#Mackey Arena

[floridaboiler]

Whose House? Our House!

[valleydean]

Chapter 12 [Read Here]

CHAMPION Part III of Heavyweight a deancas boxing au by valleydean (emmbrancsxx0) read from the beginning | playlist

SUMMARY: Brooklyn, 1933. Dean Winchester, the number one contender, trains to become the next Heavyweight Champion of the World, and this time he won't let anything get in his way. Title holder Castiel Novak has second thoughts about retiring, especially when someone from his past arrives in New York and asks for his help. Meanwhile, a new contender rises to fame and threatens to complicate both of Dean and Cas' ambitions - and their relationship.

CHAPTER PREVIEW:

Dean shuffled his weight from foot to foot, his taped and gloved fists at his sides. He felt loose. He felt good as he stared down the black curtain in front of him, waiting for it to be pulled aside so he could enter the arena to a flurry of fans chanting his name.

He could already hear those fans roaring, warmed up from the undercard fights but still anticipating the main event. In the ring, the MC was giving the opening spiel.

Bobby was just behind Dean, and Victor was behind him. Benny stepped into place after he’d traveled down the curtain to peek outside.

“Full house,” he reported. “Standin’ room only. Looks like that tour’a Cas’ did us a favor.”

Dean’s gut tightened. He had to stop himself from saying that Cas wasn’t doing anybody but himself any favors. But that wasn’t a conversation he wanted to get into at the moment—or ever. He’d done a pretty good job at focusing on the fight ahead instead of the bout he’d had with Cas last night.

Cas was supposed to have his back. He wasn’t supposed to threaten to keep the belt just because he was pissed at Dean. As if it was something he could hold over Dean’s head like a carrot on a stick.

Well, tonight Dean would show him just how ready he was for the belt. He had his eyes on the prize.

He shook out again, his silk robe fluttering around his thighs.

Stay focused.

“Where the hell is Rufus?” Bobby complained. “We’re almost on.”

“Haven’t seen ‘im,” Victor said.

Benny added, “Got me.”

Dean didn’t turn around to look at them. He kept his eyes straight ahead on the curtain, ready and eager to step through it and into the ring.

That was until the other curtain to his right was swatted open and Rufus rushed through, breathing harried.

“Bobby, Bobby. We got a problem,” he panted.

Dean’s focus snapped to Rufus like a rubber band. He wheeled around.

“What problem?” Bobby demanded.

Rufus doubled over, hands on his knees to catch his breath. He shook his head and held one finger up to tell them to wait.

Dean’s tongue darted out to wet his lips. His eyes flashed to Bobby’s.

“Damn it, Rufus. Breathe faster,” Bobby ordered.

“The ref—Arty Nielson,” Rufus said, standing back up.

“Yeah, what about him?”

“He’s not here. Had some kind of family emergency. The NBA brought in a sub.”

Dean wasn’t even in the ring yet, but he felt like he’d just been punched in the sternum. He remembered what Cas had said about Luc finding a way to rig the fight. But Cas was wrong. He had to be. Dean was supposed to prove that to him.

This had to be a coincidence.

“Balls,” Bobby huffed. “With who?”

“Some new kid,” Rufus answered. “Name’s Mackey.”

“And they’re just telling us this now?” Bobby said, like he was accusing Rufus of something.

Rufus flung out his arms. “Don’t shoot the messenger! I ran my ass back here the second I heard.”

Bobby grumbled something under his breath before looking up at Dean. There was doubt in his eyes and Dean’s heart skipped a beat, thinking he was going to call off the fight.

No way Dean was letting that happen.

“Okay, fine. So, new ref. Doesn’t change anything,” Dean said firmly.

“Changes something. We haven’t vetted him yet!” Bobby argued.

The MC’s voice boomed over the microphone, “And now, ladies and gentlemen, entering the arena… From Brooklyn, New York…”

“Too late now. We just gotta roll with it,” Dean said. He ignored the ice forming in his gut. He could win this, no matter who the ref was. Lee had promised a fair fight. Dean wasn’t going to stop believing him now.

“Your King of King’s County,” the MC announced, “Dean Winchester!”

Dean faced forward again and slapped on his most charming smile just in time for the curtains to pull back. Whistles and roars lifted up from everyone in the audience, from the people pushing toward him behind the barriers to the ones in the boxes and nosebleeds. Cameras flashed. Horn music blared from the orchestra.

Dean pumped his gloves in the air as he walked toward the ring. Men reached over the barriers to clap him on the back. Women stroked their fingers across his jaw and shoulders. Hats and roses were tossed in his path.

