#I would love for a similar character to appear in a future game | Explore Tumblr posts and blogs

xiaowhore · 6 months ago

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happily ever after.

premise. perhaps in your last life, you wished for an extraordinary romance; a once-in-a-lifetime encounter, a dashing prince to kiss your hand, and an eternal love that could only be found in fairy tales. now, as you acknowledge that this story is not yours, your greatest desire is to remain out of the limelight while you watch your dearest protagonist twirl in the ballroom with the man of her dreams.

and just like every other time, fate has other plans.

word count. 7.8k

note. i honestly thought i wouldn't be able to finish this, but here we are. i hope you enjoy!

“The duke of Marechaussee is looking for a bride!”

The news spread far and wide, each new piece of gossip shared through word of mouth more convoluted than the last. But the gist of it essentially remains true—the reputable head of the most prestigious duchy in Fontaine, Neuvillette, whose abstinence from marriage had nobles speculating his intentions to practice celibacy, has now unfounded those rumors.

For others, this is an opportunity. For you, this is a cause for a headache.

Let's have a brief recount of your second life thus far. Ten years ago, you found yourself in a body that was not yours, one that was far too dainty and sickly for your liking. You were born to a powerful aristocratic family, your father bearing the title of Marquess. It was your greatest joy to find this new family of yours was loving and affectionate, bursting into tears of relief upon your return to consciousness the very first time you opened your eyes in this world. You were told you had nearly fallen to disease, and your parents spared no effort in finding the most knowledgeable doctors across the continent. Their embrace was incredibly warm, hands clutching your small body so tightly as if once they let go, you would be lost to the winds.

And, well. As far as you’re concerned, it isn't the worst life to live in. Your eldest brother is almost overbearingly protective, but he’s beyond considerate and cared for you greatly. Your second brother isn't honest to a fault, and you heard he often played tricks on you before, but ever since your worst fit of sickness, he's been incredibly careful in his treatment around you.

Life passed peacefully like this, adored and doted on by your beloved family. To repay their kindness, you wish to aid your eldest brother in the future and pursue your studies, but your parents assure you you don't have to do anything you don't want—including being bound by marriage.

For any other aristocratic family, it is a daughter's duty to secure a beneficial relationship with other houses of similar prestige. But your family spoils you rotten, and they hold no greed; why would they wish for more power when they already have everything they could possibly want in the kingdom as a Marquess family?

It is for that reason you are able to avoid the biggest red flag that could potentially lead to your demise: the engagement with the House of Marechaussee.

With how much you used to read webtoons and played otome games with the “I died and woke up in the romance novel I used to read” premise, you aren't all that surprised to realize you found yourself in that very situation. What did surprise you is the lack of daddy issues, and how easy you have it as a villainess.

You woke up in the world of “My Royal Darling,” an otome game with a plot as creative as its title. Cliche as it is, you ate that shit up back in your previous life and knew the story like the back of your hand. Your character [Name] Silva mainly appeared in the duke's route, a villainess who loved him deeply for his kindness and gentleness beneath his cold facade. As far as villainesses went in this game, you are certainly not the worst; the girl in the prince's route actively schemed against the protagonist and received a befitting punishment as a result. The worst [Name] Silva did was beg her doting parents for an engagement with the duke and use her sick sob story to garner pity.

All you have to do is avoid the duke at all costs, and you won't be part of the drama at all.

...That was what you thought before you went ahead and befriended the protagonist. Goddamn it.

“The duke is searching for a bride-to-be. Can you believe it?” Lumine giggles in all her protagonist glory, twinkling laughter as pleasant as the song of birds. Her etiquette is impeccable as ever, starting from her straight posture down to the elegant curve of her fingers as she raises her cup to sip tea. Her dress is not nearly as intricate as yours, the difference between your status glaringly apparent, but it's easy to envision her as a perfect princess. It would soon come to reality, you realize.

“And because of that, just about every girl I know is flocking to tailor shops to prepare for the social season.” You grimace, picking up a chocolate cake from the cake tower laid before you. You are currently having tea with Lumine in your rose garden, a bi-monthly arrangement where you shared gossip and traded information. “I fear I will be ridiculed for not following the latest trends soon. All of the shops are probably too busy to accommodate my order.”

“You must be joking. Who would dare refuse you?” Lumine shakes her head. “And even if they dressed up to the nines for the duke, they couldn't possibly compare to you.”

“I'm not trying to gain his favor,” you counter, poking at a strawberry on your plate. “I simply want new additions to my wardrobe, and the banquet hosted by the imperial family is coming up soon. My parents indulge me, but even I can't skip out on it.”

To avoid the love interests as much as possible, you minimize the frequency you go out to parties. Using your weak constitution is enough of an excuse to decline the invitations that pour out in the mail each day. But refusing an invitation from the imperial family is equivalent to a death sentence to your social standing, and even the protectiveness of your older brothers couldn't spare you from that.

If you have it your way, you absolutely would not go. The royal ball is where the official story starts, the prologue to a fairytale romance. All the love interests will be present, and the routes will branch out according to who Lumine will choose to talk to. Though you have no idea who Lumine will pick and you’re certain you were already ruled out as a villainess character ever since you made yourself her close confidant, you don't want to take on any risks. Alas, reality is unkind. You suppose you'll just see it as an opportunity to see the drama up close.

“Forget me, do you already have something to wear?”

“That is...” Lumine appears to be forlorn. “I plan to wear a dress I've worn before. We deemed it more favorable than purchasing a new dress I'll only wear once in my life. Besides, I doubt anyone would remember me wearing it already.”

She places too much faith in people. Nobles thrive on gossip—they find every possible flaw in everyone to gain leverage over them, and you've seen them ridicule Lumine in the game enough times to know. As the daughter of a humble Baron, she's already being picked on by the upper ranking ladies. If she goes to the banquet hosted by the imperial family wearing a gown that's already fallen out of trend, you have no doubt she will be regarded with derision.

But you won't allow that to happen.

“Do you have time this afternoon?” You smile. Lumine tilts her head in confusion yet nods nonetheless. “Let's find you a dress in the commerce street. We'll test out that theory of yours that they won't refuse me.”

Immediately, her eyes widen. She knows what you're planning. This is far from the first time you would be treating her. “No, it's fine! We don't have to go there!”

“Oh, c'mon, Lumine. Your birthday is coming up. Just think of it as me giving you your birthday present a few weeks in advance.”

At that, her shoulders slump. This is not the first time, and so she knows well there's no arguing with you once you put your mind into something. “If you insist so much…” She tries for a grateful smile, but it looks more guilty. When will she accept that she deserves nice things like this and so much more?

Just like Lumine said, you shot up the priority list of the tailor shop without much of a fuss. You make her try on numerous dresses, forbidding the tailors from telling her how much they cost if she ever asks. You end up choosing a pale blue dress that accentuates her good figure and complements her skin, and you manage to grab a couple of matching jewelry when she isn't looking.

Hopefully soon, you think as you begin to scarf down what remains of the cake tower, eager to go shopping. If she goes with the prince route, he’ll give her an entire castle. I should probably tell her about that cage in the basement from the yandere bad ending, though.

Lumine looks good in everything anyway, so it isn't a very time-consuming affair. You even have some time left to check out the merchant stalls before curfew arrives and you have to send her to a carriage back home.

“I don't know about you, but I'm craving some donuts.” You're raring to go to the best bakery in town, and Lumine laughs at your eagerness. Your family never looked upon fried food kindly, and you only have a chance of eating them when you're not within their supervision.

“Aren't you full from the pastries we ate earlier?”

“Hardly.” You grab onto your inconveniently long dress, prepared to race. “Come on, Lumine, we better hurry up before they run out!”

In your haste however, you fail to notice a child walking towards the opposite direction as you. She crashes to your leg, the impact sending her to the ground. You gasp, wasting no time in crouching down to her eye level and helping her up, uncaring of how the hem of your dress slides against the dirty floor. “I'm terribly sorry! Are you hurt anywhere?”

You pat away the dirt on her skirt, searching for any sign of blood. “No, I'm okay! I'm sorry too, miss!” The girl does a little cute bow, one that would normally make you coo if only you didn't feel so guilty. When she gives you a reassuring toothy grin, eyes shining bright with innocence, you can't help but pat her on the head with your clean hand.

“Did you get lost? Where are your parents?” You bring out an embroidered handkerchief from your pocket, wiping her hands free of grime. Lumine scans the nearby area and notices a man running over.

“Mister!” The child exclaims happily, pointing at him. You look up at his direction, momentarily at ease, until you actually see who she's pointing to.

Apprehension pools at the pit of your stomach. The man is the very picture of someone that children should be taught to avoid. Draped in a dark cloak that conceals half of his face, his attire is practically the standard getup for kidnappers in an abduction scene, the type that says cheesy lines like “hand over the gold or I'll kill your girl right now” and ends up getting decked in the face by the prince that saves the heroine.

Before you can say anything, the little girl runs toward him, her arms outstretched for an embrace. The man is quick to lean down and cradle her in his arms, reprimanding the girl for his carelessness. The severity of his words is utterly lost when he's too busy scanning the child's body up and down in search of any injuries to be intimidating.

“Didn't I tell you not to run? You could get into an accident,” the man admonishes gently as he uses the napkin in the girl's hands to wipe away the remaining dirt on her palms. “Not everyone is as forgiving as this kind lady. Did you apologize to her?”

“No, it's fine, it was my fault,” you interject, doing a quick curtsy reflexively. “I got too excited about buying donuts that I wasn't paying enough attention to my surroundings.”

The man pauses when he gets a good look at you, making you shrink to yourself. You put on commoner clothes to blend with the crowd better, but you wonder if you have something incriminating of your status on you.

“Did you get hurt?”

You blink at the unexpected question. How could bumping into a tiny child cause you any injury? “...Not at all.”

His lips curl into a smile, still visible under the shadows of his robe. “Then that's a relief. We apologize for this incident. I'm sorry to cut this conversation short, but I'm afraid we have somewhere to be.”

“Oh, of course!” You laugh awkwardly, raising a hand to wave at the child. “Be safe on the way there.”

The older man bows his head and the little girl yells an endearing “farewell!” as she's carried away by her guardian, spinning on his heel to turn to their destination.

In doing so, you catch a glimpse of the ornate sword strapped to his waist. A silver dragon wraps around the hilt, its scales gleaming under the sun. The sapphires in its eyes are a deep blue, the color as vibrant as the sea, a contrast to the dull shade of its scabbard.

You swear you've seen that sword before.

“[Name], we should hurry. The sun will set soon.” Lumine snaps you out of your thoughts, reminding you of the direness of the situation.

“The lady was really pretty!” The little girl—Mamere—begins to ramble as she fiddles with the handkerchief you left her. She's walking on her own now, but the man makes sure to match her slower pace. “I thought she would get mad when I bumped into her, but her voice was so nice and soft. And she patted my head!”

“My donuts!”

“She was very kind,” the man agrees, remembering the genuine worry on your face when Mamere fell to the ground.

“But what do I do?” Mamere pouts, staring at the intricate embroidery on the napkin. “I don't know how to return this to her.”

Her companion hums. “I don't think she's expecting you to return it. Didn’t she give it to you?”

“But I feel bad…” Mamere admires the careful stitching, her fingers lightly tracing its shape. “It looks so beautiful… she must've worked hard in embroidering it, didn't she?” Suddenly, her eyes sparkle with realization, an idea popping into her mind. “Mister, if it's you, you can return it to her, right?”

The older man blinks. “I suppose so. However-”

The girl offers the handkerchief to him. “Please give this to her when you see her, Mister!”

Conflicted, he stares down at Mamere, but he eventually folds when she puts on her best puppy dog eyes. He takes the handkerchief from her hands, his thumb brushing over the meticulous embroidery.

Only a fool wouldn’t recognize the insignia of the Silva House.

A strong gust of wind pulls down the hood of his cloak, revealing long hair the color of moonlight. The golden hue of the sunset basks his pale skin in a bright glow, his eyes soft as he gazes upon the handkerchief.

“I have a good idea when I may see her next,” Neuvillette assures Mamere, causing her smile to brighten even more.

All too soon, the day of the imperial banquet arrives.

Though whether she wants to see me or not is a different matter.

Natully, your escort to the event is none other than your protective second brother, but you'd argue he's a better choice over the eldest who'd probably glare daggers at anyone who comes within five meters of your vicinity. It's not even like you have other men in your life aside from your family and the knights at your service.

You intend to appear as inconspicuous as possible, but the nobles' curious gazes still follow after your shadow. Consequences of your actions, you suppose. You managed to dodge that eventful first meeting with Duke Neuvillette since you knew you would bump into him at a social gathering, but you had to go through the extra mile to avoid attending every party you could skip because the game was so goddamn vague and only described the scene as “The lady of House Silva fell in love with the duke the moment her eyes landed upon him at a banquet.”

Thanks to that, you’re rarely seen by nobility and thus attained a ridiculous nickname along the lines of “the precious flower of Silva” for being thoroughly pampered by your family, hidden from the rest of the world. Embellished tales of your beauty spread across society, and you can only hope they weren't disappointed to see the real thing in the flesh.

Damn it, you think grimly, the downturn of your lips hidden beneath the intricate fan you've taken to using in order to hide your expression. It's hard to approach the buffet table when they're all staring at me like this.

Truthfully, you’re grateful all they're doing is staring. If not for your eldest brother’s protectiveness, you’re sure more than a crowd of men would be vying for your hand in marriage, flooding your house with mail and wedding offers. Your second brother is not so fortunate, pinned by pointed stares from all sides by unwed women waiting for the right moment to pounce on him.

He pinches the edge of your sleeve before you can attempt to sneak your way towards the buffet table. “And where exactly are you going?” Amazingly enough, his pleasing smile doesn't falter even as he grumbles out his admonishment, still as flawless as ever.

“To eat. The catering is wasted on you socialites, no one bothers to take a bite just to talk to other people.” You’ve learned a thing or two from your brothers, and so your own polite smile doesn't twist into something more fitting for the tone of your voice.

His mouth opens again, definitely some spiel about how you should try making other connections because as much as Lumine is pleasant company, she will not be of any help to your trading endeavors, but a girl adorned in frilly lace tries her luck in hitting on him and you slip away when he's not looking.

