#Intergalactic

[ellieabbyy]

[bajoop-sheeb]

Meditation by Yoong Bae

[jareaau]

Jordan A. Mun in Intergalactic: The Heretic Prophet Trailer (2024)

[bikiniarmorbattledamage]

Silent Hill 2 is the greatest game I don't think I can unconditionally recommend to people. Because it is amazing, but its also about trauma, guilt, abuse (of adults and children) and how unhealed, festering harm perpetuates itself onto innocent bystanders. A play-through of it is a rough ride emotionally.

It also features this adorable little scamp with the excellent points.

Now, if you're at all familiar with Silent Hill 2 you're probably very well informed on what this particular meme relates to. But if you're not, and you want a primer - Dead Domain has created a video pointing out the absurdity of this particular fiasco.

This was, of course, followed up when trailer seasons came around and Naughty Dog released a trailer than seemed to depict a woman who didn't care for gender conformity, and CD Projekt trailer that indicates, let me check my notes... Ciri's appearance has changed slightly as she's grown older - also she's probably going to be the protagonist of the next game, as all variations of The Witcher always build to. This has lead to some truly amazing fan art, and also the greatest possible observation by @dyingnome

And this isn't a surprise to anyone who follows these conversations, I think it's worth talking about because certain events globally have emboldened these types (who always seem to be gulible enough to pay for a blue tick on X nee Twitter) - leading to them trying to shout out all other conversation on the medium. We are, in fact, at the point where they're admitting they are Nazis who don't play games.

Truly we have never had more confirmation that the people who aggressively campaign for a standard of cartoonishly over-sexualized as the baseline for female characters do so not out of a love of gaming, but rather because of overwhelming indifference to a medium they don't participate in.

@verilybitchie has recently just released an essay that focuses initially on disappointment with current trans, particularly non-binary, options in games, but also covers how we got there in terms of certain genres of games having been historically unwilling to to let go the male gaze.

This, of course, is not an excuse for the self-identifying Nazis etc, but goes a long way in explaining why your more normal friends might have a confused reaction, and highlights the kinds of issues in the industry that are still unaddressed.

Also, in case you're the sort of person who needs to hear it from a middle-aged or older white man:

-wincenworks

DeadDomain's YouTube | All dyingnome's links | VerilyBitchie's YouTube

[vintagepromotions]

Advertisement for the Hello Nasty album by the Beastie Boys (1998).

[whatelsecanwedonow]

The suffering of generations must be endured to achieve our divine end.

INTERGALACTIC: THE HERETIC PROPHET Announcement Trailer | December 2024

[threecirclingbuzzards]

Woah. Women.

[theylcveme]

naughty dog could never disappoint me

[ellieabbyy]

if she looked at me like this I’d die

[aforgottenthing]

This April Fools, I thought it was only fitting that I finally share the greatest powerpoint I ever made while working a mentally and physically draining fulltime retail job at 18. This is my pride and joy. I hope you enjoy <3

(the experience of reading this here will never live up to all of my fun little slide transitions but i included the blank slide to slightly allude to it)

[vintage-tigre]

Beastie Boys, 1998

[joe-spookyy]

thinking about the star trek beastie boys paradox. the use of the hit song sabotage by the beastie boys in star trek (2009) raises many questions that go completely unanswered in the rest of the series. since the song is part of the scene and is being not only heard but intentionally played by captain kirk, this means that sabotage exists in the star trek universe. if this song exists, it implies that the remainder of the band’s discography also exists. but the issue here is that in several beastie boys songs, they directly reference star trek and its characters. examples include in intergalactic, where they mention “a pinch on the neck from mr spock”, or in the brouhaha, where they say “this is bones mccoy on a line to sulu.” the fact that captain kirk himself is listening to the beastie boys in this film and again, to one of their lesser known songs (a REMIX of body movin ON VINYL) in the sequel, gives the viewer an idea that he’s a pretty big fan of their music. does kirk simply not notice the fact that they’re literally talking about his friends and coworkers? they literally say HIS name in b boy bouillabaisse: stop that train. or am i meant to believe that he’s conveniently not heard some of their most popular music? intergalactic is their third top song on spotify. there’s no way he hasn’t heard it. is he just really really oblivious? or are the beastie boys just some sort of prophetic gods in this universe? director jj abrams, i applaud your music choices but by making the beastie boys canon in star trek you have opened up a whole can of worms and i don’t intend on letting you rest until you solve this mystery for me. WHAT IS THE TRUTH!

[coconutbramblesprite]

MY SHAYLAHHHHHH

THE HAIR

EMMA MY BELOVED

I may or may not have noticed that there is a distinct lack of content about Emma Grieves so i decided to get some screenshots!

[cosmonautroger]

Beastie Boys, Intergalactic, 1998

[barklikeagod]

i want her . bad

[gebo4482]

Intergalactic: The Heretic Prophet

Announcement Trailer

Website