As he got closer to the ring, he spotted Crowley among the NBA officials in their ringside seats. The judges’ table was directly next to them, and the commentator’s table next to that. The radio stations had their set-ups just behind, where more of the press was corralled.

Dean got to the front row of the ringside seats behind his corner. Cas looked around from his seat on the aisle, his expression neutral while he clapped, as if he was just going through the motions. Next to him, Jo and Charlie seemed a lot more enthusiastic. Charlie pumped her fist in the air. Jo whooped.

Dean saw Sam’s massive silhouette beside them. Sam stuck his fingers in his mouth and whistled before he resumed clapping. Dean could just make out Eileen’s figure behind him at the end of the row.

Jack and Kelly weren’t anywhere in sight, which was annoying, even if Dean had expected it.

Dean shot Cas a wink as he passed, which made Cas’ lips tighten fractionally. Glee thrummed through Dean in response.

He bounded up the steps and ducked into the ring, then fired the crowd up a little more by shadowboxing. Predictably, the entire place ate it up.

Dean caught sight of Layla all by her lonesome on Lee’s side of the ring. It was too bad she couldn’t have sat with the rest of their group. He smiled at her, and she put her hand over her heart to silently wish him good luck.

Soon, the music died down. Dean settled into his corner beside Rufus, Victor, and Benny.

The MC took the mic again and said, “And his challenger tonight at Carnegie Hall… From Queens, New York… Lee Webb!”

Applause filled the arena again, this time with some boos mixed in. The orchestra played a different but no less jaunty tune as Lee came through the curtain to bask in the fanfare. A few members of his team walked behind him. The spotlights strobed over them, revealing their faces in white light before sending them back into shadows.

When the lights circled back around, Dean spotted a face at the back of the group—and all the breath in his lungs left him. Suddenly, the only thing he could hear was the ringing in his ears.

In the spotlight, Luc’s grin was self-satisfied. His chin was held high, like he was already celebrating a victory. Then the lights moved again, and his face plunged back into darkness, leaving only his silhouette.

Dean’s body went numb.

[home-inspiration-blog]

Wesley Yates’ big night not enough for USC in blowout loss to No. 7 Purdue

WEST LAFAYETTE, Ind. — A monster night from sophomore Wesley Yates III wasn’t nearly enough for the short-handed USC men’s basketball team on Friday night. Yates scored 22 of his career-high 30 points in the first half, but a Trojans squad playing without leading scorer Desmond Claude was no match for seventh-ranked Purdue in a 90-72 loss at Mackey Arena. Trey Kaufman-Renn had 24 points and 10…

[newspagesonline]

Matt Painter reveals Purdue’s lucky break late in Indiana win

Purdue basketball picked up a huge win in the Big Ten race on Friday night, knocking off in-state rival Indiana 81-76 in a back and forth battle at Mackey Arena. The Hoosiers led for much of the first half before the two teams traded leads throughout the second half, but Matt Painter and the Boilermakers […] The post Matt Painter reveals Purdue’s lucky break late in Indiana win appeared first on…

[gameforestdach]