As expected, the feast on the buffet table is untouched. You help yourself to a few plates, searching for Lumine all the while. As per true protagonist fashion, she’ll arrive fashionably late at the banquet and bring attention to herself when the grand doors reveal her in a stunning dress. Had you not intervened, she would've gotten a pretty dress some way or another anyway—it’s bound by the law of the universe. In the original game, she helped an old lady cross the street and she turned out to be the owner of a high-end boutique.

But time goes by with no sight of familiar blond locks, and you’re getting pretty full from the steak served. You’re thinking about going to your brother to spare him from the women when someone approaches you, a series of footsteps gradually becoming more audible—from a respectable distance, of course, but near enough to know they came with a purpose. You stop yourself from sighing, taking a moment to collect yourself and school your expression into something more elegant.

Your efforts are rendered useless when your jaw immediately drops upon seeing the figure of the very person you were trying to avoid.

Are you fucking kidding me?!

Standing before you is Neuvillette himself, the crowd behind him parted like the Red Sea. He’s finely dressed, crisp suit accented with his House’s signature colors blue and gold, and his long hair is fashioned into a low ponytail that rests on the side of his chest. His intimidating air rivals that of the royal family, a commanding presence that drives people to bow to him at once. Yet this time, the crowd instead unashamedly stares at the spectacle the pair of you must make, both parties that are often absent in galas now crossing paths.

The etiquette lessons hammered into your body makes you curtsy in a show of respect, starkly contrasting the crude expletives roaring in your head as your eyes lock onto a vague figure behind him. It’s hard to meet his eyes. “Good evening, Your Grace. I believe this is our first encounter.” But I worked really hard to make it never happen, you know?!

In turn, Neuvillette bows his head in greeting. “Indeed. I’ve heard much about my lady, so I am glad I have the opportunity to meet you at last.”

The smile on your face twitches, the fabric between your fingers wrinkling under your tightening grip. “Pardon?”

“Your older brother is quite fond of you. He’s been telling me stories of your family whenever we have tea.”

Which brother is he talking about???

If it was your eldest brother, he would at least take care not to harm your clean reputation, but his gushing about his cute younger sister could be embarrassing. However, if it was your much more tactless, stupid brother who still holds a grudge over you eating the last tea cake given by foreign ambassadors from a neighboring country, he’d probably tell Neuvillette everything that would make your “precious flower of Silva” title entirely undeserving.

“A… haha… is that so…” you begin fanning yourself harder, trying to keep your nervous sweating at bay. Neuvillette turns his head, looking around your surroundings.

“I believe you were escorted by your brother. Is he preoccupied?”

The corner of your mouth curls into a slight smirk. “Certainly. Women have been trying to pique his interest since the banquet began.”

At that, Neuvillette’s smile turns wry. You’re sure he relates to that a little too much, the poor guy. Even at this very moment, there are countless women observing the situation, attempting to find the right chance to jump in the conversation and steal him away. Though you do feel bad for him, you’re also wishing to find a good opportunity to leave without looking rude. After all, in the possibility that Lumine happens to like him, you’d soon be acquainted with him as his significant other’s closest friend.

Just as you’re cheering on a lady that’s beginning to approach the duke, he starts speaking. “If that’s the case…” Bowing once more, he outstretches his arm gracefully, offering his hand. The sight looks like a sparkling CG, and you’re not sure if the flowers surrounding him are really there or if you're starting to hallucinate. “Would my lady mind if I escorted you for the time being?”

Your fanning hand comes to a sharp halt. “Pardon?” you say for a second time, sounding more disbelieved than the last.

“I happen to be in a similar predicament as your brother,” his voice lowers to a hushed tone. “Though we haven’t known each other for long, I hope you can lend me a hand.”

Why is this happening to me…

And as if his pleading tone isn’t enough, he tops it off with a charming smile truly befitting a love interest in a dating simulator. “I’d also like to take this opportunity to be closer to you, my lady.”

You bite back the urge to sigh, lest Neuvillette think you thought he was an utter bore as a dance partner. Really, he’s nothing like that–there’s no way getting to see that handsome face up close could ever be boring. He’s a nice partner, actually; he leads the dance in a way that makes you comfortable, and you’re no dance prodigy, but you feel like you can close your eyes and dance just as well as long as you follow his lead.

Another point of thrill is the incessant glares you can feel on your back. Truly, Neuvillette’s more ambitious fans are terrifying. As the one in charge of the territory covering the boundary between the kingdom and the land of monsters, Neuvillette must be used to frightening creatures, but lovesick women must be a whole ‘nother terror for him altogether for him to ask for your help to avoid them.

Still…

He’s the only person I’m trying to avoid at this place, and now I’m dancing with him. Haha. What am I even doing here?

You feel him squeeze your hand softly. “Is something on your mind?” Neuvillette’s voice breaks you out of your trance. You look up at him, noticing he looks worried.

“I apologize. I wasn’t paying attention.” You shake your head, giving him a small grin.

He frowns. “It’s not that. If you feel tired or unwell, please tell me.”

“I’m fine! Very much so!” You suddenly feel bad for cursing him, albeit indirectly, in your head. You understand why the original villainess liked him so much, but you should avoid interacting with him unless strictly necessary… once this dance ends. “I must say, Your Grace has quite the number of admirers. This is the first time I’ve been stared at so intensely by a crowd of women.”

He hums thoughtfully as you twirl away from him as part of the step sequence, and he catches your waist with ease when you return. “I could say the same for you. Gentlemen we pass by have been eyeing me with hostility ever since we started dancing.”

“What?” You look around the ballroom, making a sound of surprise when you see multiple nobles eyeing Neuvillette with some amount of envy and detestation. You’ve been so caught up with the attention Neuvillette’s been getting that you overlooked your share of trouble.

“The son of the viscount in particular seems to be the most eager to ask for a dance.” He averts his gaze to the man standing by the buffet table who’s been glaring at the pair of you pretty hard. Farthest thing from your type.

“I suppose I’ll have to find my brother when this song is over, then.”

Silence ensues in the remaining duration of the song, but it’s a comforting one. You’re not much of a talker anyway, and it’s hard to think of things to talk about when practically everyone in the audience is looking for a chance to steal both of you away from each other. Eventually, the last notes of the violin are played, and you finish the dance with bows of courtesy.

“Thank you for complying with my request.”

“It was nothing. I’m glad I could lend a hand.” Your eyes roam over the area, securing the shortest route to get to your brother. “Our encounter was brief, but you were truly pleasant company, Your Grace.”

You plan to leave it at that, the heel of your foot already spinning to turn in the opposite direction. Okay, good. That’s just an irregularity. It’s too bad I couldn’t completely avoid him, but as long as we don’t get too involved with each other, it should still be safe-

But then you feel a gentle hand wrap around the tips of your fingers. You turn back, the initial confusion wearing off to shock. Neuvillette is holding your hand. Neuvillette is holding your hand. Slowly, he brings it closer to his face, and for a moment, you think, Oh, his eyelashes are pretty long, before you feel him press a soft kiss on your knuckles.

You hear a gasp. Numerous, you correct yourself, on varying levels of shock. You hope that god-awful dramatic one didn’t come from you, but you aren’t too sure because the only things on your mind are Neuvillette’s hand around yours, his irresistible smile, and the words that leave his lips.

“If my lady doesn’t find my company disagreeable, would you consider meeting me on another occasion?”

In your time living as a noble, you’ve somewhat gotten used to speaking in formal language. In nobility terms, that’s basically Neuvillette asking you out on a date.

“...Pardon???”

Word spread quickly throughout the social network. That’s within expectations, knowing how nosy nobles can get. By the time the imperial banquet ended, everyone in attendance already heard that Neuvillette had taken interest in a woman, and that woman happened to be the daughter from the Silva family.

Objectively speaking, it isn’t a bad match. Both families have something to gain from a marriage union, which is why the original duke from the game agreed to the engagement in the first place.

Subjectively, however…

“I’ve gathered you all here today to have an important discussion.”

Presently, you are situated at the family dining table. As usual, there’s a heavenly feast spread out on the table, but all the food remains uneaten because there’s apparently a more pressing matter at hand.

“...The duke has spoken his intentions to court our [Name],” your eldest brother says grimly, hands locked together and placed under his chin.

“You’re overreacting, he just asked me if I wanted to meet him another time.” You rolled your eyes, reaching for the garlic bread appetizer. He promptly swats it away. “Hey!”

“That’s basically the same thing,” your second brother argues. “Not that I don’t like His Grace, but it’s so sudden. Nobody has caught his eye until now, and I find it hard to believe you’re the first one ever.”

“Now you’re just dissing me.”

“I don’t see why you’re all unhappy about this,” your mother cuts in, smiling pleasantly. “The duke is an honorable man, one of the few I think are deserving of our [Name]. If he shows his loyalty and dedication to her throughout the courtship, we’ll see how well he’ll treat her.”

“That is if [Name] likes him. If she doesn’t and he continues to bother her, I’ll have to step in, status aside.” Your ever protective father frowns as he slices the steak on his plate. “Do tell us if he’s making you uncomfortable, honey.”

“Uh, no, I wouldn’t go that far…”

The only issue you have with the duke is that he’s a love interest. In the original game, him and your character would have nothing to do with each other if it weren’t for the original you insisting on being engaged to him. You don’t know what happened to her in the bad endings, but the situation probably wasn’t ideal. You thought as long as you avoided him, you could steer clear of trouble…

But if he’s the one running after you, what are you supposed to do…?!

“At the very least, you don’t dislike him, do you?” Your second brother cocks up an eyebrow.

“Not really, no.”

“Then hypothetically, if he invited you for a boat ride in the town today, would you go?”

“Hold on a second!” Your eldest brother interrupts. “We still haven’t discussed whether or not he’s worthy of [Name] yet, have we?”

“I thought we were past that.”

“We need to discuss it in detail.”

“Discuss what? The duke’s abundant treasury, contributions to the war against the dragon lord, or his reputation of being a gentleman towards all women?”

“...There has to be something he lacks.”

“What he lacks is a wonderful, caring wife,” your mother says. “And if [Name] is interested in the duke, we shouldn’t get in their way. I know you’re worried, dear. [Name] has always been stuck in the house because she’s sickly, but if a man wants to take her out to have a fun excursion, you should let her. His Grace is also very considerate of the people around him. Surely, if he notices her feeling unwell, he’ll take care of her.”

I haven’t said anything about wanting to go on a date with him though?!

“Fine. I don’t disapprove of him, but…” Your brother eyes you warily. “You best be home before sundown.”

A day passes. You hear three knocks on your door. When you allow the servant to enter your room, a maid rushes to you in a hurry, a letter sealed with the insignia of the Marechaussee House in her hands.

“Brother, I haven’t even received an invitation yet…”

The cake tower in front of you is magnificent. The fresh fruits topped on whipped cream are vibrant pops of color, and the frosting is piped beautifully in intricate swirls and shapes. The cakes pair well with the tea served, too, and you’re already planning to bring Lumine here the next time you’re both free to talk about the imperial knight she ended up talking to at the banquet. That route is definitely your favorite and you can’t wait to hear about the details.

Damn it.

There’s nothing wrong with the food. This pastry shop has been making its rounds in the newspapers for its delectable new additions on the menu, and they didn’t disappoint your tastebuds.

Though you have to say they’d be a lot more enjoyable if you weren’t surrounded by women eavesdropping on your little meeting with Neuvillette.

“This strawberry shortcake is delicious,” Neuvillette notes. “I’m not too fond of sweets, but they taste great. You should give it a try.”

“Oh, yes, when I finish this one…” The mango cheesecake is to die for, but it’s kind of hard to swallow with the death stares pinpointed at your direction. You hope the pastry shop allows takeout. “Thank you for inviting me to come here, Your Grace.”

“I noticed you mostly ate desserts at the imperial banquet, so I thought you would enjoy trying the food here.” He’s smiling, but when he glances over at your unwanted audience, his eyes gloss over and appear colder. “I didn’t anticipate there would be many people today. I’m sorry for that.”

Some of the women visibly twitch. They weren’t exactly caught red-handed, but it does prove that they’re guilty. Someone probably saw us here and told everyone else… Gossipmongers are scary.

“This situation is out of your control, you don’t have to apologize. And, uh, I wanted to talk to you about something, so your invitation came at a good time.” You fiddle with the edges of your sleeve, plucking at the lace.

Sensing the mood, the duke places down his fork to give you his full attention. “What did you want to talk about?”

Well. Here goes nothing. “Um… your invitation back at the imperial banquet… are you referring to a friendly chat or…” It’s sorta hard to say “Do you want to date me?” straight to his face. In the small chance you’ve gotten the wrong idea, you’d hate to appear presumptuous, so self-absorbed to think the highly-praised Neuvillette fell for you of all people. Lumine, you’d understand–the girl has a knack for melting the coldness of your heart and taking down people’s walls, and it’s why you became friends with her despite the odds. You, though… Nothing specific comes to mind.

Unexpectedly, a soft chuckle reaches your ears. You raise your head, surprised to see Neuvillette laughing. It’s possibly the most beautiful sound you’ve ever heard in your life. When he catches you staring, he composes himself, but the dazzling smile remains on his face. “I was certain I made my intentions clear, but I suppose I’ll have to be more forward next time.”

A flush crawls up to your cheeks, burning hot. “No, I swear I know what you mean- just making sure, you know? I mean, I wouldn’t want to assume the duke is interested in me without knowing for certain-”

You stop yourself from rambling, feeling you’ve said too much. Fuck. Is it just you or is Neuvillette’s smile a bit wider now? You stuff your stupid mouth with the shortcake he placed on your plate. It’s good. Your acting is very much not.

He clears his throat, getting back to business. “I understand you don’t see me that way. I would like to court you, but if you tell me to stop now, I will.”

Isn’t he backing off too easily? I mean it’s great he respects my decision, but if I turn him down now, it’d probably be bad for his reputation…

“Before we… have that discussion, I still have more questions to ask.” You sip on your tea to wash down the sweet taste on your tongue. It’s silent once you put the cup on the table. Placing your hands on your lap, you look directly into Neuvillette’s eyes, searching for an answer. “May I ask Your Grace why you took an interest in me?”

The silence persists for a few seconds more. It doesn’t seem like he’s thinking of the perfect words to swoon you over; he’s thinking about how to verbalize what he truly thought of you.

He opens his mouth after careful consideration. “...It began as curiosity,” he starts, tapping rhythmically on the table. “I had my own reasons for turning down invitations to parties, so I wondered what were yours.”

