#Like shockingly bad
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littlemuppetmonsters · 1 year ago
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James cameron is actually so lucky that no one really gave a fuck about avatar because if more people played this game he would be getting bomb threats to his house
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Danny Fenton, aka Phantom, has been given a new task!
In short, literally no one in the Ghost Zone/Infinite Realms wants their mostly peaceful afterlife to be rocked by a certain Gotham rogue named Joker. Which, when he dies, is almost sure to happen because of whatever the hell was in that vat he dropped in included ectoplasm. So, yay, he’s also a little ghostly too, meaning he *is* pretty hard to kill. Unfortunately, there’s also a certain vigilante that is quite keen to murder him in recent years.
So now Danny has to keep the mass murderer trauma clown alive for as long as he possibly can while attempting to keep the Joker from. Well. Being the Joker.
Oh, and naturally, Danny got this assignment AFTER Joker got out of Arkham. Again. And entirely blew up the asylum. Time to join the Goonion, he is NOT doing this without getting PAID, thank you.
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pocmuzings · 2 months ago
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welcome  to  a  guide  for  2025  rpc  and  a  throwback  to  the  importance  of  creating  well  rounded  ,  developed  characters  .
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a  general  lovenote  and  reminder  on  how  to  create  characters  people  want  to  rp  with  ,  as  discussed  by  g.    please  note  ,  these  are  all  my  own  thoughts  and  feelings  ,  but  i'm  not  '  married  '  to  any  of  this  .  i'm  happy  for  open  conversation  ,  thoughts  ,  feedback  etc  ,  but  i  don't  tolerate  aggressive  messaging  .
the  first  thing  i  think  about  when  i  think about  my  character  ,  whether  for  a  rp  ,  a  book  ,  a  short  story  ,  or  a  1x1  partner  is  .  .  .  where  is  my  character  ?  not  just  physically  ,  but  emotionally  .  what  got  them  there  ?  what  have  they  already  overcome  ?  what  do  they  have  LEFT  to  overcome  ?
whenever  i  write  or  create  a  character  ,  i  think  about  them  in  the  same  way  i  think  about  any  story  making  .  stories  (  typically  and  in  some  manner  )  have  beginnings  ,  climaxes  and  ends  .  they  also  have  problems  that  need  to  be  solved  (  or  not  solved  )  .  there's  an  arc  we  follow  .  we  go  up  the  mountain  ,  then  back  down  again  .
a  beginning  is  not  necessarily  '  born  in  1982  ,  to  two  loving  parents  '  .  it  doesn't  need  to  be  a  beginning  of  time  ,  but  can  just  be  the  beginning  to  your  characters  story  .  e.g  '  despite  having  two  loving  parents  ,  she  had  a  deep  focus  on  soccer  .  if  not  soccer  ,  then  maths  .  if  not  maths  ,  something  else  .  from  a  young  age  ,  she  strove  for  perfection  and  being  the  best  at  something  .'
this  beginning  sets  the  tone  of  your  character  .  in  a  few  sentence  ,  we  can  already  see  what  kind  of  person  she  is  and  know  that  she  has  some  internal  demons  she's  battling  .  we  don't  necessarily  need  her  entire  family  tree  unless  it's  critical  to  the  story.
from  there,  we  have  our  climax  or  problem  statement  ,  where  things  really  begin  to  boil  .  again  ,  it  doesn't  necessarily  need  to  be  '  everything  came  to  a  head  when  her  mother  died  '  .  we  can  make  it  more  character  focused  by  writing  '  in  2012  ,  her  mother  died  and  she  threw  herself  into  trying  to  create  the  perfect  replacement  family  .  she  got  married  to  4  different  men  in  the  space  of  5  years  ,  and  has  5  children  shared  among  them  ,  as  well  as  2  step  children  .  but  she  is  unable  to  settle  down  .  she  feels  restless  .  she  finds  it  hard  to  be  a  mother  because  everything  reminds  her  of  her  own  mother  ,  and  the  loss  she's  endured  .  '  now  ,  we  already  know  two  things  about  our  character  :
1  .  she  wants  to  be  perfect  and  the  best  ,  including  at  creating  families
2  .  she  is  terrified  of  her  role  in  motherhood  due  to  the  loss  of  her  own  mother  and  feeling  unmoored  without  her
this  can  then  take  us  to  the  problem  solving  portion  of  the  character  .  this  is  usually  where  i  like  to  start  my  character  in  rps  and  1x1  and  novel  worlds  .  we  have  these  2  issues  and  2  core  beliefs  within  the  character  .  they're  instrumental  to  her  .  how  are  we  going  to  overcome  it  ?  ARE  we  going  to  overcome  it  ?