Zusammenfassung: Zum 20-jährigen Jubiläum von Call of Duty am 28. Oktober 2023 blicken wir nostalgisch zurück und konzentrieren uns auf das Spiel, das die Reihe und das FPS-Gaming neu definiert hat: Call of Duty 4: Modern Warfare. In diesem tiefgehenden Artikel erkunden wir den Moment, in dem Infinity Ward beschloss, sich von Counter-Strike zu lösen und ein einzigartiges Multiplayer-Erlebnis zu schaffen, das die Serie noch heute prägt. Call of Duty feiert 2023 sein 20-jähriges Jubiläum. Infinity Wards Call of Duty 4: Modern Warfare war ein bahnbrechender Titel. Modern Warfare verlagerte den Fokus der Reihe weg von der Konkurrenz zu Counter-Strike. Die Einführung von Killstreaks veränderte die Multiplayer-Dynamik grundlegend. Einführung Seit zwei Jahrzehnten ist die Call of Duty-Reihe eine monumentale Kraft in der Spielewelt. Aber ohne das bahnbrechende Call of Duty 4: Modern Warfare, entwickelt von Infinity Ward, hätte die Serie vielleicht nie solche schwindelerregenden Höhen erreicht. Lasst uns erforschen, warum es auch heute noch, 16 Jahre nach seiner Veröffentlichung im Jahr 2007, einen langen Schatten auf die Serie wirft. Der Ursprung: Kühne Schritte von Infinity Ward Ausbrechen aus Counter-Strike In einem aufschlussreichen Interview mit IGN gab Mackey McCandlish, ehemals bei Infinity Ward, einige Einblicke in die Entwicklung der Serie. Ursprünglich war das Ziel, mit Spielen wie Call of Duty 1 und 2 in Multiplayer-Modi wie "Suchen und Zerstören" gegen Counter-Strike anzutreten. Aber mit Modern Warfare entschied sich Infinity Ward für einen Richtungswechsel. McCandlish erinnert sich: "Wir haben endlich die Idee aufgegeben, dass wir eine bessere Version von Counter-Strike machen." Spielverändernder Multiplayer: Die Geburt der Killstreaks Was macht einen Killstreak aus? Die Antwort auf die Schaffung eines einzigartigen Team Deathmatch-Erlebnisses lag in den Killstreaks. Diese sind darauf ausgelegt, Spieler für ausgedehntes Gameplay und taktische Entscheidungen zu belohnen und schaffen so ein Gefühl der Dringlichkeit und des Zwecks in der Multiplayer-Arena. McCandlish erklärt, dass Killstreaks eine Möglichkeit waren, die Spieler "anzulocken", sie im Grunde dazu zu bringen, ihren Spielstil zu ändern. Diese Killstreak-Belohnungen reichen von einfachen Radarscans bis hin zu verheerenden Luftangriffen und sind seitdem ein fester Bestandteil der Serie geworden. Vor dem Glamour: Als CoD noch einfacher war Interessanterweise erwähnt McCandlish, dass vor der Einführung der Killstreaks "keine Freischaltungen und so weiter" vorhanden waren. Der Fokus der Serie auf Waffen- und Operator-Skins könnte für einige heute überwältigend sein. Man könnte argumentieren, dass das Spiel in einen Bereich des kosmetischen Überflusses abgedriftet ist, weit entfernt von seinen einfacheren Anfängen. Das Vermächtnis: Die anhaltende Wirkung von Modern Warfare Modern Warfare war ein Wendepunkt für die Call of Duty-Reihe. Es veränderte für immer, wie FPS-Spiele den Multiplayer angehen, indem es Elemente einführte, die heute als Genre-Standards gelten. Selbst nach 16 Jahren formen die Innovationen aus diesem Titel noch immer die neuen Call of Duty-Veröffentlichungen, wie die anhaltende Beliebtheit der Serie zeigt. Schlussgedanken Während die Call of Duty-Reihe ihr 20-jähriges Jubiläum feiert, ist klar, dass ihr Erfolg auf bahnbrechenden Veränderungen basiert, und die bedeutendste davon war Call of Duty 4: Modern Warfare. Vom Ausbruch aus dem Counter-Strike-Schema bis zur Einführung des spielverändernden Konzepts der Killstreaks hat dieser ikonische Titel einen unauslöschlichen Eindruck auf die Reihe und das FPS-Genre hinterlassen. Habt ihr weitere Elemente in Call of Duty, die ihr als spielverändernd empfindet? Teilt eure Gedanken gerne in den Kommentaren!

[meagsol-blog]

[freethrowline]

https://www.youtube.com/watch?v=aXGCe4JNqQY

[libraryofsports]

[floridaboiler]

Whose House? Our House!

[rencwn]

• • • ain’t it fun by paramore : spotted! if it isn’t sadie moore walking through the streets of nyc. people say she looks like emma mackey, but i really don’t see it. the twenty6 year old singer is out here making mommy and daddy proud. while she has been known to be + creative, we’ve all seen her - pessimistic nature come to light. sources tell me she reminds people of doing lines off bathroom sinks , jam sessions that make time fly by , the thud of platform boots on wooden floors , sleep deprivation and dark under – eye circles. / cis female & she / her.

BASIC INFORMATION:

name: sadie rebecca moore. nicknames: n/a. pronouns: she/her. gender: cis woman. age: twenty-six. date of birth: may 10th, ‘96. place of birth: perth, australia. astrological sign: taurus. orientation: bisexual, biromantic.

APPEARANCE:

height: five foot seven. hair colour: naturally light brown, currently dyed blonde. eye colour: brown. wardrobe style: a kind of bright pop rocker style. tattoos: various ( tba ). piercings: earrings, nose, industrial, nipples. voice claim: hayley williams / paramore.