You swallow. Officially, you turned those down using your health as an excuse. But your constitution has improved greatly compared to when you were young, and evidently, you’re almost just as healthy as any person. At the very least, you’re not at risk of passing out or losing breath in the middle of an event anymore. He must’ve picked up on that.

“I’ve heard about you from other people. According to their words, you were ‘the loveliest flower’ in the kingdom, with unparalleled gracefulness and beauty… but your elder brother’s stories suggested otherwise.”

I’m kicking his ass when I get back home.

“And yesterday, I met you myself. I thought you differed from how they described you.” He pauses, drinking his tea. “I’ve heard many say you were quite the stoic character, always hard to read. But you make a lot of interesting expressions behind your fan. You don’t hide your true thoughts when you speak, or perhaps you’re simply bad at hiding them. I previously found your brother’s stories unbelievable, but now I can see that the colorful personality he was talking about wasn’t very far off.”

??? “Colorful personality”?? Is that a good thing or a bad thing?

“...I understand.” You really don’t, but you won’t bother asking him for more details. Everything he said thus far lowkey sounds like a diss. “Let me rephrase my question, then.”

It’s okay. This isn’t unfamiliar territory, and you’re not stupid. Obviously, if you do different things from the original, the story will derail from its original course. That’s what always happens in transmigration manhwas, after all. You noticed that early before the plot could truly change. If so, perhaps you can control the amount of change that will happen.

You sit up a little straighter, eyes laser-focused on his reaction to what you’re about to say. “What are you after, trying to get closer to me?”

You know these tropes. If you give him what he needs, you can separate soon, no strings attached.

Neuvillette makes an expression of confusion, his brows knitted. “Your hand in marriage,” he says it like it’s the obvious answer.

“Not that! Is there anything you need help with?”

“I did say I was having trouble with the women at the banquet, but that was more of an excuse to talk to you.”

You sputter, “W-well, you need someone to fake-date or fake-marry then?” Fake-dating often leads to them actually dating, but if you’re careful, you can probably keep that from happening, right?

The furrow in his brow deepens. “I don’t want to use you to stop women from chasing me. I want to marry you.”

Goddamn it. Does this guy have his own set of dialogue choices and he keeps on picking the one that raises affection? “…Okay, I get it! You need something from my family! What is it? We don’t need to be married for me to help you.” You cross your arms triumphantly. That should do it.

Instead of agreeing, Neuvillette looks forlorn. “Lady [Name], is it really that hard to believe I want to marry you without something else in mind?”

Now Neuvillette looks like a kicked puppy and you’re solely to blame for it. Fuck!

You sigh, rubbing circles on your temple. “I just… fail to see why Your Grace is interested in me.” You’re not talking yourself down, nor do you have low self-esteem. You simply don’t recall doing anything that would make him fall for you at all. Logically speaking, there’s just no reason behind his actions.

Your eyes widen when you have a moment of eureka. Maybe talking yourself down is actually the way to get him off your trail?

“I’m sure Your Grace is aware, but I have a weak constitution…” you begin your pitiful tale, coughing softly to prove your point. “I can’t work very long, and I require plenty of rest to function in daily life. In the case that we marry, I might not be able to keep up with the tasks the lady of the house is expected to handle. Rather than support you as your wife, I might merely become a burden to you. And most importantly…”

A lot of what you just said aren’t complete lies, but you did exaggerate them greatly. Even if he isn’t convinced with those, you still have a hidden card up your sleeve, one that’s sure to discourage him.

“...With my feeble body, it would be difficult to sire you an heir for the duchy,” you state firmly, placing emphasis on this one point. Successors are absolutely a requirement for each family, because who else will inherit the title and everything that comes with it when the current head comes to pass? For this, you’re not even sure if you’re exaggerating anymore. The future of the original [Name] Silva was left unclear, so who knows if your body will improve or deteriorate with time?

Neuvillette’s face becomes stoic. This much is expected. Any moment now, he’ll take back his words…

…As you’re thinking that, you feel him touch your hand once more, not unlike the time at the banquet. You don’t know when you started fidgeting with the napkin on the table out of anxiety, but he’s rubbing a thumb over your knuckles to soothe you now, gentle touches that verge on ticklish.

“I’m prepared for that,” he says softly. “I won’t spare any expense on your treatment, of course, and in the case your condition worsens, I won’t stop finding ways to make you feel better. But I would never make you do anything to push you beyond your limits. I’ll take on everything you can’t do. Eventually, we’ll need to talk about successors, but I need you to know that I won’t force you or put you in any risk. If needed, I’ll talk to my relatives and figure out something from there.”

???!?!?!?!?!!!?! He wants to pass on the title to someone who’s not a direct descendant?!?!?

Your mouth is agape. You’re sure your jaw-dropped face doesn’t look very pleasant, but the affection in his gaze doesn’t dwindle. Heavy. Everything he just said is so heavy. The future is scary to think about, but when he says it like that, why does it feel like you can lean on him freely?! This is no time to be getting swept off your feet, [Name]! Focus!

“Are you still not convinced?” He moves his face closer, concern in his eyes.

“No, I get it! I get it already!” You take your hand back, but his warmth still lingers. You hold your fingers like they’re scorched, yet pain is the furthest thing from what you’re feeling, and your heart flutters traitorously in your beating chest. “You’re being unfair. If you go that far, there’s no way anyone could turn you down.”

The smile returns to his face as he takes his hand back as well. “I take it that you’ve given me permission to court you, then?”

!!! Sly! That’s what this person is, sly! He knew what he was doing!

You make a face. “Ugh… maybe persistent guys are too dangerous for me…”

“Lady [Name], you’re speaking your thoughts out loud again. Not that I dislike it, though.”

The duke of Marechaussee has found a potential bride.

“I-! Nevermind…”

That’s putting it lightly because everyone that has heard of them is certain that they’ll marry in the near future. With the amount of flirting the two have done (leaked by the eavesdropping jealous-admirers-turned-shippers), it’s a mystery why they haven’t made the announcements yet.

Notably, the pair of them frequented restaurants the most, visiting the shops highly regarded for their sweets. Chatting in slow boat rides seem to also be one of their most favored dates, and at one particularly disastrous time when the boat tipped over by accident, the duke had fretted over the lady while she merely laughed in joy, insisting she was fine and her partner was being too much of a worrywart. Both started to attend more gatherings, almost never spotted to be straying from each other, and it was more or less their indirect way of telling the public eye they were exclusive.

Their romantic dates are all common knowledge to anyone nosy by now, but there’s one thing they absolutely cannot spread.

“Don’t tell this to anyone,” a woman whispered to her loyal companion. “And I truly mean that this time. Don’t do it.”

“What is it? Is it something really bad? ‘Some high-ranking noble has a secret love child’ bad?”

“No!” This time, the woman took care to whisper her words even quieter, “I heard the duke requested a jeweler to craft an engagement ring…!”

Things I couldn’t fit into the fic:

Neuvillette already met you when you were younger. In one of the first gatherings you attended, you talked to each other because you were near in age. However, you collapsed due to your constitution and he was the one to alert the adults and carry you to a sick room. He used a handkerchief embroidered with his initials to wipe away the blood you threw up, and you hid it away in your bedside table after cleaning it in hopes of returning it (if he still wanted it back, soiled once and all) when you saw him again. Unfortunately, your family members were worried and didn’t let you outside for a long time to avoid having you perform strenuous activities, and you didn’t recognize him at a later gathering when he tried striking a conversation with you. He noted you were slowly getting better, but wondered why you weren’t attending parties if you were relatively well now.

You probably interacted with him when he was pretending to be a normal commoner several times already before your “first meeting.”

You didn’t fall for him immediately, but it was a slow progression until you forgot about the whole ‘I’m in an otome game world’ thing completely.

#genshin impact #genshin impact x reader #genshin impact imagines #genshin x reader #genshin impact neuvillette #neuvillette x reader #neuvillette x you #neuvillette #genshin impact fic #genshin impact scenarios #genshin scenarios

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psin314 · 3 months ago

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Honestly, I love Murat so much, like my god, if he were a romanceable character, I would 100% choose him without thinking twice, I would want to take care of him and give him lots of delicious food, say lots of compliments to him and I would marry him so badly (IM BEING FOR REAL OKAY,,,) :}c

anywaay, What do you think his route would be like? 👉👈

• 🐢 anon

so!! a really big post ahead.

i was thinking about npc murat for a while actually. (i wanted him to romance lucanis in my other rook's playthrough. x)) so i will talk a little about this version and much more about his companion version. enjoy! (everything's under the cut. there's even pictures!!)

(don't ask about plaideweave lucanis please it's the only proper screenshot i had and i was very lazy to open the game to make a new one...)

npc murat

- murat is a temporary, location exclusive companion / npc. he can be taken on some missions in treviso that are related to the antaam. in some, he goes fourth, bringing the company to the task point, in others - he takes a place in the squad. the rest of the time, he can be found in the cantori diamond, and you can talk with him about: him, the crows and the qunari.

- murat also kills the antaam squad in this au, but doesn't interfere much with the plans of the crows. he just gets a reprimand from viago, about which he doesn’t care at all.

- viago's old friend and teia's best friend. a qunari specialist. he knows a lot about the qun, vashoths and, naturally, knows how to fight them.

- first meeting: after you rescued lucanis from prison and took some kind of treviso quest from viago, a man stops you on the way out. it turns out to be murat, who wants to join you. you have to refuse him, because you already have the crow, but you can accept his help. in this case, he is very happy and will appear in the following quests. or refuse, in this case, he will not be present in the quests with the antaam and some quest moments will be missed due to the absence of murat.

- a non romanced lucanis will romance murat (of course) if you don’t save treviso. murat, together with lucanis, tried to protect the city from the dragon and in the process he saved lucanis, shielding him from idk what enemy. the blow hit his back and tore his coat and jacket. the wound is not deep, but a scar remained across his entire back. while lucanis was away from the lighthouse, he became close to murat. by act 3 there will be a moment where you catch lucanis trying to escape through the eluvian in the lighthouse. you think it’s spite, but it turned out to be lucanis, with some kind of package in his hand, very similar to a gift for someone. from him in the dialogue you can find out that he is going on a date.

companion murat

- the first meeting with him is the same, but this time you can recruit him.

- where he lives in the lighthouse: an attic appears above the dining room and he lives there. you can climb up there by the ladder. at first the attic is all in dust, wooden boxes and planks. murat sleeps on a questionable bed like lucanis'. in the future the attic will be transformed. there will be a variety of crow symbols everywhere, melee weapons, armor, some herbs hanging from the ceiling, and a large soft carpet on the floor. the same bed. next to it is a nightstand with a bunch of mugs, blackened inside from tea.

- romance. (not like in datv. more like in dai. you can start a relationship with a character already in the middle of the game and kiss them whenever you want.) you just need to flirt with him. likes funny dialogue options.

personal scene 1 - before going to bed, you go into the kitchen and see murat rummaging through the shelves. he doesn't notice you. he finds a bottle of wine there and turns around. when he sees you, he immediately hides it behind him. murat mentioned earlier that he was an alcoholic for a very long time, so he doesn't drink anymore, and he shouldn't drink at all. you have the option of either telling him that it's bad, or allowing him to steal the bottle. the second option is not thought out, because it will affect the entire future story of the character, so for now without it. you take the bottle away. and then you either support him in a friendly way, or support him more uh intimately idk maybe hinting at sympathy. in response to this, murat only gets embarrassed and leaves. (or tell him that if you see him near alcohol again, you will kick his ass.)

personal scene 2 - an interrupted kiss, of course. constant flirting with murat and improving your relationship with him leads to this scene. murat offers you to spar together. you can refuse, agree to hand-to-hand combat or to use knives. in a fight with him, you can give in to him (murat will win and notice it), fight fair (50/50), fight unfair (murat will lose and notice your tricks. he will react positively) and fight with all your might (rook wins). in any case, murat ends up on top of you. either you slap him in the face in a friendly way so that he gets off you, or the romantic option - you reach for a kiss. murat doesn't mind, but you're interrupted by some companion and murat immediately gets up. after the scene, murat tells you that he wouldn't mind training with you sometime again. he doesn’t comment on the almost kiss.

personal quest - viago gives murat a letter. it turns out to be from his ex, layla. it indicates the meeting place. your goal is to kill her, since she betrayed the crows in the past and disappeared. and since she came back, you can't let her go. murat asks you to let him talk to her in person first, and then deal with her, since he had a past with her, you agree. the meeting place is in a quiet abandoned small port. you watch him from afar, from the balcony of an abandoned house, and hear only fragments of dialogue. after murat and layla's conversation, he turns around and just leaves. layla waves at you, apparently, she noticed you a long time ago. you can choose to go after layla or murat. if you choose layla, then when you go down to her she'll already disappear. so the choice is without a choice in particular. then you catch up with murat. he walks and then suddenly falls, grabbing the wall. you think he was poisoned, but coming closer, you see that he is just crying. well not just. he's having a full mental breakdown. you try to calm him down and lead him to the lighthouse, since he can't see where to go through his tears. he doesn't really want to go anywhere. he just wants to stay here and die. in the lighthouse, you calm him down in the attic. he talks about his past and how shitty his life is. there are also friendly options and romantic ones. (and the mean ones too, you can say that you don’t want to listen to him whining and that he should get his shit together and not cry because of his ex. murat agrees, but the relationship with him worsens.) romantic option - you also hint at your sympathy for him, something like "you deserve love. moreover, there is someone who can provide you with this love." murat understands you and kisses you softly. murat is now romanced.

after this, you can approach him for a portion of kisses. you can also break off the relationship.

eeewww sex - after a certain story quest, an exclamation mark appears above murat and you immediately run to him in the attic. first, he gives you a gift - a weapon depending on your class. and then he presses you against the beam and kisses you. you can push him away, ask him to just kiss you and nothing more, or allow him to do what he has in mind.

sex scene!! very beautiful and hot, believe me. he probably goes down on you. and there are wet noises and heavy breathing. the scene after - you are on the carpet, a druffalo wool blanket and pillows. very naked. here you can dump him, say that you just want to have sex without anything serious or talk about love. in the latter case, murat holds your hand in his, kisses it and says that he is ready to do anything for you. after that, in addition to kisses, you can also ask him for sex. murat won't refuse.

a romantic scene towards the end: murat takes you to his favorite place, one of the rooftops in treviso with a beautiful view. here he tells you a little about crows, again about his past + you can talk about your future together. plus he reads you poetry, but forgets a couple of lines. (here you can also break up with him.) then he comes to kiss you again. if you want, you can offer him sex on the roof. murat, as usual, won't refuse.

after the fade prison: murat comes to you and looks very exhausted. he doesn't cry, but his eyes are wet. he tells you that it was very difficult for him to live without you these couple of weeks and if it weren’t for the belief that you could still be saved, he would… he doesn’t finish the sentence and comes up to you, squeezing you in his arms. he whispers to you that he loves you so so much and can't live without you (maybe in antivan), and eventually a couple of tears come through. no sex. even if you suggest it, he will say that he can't do it after worrying for that long, but he will offer to be a weighted blanket for you.

the scene at the very end: he runs to you, happily hugs you and lifts you up into the air (he can lift you even if you are a big qunari, but not very high, and then adds that something clicked in his back, but it doesn't matter). he tells you that you finally dealt with this mess and no matter how much work you still have to do, he'll always be there for you. final kiss.

pics from the epilogue: 1-2 drawings with murat and rook. on both he will look lovingly at them, or he may kiss the back of their hand on one of them. the text will say something about that now you have a personal assassin who will help you deal with any problem. especially if this problem is alive and bothers you a lot.