we  can  begin  to  think  of  the  butterfly  effect  in  terms  of  our  character  .  we  can  begin  to  think  of  the  tree   and  its  branches  growing  within  her  ,  extending  out  to  other  characters  .  we  can  see  how  she  effects  other  people  ,  including  those  close  to  her  ,  not  close  to  her  ,  new  friends  ,  old  friends  ,  new  love  interests  ,  past  interests  .  we  can  create  drama  and  connections  because  we  have  a  strong  foundation  .
so  .  where  does  it  end  ?  does  it  need  to  end  happily  ?  simple  answer  is  no  .  your  character  can  end  in  the  exact  same  place  as  they  did  at  the  beginning  ,  but  the  point  is  that  we've  gone  on  the  journey  with  the  character  .  maybe  we've  seen  her  talk  to  her  mother's  grave  .  maybe  we've  seen  her  go  to  grief  counselling  .  maybe  she's  gotten  pregnant  or  married  again  .  the  problem  statement  doesn't  stop  her  or  stick  her  in  one  place  .  in  fact  ,  if  anything  ,  it  can  encourage  her  to  keep  making  the  same  mistakes  .  on  the  coin  flip  ,  she  can  learn  .  she  can  grow  .  she  can  heal  .  she  can  mend  the  relationships  with  her  kids  ,  her  past  partners  ,  rekindle  love  ,  or  find  new  love  .  the  whole  point  in  the  made-up  'ending'  for  a  character  ,  is  that  we  have  options  .  we  haven't  locked  her  down  .  we  can  continue  to  plot  ,  connect  ,  develop  ,  etc  ,  as  we  go  along  .
QUESTIONS  AND  THOUGHTS  I  CONSIDER  WHEN  CREATING  A  CHARACTER  :
how  has  your  character  ended  up  where  they  are  right  in  this  moment?  think  about  where  you’re  starting  them  from,  and  what  that  looks  like  realistically.  not  just  physically  :  how  did  they  get  to  this  place  ?  but  also  mentally  :  what  did  they  have  to  do  to  become  the  person  they  are  ?  was  it  good  or  bad  ?  everything  you  are  and  do  and  become  as  a  human  is  made  up  of  tiny  almost  inconsequential  decisions  or  choices  you  made.  you  decided  to  study  x.  you  broke  up  with  y.  your  parent  passed  away  so  you  had  to  come  back  to  your  childhood  home.  your  illustrious  career  came  crashing  down  and  you  need  a  place  to  cool  off.  you  never  left  here,  you’ve  been  here  from  the  beginning,  because  you’re  searching  for  something.  what  is  it?  what  is  the  thing  that  has  your  character  right  where  they  are  in  this  exact  moment  ? 
what  emotion  do  they  feel  the  most?  regret,  anger,  longing,  nostalgia  ?  this  helps  drive  your  characters  motives  past  and  presently.  it  also  helps  you  understand  their  goals.  what  they  want  to  achieve  and  why.  maybe  they  yearn  for  longing  and  friendship  and  connection  because  they  never  got  it  as  a  child,  whether  at  home  or  at  school.  maybe  they  regret  not  keeping  in  touch  with  their  childhood  friends  because  now  they  are  surrounded  by  people  they  can’t  trust  and  work  in  a  shitty  environment  where  you  have  to  climb  over  others  to  get  on  top.  everyone  has  a  goal.  everyone  has  an  emotion  that  drives  it.  what  is  your  characters  and  why  does  it  matter?  how  does  it  present? 
when’s  the  last  time  they  cried  and  why?  everybody  cries  and  everybody  cries  in  very  different  ways.  it  says  a  lot  about  the  emotional  state  of  a  character  and  their  emotional  health.  are  they  in  tune  with  their  emotions  and  cry  at  appropriate  times?  do  they  compartmentalise  it?  do  they  only  cry  when  angry?  dig  into  it  and  think  of  the  why  why  why.  why  does  my  character  only  cry  at  this  one  thing?  why  does  my  character  only  feel  safe  crying  alone?  why. 