HEALTH:

physical ailments: n/a. mental ailments: n/a. alcohol use: drinks heavily. drug use: ecstacy before concerts, weed occasionally, cocaine regularly. addictions: cocaine, alcohol.

PERSONALITY:

positive traits: inventive, confident, encouraging. negative traits: self-centered, easily bored. mbti: INTJ-T.

ACTIVITIES & SKILLS:

skills: singing, guitar, songwriting. weaknesses: acting, keeping her nose out of other people’s business. languages spoken: english.

FAMILY:

father: thomas moore ( alive, forty - seven ) mother: lilian mcnamara moore ( deceased, aged , forty - five ) older brother: name tbd ( alive, between 26 - 32 )

CAREER/LIFE DETAILS:

1996: born to thomas moore ( 27 ) and lilian mcnamara ( 25 ) in perth, her parents were the epitome of highschool sweethearts. they met when they were fifteen and were engaged before they even finished school. 2003: started taking guitar lessons from her dad, who owned a music shop and played multiple instruments himself. she immediately showed some talent for it. she also tried to learn the piano, but her hands were still small and she quickly grew too impatient. 2006: she joined the school band and almost immediately also began trying to set up her own band. 2009: sadie finally got her band:  sadie and the rock goblins. 2013-2015: sadie and the rock goblins became ‘stasis’. the band was quickly starting to book gigs around perth, and eventually even further out. 2016: they had recorded a few EPs in her dad’s studio and they were midway through recording an actual album they were contacted by the record company fueled by ramen, offering to help them with their album and help promote it. they accepted and their album ‘All We Know Is Falling’ came out later that same year. the album hits the charts and a tour is quickly planned for australia and new zealand, though soon after, they extend the tour to europe and a limited run in the US. they also release a live album. 2018: during their touring, they recorded their second album, ‘Riot!’ and continued touring. a live album is released after touring. 2020: their next album ‘Brand New Eyes’ is released. sadie also tries her hand at acting, but it is met with mixed reviews and generally bad critiques regarding her performance in the ‘otherwise decent’ flick. she decides not to go back to acting. a concert film, however, is released after their performance in the O2 arena in london. 2022: their self-titled album ‘stasis’ is delayed and was due to be released in 2022, but is now scheduled for summer 2023.  2023: sadie has the worst night of her life. a friendship break-up, a public rejection and humiliation, and a horrible fire wrecks her nyc apartment. it's been a spiral downward since then.

[blinditcms]

SADIE MOORE on the cover of this week’s most recent tabloid! many say that the 26 YEAR OLD looks like EMMA MACKEY, but i don’t really see it. while  the SINGER is known for being CONFIDENT my inside sources say that they have a tendency to be PESSIMISTIC. i swear, every time i think of them, i hear the song AINT IT FUN –– PARAMORE

BASIC INFORMATION:

name: sadie rebecca moore. nicknames: n/a. pronouns: she/her. gender: cis woman. age: twenty-six. date of birth: may 10th, ‘96. place of birth: perth, australia. astrological sign: taurus. orientation: bisexual, demibiromantic.

APPEARANCE:

height: five foot seven. hair colour: naturally light brown, currently dyed blonde. eye colour: brown. wardrobe style: a kind of bright pop rocker style. tattoos: various ( tba ). piercings: earrings, nose, industrial, nipples. voice claim: hayley williams / paramore.

HEALTH:

physical ailments: n/a. mental ailments: n/a. alcohol use: drinks heavily. drug use: ecstacy before concerts, weed occasionally, cocaine regularly. addictions: cocaine, alcohol.

PERSONALITY:

positive traits: inventive, confident, encouraging. negative traits: self-centered, easily bored. mbti: INTJ-T.

ACTIVITIES & SKILLS:

skills: singing, guitar, songwriting. weaknesses: acting, keeping her nose out of other people’s business. languages spoken: english.

FAMILY:

father: thomas moore ( alive, forty - seven ) mother: lilian mcnamara moore ( deceased, aged , forty - five ) older brother: name tbd ( alive, between 26 - 32 )

CAREER/LIFE DETAILS:

1996: born to thomas moore ( 27 ) and lilian mcnamara ( 25 ) in perth, her parents were the epitome of highschool sweethearts. they met when they were fifteen and were engaged before they even finished school. 2003: started taking guitar lessons from her dad, who owned a music shop and played multiple instruments himself. she immediately showed some talent for it. she also tried to learn the piano, but her hands were still small and she quickly grew too impatient. 2006: she joined the school band and almost immediately also began trying to set up her own band. 2009: sadie finally got her band:  sadie and the rock goblins. 2013-2015: sadie and the rock goblins became ‘stasis’. the band was quickly starting to book gigs around perth, and eventually even further out. 2016: they had recorded a few EPs in her dad’s studio and they were midway through recording an actual album they were contacted by the record company fueled by ramen, offering to help them with their album and help promote it. they accepted and their album ‘All We Know Is Falling’ came out later that same year. the album hits the charts and a tour is quickly planned for australia and new zealand, though soon after, they extend the tour to europe and a limited run in the US. they also release a live album. 2018: during their touring, they recorded their second album, ‘Riot!’ and continued touring. a live album is released after touring. 2020: their next album ‘Brand New Eyes’ is released. sadie also tries her hand at acting, but it is met with mixed reviews and generally bad critiques regarding her performance in the ‘otherwise decent’ flick. she decides not to go back to acting. a concert film, however, is released after their performance in the O2 arena in london. 2022: their self-titled album ‘stasis’ is delayed and was due to be released in 2022, but is now scheduled for early 2023.

[freakingoutthesquares]

Russell: A very strange thing happened to me at Scarborough this year. Have you seen our album? There's a photograph of me dancing with some donkeys. Well, I was walking along the Scarborough beach thinking I was getting away from it all when, by pure coincidence, I happened to come across this scene. Me and the donkeys. I came across them shooting it. Because they did it with cutouts - I don't know if you've noticed that.

Pulp-on-Sea Words: Mark Edwards, Photographer: Nigel Shafran Taken from Arena, February 1996

In the first of Arena's snapshots of modern Britain, we go on tour with the common people.

There's a police horse pissing in the street outside The Ocean Wave restaurant. The un-mounted police who are standing around it have to step back hurriedly to avoid being splashed. The crowd of fans queuing to get into the Spa Theatre, Bridlington, cheer.

Last week they would have been queuing for The Good Old Days, starring Bobby Crush. Next week it will be Ice Fantasies. But tonight it's Pulp.

Bridlington council have already tried to ban the concert; now the fear that the band who sing Sorted For E's and Wizz will corrupt their youth has brought the Bridlington constabulary out in force. A mobile police command centre is parked out back. Mounted police roam the streets.

At the door, everyone is searched. About 20 Pulp fans are arrested. Meanwhile, backstage, two-thirds of pulp - singer Jarvis Cocker, guitarist/violinist Russell Senior, bassist Steve Mackey and drummer Nick Banks - are discussing their love of British seaside resorts.

"The irony of it", says Mackey. "Here we are saying how nice it is around here, and the council wants to stop us and the police are round here trying to bust us."

"They're in plain clothes," notes Senior, deadpan. "There's lots of rastas with little 'taches."

Steve: This side of the coast is where you went if your parents were a bit short on money - Skegness, Cleethorpes, Scarborough, Bridlington. Then if you had a bit more money, you went to Blackpool.

Jarvis: I only ever went to Blackpool once when I was a kid, and that was just because a scrap-metal dealer was going out with my mother and wanted to impress her that he had loads of money, so he took us to stay in a holiday flat for a week.

Jarvis: It was quite weird when I realised that I'd been to a roller disco here seven, eight years ago. In this place here. It was my girlfriend's birthday. I like staying off-season.

Steve: There's a bit of a pathos to the town, isn't there?

Jarvis: I remember walking along the front, and there were all like, these big plastic ducks from some fairground ride, only they were all kind of huddled underneath the pier to stop them getting too much crap on. It just looked weird. The hotel we stayed in, we had the whole floor to ourselves so we could run around the corridors and mess about.

Steve: All the things like clowns' faces look grotesque off-season when it's all grey and raining.

Russell: It's like a Scooby Doo episode - the haunted fun fair that's all shut down. Your out-of-season resort has got that to it.

Jarvis: Or there's bingo and there's only two or three people playing. It's a bit reminiscent of some of our early gigs, actually. They had that kind of out-of-season air to them.

Russell: ...end of the pier, falling into the sea...

Nick: My best holiday was Butlin's at Skegness. My grandma was taken ill. My granddad said: "Well, we can't waste a week's holiday." So my grandma was shovelled off into hospital and I took her place. I was about 11. I was running round Butlin's on my own.

Russell: A bit like Jack Nicholson, were you?

Nick: No, there were other people there. It was just my granddad, though. Not my parents.

Steve: You didn't see these two little twin girls down the corridor, did you?