- you can't romance him if you, crow rook, didn't choose treviso. in all other cases, romance is possible.

- if neither he nor lucanis are romanced, then yeah. (sorry neve...) you can find this out from their dialogues in the lighthouse or in the banters. plus there is a scene with them. you need something from lucanis very urgently and you burst into his pantry without knocking. lucanis is there, yes. but besides him there is also murat. on his knees. with his hands on lucanis's hips. you have 3 options - say OH and leave them alone. tease em a little, murat will answer you, and lucanis will simply cover his red face with both hands. or ask murat to leave, since you need to talk to lucanis. in the 3rd case, murat gets up, whispers something in lucanis's ear, he blushes and murat leaves the room.

- dialogues with companions in the lighthouse: 1 sometimes you can see how murat and luc talk in antivan with each other. rook asks if it is possible to repeat what they said for them but in common, because they heard their name in the dialogue. both crows answer you no. if rook is a crow too, then rook answers them in antivan. 2 discusses dragons and qunari with taash. 3 plays with manfred and tells you in disappointment that he doesn't understand why manfred keeps winning. 4 quarrels with davrin in a friendly manner, but it seems to you as if they are about to kill each other. he also talks like that with harding, but the insults are coming only from lace. 5 helps bellara to write her fanfictions. he has a lot of certain experience that will come in handy for writing certain scenes.

#asks #companion murat au #dragon age #datv #dragon age rook #murat de riva #my oc #lucanis dellamorte #rookanis #jesus christ now i want to romance him too lmao

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sunsets12 · 24 days ago

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I wasn’t going to say anything originally because it’s not that big of a deal, but that anon opened up a floodgate within me and I have no one to talk to about this fic so here I am. I, too, do not want Percy to have a beard.

I’m not entirely certain how to articulate the ‘why’ of me not liking it, so unfortunately we all will have to deal with my bumbling attempt to coherently string together an explanation.

I won’t lie, a lot of what this comes down to is vibes. For some characters, I think beards suit them perfectly and it isn’t very difficult to imagine them growing one out in the future. For Percy, I just can’t see him with one.

Tying into my previous point, a part of it has to do with his father. They’re both supposed to look so similar to one another, and one of the big distinguishing characteristic between the two of them besides age is the facial hair. With a beard, it feels like he’s all the more like his father and I don’t think that’s a good thing.

His father, for all that he is a good dad by godly standards, isn’t a good father by mortal ones or a good person. I won’t delve into that too much and let his actions and myths do the talking for me, but it seems like a big part of his journey in your fic is grabbing with what it means to be a God while still keeping his humanity.

The last chapter went into this quite a bit, where Percy compared himself to the God’s of his world due to both his and their inaction whenever injustice occurred. Where he’s from, the God’s aren’t good people and they are very disconnected with humanity and that upsets him greatly. For him to become more like his father, even at the surface level, is very unsettling to me.

Additionally, it’s a visual reminder that he’s changed for all the wrong reasons. He’s endured so much trauma growing up as it is, but Panem changed him. He’s grappling with so much trauma, doesn’t have much of a support system, and now even his humanity is lost to him and he has become one of the things he resents the most with all the burdens that come with it.

That beard feels a lot like the final nail in a coffin, like looking at someone you’ve known for so long and being hit with the realization that they’ve changed, and I think a part of me will finally mourn for what Percy has lost once the time comes.

Am I looking too deep into this? Probably. But to make myself look less insane, I would like to point out that a lot of what The Beard makes me feel is an accumulation of a lot of things you’ve so beautifully woven into your writing.

It’s not that big of a deal, ultimately, and there’s a possibility that a dislike of beards is influencing me as well. As one of your asks so cleverly pointed out, there is bountiful angst potential of Percy being reminded of his father whenever he looks in the mirror. And who knows, maybe the beard will help him feel like a new person for the better.

Thank you for your lovely fic and I look forward to future updates!

I appreciate you taking the time to explain why you don't want Percy to have a beard, but ultimately, a lot of the reasons you gave are the reasons I want Percy to have a beard.

It is a physical marker that he is no longer a teenage demigod, but instead an (adult) god. Thematically, a point of TSIYW is Percy becoming his father. I want him to look in the mirror and see Poseidon because frankly the best way to notice the differences between two characters is to highlight their similarities.

And from a hunger games perspective, the physical appearances of the victors/tributes seems to be closely monitored. The tributes are not allowed to grow any facial hair in the arena because they want them to look young. I would hazard a guess that Finnick probably wasn't allowed to grow facial hair either in the series (and he won't be in Shrike).

The beard is important.

#the shark in your water #asks

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amaltheas-garden · 9 months ago

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Jon and Sansa will bring the story of Rhaegar and Lyanna full circle:

We have very few details on the relationship between Rhaegar and Lyanna, but what we do know is Lyanna was in an unwanted betrothal to Robert at the time she disappeared with Rhaegar. Whether she went willingly or not is up to speculation. Aside from Robert, most accounts agree that Rhaegar embodied the fairy tale prince-like character (prior to the war). Lyanna wept at the beauty of his music, and was crowned his queen of love and beauty before leaving her family forever. Her story ends alone in Dorne, dying in her bed of blood, abandoned by the man she thought would save her, begging to go home.

It's easy to see then, the parallels between Lyanna's ill-fated romance and the romantic dreams of her niece, Sansa Stark. Although the two share few similarities in personality and hobbies, both became enamored by princes who hide their darker nature, and lured them away from the safety of their homeland, before going to war with their families. However, Lyanna's story ended far from the North, dying in childbirth, whereas Sansa has escaped that fate (even more interesting considering Lyanna's book storyline is a near one to one of Sansa's in the original outline). And, if we recall the very beginning of A Game of Thrones, Robert proposes to Ned that they wed Joffrey to Sansa, joining their houses as he and Lyanna might have. There is a conscious effort on Robert's part to set the past right through the relationships of their children. So right from the jump Sansa is cast as the Lyanna stand in, though she too escapes her "Baratheon" betrothal, and is on course to run straight into Rhaegar's son (as per the girl in grey theory).

So where does Jon lie in all this? If we take the girl in grey prophecy to be about Sansa, we know the two will meet sometime in the near future. Sansa has already become disillusioned of her chivalric ideals of love and knighthood (that's not to say she doesn't believe in heroes and honorable knights, just that she's far more skeptical of surface appearance), and yet, it will be her bastard brother who will embody the traits of the hero Sansa has been searching for. Rhaegar appeared as the perfect prince, yet was the one to kill Jon's mother, and Sansa, in a similar situation, is seduced by the charm and beauty of Prince Joffrey, only to be exposed to his vicious cruelty, narrowly escaping his family (even more interesting to consider Lyanna, had she survived, would not have been Queen, as Elia was still his lawful wife, and would be considered a mistress to the King as there was no chance of her escaping Rhaegar now that she carried his child, similar to Joffrey marrying Margaery, while threatening to make Sansa his mistress). Jon on the other hand is the brooding, solemn, plain-featured bastard, sharing no traditional qualities with that of the typical hero. That is to say, he's about as far from Rhaegar as you could get. And yet, it is Jon who commits himself to defending and protecting those who cannot (Sam, the wildlings, Alys Karstark) because that's who he is. No songs are sung for the men of the Nights Watch, he doesn't gain anything by protecting those others might deem weak, unworthy, or exploitable, but he does it anyway. Jon does not look nor act the part, but the strength of his moral character is what distinguishes him as the unconventional hero of the story.

I would also draw a comparison between the legend of Azor Ahai sacrificing his wife Nissa Nissa and Rhaegar's "sacrifice" of Lyanna, to bring about the third head of the dragon he thought necessary to save the world. After reading @/stormcloudrising's phenomenal metas on Sansa's connection to Nissa Nissa/the Amethyst Empress, I believe the idea of sacrifice will appear again in relation to Jon's character arc. Many in the fandom have speculated that AA/NN and the Bloodstone Emperor/Amethyst Empress are one and the same, the former featuring the sacrifice of a wife, the latter a usurpation of a sister. Sansa already occupies the (false) position as Jon's sister, while Jon has refused to usurp her rights as heir to Winterfell. However, with Jon's parentage reveal, the opportunity of a Jon/Sansa romance becomes possible, potentially elevating her to the status of love interest. And, if we're going with the NN/AE are the same theory, it would mean she occupied the role of both sister and wife. As for Rhaegar, his prophecy obsession is what led to him endangering Lyanna, placing his need for the third dragon above her own safety, ultimately killing her. Jon spends a good chunk of ADwD with Stannis, a claimant to the title of AA/the Prince that was Promised, who similarly struggles with the question of sacrificing one life to save the world, "What is the life of one bastard boy against a kingdom?” (ASoS) To which we already know the answer, Everything. Stannis, like Rhaegar, will fail the moment he sacrifices Shireen to fulfill his "greater purpose". Daenerys is also a claimant to the title, and we will likely see a contrast between how she and Jon approach being Rhaegar's heirs and inheritors of the prophecy. Stannis will lose everything after Shireen's death, the same as Rhaegar when he left Lyanna to die, condemning House Targaryen to death in the ensuing war. Jon will likely face a similar decision of sacrifice upon discovering he could be the subject of prophecy that consumed his father and once honorable king. And just as he refused to usurp Sansa's claim, he will reject the sacrifice of a loved one (lover perhaps?) as prerequisite to fulfilling his role as AA/TPtwP.

Jon's character always comes back to his identity as a Stark. Discovering his true parentage will undoubtedly be a source of inner conflict, culminating in his decision between Stark and Targaryen (spoiler: its Stark). It's a classic case of sins of the father, and how Jon asserts himself as an individual outside of his father's tainted legacy. Jon being the hero to Sansa and helping her return home would effectively resolve the generational conflict caused by Rhaegar's "kidnapping" of Lyanna away from the North. Rhaegar caused immense amounts of pain to the Stark family through his one act of selfish cruelty, which Jon will rectify through one of loyalty and selflessness. And narratively, Lyanna's son being the one to save her niece and return her to Winterfell would just be so chef's kiss.

#jonsa #jon snow #sansa stark #lyanna stark #anti rhaelya #<- for filtering #asoiaf meta #rhaegar wishes he could be half the man Jon is 🥱#might add some quotes in later too lazy rn lol #next on the agenda is JonSa/NedCat/Wuthering Heights parallels ;)

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anthonsgi · 2 years ago

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★’･ﾟ:｡･:*:First kiss with HSR characters PT.1:｡･:*:･ﾟ’★

【Note: Hello! I haven't written anything in a while, but I recently got a surge of motivation, so why not take advantage of that? :) There will be a few parts because I want to write for many characters and the process of writing each one is really long for me so I prefer to spread them out a bit, so if the character you would like to read about isn't here, keep an eye out for future parts, perhaps I will include them there! As per usual, English isn't my first language and I'm learning as I go, please be patient with me. Requests are open! (˵ •̀ ᴗ - ˵ ) ✧】

【Pairings: Kafka, Argenti, Blade x GN!Reader】

【CW: I may have added some angst here and there, but I couldn't resist (I tried to end it with a good, slightly bittersweet conclusion each time though)! I wanted to make the characters' traits as similar to the game's as possible, but a few things may still be out of character, sorry in advance!】

a lil note: this is literally just all of these characters being absolutely SMITTEN for you and them fawning over you, but every day is a good day to get praised left and right, no?

☆〜KAFKA〜☆

It shouldn't be much of a surprise that you fell in love with this young and exceptionally charming woman. As a Stellaron Hunter, she ensures that Elio's predicted plans are carried out. That being said, you were a completely unpredicted element in a series of missions; there was never a mention of you ever being included in situations that you always found yourself stuck in. Kafka always saw it as "the usual result of the unforeseen nature of destiny," as she liked to explain to you.

After a while of simple acquaintance, she has grown more fond of you than she has of anyone. Not only were you beautiful in her eyes, which was a big thing for a connoisseur of beauty such as herself, but she felt at ease with you. She may be a sly, unbothered criminal whose prize for capturing her is enough to provide many good-lived lives for a bunch of Vidyadharas, but she actually really appreciates the times when she doesn't feel like she's being chased by people or by time itself.

Being with you was as enjoyable as studying the waves—a peaceful activity, a thought-provoking process. She desired to look at the horizon and discover more than meets the eye, however, it was quite impossible. The job of a Stellaron Hunter is challenging not only because of the relentless pursuit of destiny and the never-ending dangers but also because it entails never staying in one place for too long, never forming more meaningful connections, and never attaching yourself to finite, frail matters. Even though she knew she was more unlikely to run into the same individual twice as a Devil Hunter than she was now, her options were usually limited.

Kafka isn't one to fully hide her true feelings; she spoke very highly of you, your way of being and thinking, your appearance, and your tendency to be the miracle of one's destiny (*cough* talking about herself there). She has developed a habit of complimenting you just to see you squirm away from her gaze and bite your lower lip to try and stop a smile from forming. These occurrences weren't rare; they always followed the same pattern: she said something = you discreetly reacted = she noticed and couldn't stop noticing.

A kiss from her would be more of an indication of her love than a reveal, showing rather than declaring it. It may have happened during one of your late-night chats where you slowly opened up to one another, or it could have happened in the early morning after she invited herself into your home after you had just woken up and weren't sure if you were still asleep. In any case, without having said much, she leaned in, rested her hand on your cheek, and left a tender and delicate kiss on your lips. It didn't last long, but it meant more than a decade of stolen glances and conversations with hidden meanings.