what  is  your  characters  biggest  regret  in  life?  did  they  get  on  a  plane  when  they  should  have  stayed?  did  they  study  a  subject  only  because  their  parents  wanted  them  to?  did  they  not  kiss  the  girl  when  they  wanted  to?  let’s  be  honest.  our  lives  are  filled  with  “if  only  i’d  done  xyz”  .  if  only  .  this  also  provides  a  great  opportunity  to  MAKE  these  plots  and  plot  with  other  people.  now  we  can  come  up  with  exes  or  ex  best  friends  or  old  flames  or  whatever  whatever  ,  because  there’s  a  good  chance  your  character  regrets  something  that  impacts  someone  else  and  they  regret  it  BECAUSE  of  that  impact  . 
ADDITIONAL  THOUGHTS  AND  TIPS  I'VE  PICKED  UP  WHILE  RPING
honestly  the  more  “whys”  you  can  answer  for  your  character,  the  more  in  depth  you’re  getting.  in  order  for  other  people  to  understand  your  character,  you  need  to  understand  them  yourself.  you  can’t  expect  people  to  write  with  your  character  if  they  don’t  really  have  much  of  a  stable  personality  and  your  plots  don’t  make  much  sense.  remember:  plotting  should  contribute  to  your  character  and  their  development.  human  relationships  don’t  just  exist  because  we  like  them.  they  exist  because  they  serve  an  unserved  part  within  ourselves. 
genuinely  think  of  their  hobbies.  it’s  all  well  and  good  to  say  “she’s  a  bookworm  and  loves  puzzles”  “he  likes  music”  but  like.  what  does  that  actually  mean?  WHY  do  they  like  certain  things  ?  do  they  like  reading  books  or  writing?  do  they  like  fantasy  and  escapism  because  it  reminds  them  of  childhood?  do  they  listen  to  only  their  dads  favourite  music  because  they  miss  him?  do  they  make  playlists  for  niche  and  specific  moods  only  applicable  to  them?  why  are  their  hobbies  important  to  them? 
consider  their  connections,  not  just  future  but  npc  and  current.   how  would  5  close  friends  describe  them  in  one  word?  how  would  their  ex  describe  them  in  one  word?  what  is  one  thing  that  others  could  safely  always  rely  on  your  character  for  (eg  designated  driver  on  nights  out,  always  having  some  type  of  fidgeting  device,  knowing  a  phone  app  to  help  you  meditate  or  streamline  a  process  etc  etc).  we  all  exist  in  the  worlds  of  our  loved  ones,  past,  present  and  future.  we  leave  marks  with  them.  we  are  known  to  them.  so  what  is  your  character  known  and  loved  for? 
pick  your  plot  first,  not  your  fc  or  your  character.  i  know  this  sounds  counterintuitive  but  when  you  have  a  plot  for  a  character  and  a  clear  path  for  development  -  it  helps  everything  else  fall  into  place.  the  worst  thing  are  characters  that  are  plotless  (specifically  for  group  rping).  i’m  going  to  be  honest  here:  your  character  has  to  have  something  to  give  other  characters.  whether  it’s  drama,  information,  hidden  secrets,  a  connection…  your  character  has  to  have  something  of  substance.  i’d  actually  prefer  they’re  a  stereotype  then  they’re  just  aimless  and  personality-less.  when  you  have  a  big  overarching  plot  and  path  for  your  character,  it  will  not  only  help  you  plot  with  others,  but  also  help  keep  your  character  moving  and  not  JUST  reliant  on  others  to  pick  up  the  slack
rping  has  always  used  the  yes  and…?  rule.  that  extends  to  your  characters.  instead  of  yes  and…?  think  of  So…  what?  your  character  loves  to  bake.  ok.  so  what?  what  does  that  mean  for  a  thread,  or  another  character?  why  do  we  care?  maybe  we’d  care  if  your  character  bakes  experimental  stuff  and  loves  to  test  it  on  other  muses.  maybe  we’d  care  if  your  character  used  to  be  a  professional  baker  but  hasn’t  baked  lovingly  in  a  while.  maybe  we’d  care  if  your  character  is  a  baker  but  has  lost  their  charm  and  schtick  and  can’t  bake  the  way  they  used  to.  this  stuff  is  important.  don’t  just  stick  arbitrary  things  onto  your  character  and  expect  others  to  care,  especially  when  you  don’t  care  and  have  just  put  it  on  your  character  as  a  random  quirk.  that’s  not  how  people  and  humans  work.  everything  means  everything. 
