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aion-rsa · 4 years ago

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WandaVision Episode 7 Theories Explained

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This article contains WandaVision spoilers

After seven painfully short episodes of Marvel’s WandaVision, we’re still none the wiser about how exactly the Westview anomaly was created, and how Vision was brought back to life.

We’ve just been introduced to one potential villain in the form of nosy neighbor Agnes – unveiled as powerful Marvel Comics witch Agatha Harkness – and we’ve seen that Wanda is still far from a malevolent force. She has threatened people who’ve encroached on The Hex, but she hasn’t killed any of them, and we don’t know how aware she is about the true ramifications of her control over the town’s residents.

Meanwhile, we have some lingering Westview mysteries to uncover, and the true identity of “Pietro Maximoff” to contend with.

Here are some of the biggest theories swirling around what the final two episodes of WandaVision might reveal….

The Next Episode

Ah, it’s time to address the mythical tenth episode of WandaVision! We’ve avoided covering this for a while, because it has honestly felt like an additional instalment thrown in at the end of the nine-episode project would probably be consigned to the “unlikely” column, but let’s take a look at it now in the wake of some recent information from Marvel Studios.

Certain sites have noted that a few WandaVision actors have been listed to appear in ten episodes of the series and not nine, but this is easily explainable when you factor in the surprise announcement of Assembled, a new documentary run that will go behind the scenes of various Marvel Disney+ shows. It begins with The Making of WandaVision, which will begin streaming after this first MCU spinoff has concluded.

We think this is all there is to the various rumors of a tenth episode, but fans are still theorizing that it could happen. Ultimately, none of us will be proved right or wrong until WandaVision has finished, so this theory will probably keep doing the rounds for another couple of weeks.

Pinches of Paprika Out of 10: 9

The Parentals

There are still a lot of theories surrounding the nature of WandaVision’s commercials, but the idea that they’re somehow being created from Wanda’s overwhelming grief holds water. They do often seem to address various moments of Wanda’s traumatic past, including the incident in Lagos and her experimental history with Strucker.

But who are the man and woman that we see appearing time and again these ads? A swathe of fans think the answer is quite simple: they are Wanda’s deceased parents, Oleg and Irina Maximoff. But if there’s any truth to the theory that the commercial actors are the Maximoffs, would this eventually be revealed as a quick flashback, or would there be more to it?

i’m still laughing at the nexus side effects ad #WandaVision pic.twitter.com/zWzCB9ezz7

— 🛸 (@declineusername) February 20, 2021

Pinches of Paprika Out of Ten: 7

Testing, Testing

At the climax of episode 7, we found out that iconic Marvel Comics witch Agatha Harkness was responsible for a lot of meddling throughout many of the sitcom scenes in WandaVision. The reveal came complete with an earworm to end all earworms, ‘Agatha All Along’, but there’s a fascinating theory wafting about online that the TV signal itself wasn’t created by either Agatha or Wanda, but Doctor Strange, who was using it via a spell to monitor what was going on inside the Hex anomaly when he found himself unable to penetrate it.

Going further, some fans posit that the commercials are warnings that Strange has attempted to sew inside the broadcast to warn Wanda about the nefarious magicks being used against her inside The Hex by the likes of Agatha. They haven’t managed to get through to Wanda, but have instead played out as skewed variations on his attempt at contacting her through her subconscious.

Is Strange trying to pull Wanda back to reality by telling her what might happen if she doesn’t break the spell?

Dr. Strange watching Wanda mess with the fabric of reality. #WandaVision pic.twitter.com/O3U5ieKuBz

— Sir Pauer (@SirPauer) February 21, 2021

Pinches of Paprika Out of Ten: 7

Bait and Witch

How well does Agatha know Wanda? She certainly knows that Vision is dead, but it does seem like the new witch on the block has vastly underestimated the extent of Wanda’s powers.

If we go back to the episode where Agatha revealed Sparky’s death to Wanda and the twins, you might remember that she seemed genuinely unnerved when Billy and Tommy asked their mom to change the family dog’s grim fate. “You can do that?” she asked Wanda, and appeared lost in thought. Was this the actual moment she knew that Wanda had managed to bring Vision back from the dead inside the confines of The Hex, and that he wasn’t just another illusion?

The main theory surrounding the nature of Agatha’s powers is linked to her ability to plop the X-Men universe’s version of Pietro Maximoff into Westview at a crucial moment, as we saw during her catchy flashback montage.

Wanda definitely knows this incarnation isn’t Pietro, but that doesn’t necessarily mean he isn’t really Evan Peters’ beloved Peter Maximoff, does it? Perhaps Agatha is impressed by Wanda’s rumored resurrection powers because she herself isn’t able to bring people back from the dead. Instead of presenting Wanda with the real Pietro, she had to pull another variation in from the multiverse using The Hex’s rumored Nexus power.