It didn't feel like a goodbye kiss, it never did, but it was clear it was some form of leaving you wanting more, leaving you yearning for her to come back and see you again, and leaving you wondering how long it would be before she does it once more.

☆〜ARGETNTI〜☆

Knight of Beauty, a follower of the fallen Aeon Idrila. He's constantly on the journey to honor the principles of beauty itself, spreading the grace of his Goddess all over the universe. Discovering numerous forms of beauty in the ordinary and in the extraordinary. When he first laid his eyes on you, it was as if time began to bend around you, a black hole in which the concept of time didn't seem to exist, trapping anyone and everyone residing in its proximity.

Recognizing refinement in people was second nature to him, admiring their souls that mirrored their personalities and beliefs. He wished nothing more than to convey compassion to those who possessed honorable qualities, pure hearts, and desirable traits. Your beauty shone with such radiance that it put the stars to shame; your existence was an excellent reminder of Idrila's presence in the universe.

To Argenti, love is a miraculous feeling that is a joy to experience; it reflects a person's deepest desires and is an act of care so poetic that it almost brings a tear to the eye. In a way, having never experienced it before and having no opportunity to try due to his commitment to traversing in solitude, he decided it wasn't he who was supposed to feel it and that he was merely destined to admire the beauty of it from afar.

Meeting you meant the world to him; you made him feel love for another person for the first time—the all-consuming love from every classical novel he had read. The purest form of it is tragic love, one that breaks down the foundations that hold one's life in perfect balance. He spent several days and nights with you, staying in one location longer than he ever did since becoming a knight—the place where he started to ponder his destiny and his vocation.

He made every effort to push these thoughts away, thinking such things felt like a violation of the universal code of chivalry he upholds, yet when he gazed at your gentle smile as he held your hand, it was a tougher battle than that of a wax candle facing the sun. He was melting into a pitiful puddle as your very being formed him again, never to be the same as before.

One beautiful night, when the birds had gone to sleep, no expectations were laid forth, and no secrets were to be unveiled, Argenti took you by both hands, kissing each knuckle as if they would break if he put pressure on them. He spoke of you as if you were the one he had devoted his life to worshiping, his lips singing silent praises; perhaps it was a prayer, perhaps an apology. His eyes met yours, a nonverbal plea, and you leaned in, connecting your mouths in a passionate kiss, electricity coursing between each soft teeth clashing.

What an outstanding farewell kiss that was. The thought alone made you gulp down the lump growing in your throat. Argenti has to leave, or rather, ought to leave; otherwise, he's afraid he may decide to stay. He's certain your paths will cross one day; it's just the way of the world. Either way, he always finds himself drifting towards beauty. Behind him, he will leave a timeless tale of a wounded and repaired heart, as well as a dose of fate that makes no mistakes.

☆〜BLADE〜☆

The undying man who became a blade, a shell of a person, a mara-stricken monster with no hope for craved demise. His story is one of endless agony and misery. In this everlasting life, Blade's abilities are used in matters including bloodshed, spreading the pain he felt himself, and only then would he feel himself disappear, even for a moment. As bitter as that was, it was reality, his burden to bear. Blade didn't have "companionships" and never needed attachments. The closest he had to an acquaintance was Kafka, whose voice managed to calm the monsters who grew inside him relentlessly, and possibly Silver Wolf. However, he didn't understand her, nor did he wish to.

How you were able to capture his wounded heart remains a forever-unsolved mystery. He, of course, didn't decide one day that the way you laughed made him feel emotions so intense that he wondered if what he was feeling was some form of suffering he'd never experienced previously or that his intensified urge to protect you wasn't just due to the fact he was always nearby when danger struck, but because he genuinely cared. It was a lengthy process imbued with a myriad of understatements and denial. An "I love you" leaving his lips was as bizarre as the prospect of hell freezing over... yet when it did happen, you only wished to hear it again.

He frequently wonders why he finds himself faintly grinning primarily in your presence alone (and obviously during combat). When you resided in his vicinity, everyone could feel a shift in the atmosphere surrounding him, as well as a change in his usual behavior. It was almost comical to observe, especially to his fellow Stellaron Hunters, who never missed an opportunity to tease him. Nonetheless, love expressed by a presumably loveless man is as fascinating as it is arduous. Your existence was curative, helping him to rediscover parts of humanity he thought he had lost, yet healing is a part of him he has come to loathe with every fiber of his being. At one point, he distanced himself, as if limiting your healing influence on him was the sole thing that he could control about his 'condition'.

That didn't last long, and he scurried back to you like a moth to a flame. Blade didn't grasp the concept of physical touch as a kind of comfort; it never failed to remind him of how many times he had been hurt. You, once again, were the exception. Gentle arm touches, random lacing of fingers, your scent, and that insufferable (not really) look in your eyes whenever you stared at him drew him in. As much as he despised life, he did not detest the idea of living simply to be with you; that paradise that always seemed to be out of his reach, a mere push away, appeared to be standing right in front of him.

A minor brush of your body against his made you excited, but a kiss? It's overwhelming to even imagine. You'd have to initiate it, subtly steering the conversation to a topic where it wouldn't be too odd to inquire about moving to the next step in your relationship, acting as lovers. If Blade didn't wear a stoic expression on his face more than half the time, you could tell by his nervous swallowing that he would be at least blushing a little. He wasn't an adolescent, and he didn't think of a kiss as the grandest gesture of intimacy; nevertheless, that didn't free him of hesitations. Being vulnerable and helpless in the hands of another, all of his shortcomings could be easily revealed.

Kissing Blade had to come naturally when you were alone and indulging in small talk; there was no need for a perfectly timed gust of wind or a captivating blanket of stars above, just two imperfect people pouring all of their desires, yearning, and passion into a single imperfect kiss. Your lips met, linking your souls and creating a sensible spark deep within. There was no distance between you, and you were both entirely defenseless against the other's will. After you moved away, it was as if a thousand sentences were pulled from your mouths, yet no one spoke a word. With swollen lips, you were unable to resist a grin while Blade leaned in for another kiss.

lil ending note: hope you enjoyed! also, I have to mention that I know that both Kafka and Blade are Stellaron Hunters so the main problem portrayed in Kafka's part (the never being in one place too long) could potentially be brought up In Blade's part as well, but I decided that would be pretty repetitive so I wrote about Blade's history instead :D

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another-goblin · 5 months ago

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How likely are the explanations for Dr. Ratio's brief sighting in Castrum Kremnos? (in no particular order)

1. From what I've heard, the next Divergent Universe is going to be about Amphoerus, and they are finally going to add Ratio to the maps, and they are going to use existing maps (like the map of Castrum Kremnos), so that's why they accidentally put him there. But there is a reason DU's and SU's maps are tiny. It's about fighting, not about running around for minutes looking for vendor Ratio standing on some hard-to-reach ledge.

So I doubt they'll use an existing map. But even if they were to use the same map, it would be 2 independent instances. Adding a character to one of them would do nothing to the other. Besides, how would content that's deep in development leak into a playable version?

2. It's an easter egg left by an individual level designer. I kind of feel that you can lose a job or get very seriously reprimanded for a joke like this. I don't think people would risk it to just mess with some desperate Ratio fans (ekhem) who would love to see him in Amphoreus.

3. It's just a bug. But was there ever a bug like this in this game? With an unrelated character randomly appearing in a place that makes too much sense? Idk, if it was Asta a-posing upside down in an empty space outside the map's boundaries, I could see it as a bug.

But the fact that it's Ratio, with his arms folded, looking directly at us, and the position is perfect, barely seen but not obvious, allowing him to look over what's going on (the way he was hanging around when we were fighting Ruan Mei's bug. In his own words, "Should you fail, I will be forced to prevent some avoidable misfortunes"). Besides, standing there would give him the time to disappear if the player decided to confront him. So it being a random bug is the least likely option in my opinion.

4. They added and removed him deliberately as a way to tell us something. But the game never engaged with the players in this fourth-wall-shattering way, so I don't think that's the case either.

5. So what's the most likely explanation, in my opinion? He was supposed to be there, then they decided to remove him but forgot.

Maybe they expected very few people to notice him, but a lot of testers did, so they decided to remove him completely. It works well with the fact that he's completely absent from all the Amphoreus promo material. Which either means he won't be there at all (in accordance with Occam's razor) or that they keep his appearance a secret to make his arrival a surprise twist. Although with all the similarities, him not appearing would be a bigger twist.

I'm still trying to be cautiously pessimistic about his future involvement in the Amphoreus story to not get too disappointed when if he doesn't appear. But there's still hope.

#honkai star rail #my stuff #dr ratio #amphoreus

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suzuran777 · 7 months ago

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Ooe part 1 Spoiler Review: Literature & Theories

Ever since posting my spoiler-free review, I've received some questions about my theories for part 2, so in this review I will be talking about that! That also means that this review will discuss topics that many would consider a spoiler, so make sure to play part 1 first. According to the latest update from the official account, part 2 will be released somewhere early next year, therefore there's still plenty of time to play part 1! If you're waiting to play the game in English, it has been confirmed that they intend to release it in other languages, though details about this are still unknown.

Ever since playing Hashihime, I've become really interested in all of the novels referenced in Adelta's games, and I love analyzing the similarities between them. I'm not sure how interesting this is to others, but I tried to add some short summaries of what each novel that's (possibly) referenced in the game is about. Of course these are just theories and we don't have an official list or anything yet. I might update this in the future when part 2 is released, though the official website mentions that it's only allowed to post part 1 spoilers, so I will see how much I can add to this later.

When this game was announced, it was mentioned that all 9 main characters are named after train stations on the Yurikamome line in Tokyo (the train line most people take if you go to events like Comiket). Other names Oosaki, Shinagawa and Shinkiba are train stations on the Rinkai line, which was not officially confirmed, but very easy to find because both train lines are located in the same area. So far the names of all of the side characters in the game also followed this pattern, so there's not much I can add to this. However, their first names is where things start getting a bit more interesting. When the first names of Funeno and Shiodome were released, fans immediately recognized that their names were references to characters in existing novels. Then while playing part 1, this theory proved to be correct, as some of the other first names could also be linked to existing literature. I created this list while playing the game, but I've seen similar theories on social media such as Twitter (or well, X now) and Weibo too, therefore I think a lot of these could be correct. Right now we don't know the first names of Oosaki and Hinode, so I will be leaving these out. I will also include the Japanese titles of these works to make it a bit easier to look them up yourself. Of course I don't always remember every detail that happened in these novels, and some I only read very recently, so please correct me if anything is wrong! I'm always happy to learn more.

Ariake Shoutarou (有明勝太郎)

Ariake's first name "Shoutarou" is most likely a reference to Junichiro Tanizaki's "Tojo" (途上). The protagonist is actually called "Katsutarou", which is another way of reading the kanji used to write Ariake's first name. This character has an ex-wife and a current wife, whose names are Fudeko and Kumako. This is only briefly mentioned at the end of Ariake's route, but his wives have the same names. In this novel, Katsutarou tries to kill his first wife Fudeko by purposely exposing her to dangerous situations that negatively impact her health, but he won't directly harm her to make her death look like an accident. The motive and the way he tries to kill her is different than what happens in Ooe, but I think it's definitely the inspiration behind this route. Another connection to Junichiro Tanizaki's works is the name of Ariake’s sister, who's called Naomi (奈緒美) which is a name that appears in “Chijin no Ai” (痴人の愛). Around this time the concept of “Naomiism” was born, which was used to describe a free-spirited devilish, beautiful girl. Sometimes it looks like this term was also used for girls who manipulate men, but it wasn't always used in a negative context. I'm curious if this concept was also used to create Ariake's character, as in of the official blog posts he's described as a "male femme fatale". I'm not sure if this is plot-related or not, but Ariake's ending song also has an audio clip from the play "Cyrano de Bergerac", which doesn't exactly have a happy ending either and both of the characters lose their lives.

Shimbashi Mei (新橋冥)

When I looked for novels which focused on a character called "Mei", I couldn't find much initially, until I realized the kanji used to write his name is also the first kanji in the Japanese word for Pluto (冥王星), which is also the name of the theater company he works for. In his ending, Shinagawa even tells Oosaki that Shimbashi is Pluto, so it might also be his pseudonym. Pluto is also the cat that appears in Edgar Allan Poe's "The Black Cat" and even though the story isn't identical to what happened in his past, there are similar elements. For example, the cat in this story Pluto only has one eye, and while Shimbashi does have another eye, he usually hides it with an eyepatch. The unnamed protagonist also ends up killing the cat by hanging it, which is similar to how Shimbashi's brother used to kill animals. Later in the story, the protagonist adopts another cat who resembles Pluto, but because the new cat keeps reminding him of how he killed Pluto, he eventually loses his sanity and tries to kill the new cat as well, but ends up killing his own wife instead who tried to protect the cat. Despite the protagonist trying to hide her body, the police eventually finds her because the cat was trapped in the same wall where the protagonist tried to hide her body, and the sound of the animal scratching the wall gained their attention. Even though the story is a bit different, Shimbashi also got his revenge by murdering his brother, which he doesn't seem to regret much. Shimbashi's ending song is called ルドン (rudon) which is how you would write the name of French painter Odilon Redon in Japanese. The song also mentions his mentor Armand Clavaud, who was a botanist. Clavaud taught Redon many things about flowers, but also introduced him to Buddhism, which shows in Redon's later paintings too. The flowers are an important element in this route as Shimbashi's the person who was leaving flowers on the grave of Oosaki's grandmother, so maybe all of that is also intentional.

Aomi Kaede (青海楓)

This is not necessarily about the name Kaede, but about Takuichi (卓一), Aomi's father who he's impersonating on the island. Takuichi is also the name of the protagonist of Koga Saburo's "Aofuku no Otoko" (青服の男) and his cousin is called Shinzo, who shares the same name as the student who committed suicide in the game, Shinonome Shinzo. In the novel the two of them schedule a meet-up to discuss money Takuichi wanted to borrow, but when he doesn't show up to the meeting, Shinzo later confronts him. In the middle of the confrontation however, Shinzo suffers from a heart attack and passes away. In Ooe their relationship is a bit different, as Takuichi and Shinzo are teacher and student, and Aomi's father passed away shortly after receiving the invitation letter. In the novel Takuichi is alive and impersonates Shinzo in order to get his own inheritance money, though the theme of impersonation is relevant in Ooe too as Aomi pretends to be his father. There's nobody called Kaede in this story, but in the game Aomi mentions his father called him Kaede because he thought his hands resembled a frog's webbed feet (kaeru = frog) so currently I'm unsure if there's any further connections. Aomi's ending song is called Taichourou (対潮楼) which is actually the name of a temple in Fukuyama, a city located in Hiroshima prefecture. I'm not sure if there's any specific reason for this, but it's not too far away from Ookunoshima (also known as bunny island because of its many rabbits), which is one of the locations that was used as inspiration for some of the background art in-game.