your  character  doesn’t  have  to  be  likeable  but  they  do  have  to  be  memorable.  evil  nasty  girls,  manipulative  jerks…  yeah  that’s  all  ok!  but  also  you  kinda  have  to  show,  don’t  tell.  you  can’t  just  SAY  your  character  is  the  “head  bitch  in  charge”  and  then  she  never  actually  talks  or  says  anything  or  does  anything.  sorry,  but  in  order  for  me  to  see  your  character,  you  actually  have  to  write  them  or  at  the  very  least  headcanon  them.  otherwise,  they’re  just  a  blob  of  musings  in  the  ether. 
in  order  to  create  a  character  ,  you  have  to  write  your  character  .  i  see  this  a  lot  in  groups  ..  people  love  to  create  a  character  pinterest  ,  graphics  ,  aesthetics  galore  .  its  amazing  !  but  they  don't  actually  write  the  character  and  it  can  close  off  a  lot  of  opportunities  to  plot  because  people  don't  know  who  your  character  really  is  .  i  hate  to  say  it  ,  and  its  not  true  for  everyone  but  :  if  you're  relying  on  aesthetic  ,  then  you  could  be  lacking  in  the  actual  creation  and  writing  aspect  .  plus  ,  people  have  come  here  to  WRITE  with  YOU  .  not  just  see  fan  edits  of  your  character  .  write  .  write  badly  .  write  starters  ,  even  if  they  scare  you  .  write  with  people  you  don't  know  .  write  with  yourself  .  write  with  your  best  friend  .  but  you  have  to  actually  do  the  writing  part  .
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afloweroutofstone · 4 months ago
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More than 10 years later and I'm still in absolute awe of this song. Impeccable form, more quotable bars than in most rappers' entire discography, and a delivery that starts very reserved but constantly keeps escalating in intensity until the ending when he is essentially screaming triple entendres at you. Diamond hard. Good enough to garner 37 million views for a no-name artist
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Chiraq (Remix) - Montana of 300
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tracys-slumber-party · 5 days ago
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whaaaaat? me finishing a wip? neeeeeeeverrrrrrrrr
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trentcrimminallybeautiful · 3 months ago
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something something au where recently divorced but still extremely closeted trent walks into a bar owned by beard and frequently bartended by ted
#thinking of so many facets to this. bartender ted works shockingly well on multiple levels#trent being both divorced and closeted bc Some Shit Is Going On There#something something the divorce was kind of messy but more just exhausted on both sides#neither understanding or willing to admit what exactly is going wrong#trent being like oh shit. i'm fucking. super gay. is actually kind of a relief to both of them even though#for a hot second she fully thinks he's making it up in a misguided attempt to make her feel better/make himself look better#anyway just the idea of trent wandering into a bar post divorce when it's not his day with crimmlet#feeling awful and exhausted and lonely#and more snappish than usual--his coworkers have noticed he's even more biting and standoffish than before--only to realize#a) this is a gay bar b) the bartender is really nice c) oh no he's gay for the bartender d) WAIT IS HE GAY#something something trent previously both deeply closeted and deeply convinced he is generally unattractive/adequate at best#has no idea how to handle multiple gay men hitting on him#some of them are drag queens. many of them are not.#trent blushing so hard his face feels physically hot when some bear flirts with him very explicitly:#oh. oh i didn't know it could feel like this????#and then there's of course the handsome bartender who is very very nice and sweet and trent's developing a megacrush at mach speed#but also feels kinda bad bc he is NOT gonna hit on a bartender. being gay does not change the rules of#flirting with someone who is on the job liek that--who has to be nice to you and cannot leave#is Bad and Rude. meanwhile ted has been making eyes at this newcomer all night and beards like man take your break i will man the bar#you keep forgetting to attend to everyone else bc youre too busy watching newbie twirl his hair at you#anyway the point is. unhappy closeted recently divorced trent accidentally walks into a gay bar#and walks out shyly glowing newly out and with the bartender's number. great bar 10/10 he's going back all the time#man is literally sitting at the bar with a sprite just talking to his bf while they're lovingly harassed by the regulars#about taking notes from lesbians with how fast they fell in love lmao#tedependent#gertspeak#tedtrent
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fyodior · 7 months ago
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freshman year of college i had sex with an ugly guy and i tried to justify it to my friends by saying he looked like elon musk bc elon musk wasn’t as much of a despised figure at the time and now i am forced to think about that every single time i see that stupid fucking heinously ugly billionaire bastard. i can’t believe this
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atomicpowered · 3 months ago
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I go on twitter for twelve minutes and receive the worst psychic damage known to man. Every large thread is four hundred bot posts copying people farther down the thread, people with shiney ai icons being obtuse Just Because. People asking fucking grok this or that like it's a fucking gotcha. "I asked grok-" WOW GREAT TO KNOW YOU HAVE NEVER HAD AN ORIGINAL THOUGHT EVER.