Russell: The other thing about Butlin's was the swimming pool. It had this glass side, and in the restaurant downstairs you could see the people in the pool. It was like a big aquarium. You could see birds and that.

Russell: A very strange thing happened to me at Scarborough this year. Have you seen our album? There's a photograph of me dancing with some donkeys. Well, I was walking along the Scarborough beach thinking I was getting away from it all when, by pure coincidence, I happened to come across this scene. Me and the donkeys. I came across them shooting it. Because they did it with cutouts - I don't know if you've noticed that.

Jarvis: I remember my sister going on this roundabout in Skegness. She spent all her pocket money on going on it three times in a row straight after having dinner, then she got off and threw her sausage and chips up... and then I knocked out this scrap man, who was courting me mother. I didn't mean to. We were playing Crazy Golf and I don't think I'd played it before. Because I'd seen it on telly that you swing when you play golf... and he was stood behind me. I cracked him right on the top of the nose and knocked him out. I was trying to drive it down the fairway.

Jarvis: They are good places. The good thing about them is that, unlike other bits of the coast, the Yorkshire coast is quite undervalued. Quite a lot of it is unspoilt.

Russell: Actually, it's totally crap.

Source & transcription: Acrylic Afternoons

[spctlights]

(—) ★ spotted!! SADIE MOORE on the cover of this week’s most recent tabloid! many say that the 26 year old looks like EMMA MACKEY, but i don’t really see it. while  the SINGER is known for being CONFIDENT my inside sources say that they have a tendency to be PESSIMISTIC i swear, every time i think of them, i hear the song AINT IT FUN - PARAMORE

BASIC INFORMATION:

name: sadie rebecca moore.

nicknames: n/a.

pronouns: she/her.

gender: cisfemale.

age: twenty-six.

date of birth: may 10th, ‘96.

place of birth: perth, australia.

astrological sign: taurus.

orientation: bisexual, demibiromantic.

APPEARANCE:

height: five foot seven.

hair colour: naturally light brown, currently dyed blonde.

eye colour: brown.

wardrobe style: a kind of bright pop rocker style.

tattoos: various ( tba ).

piercings: earrings, nose, industrial, nipples.

voice claim: hayley williams / paramore.

HEALTH:

physical ailments: n/a.

mental ailments: n/a.

alcohol use: drinks socially.

drug use: ecstacy before concerts, weed occasionally.

addictions: none.

PERSONALITY:

positive traits: inventive, confident, encouraging.

negative traits: self-centered, easily bored.

ACTIVITIES & SKILLS:

skills: singing, guitar, songwriting.

weaknesses: acting, keeping her nose out of other people’s business.

languages spoken: english.

FAMILY:

father: thomas moore ( alive, forty - seven )

mother: lilian mcnamara moore ( deceased, aged , forty - five )

older brother: name tbd ( alive, between 26 - 32 )

CAREER/LIFE DETAILS:

1996: born to thomas moore ( 27 ) and lilian mcnamara ( 25 ) in perth, her parents were the epitome of highschool sweethearts. they met when they were fifteen and were engaged before they even finished school.

2003: started taking guitar lessons from her dad, who owned a music shop and played multiple instruments himself. she immediately showed some talent for it. she also tried to learn the piano, but her hands were still small and she quickly grew too impatient.

2006: she joined the school band and almost immediately also began trying to set up her own band.

2009: sadie finally got her band:  sadie and the rock goblins.

2013-2015: sadie and the rock goblins became ‘stasis’. the band was quickly starting to book gigs around perth, and eventually even further out.

2016: they had recorded a few EPs in her dad’s studio and they were midway through recording an actual album they were contacted by the record company fueled by ramen, offering to help them with their album and help promote it. they accepted and their album ‘All We Know Is Falling’ came out later that same year. the album hits the charts and a tour is quickly planned for australia and new zealand, though soon after, they extend the tour to europe and a limited run in the US. they also release a live album.

2018: during their touring, they recorded their second album, ‘Riot!’ and continued touring. a live album is released after touring.

2020: their next album ‘Brand New Eyes’ is released. sadie also tries her hand at acting, but it is met with mixed reviews and generally bad critiques regarding her performance in the ‘otherwise decent’ flick. she decides not to go back to acting. a concert film, however, is released after their performance in the O2 arena in london.

2022: their self-titled album ‘stasis’ is delayed and was due to be released in 2022, but is now scheduled for early 2023.

WANTED CONNECTIONS:

band members: lead guitarist, bass player, drummer, keyboard player –– would all be loved!

manager: the band has recently taken on a new manager after their old manager retired.