Funeno Kureichirou (船野呉一郎)

Hashihime fans might recognize this one as Kureichirou is also the name of one of the most important characters in Yumeno Kyuusaku's "Dogra Magra". Dogra Magra is not one of the easiest stories to understand, as the protagonist's memory is hazy and you never know if the researchers are telling him the truth either, but generally we know that Kureichirou seems to have murdered his cousin (who was also his fiancé). Funeno's crime is revealed at the end of the trial version of Ooe and he killed his sister. So far we haven't really seen much of Funeno in part 1 because he immediately acts strange when he sees Oosaki, probably because he has Daiba's letter and Oosaki introduced himself as "Daiba", so it's a bit hard to analyze his character yet or compare him to Dogra Magra's Kureichirou in my opinion.

Shiodome Michio (汐留道雄)

Just like Funeno, Shiodome's first name was also revealed a long time before the trial version and part 1 of Ooe were released. It references Edogawa Ranpo's "Kotou no Oni" (孤島の鬼) which is not really a secret as it's one of the novels that was mentioned in one of the first blog posts about Ooe and its inspirations. Michio is one of the main characters, who's a gay man who falls in love with the main character Minoura. So far their personalities do not seem that similar, but Kotou no Oni's Michio is adopted by a man called Jogoro, which is also the first name of Shiodome's professor (Tsukishima Jogoro).

Takeshiba Yozo (竹芝葉蔵)

This is one of the new names we learned about in part 1, but since Yozo isn't the most common name ever it's probably referencing Dazai Osamu's "No Longer Human/Ningen Shikkaku” (人間失格). Yozo (or ''Youzou'', it's hard to keep romanization consistent...) is the name of the protagonist. He's a troubled individual who can't relate to other human beings and doesn't understand them. At first he tries to hide these emotions by playing the clown so people laugh at him, but eventually he turns to alcohol and drugs. Takeshiba is a magician who quickly tries to change the topic when things get serious, which matches the theme of playing the clown, but we also know he gets nervous fast and he's also the character who committed some of the most brutal murders in the game so far. I think the story won't be exactly the same, but he definitely seems to share certain personality traits with the main character. He's accused of murdering his family by setting their family home on fire, though in the first part of the game he makes it seem like someone else did it, or if it was some kind of accident.

Shijoumae Giichirou (市場前義一郎)

Maybe a bit of a wild guess because we don't really know the names of side characters that are related to Shijoumae's story yet, but his first name could be a reference to Akutagawa Ryunosuke's "Kaika no Satsujin" (開化の殺人). Even though it's confirmed Shijoumae's first name is pronounced differently (the character in the novel is called Yoshiichirou), just like Ariake's first name, the kanji is the same. This is a rather strange short story that focuses on a number of suicide notes, written by a doctor who's called Kitabatake Yoshiichirou. He's often described as a man with a rather 'western' appearance because of his beard/moustache, which matches Shijoumae's character design. He was in love with his cousin Akiko (which I guess was not uncommon during this time period) and wanted to marry her, but she married another man called Mitsumura. In the book, Kitabatake was incredibly jealous of him and poisoned him. However, even after this first murder, his cousin started getting close to another man called Honda, who Yoshiichiro was also jealous of. Initially, he planned to poison him too, but in the end he decided against this and took his own life instead. We know that Shijoumae has a wife, but as we've seen in these previous novel references, the connections between the characters in the original novels often aren't identical to what happens in Ooe's story, which also makes it hard to predict what will happen in this route. Update after playing part 2 without spoiling anything: This is indeed correct! There's multiple other characters who are mentioned in part 2, such as his wife Akiko (who the character in the novel never ends up marrying).

Toyosu Rouren (豊洲浪蓮)

I was a bit confused when I heard the pronunciation of his name in-game, as it sounded a bit unusual to me, though many fans so far have pointed out that the name sounds similar to ''Lawrence/ローレンス'' who's the antagonist in Agatha Christie's "And Then There Were None" which is the novel that gets mentioned in-game too. In the novel Lawrence fakes his own death, which reminds me of the boat scene in Ariake's route in which Toyosu drowned, but the whole scene seemed rather sudden to me. For example, he tries to convince the others that nobody else should join him, and the food at the inn also disappeared around this time. After finishing Aomi's route, we know he's lying about his real identity too because no matter what temple they visit, there's no monk with his name, and other characters also suspect him of being the client. In the common route he's also the character who the client supposedly sent to the island to hold the ceremony on their behalf, if I remember correctly.

Daiba Shizuma (台場静馬)

Another name we've known for a long time is Daiba's first name Shizuma, which is a reference to Yokomizo Seishi's "The Inugami Family/Inugami-ke no Ichizoku" (犬神家の一族). This is another story about impersonation which fits the main theme of Oosaki pretending to be Daiba on the island. There are actually multiple characters in this novel who share the same names as some of the Ooe characters, such as Sukekiyo (佐清) the name of Daiba’s brother who passed away in the boat accident, and Sahei (佐兵衛), Daiba's father Oosaki meets in the common route. The connections between characters in this story get very complicated, but Sahei is the head of the Inugami family who has an illegitimate son called Shizuma, who went missing. He also has a grandson called Sukekiyo, who was disfigured on the battlefield. Similar to Ooe, the story starts with Sahei's death, though in the novel he leaves a suicide note and in Ooe he seems to die rather suddenly after talking to Oosaki (if he wasn't dead already, that whole scene is strange…). In the novel, it's revealed that Sukekiyo actually passed away some time ago and Shizuma has been pretending to be him. There are also some other shared elements, such as the Shizuma in the novel trying to take revenge for what happened to his mother, and in the game Daiba takes his mother's last name "Hama", and expresses that he doesn't like the Daiba family.

Side characters

I haven't looked much into the side characters, but I assume their first names are also references to something. The names of Shinkiba and Shinagawa (Jinza 甚三 and Zakuro 柘榴 ) could be referring to some of the side characters from some of Edogawa Ranpo's works, as there's a short story called ''Zakuro'' (石榴) and there's also a "Jinza" in the novel Ghost Tower (幽霊塔), but I can't exactly find any connections between them and the Ooe characters. For Oosaki I'm guessing his name could also be something related to the Inugami Family too because it is a bit suspicious that he looks almost identical to Daiba, I think they have to be related to each other in some way.

Of course the main inspiration is Agatha Christie’s And Then There Were None, as it follows a similar closed-circle murder mystery story on an island. In Ariake's first ending, Oosaki even compares some of the characters in the novel to characters in the game, calling himself Vera for example who murdered for love. Another important connection is that the owner of the island in this novel calls themselves "U.N. Owen", a fake name which basically just stands for ''unknown''. This of course sounds very similar to "Ooe" and the game's official alias is also "Owen" according to the official website. The actress who passed away is called "An Ooe", which also sounds a bit similar to "unknown".

Other literature references

In a previous blog post I wrote in 2022, I mentioned that when Ooe was announced, one of the official blog posts also mentioned works that inspired them to create Ooe. I will include those in this blog post again as the previous one is a bit outdated now.

Previously, I mentioned that Shiodome's first name Michio is a reference to Edogawa Ranpo's "Kotou no Oni", another novel that focuses on a murder mystery story, this time about the death of the protagonist's fiancé. As the title of the novel suggests (which translates to "Demon of the Lonely Isle") they also travel to an island, though this one is inhabited by people who all have some kind of deformity. Of course most of the characters in Ooe look pretty normal, but if you've played part 1 you've probably noticed how many characters either suffer from an illness or were born with some kind of physical abnormality, although sometimes it's not really severe. Ariake's has a thyroid disease (Grave's Disease according to his character profile in-game), Shimbashi has strabismus (misalignment of his eyes) and Aomi has webbed fingers which his father made fun of. If we look at the other characters, there is of course Hinode who won't talk and also seems to have difficulty walking, though the reason for this has not been explained yet in-detail. In the full body art, Shijoumae is also drawn with a cane, which might also be linked to something related to his health, but I'm not completely sure about some of the other characters yet.

The same blog post also mentions three incidents which happened in real life, but which all have novel adaptations as well, with the first one being the "Anatahan Incident", or also called the "Queen of Anatahan Incident" (アナタハンの女王事件). This incident focuses on a number of deaths that happened on Anatahan Island, located in the Pacific Ocean. The island became Japanese territory after the First World War and Japanese settlers began living on the island together with natives. Years later near the end of the Second World War, most locals fled after the American military called for Japan's surrender during the war. During this time, some refused to surrender and stayed on the island. Initially, the Japanese people who refused to leave the island were left alone, but things changed when a U.S. Boeing crashed into the island and guns were found inside of the wreckage. Afterwards, these guns became a symbol of power among men on the island, and some of them would kill each over the only woman on the island, Kazuko. After this, it was reported that more men died under "mysterious circumstances", and eventually Kazuko surrendered herself to the U.S. military, as she felt like she was the root of all the problems on the island. Writer Iwasaki Sakae also released a novel based on these incidents, which is just called "Anatahan".

The second incident mentioned is the "Hikarigoke Incident" (ひかりごけ事件), and translates to "Luminous Moss Incident", though the name comes from Takeda Taijun's short story which is based on this incident. The short story is actually just based on rumors rather than factual reports, so there are some differences. The real incident is rather graphic and took place in 1944 in Hokkaido. It was reported that after ending up in a shipwreck, the captain of the ship survived by eating the corpses of his own crew. The captain was later arrested on charges of corpse mutilation, corpse abandonment and murder. Even though he said he didn't kill them, he did admit eating them. This case stood out back then because even though cannibalism had undoubtedly happened before in Japanese history, it was the first time such a case was reported by the newspapers. If we want to link this to what happened in the game, there's of course Shiodome who was accused of corpse mutilation. He also took Funeno's head in the first route, and in this case the captain admitted that he ate the brains of one of the crew members (... as well as their genitalia, so do with that information what you want).

The final incident mentioned in this blog post was the "Mount Hakkoda Disaster" or "Mount Hakkoda Snow Disaster" (八甲田雪中行軍遭難事件) which happened in 1902 when a group of Japanese Imperial Army soldiers got lost in a blizzard on Hakkoda Mountain, located in Aomori. This incident is considered one of the most lethal disasters in history and 199 people lost their lives. After getting stuck in the blizzard, during the next days many soldiers would freeze to death, while others fell down the cliffs during their ascent. This incident also has a novel which translates to "Death Wanderings on Mt. Hakkoda" (八甲田山死の彷徨) by Nitta Jiro, which was also made into a movie "Hakkoda Mountain". Of course, Ooe's story is about an island and not a mountain, but I do understand the similarities about getting stuck somewhere and being unable to leave.

At some point BL game magazine Cool-B also published a so called "madness scale" which ranked the characters from 1 to 5 (with 5 being the worst) which could give us some hints about what these characters will be like in their own routes. Aomi and Toyosu are ranked 1, Shimbashi and Funeno 2, Hinode is the only one who's a 3, Takeshiba is 4, and Ariake, Shiodome and Shijoumae all got a 5. If Toyosu really is the mastermind then maybe he didn't ''technically'' kill anyone like Aomi, but I'm not sure if that's the real plot twist because maybe it would be too easy to guess. I also wonder how Takeshiba is a 4 and not a 5, because we know he committed most of the murders in the game so far, and they were pretty brutal. Oosaki and Daiba both aren't included in this list, so I can't say much about them.

Final theories and thoughts

Right now I am mostly curious about Daiba because I want to know why exactly he made Oosaki travel to the island. At the end of the game, you also unlock a teaser for part 2 which includes a preview of Daiba, so he has to be the final route right? There's of course some other things I'm curious about, like how many characters have the same blood type, share similar physical traits, and how many of them have family members who are originally from Ooejima, so I think there's definitely some shared past they have yet to discover. I've also been wondering why the side characters all have black eyes and the main characters have red eyes, as eye color was a pretty important theme in Hashihime and Uuultra C. Maybe it has something to do with their connections to Ooejima? I think they definitely have some shared past we don't know much about.

Lastly, the letters you unlock in-game are also really interesting to me, I wonder if it was Ooe An who wrote some of these? One of the letters mentions a sister, a lake villa and a boat, so could it be that her sister married into the Daiba family? I think there will definitely be some kind of connection between the characters, though we know so little about her there's not much else I can think of right now. I'm really looking forward to part 2, and it's also interesting to read everyone else's theories about the game so far! I can't believe I've been writing about this game for about 3 years now and slowly we're finally learning more about the story and its characters.

Here's a list of my previous blog posts about Ooe! Though I haven't looked at these for some time now so some might be outdated...

Old blog post with general information -> X

Trial version review -> X

Part 1 review -> X

#ooe #blgameinfo #blgamereview #blvn #adelta

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melmedardaapologist · 3 months ago

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Kinda related to your last post but if someone wanted to know the most they possibly could about Mel, which media should they be looking into? Obviously the two seasons of Arcane give us the most in-depth canon knowledge about her character, but there's also a bunch of supplemental stuff coming out recently and I'm having a hard time keeping up. Is it an Ambessa book and two or three short videos as well? I'm also seeing there's a comic maybe? I don't play League which probably contributes a lot to my confusion. Are there some interviews with the cast/creators that you think help lend insight to her character as well?