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brownweaselreblogs · 8 months ago
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Hey guys maybe the repeating theme in those “therian HRT” comics about losing your sapience is bad, actually. Maybe it reflects a suicidal tendency that is not healthy and shouldn’t be celebrated. The desire to be non-sapient is not easily distinguished from a desire to not exist, imo. Those comics kind of make my stomach turn.
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blueeyeddarkknight · 11 months ago
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NEW archival Val interview with Jay Leno 1997 😍❤️
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Credit :I found this interview by pure luck 😂 on weibo posted by this person
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here-comes-the-moose · 11 months ago
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Listen, I’m not saying it would have solved everything, but I think if the Bad Batch had a Catholic mom a LOT would not have happened.
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bugisbonkerz · 1 year ago
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guys genuinely i’m both excited and terrified the dhmis pilot will be shown in full again because . first off, never before seen (by me) content, and we don’t get that a lot in the dhmis fandom. possibly new characters, dialogue, etc!! second, THE CREATORS DONT EVEN LIKE IT AND HID IT FROM THE PUBLIC AFTER IT WAS SEEN ONCE WHAT IS IN ITTT😭
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faunandfloraas · 10 months ago
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Criticising korean fans when they do something actually dodgy is all fine and good, should go for anyone who does invasive or weird, shit but also the amount of times now I see (usually western) fans just being like. Blatantly xenophobic and racist. Pretty much being like Yuck korean fans.... ?????? You're obsessed with a KOREAN POP ACT? why are you saying Korea like it's a slur you weirdo
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moongothic · 2 years ago
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You know. If Crocodad Real. How would Luffy even react if he found out. Like really, how the fuck would he feel about it.
'Cause like how I went over in this post (briefly at the end), we don't even know how Luffy feels about Crocodile as he is right now, so can you imagine how that bombshell would impact things
Like my running theory is that Luffy still hates Crocodile but maybe not quite as much as pre-Impel Down since he kiiinda owes him etc
And Luffy does not seem to give a shit about blood connections, at least not that much. Like don't get me wrong, Luffy's family are the people who were there for him when he was a child, those are the people he cares about and his bio-parents don't really matter. But also, honestly, I think the reason Luffy doesn't give a shit about who his parents are is because he doesn't know them. Luffy cares about people who he knows and likes, and while he doesn't give a shit about Dragon right now, it's arguably because he simply just doesn't know him. If the two actually get to meet and know each other, like if Luffy takes a liking Dragon, he'll probably accept Dragon as his dad and as his family. But on his own terms. It's up to Luffy to decide
And that's why like. How would Luffy react to finding out he has another dad and that one is fucking Crocodile. Because he already hates the man. It would not be happy news for him I'm sure
The other thing is that normally Luffy does not give a flying fuck about people's sad backstories. He didn't care to hear what happened to Nami and her village for example, because what really mattered was that there was a person he cared about who was deeply hurt and in danger and he wanted to help said person. And that's where I'm so torn. Because on one hand, it would be perfectly on-brand for Luffy to not give a shit of Crocodile had a sob story to tell. But also, I could imagine Luffy being so fucking confused over the news that he'd want to hear the truth of like, who what where how why, in detail. So that, you know, he could make his own decision and figure out if he wants to considder Crocodile is other dad or disown him.
