater, meaning the heat is no longer a threat. By this point the Hound is dead. By this point they're about a half hour away from capturing Ironwood and saving Penny.

To top it all off, yeah, they don't juDst move everyone from the Kingdom of Atlas, they d is anywhere nearby... the threat is gone. It makes absolutely no sense to me why, at this point in time, after everything else they've succeeded in, after Ruby was waiting on an army of her own, after she reminded everyone that nowhere is safe, they would just up and move an entire Kingdom's worth of people. What's the point of this goal? Based on what we see–based on what the characters know–everyone in Mantle would be safer at home with some hacking assistance to get the heat back on. The people of Atlas would be safer provided the group takes those magical Relics, their Maiden, their Silver Eyes and skedaddles. Why the group decided to move the entire Kingdom when they could have just gone to Vacuo themselves, taking everything Salem wants with them, makes no sense to me. It could have very easily made sense if they'd evacuated at the beginning of Volume 8, or if we established something like Salem's intention to murder everyone if the heroes run... but we didn't get anything like that. So we just have the heroes putting civilians through increasingly dangerous situations (deadly walkway, Cinder's attack, dangerous desert, overpopulation in a hostile city) for seemingly no reason. All while bringing the Staff with them so it can get captured too. The group's decisions of who/what should be where all come across as backwards to me.

To top it all off, yeah, they don't jut move everyone from the Kingdom of Atlas to Vacuo, they sacrifice the Kingdom in order to move them. I've said before that I stand by Robyn's observation that the people are more important than the place, but as established, the point is that this sacrifice never needed to happen. We desperately needed the show to establish not just why the group feels like evacuation is still the best option after so much has changed, but why that reasoning is powerful enough to justify the entire Kingdom's destruction. Because–finally getting around to your point, Anon #2–it's not just about losing a place you're used to living in. It's about the loss of everything Atlas provided for the world: the Dust, the tech, and yes, even the army. It's easy to reduce Atlas to that racist Kindgom wooo glad it's gone... but canonically we have so many characters with positive connections to it. The disability angle is just one, particularly disheartening example. I have no doubt that the show will ignore the logical consequence of the Kingdom's destruction... just like it ignored Yang receiving the arm as a gift, just like Maria's eyes were turned into a joke, just like Penny had to be given a flesh body in order to understand how nice hugs are. Yes, the people and their knowledge live on (if Pietro survived), but they no longer have the resources to provide that work. If helping the rest of the world even makes their top ten priority list when trying to survive homelessness.

The point isn't that the group can't go through with that act, the point is to justify the act for us through their perspectives and have them grapple with what a huge, world-changing decision it is. The fact that no one, but especially Weiss, so much as blinked at this decision, especially when the decision comes across as in many respects unnecessary, is crazy to me. I'd be so much more on board with this choice (even with the "Why are we still evacuating?" question) if the group had a solid plan in place to finish before Atlas touched down on Mantle, they were shown ensuring everyone actually had a portal to use, they demonstrated basic intelligence in remembering the two villains they fought in the last 48 hours (Penny fought Cinder, all of JNOR fought Neo), and were allowed to fight with their canonical strength and skill. Then it really would be a case of the group doing everything right... but still losing, simply because the villains were better. AKA, a Volume 3. As it stands, their reasons for doing this are shaky, thus they don't justify this incredible sacrifice, the group comes across as incompetent for much of the battle, and their total disinterest in what this will do to the rest of Remnant doesn't come across as particularly heroic. That kind of sacrifice needs to be attached to a "We had no other choice" situation. Problem is, they bypassed that moment at the end of Volume 7. By the end of 8, they absolutely had other choices.

Disability has no meaning in RWBY anymore. I think it did–back in Volume 4, Volume 6 when Maria was first introduced–but now the story has reduced disability to something "extra," something to fix, or something to outright ignore. Yeah, we can think about the long-term consequences for disability across Remnant, but at the end of the day, the story entirely forgot about the blind and paraplegic characters trapped on a broken tower. These problems, sadly, run a whole lot deeper than RWBY potentially not capitalizing on the impact of destroying 1/5th of the world.