Of course! Within the Mel Medarda expanded universe, we so far have:

the book Ambessa: Chosen of the Wolf by C.L. Clark, which details the time between Mel's failure and her exile to Piltover, and while Ambessa is technically the main character, we get a lot of insight about the brutality Mel was trying to avoid having happen in Piltover as well as how she got her first tattoos

the Arcane Artbook has some early concept art and creator's thoughts on Mel, I have a copy so I might post all relevant pages to this blog for archiving purposes, and then the account @art-of-arcane sometimes posts additional concept art and the 3d modeling

the music video Blood Sweat & Tears, which recounts a vision Ambessa received while pregnant with Mel, it's also recounted in the Ambessa novel but I would still watch the original for the full experience

the LoL Season trailer Welcome to Noxus - Bite Marks, which isn't Mel focused and is, from what I can tell, to promote in-game events and isn't a show, but it does show Mel's immediate arrival in Noxus

the Mel Motion Comic | The Fourth Principle video, which is more of a character study regarding her thoughts about mercy, but does introduce us to a cousin of hers that has similar sigils

the LoL video The Roots of Empire | Origins of Noxus, a short piece (but gorgeously animated) that focuses mostly on Leblanc being ominous, but again reinforces Mel's importance in the world of Noxus (and possibly that the Black Rose will want to keep destabilizing Clan Medarda)

for the game itself, there's the Mel Voice - Special Interactions video that has short dialogue with other significant characters, due to the fact that LoL is basically a PvP game this does mean that the characterization is a bit odd and contradictory at times but it has its moments

she also has a very lovely champion theme The Soul's Reflection

more speculatively, there's the Iron & Chains show, which so far we only have leaks of, but it appears that Mel will be a main character with Swain as her mentor (and LoL is also heavily advertising with Mel at this moment, so I doubt she'll be missing from future projects)

unfortunately I don't really keep track of interviews, that's my weakest link in regards to material, but I know there's one hour-long interview with Toks Olagundoye here

That's all I can remember right now, I usually keep afloat of info by regularly scrolling through the #mel medarda tag and seeing what other people have noticed 😂

#arcane #mel medarda #league of legends #mcu: medarda cinematic universe

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knife-eared-jan · 9 months ago

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Anyone else think, that if Illario really did kill Caterina, it was something like this?

I read the theory that Illario is a red herring, but I also saw this analysis of Illario’s undeniable villain vibes. And I just think that both can sort of be true, if he didn't initially betray Lucanis but did kill Caterina now under the influence of the gods.

Especially because the gods can manipulate negative feelings that characters have but would never let themselves be led by under normal circumstances. Like that mayor presumably having always been greedy but normally just being a harmless mayor doing mayor things and genuinely also wanting to protect his people. Like Illario definitely feeling envious of Lucanis and his potential future position even though he also deeply cares for him and his well-being. So I think Illario would be a prime target for them. Either way, I think the resolution to Lucanis' possession by Spite is going to revolve around whether he can let go of resentment towards Illario and therefore the game intentionally makes him appear as shady as possible to lead us astray. I think there will be a good ending where Spite becomes Love or something similar or one where he embraces Spite by chosing to enact a character-defining spiteful deed himself, if you are of the same pursuasion as Bellara with the mayor that he should suffer for what he did despite being compelled by the gods. (So unfortunately, our desire to kill Caterina or anyone who ever hurt Lucanis is the exactly wrong energy to bring to his romance probably. An eye for an eye is never the way etc etc)

I read somewhere that the VA used his own relationship with his brother when voicing Lucanis, so I definitely think that Illario is going to provide the canvas for that choice and that there will be something that we need to forgive Illario for but that is also potentially forgivable depending on your own morals and not 2-dimenionally evil, so that D'meta's Crossing scene just really made me think of what I suspect the road their relationship will go down looks like, if that makes sense.

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goblins-riddles-or-frocks · 9 months ago

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If fighting vampire nazis, gore and guns wasn’t the focus of hellsing, what do you think the actual plot/main conflict could have been? I came across a post where you said alucard is wasted potential so … what kind of plot would show his potential? Also, what kind of a character arc do you think he should have had in a better and more thoughtfully plotted hellsing

Well I wouldn’t say the story isn’t thoughtfully plotted out :C

Like yes, it’s an over the top, campy, gorefest that makes no sense, but it succeeds in what it’s trying to do basically. I think it is genuinely, astonishingly good in a few ways. Hirano is fantastic at pacing and using his panels to give the impression he wants— when he bothers. And it’s surprisingly sound when it comes to structure and thematic motifs? The external plot is bonkers, but the way it handles these characters dealing with/being consumed by their pasts, and the way it uses vampirism/monstrosity as a metaphor is really solid.

Hellsing’s main thematic argument is one of comparing monstrosity and humanity, and pitting them against each other.

All the relevant monsters in Hellsing are presented to be unmoored, destructive, and unable to cope with the present in a meaningful way. They are defined by being incapable of moving beyond their pasts, so they seek out as much destruction as they can until they finally find something that can destroy them in turn. (This is consistent throughout the series but most clearly stated in volume 9)

All the monsters presented in Hellsing grapple with the inability to move on. Explicitly, Millennium’s entire raison d’être is bringing about a final “glorious” war they can die in because the modern world has no place for them anymore. They fight with fucking zeppelins. They’re relics.

Seras’ fight with Zorin hinges on a flashback, digging up all the trauma she never confronted. Walter and Alucard’s final battle is entirely about their history, and it has both of them looking like they did during the Dawn era.

Meanwhile, when Anderson uses the Nail of Helena (directly following the unraveling of Iscariot, and the death of Maxwell, who may as well have been his son), that is him refusing to cope. That is what drives him to monstrosity, to self destruction. That’s why he dies.

And Alucard, as the de facto protagonist, has spent the entire plot with the single motive of finding someone worthwhile to defeat him. He has no personal motivations outside of doing whatever Integra/Hellsing tells him to, and just… killing things for the love of the game until he eventually, finally dies. And his past hangs heaviest on the series. The entire present state of the series basically hinges on the shit he did as Dracula. The one thing we know about this guy is that if he could, he would very much like to die while killing things.

Anderson is meanwhile his main foil and most strongly represents the past/the siren song of death to him. He’s suspiciously similar in appearance to Van Helsing in the Bela Lugosi movie (despite Van Helsing looking different in the series itself) Meanwhile each encounter with him is immediately followed by a flashback, and then in that final fight Alucard ends up confronting his past human life.

And he almost gives up during that last fight, until Seras (a representation of the present and future) rouses him out of it. That’s his first real choice to move on. But it’s also established that eventually his past is going to catch up to him, and outweigh his future. It’s treated as a foregone conclusion, even if he’s not to that point yet.

So the Schrodinger thing at the end is really interesting. Because bullshit anime logic or not, the point is that he explicitly has to kill every single familiar he’s accumulated over the centuries, in order to exist in the present. Even then he’s “everywhere and nowhere” (lmao. whatever) which basically gives him the option to fizzle out of existence? So the epilogue existing at all, despite my various annoyances with its writing choices, is an interesting culmination of his arc! He chose to come back to his silly little found family when he really didn’t have to! I like that as an arc.

And in any sort of restructure I would want that preserved, even if the entire plot isn’t conveyed through boss battles. Anyway I’ve said for ages that I would want a monster of the week version of the series, so probs something like that.

Something with like the BTVS (or Supernatural lol) classic structure of small fry enemies per episode that culminate in a season arc/big bad. The ideal tonal and stylistic comparison would be X Files, but their overarching narratives famously sucked. Anyway I just would’ve liked a procedural vibe like that. I think the implications of Integra taking over the Badrick situation in the first volume is really interesting. And Seras being a police officer who was super not in the know— when higher ranking people are— was something that could’ve been explored in much more depth. I would’ve loved to see her as a recurring character in their like procedural episodes who keeps brushing up against this weird paranormal leaning stuff she doesn’t understand, until she finally gets involved in something that goes wrong and has to be turned into a vampire (ostensibly to save her life… but maybe to keep her quiet)

I also would love more intra organization drama that doesn’t result in immediate blood shed. We’re told that Iscariot and Hellsing have clearly mapped out jurisdictions based on majority religion, and treaties and diplomatic relationships, however strained. Maxwell going “fuck your treaties” is apparently a new thing, so like how does that go! What are the repercussions! What brought this on! And like are there any other similar organizations abroad? Are there team ups? I would like there to be team ups.

Meanwhile the existence of the round table implies that… the entire UK government.. is a sham? That they’re actually living in a secret feudal society? I want to know about the families and the politics and the very likely cartoonish degrees of corruption! The original Studio Gonzo show, very poorly, implemented a plotline where Hellsing became too much of a liability and the Queen specifically decided (lol) to have them publicly labeled as a terrorist organization and arrest everyone involved, pretending that they never had any government ties. That was fun! I would like a good version.

Or like it’s set in the 90s, let’s talk about how much harder it’s going to be to keep the supernatural quiet with the rise of technology, and the Internet. Like idk there’s room for a lot! I would basically just love to see a more sprawling version of this story and world.

My main issue with Alucard also is just that he’s so overpowered physically, that it seems like a waste to always put him in fights where he is 100% no question going to win. Putting him on a ship because the plot simply wouldn’t happen if he was there is 😭😭😭 I think we can have some boss battles, gore, and body horror, bc that is fun and the main series identity. But he just needs more restraints. I’d put more focus on him answering to Integra, who in turn answers to the slow moving machine that is bureaucracy, and just not let him do as much, and with severe consequences if he gets too out of line to maintain some stakes. Meanwhile, having a more mystery procedural approach would’ve balanced things out a bit more imo!

#hellsing #hellsing ultimate #long post #a mysterious stranger has appeared #meta #step into my office #dark stories of the north

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rowansender · 2 months ago

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Alight, so

Rituals

Rituals and tabletop games have a decent amount of overlap. There are some superficial similarities: standard procedures, studied rules, and unique tools. Then there are some that are less obvious. These edge more towards the metaphysical: taking on roles beyond yourself and maintaining an unreality through personal or collective will.

I think there is plenty more to dive into on these points. One point I want to drill down into is the place randomness has in the process of either of these.

I originally defined rituals as not having much randomness involved. While I still think that’s true for the total outcome of most rituals, as I’ve worked through this idea, I’ve come to realize that I was leaving out a huge portion, and perhaps the ur-ritual for nearly every magical practice: divinations and fortune telling.

I don’t have the references on hand to really get in depth here, but divining the future is the fundamental inclination in most real world magical traditions. Even the suffix “-mancy” which we use often in contemporary fantasy fiction just means “divination via _____”. Tarot, astrology, reading of tea leaves and burnt bones. Every culture has one, and they almost universally use some tool of randomness (or pseudo randomness in astrology’s case).

You could almost think of rolling for in game outcomes as rolling your characters fortunes. It would be interesting to frame a game in future tense; it all plays out as a vision from an oracle that is telling of your character great journey.

There is still some distinction here from TTRPGs. While process randomness does occur in rituals, there is generally less structural randomness. The idea of a random table for deciding a structural event would generally not appear in a ritual. TTRPGs use GM level random roll tables to determine some level of procedural structure. This is the wrinkle of randomness that doesn’t appear in ritual. This would also apply to character level decisions.

When designing a game that is meant to be played as a ritual, decisions about the structure of the game should be proscriptive. They should lack flexibility in from, but may still flex in the process of playing them.

——

I’ve been wanting to write a bit more in-depth about how Rituals and TTRPGs intersect. I was hoping to do some research and see what else has been written about this idea, but the world has conspired against me. I wanted to get this out near the start of the month and it is what it is.

This is in no way an exhaustive exploration of these ideas. I’d love to hear some of these ideas expanded more by people in the occult world, as I’m not as well read there as I’d like to be.

#indie ttrpg #ttrpg #ttrpg design #occult #witchcraft #ritual #eternal ttrpg jam

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ari-rina · 4 months ago

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6th LI Speculation

So while on the lads discord in the caleb-chat (I love you girlies!), we started bouncing off ideas about what the 6th Li could be, and I had a LOT of thoughts that I want to write down here. This is my personal opinion on what is 1. plausible and 2. cool in my opinion, so it will in the end differ from what we discussed in the server a bit. However, we bounced so many ideas off of each other that I want to give credit to @z8ynesnowman and @toukhi-0li. It was a blast chatting with you <3

First of all, it will most likely be a Rival to Rafayel, as we already have Xavier vs Sylus and Zayne vs. Caleb. A lot of my speculations hinge on this very same point to see what dynamics the other rivals show and make conclusions as to how 6th Li would be contrasting Rafayel.

As we can see with the other four, the hair color of the rivals is very similar to their rivals: Xavier = platinum blonde & Sylus = silvery grey and WILD Zayne = black & Caleb = dark brown/black and STRAIGHT So we can safely say that with Raf = purple and CURLY, the 6th Li might also have red (or other more fantastical hair color) and CURLY hair. As for eye color, looking at the stellactrum colors in game, which are also six, only Yellow or Green are left for grabs, depending on how you interpret Zaynes's eyecolor. At it looks mostly green to me it means 6th Li will have Yellow-ish eyes, maybe Amber?

As for the Background, we have 2 Aliens with present-day Sylus and Xavier 2 Childhood friends with Zayne and Caleb 2 Mythical Creatures with Lemurian/Merman Rafayel and 6th Li. I personally lean towards the fae for him because forest/land vs. sea. Although, we could also go with a more asian-inspired version of the fae with a spirit or a demon/oni, I can see that just as much because the folklore is fairly similar in a lot of ways. Both the fae and asian spirits also have this ambiguous morality and mythical danger that compliments the siren myth of Rafayel. Unfortunately, we don't have any indication towards other mythical places/creatures in the game so far as it had been with Lemuria, so it seems like a long shot at this moment to me. Maybe the game will only have these unlocked once the 6th Li drops, but I personally hope for pre-drop foreshadowing/hints. If we mix and match instead, I have a better proposition for him: 2 Mythical Creatures with dragon myth Sylus (because he remembers his past life imma count this) and Lemurian/Merman Rafayel 2 Time Travellers with Xavier and 6th Li. If Xavier is from the future, I suggest the 6th Li is from the past. It would also contrast very well with his rival Rafayel since Rafayel waited hundreds of years to be reunited with MC, whereas 6th LI would have decided to skip the waiting time and time-travel right to the time where MC is alive to see her again.

Myth-Wise we also have 2 Fairy Tale characters with Prince Xavier and Dragon Sylus 2 God-Defyers with Zayne and Caleb, as I am highly suspecting Caleb's myth will either be Adam/Eve or Fallen Angel, possibly with another appearance of Astra as the antagonist. And 2 Gods with God of the Sea Rafayel and potentially God of the Sky or God of Time for the 6th Li. God of Time would work well with the suggestion that he's a time traveler from the past, though I personally also like the idea of a more traditional-coded god. With Lemuria being the game's version of Atlantis, I could see the 6th Li ruling over the game's version of Olympus or Valhalla as a Zeus- or Thor-like figure. Since Rafayels Myth is more Greek/Roman Mythology coded, I think it will be either another Greek/Roman or another Western (Norse) Mythology for the rival.