Like, both feel like things Luffy would do
So really, would the real deciding factor might be just... the circumstances where Luffy finds out???
God knows, I can not imagine Crocodile himself telling Luffy anything ever. The kid already hates him, he knows it, so he'd probably think it'd be for the best if Luffy never found out
So how else could Luffy find out then?
As far as we know, the only other person who could confirm it would be Dragon himself, and considdering how he probably feels about his ex (see: Alabasta Coup Attempt), I can't imagine him wanting to talk about Crocodile to Luffy in lenght or in a positive light. Like I can't imagine Dragon wanting to tell Luffy at all is the point, not unless he wanted to like apologize to Luffy because it is arguably his fault Luffy and Crocodile fought in Alabasta to near-death to begin with. (Sidenote since we don't know how the break-up happened to begin with, it's totally possible Crocodile could've asked Dragon to never let their kid find out what happened to his "mom")
And now, this is where I'm gonna go completely off the rails, but. As I was wondering if there was any other way Luffy could find out...
S-Croc is made with Crocodile's DNA.
(And actually before I even go into S-Croc, super quick sidenote: If Kuma can extract memories out of people and allow other people to literally see them... Like I can't tell if Kuma's memories got absorbed by Bonney when she looked into them or if Kuma's Memory Bubble is still on Egghead, but if viewing the memories isn't the same as having them inserted into a vessel permanently... Like if Kuma isn't turbo-dead, could there be a scenario where we have Kuma (or S-Bear) yeet out Croc's memories and have Luffy just look into them? Because god knows Crocodile might just refuse to speak about it and that could be the only way to get The Whole Truth if Dragon doesn't want to talk about it either?) (Of course, Crocodile would understand just How Persistent Luffy is so if Luffy just kept on annoying him about it, Crocodile could maybe give up eventually because he knows he can't get Luffy to piss off until he spills the beans)
So currently the Strawhat's plan is for them to go and escort the Vegapunks to Elbaf (if nothing goes funny after the flashback is over, which remains to be seen)
2. There is the mystery of what sex S-Croc is going to be, because there is a possibility that if Crocodile is trans then his Seraphim could be pre-T (though this entirely depends on whether or not Ivankov's HRT changes even the DNA of person. Since it's MAGIC HRT I would prefer it to, not gonna lie, and I would not appreciate any "you may look different but your DNA will tell the truth!" rhetoric in the story but I may be asking too much from Oda)
3. And there's also the mystery of what Devil Fruit ability S-Croc might have, since all the Seraphim have been given Fruit powers, and we know Vegapunk can't replicate Crocodile's Sand Logia.
All things considdered, I think the actual, most likely known ability S-Croc might end up with would be like, Mr 3's wax powers (hilariously), mainly because I could imagine it being flexible enough to work in Crocodile's fighting style, so it'd be the easiest for S-Croc to adapt to (like if you can make anything from wax, then why not sharp blades to fling at people) (Also we know Vegapunk would have access to this power since Mr 3 was in Impel Down, when they also got Daz' powers)
But also I had joked before how it'd be funny if S-Croc was a Crocodile Zoan for no reason. Like it'd be fitting since Crocodile was already the Only Logia of the OG Shichibukai, so making his Seraphim the Only Zoan would be funny as hell (if it's even possible, which we can't say if it will/won't be). Additionally, making him a Crocodile Zoan would be hysterically on-the-nose.
(Sidenote: If there was a crocodile Zoan Fruit, what sub-category do you think it'd fall into? Like would it be Ryu Ryu like all the dinosaur-themed Zoans are, or maybe even a different model of Uo Uo (same as Kaidou)? Since "wani" could be considdered a different type of serpent-dragon, and if Vegapunk was researching how to recreate Kaidou's fruit, it's plausible he might've accidentally recreated some other related-fruit in the process or afterwards?? (Also since Kaidou's Uo Uo is a specific model (Seiryu) it would make sense if there was another Uo Uo model Fruit, and this could be an excelent opportunity to use it))
The thing about Zoans though is that, as it's been brought up once or twice before, Zoan fruits can kind of have a "mind of their own" and influence the user in unexpected ways.
And as all we Crocodad Truthers know.
Crocodiles are protective of their babies.
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ALSO: The Seraphim do have enough personal will-power that they may (slightly) disobey orders they've been given. Case-and-point, S-Snake undoing the Petrification on the Strawhats after Luffy asked her to, since S-Snake is fond of Luffy just like Hancock is
Sidenote, it was kind of made a point how Vegapunk considdered his artificial replica of Kaidou's dragon fruit a compete failure simply because instead of a blue dragon, the user would turn into a pink one instead. So if Vegapunk tried to make a Seraphim of Crocodile, knowing full-well he couldn't even give the Seraphim the same ability as the OG, and then the Seraphim turns out the wrong sex for no reason?? I could see him being confused as hell and considder S-Croc "a failed Seraphim"
So really, all we'd really need to happen would be for the Strawhats to somehow encounter the remaining three Seraphim while escorting the Vegapunks to Elbaf. Mind you, IDK how that could even happen since as far as we know they've been deployed the Emptee Bluffs
And then just have S-Croc either disobey orders to hunt Luffy or even even have him be protective of Luffy (following that Zoan Instinct, one even he can't explain, it's just Instinct). Have Sanji be like "hey why the fuck is this one a girl, isn't it supposed to be Crocodile", followed by Vegapunk explaining this Seraphim was a failure for reasons even he can't understand
Then have Jinbei remember the conversation Crocodile and Ivankov had at Impel Down (suspicious considdering Ivankov's abilities and this "failed Seraphim"), and maybe if Crocodile had any involvement with the Revolutionaries and Robin was suspicious of him she could even bring that up
Along with any other minor details that may be bothering the crew about the whole deal
And so if the Strawhats and Vegapunk just put all their braincells together and rubbed them real hard, they could maybe come to a hypothesis as to why S-Croc is a "failure" and protective of Luffy, and maybe even a potential explanation as to why The Real Crocodile was protective of Luffy in Marineford for no fucking reason
And maybe, just maybe, Vegapunk could confirm that suspicion with a DNA test. All he needs to do is check Luffy's and compare it to Crocodile's.
Not sure Luffy would want to do the DNA test, like knowing Luffy he might prefer to just ask Crocodile in person if they ever ran to each other again
But boy, if he somehow did agree to a DNA test, and there was a match... oh boy
But again. This entire scenario is BEYOND off-the-rails. Technically plausible! But honestly if Luffy is ever gonna find out (assuming Crocodad Real) then it's gonna be from Dragon
I just wanted to get the theoretical scenario out of my system okay, I had to get the brainworms out of my brain
#Moon posting#OP Meta#OP Spoilers#Crocodad#Sir Crocodile#Long post#You know I wasn't going to yeet this out of my drafts for a while but since I brought up S-Croc in the last post I figured why not#Since I went off speculating about S-Croc here in detail#Let's just get it out of my system#I'm so facinated by S-Croc I want to see that little shit in action so bad#My other assumption for what ability S-Croc could have would maybe be Magellan's Venom Fruit#Since that one is shockingly a Paramecia! AND Vegapunk would have access to it! He could replicate it!#And Crocodile did have his poison hook so like. Sure#I'm still putting my money on Doru Doru though#ALSO to circle back to the original subject (how would Luffy react if he found out)#It's entirely plausible that he might never find out even if Crocodad was real#Like there's that whole thing about Oda telling Mayumi Tanaka that Luffy's mother wasn't important to the story YEARS ago#And like. It's possible it was a white lie. It's possible Oda could've changed his mind. OP was meant to end at Alabasta at one point#It's possible that if Luffy doesn't have a mom but two dads then Oda's statement would still be true#But it's also possible Crocodile could be Luffy's other dad and it could never play into the story in a meaningful way#Like we the readers could find out just to understand the beef between Crocodile and Dragon etc#And Luffy never finds out#Nightmare scenario. I will cry.#But frankly might be just the most likely one
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chewyhanniebug · 23 days ago
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i've been wanting to write xh horror for ages but avoided it since i already had too many other things going. probably against my better judgement but i maaaaaay have started something last night
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floorpancakes · 6 months ago
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