This brings us to his EVOL: Again, we have a bit of something going on with the rivalries, at least for Xavier and Sylus: they look like light and dark, even if Sylus is actually energy. We also have ice and fire covered, as well as gravity. As a rival to Rafayel, I personally feel like lightning could be a good alternative. Considering there's also lore that could play a role here, I'm also throwing Time into the mix, though it might be too wonky a concept to put into the game (though I can easily imagine a resonance skill that adds 30 seconds to the time-limit fight). I'm personally leaning more towards Lightning, because we already have 3 non-elements with Light, Energy and Gravity, but only two elements with Fire and Ice.

Now, let us speculate on personality and other tidbits: Xavier, Sylus, and Zayne are all very calm and collected; they don't easily show their emotions and don't have emotional outbursts in general. Caleb and Rafayel, in contrast, are very expressive and wear their hearts on their sleeves to a degree. So, to even the numbers, I suggest the 6th Li will also be quite expressive with their thoughts and feelings. But since both Rafayel and Caleb also tend to keep things from MC, I do not expect him to be honest! He will probably hide behind a facade of approachability and teasing just like those two do! Furthermore, we have the following stereotypes: Cinnamon Roll + Serious with Xavier Mafia Daddy + Patient Girl-Dad with Sylus Reserved + Brat Tamer Zayne Manic Pixie Dream Boi + Tsundere with Rafayel Yandere + Social Butterfly/Jock with Caleb Notably missing is the Hothead, the Bighead, and the Playboi. As I don't think that Playboy persona will come to LADS since it's always MC as the focal point for the lore, I think 6th Li will be a Hothead who thinks highly of himself and has a massive Ego (which would fit well with red hair according to Anime-rules, and would connect well with the "god of the sky" usually being the ruler of gods). We also have Coworker/Hero with Xavier and Mafia/Villain with Sylus Doctor/Sweettooth with Zayne and Military/Likes Sour Food with Caleb Artist/Employer with Rafayel. Potential Careers that go opposite of that would be something with Finance, Business, or my personal favorite, IT/programming. And since Raf is the Employer, for the sake of opposites, maybe MC will hire him as a hacker to get some info on her past or on Ever? Just throwing that out there.

That's it for now! I know there is a lot of speculation about the 6th Li being from Ever or Astra, and while I enjoy a good enemies-to-lovers arc, I personally am not a fan of any LI being connected to Ever. As for Astra, I'm too much of a fan of this theory right here to ever want anything else.

To anyone who came this far: Thanks for reading all this! You're welcome to share your thoughts in the replies or reblogs ofc.

#love and deepspace #lads #love and deepspace theory #love and deepspace speculation #love and depression #love and deepspace 6th LI

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theladyheroine · 5 months ago

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Predictions for the Sonic Cinematic Universe! 💙

❥ Hey everyone! So this post will be similar to my TMNT version, where I’ll just be guessing characters that could come in later movies or TV shows. Thank you & I hope you enjoy!

Silver the Hedgehog 🤍

Silver’s time to shine! Hopefully (lol) but I really hope he’s in the series soon! Since he’s one of the main members of the Hedgehog trio, as well as one of the protagonist in a major Sonic game, I feel he’ll fit in just fine! While I understand his debut didn’t go so well back in 2006, I think he has a big enough fan base to back him up too. Plus, Silver’s just so sweet & cool!

A time-traveling event would be such a great concept for a big film! Similar to the Rise of the TMNT movie, Silver could be an Older! Sonic’s apprentice from the future. Maybe something goes wrong and Silver has to travel back in time to fix it or warn Sonic.

As for portrayals, I like Silver the way he is but since he doesn’t show up too often, there could be ways to develop his personality a bit. While he’s very friendly, maybe making him shy or a little more hesitant than the other characters would fit. Since he might not have alot of heroic experience, Sonic might take on another mentor-ish/big brother role.

Rouge the Bat 💎

I know everyone wants Rouge in the Sonic movies and I do too! While she didn’t show up in the Knuckles series, she would make a great deuteragonist in the show later on! Or as a potential side character in the films! Although she would be a funny contrast to Knuckles with his stubborn, intimidating nature vs her laidback attitude.

Much similar to Shadow, posing as a former antagonist would do well for her, but Rogue feels more of a “mean girl” character than a big bad villain. Especially given her recent history in Sonic media. At the very least, she could be a jewel thief or treasure hunter who’s looking for the Master Emerald, but then decides to help everyone instead.

Continuing the “mean girl” perspective, a Movie version of Rouge would likely be interested in—well—her own interests. 😅 She knows what she wants & goes after it, but if it’s unavailable she might throw a fit… This could balance out Knuckles though if they interact, since he’s a lot more grounded but very loyal to everyone. Especially his allies!

Team Chaotix 🔎

These are characters I’m also very excited for! Ecstatic even! But since they come as a trio, there’s more to work with in adapting them for a film or TV show. Although they did have a cameo in the prequel comics! So hopefully that’s a sign!

Story-wise I think it would be a good opportunity to reunite the Chaotix with Knuckles! Plus they have some big in-game history with him in their first game, so it would be cool to have some sort of big mystery for them all to solve! Wade could tag along too & maybe the Chaotix become official detectives in Green Hills.

For personalities I think they would all be relatively the same, but I would LOVE to see Vector get into old noir films! Maybe try a few funny quips from the 1940s, only to say them wrong. 😅

Espio would be the type of character to just pop up out of no where all the time, like a true ninja! I also want to hear him with a Japanese voice actor, that I feel is just very fitting.

Since Charmy is already a hyperactive character, his energy could be a good contrast to Tails since they’re around the same age. Plus you got Colleen O'Shaughnessey doing two characters!

Tikal 🧡

Now I was a little unsure about Tikal appearing in the SCU considering she doesn’t appear very often & doesn’t reoccur either. But this could give her a chance to shine! Since she has big ties with Knuckles in the games, I think she could have at the very least a cameo or some kind of mention.

Her portrayal would be more fitting in the Knuckles TV show if they ever did a season 2 maybe. Since it mostly focuses on him, Tikal could be another ancestral spirit. Or if they really wanted to go big she could be another tribe member looking for Echidnas! That would be awesome!

Now all I really know about Tikal personality-wise is that she’s gentle & sweet! Her presence would be a nice addition to the cast; someone calming since the others can be very “upfront” with their abilities. Especially Sonic & Knuckles!

Thank you everyone for listening! Have a good day/night! ☀️🌖

#sonic the hedghog fandom #sonic the hedgehog #sonic the hedgehog headcanons #sonic the hedgehog movie #sonic movie universe #sonic movie 3 #sonic movie three #sonic movie positivity #silver the hedgehog #rouge the bat #team chaotix #vector the crocodile #espio the chameleon #charmy the bee #tikal the echidna

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thebisexualwreckoning · 5 months ago

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I've been thinking a lot about The Hunger Games recently, especially with the new book coming out. About how Suzanne Collins managed to write a book that continues to ripple effect most every single book in the YA genre to this day. The Hunger Games is the ginormous elephant in the room, every single book that comes out with a 17 year old girl who stages an uprising or fights a violent regime is going to be compared to Katniss.

The Hunger Games is one of those books that you can't really recreate though and no matter how much you try, it's just going to be a pale imitation of the original (Powerless anyone?). Unfortunately though, most still continue to try without understanding what Collins was attempting to do with the books, which is probably why she keeps releasing new more blatantly obvious versions of the first books to try and get her point across. Which, while I appreciate as a reader, is slightly terrifying as a human being.

However, the point of this essay is not to make a critique on the decaying moral values of modern day readers and how this trend is only exacerbated through social media, but to talk about Katniss and Alina and how the same endings on seemingly similar characters (at least if you're looking at it through surface level view) can end up being so so different.

I want to preface this by saying that I do not believe that Leigh Bardugo plagiarised Katniss' epilogue for Alina, I'm just pointing out that nothing exists in a vacuum and within the timeline of her publishing journey, it makes sense that certain aspects of her novels might have been influenced by Suzanne Collins.

While Katniss and Alina might appear to be very similar characters at first glance, both impoverished 17 year old girls who have had nothing for most of their lives swept away to live a life of luxury in exchange for laying down their lives for their new benefactors (Literally in Katniss' case), that is where the similarities end. Alina is special, she's the chosen one, better than everyone else in the world of the novels (or at least until Zoya comes in and ends up becoming the most specialest grisha to ever exist) because she is the only one with the power to destroy the Fold. When Alina learns that the Darkling is 'evil', she runs away to try and stop him, making the active decision to being a saviour of the people.

Katniss on the other hand is just some random girl. She isn't special, she wasn't chosen as a child and raised for the purpose of overthrowing the capitol, she doesn't have magic powers, Katniss is nothing. End of story. If it wasn't Katniss, then it could have been any other 17 year old girl. Katniss is not necessary for the destruction of elite upper class of The Hunger Games. That would have happened regardless. They could have created any other martyr the same way they created Katniss post the 74th Hunger Games. Alina has been powerless all her life, so she chooses to become a saviour, Katniss has been powerless all her life and she just wants to be left alone.

Which is why it makes no sense for them to have the same character arcs. When Katniss settles down with Peeta in the ruins of District 12 and helps rebuild, eventually learning and falling in love with who Peeta is outside of regime where they must be on constant guard because survival is not guaranteed, it is a realistic ending. One that shows us that hope exists among darkness. That our past does not have to define our future. That surviving and choosing to live despite the darkness of our pasts is also a method of rebellion. It's almost hopepunk in a way which makes sense considering the majority consensus among current THG readers that Katniss was most likely native coded - specifically of the Melungeon people of Appalachia on her father’s side. Katniss has always dreamt of a peaceful life where she does not have to worry about her family being drafted for the hunger games and now she gets it despite the pyrrhic sense of their victory. It's a moment to be celebrated but also a moment to reflect on what it took to get here, all that was sacrificed.

When Alina settles down with Mal at the end of the story to become a farmer's wife, she is giving up on her dream. Being a farmer has always been Mal's dream, Mal's vision of their future. It makes no sense for Alina to want it too, a character who up till this moment has shown no signs of wanting domesticity. When Alina loses her powers, it's supposed to be a tragedy. Alina has had nothing, her entire life has revolved around Mal ever since that orphanage. Her grishaness was the only thing that she ever had for herself, the one thing she had say over, not Mal. Alina's ending honestly reminds me of how so many woman with bright futures give up their hobbies and careers when they the world's most beigest man (why yes that was an interview with the vampire reference) just because their husbands don't like it when they aren't there to serve 24/7.

But this the part that gets me the most: The children.

Alina retires to Keramzin with Mal and rebuilds the Orphanage. Which would have been fine, if a boring ending for such an interesting character, except not once has she shown any inkling of wanting to do this throughout the series. In Siege and Storm, we see Alina grow more ambitious, wanting to lead the second army and growing more and more powerful. What happened to this girl? Why did she suddenly decide to give it all up and become a glorified housewife? Alina's ending does not have any of the nuance that Katniss had. Alina has never shown any feeling remotely close to wanting to run the orphanage. By returning at the end of Ruin and Rising, she's just recreating her childhood, Mal deciding what they do and her simply following along. Alina is stuck in this endless cycle of being dragged around and defined by a man and no matter what she does, she cannot escape.

However in The Hunger Games, we are shown throughout the series how much Katniss desires children, desires that domestic life. It is repeatedly drilled into the reader that the only reason Katniss has chosen not to have children is because she refuses to let another child live to grow up fearing their own death in the Arena. She does not want her children to live the same life she has lived. With the threat of the Hunger Games and the Capitol gone, there is nothing stopping her from having children. Katniss shows us through her actions how much she loves kids, first with Prim who you might be able explain away with a familial bond and then with Rue. Hell, she even cares for the other kids her own age in the arena, who she understands are only acting the way they are due to their desperate desire to survive. Katniss feels terrible whenever she has to kill. She does not desire power, she has no ambition except to live. Katniss pretends to be that 'tough guy' YA heroine stereotype to hide how fucking scared she is. Katniss is a teenage girl forced to be the face of a revolution and she wants nothing more than to resign.

A common critique of Katniss' ending that I've heard is that she doesn't mention the names of her children in the epilogue. I think this is very deliberate. The Hunger Games is very meta as a book. Suzanne's entire intention when writing it was to make her audience realise that the moment they picked up a book where children are forced to fight to the death for entertainment (because let's be real, who would have thought this series to have turned out to be what it is based on the blurb from the first book) we became the members of the Capitol. By committing the crime of reading Katniss story looking to be entertained, we have doomed ourselves. And I believe Katniss herself knows this to an extent. So, when Katniss doesn't mention the names of her children, I think its not because she doesn't cares for them, but its because she refuses to let us know. It's bit of a fuck you to the audience. A little bit of a, "You've had everything of me. I will not let you have this." moment for her.

So why is it that Katniss is the one who is considered to be written ooc (out of character) while Alina is relegated to the role of girlboss and 'feminism means respecting a women's ability to choose for herself teehee'? My personal belief is that it has a lot to do with modern day opinions on women's rights and the rise of the romanticised cottagecore/tradwife aesthetic in a post-pandemic world (GASP! It was the phones all along??!!!) and the absense of any critical thinking being employed while reading with the advent of booktok and the depoliticization of reading. BUT ☝️that is a post for another day because I am not paid enough (or like, at all) to write these.

Anyway, i digress that is all just my opinion - which is of course coloured a lot through my opinions on Leigh Bardugo herself, so take it with a pinch of salt. Everyone is free to believe what they want to (we are a free-ish world after all) and that might mean believing everything I have written is (pardon my French) a load of bullshit. No offense taken, I too often believe that what I have written is a pile of bullshit. But I truly do believe in this and I hope you do too.

Signing out!

Your Local YA Reader

#i mean it could have made sense if alina had even showed an inkling of wanting to raise kids in throughout the trology #but we still literally know nothing about her #everything we know about alina is post her finding out she's grisha #and even then she doesnt really have much of a perosnality #she just lets the events happen to her and is dragged from one place to another #which is a valid choice to make #(suzanne does something similar with katniss as well)#but it doesnt make sense within the genre nor does bardugo attempt to do anything with it #no social commentary like collins does #idk #i just think alina's ending was extremely cowardly #anti leigh bardugo #anti grishaverse #anti alina starkov #< not really but just in case #pro darkling #< technically #pro thg epilogue

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