Maybe Agatha is revealing herself to Wanda now because she wants Wanda to bring someone else back to life. Could it be someone who was once close to Agatha, or a villainous presence who will go on to make waves in the MCU? And if this does indeed turn out to be the X-Men version of Peter Maximoff, will he be able to break Agatha’s control over him and continue to be part of the MCU beyond WandaVision?

Her treachery knows no bounds. from WANDAVISION

Pinches of Paprika Out of Ten: 4

Vision Is Toast

Paul Bettany’s Vision has been trouncing about Westview trying to get to the bottom of how and why he’s back from the dead in the past couple of episodes, but the chances of him returning to active duty after all this is over are, to put it mildly, incredibly slim. We’ve already seen that he can’t make it through The Hex without falling to pieces – the magic inside is keeping him alive for now.

Yes, many fans sensed that Vision wasn’t likely to make past the final (final) credits of WandaVision since the show began, but there’s also some pretty solid MCU-based reasoning behind the theory if you take a small step back to the very beginning of Phase 4’s story.

During Spider-Man: Far From Home’s In Memoriam video, hilariously set to the strains of Whitney Houston’s power ballad ‘I Will Always Love You’, Vision is pictured as one of those Avengers who are “gone, but not forgotten” in a “touching tribute” to our fallen heroes.

According to public record, Tony Stark, Natasha Romanoff, Vision (and Cap, who is probably keeping a very low profile in his Old Cap guise) are all very much dead in the Peter Parker-centric blockbuster – which takes place some time after the events of WandaVision. Ergo, vis-a-vis, concordantly, etc, Vision will not spring back to life if and when The Hex breaks down.

So, should we just go ahead and assume we’re in for yet another Paul Bettany death scene? Maybe, but let’s not forget that Bettany has been part of the Marvel Cinematic Universe since its inception in 2008, and he’s already been nixed three times. First as the voice of Tony’s AI, JARVIS, then twice at the end of Avengers: Infinity War. Are they really going to cut him loose for good?

The actor clearly LOVES being part of the MCU. While we may well see the last of Vision in WandaVision, we reckon it’s time for Bettany to undergo another Marvel reincarnation.

Place your bets.

when vision stares into the camera like he's in an episode of the office #WandaVision pic.twitter.com/yCr2iRgTTi

— kathryn hahn fan club ✡︎ ⚢ (@fruitskywalker) February 19, 2021

Pinches of Paprika Out of 10: 3

You Don’t Have the Stones

We’ve yet to see a few moments that crop up in WandaVision’s mid-season trailer, and the most important of these appear to show Wanda in a prison or hospital outfit witnessing the recreation of at least one of the Infinity Stones.

There are plenty of theories that tackle whether Wanda herself is pulling the stone/s back from the atomic level that Thanos reduced them to at the start of Avengers: Endgame, or whether the Mind Stone is specifically is drawn to her since the stone was originally key to unlocking or enhancing her superpowers, but it’s hard to gauge the sequence of events that led to its re-emergence without defining where and when these moments play out in the MCU timeline.

Since WandaVision takes place pretty soon after Endgame, do these images depict Wanda, bruised and exhausted from battling Thanos, in a holding room awaiting treatment? It doesn’t exactly seem like she’s a prisoner here as these aren’t the kind of power-controlling restraints she was subjected to on The Raft in Captain America: Civil War.

The potentially mind-blowing reason we can’t wait to find out how Wanda comes to be in the presence of a reformed Infinity Stone is because her darker hair, ravaged look and outfit here almost exactly match her very first appearance inside a cell in Strucker’s lab at the end of Captain America: The Winter Soldier.

What the hell is going on?!

images of the last two episodes of #WandaVision (a real madness the images of the gems and #TheVision in black and white) | tt: daily.maximoff pic.twitter.com/IxvS6BM3eL

— joan⚝ | wv spoilers (@daily_maximoff) February 21, 2021

Pinches of Paprika Out of Ten: 1

Have you heard any compelling new WandaVision theories? Let us know in the comments.

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soukacatv · 6 years ago

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WHAT IS A 4K (4K resolution) TV? Ultra HD or UHD | Soukacatv.com

The 4K TV is an emerging technology that has a resolution of 3,840 x 2,160 pixels, 8 million pixels in total, and that is four times the number of Full HD (1,920 x 1,080). You can enjoy the crystal-clear clarity of 4K TV by sitting as close as possible to the screen.

Especially effective on very large screens, 4K TV is also known as Ultra HD or UHD. This additional resolution adds more color resolution and depth to the picture, rendering images much more life-like. Images should be viewed on 65-inch or larger TV sets.

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If you hope to watch 4K TV, you also need a native 4K channel source like BT Sport Ultra HD (which requires a BT Ultra-HD box). You can also use the Android TV toting Nvidia Shield or the Amazon Fire TV. Other manufacturers, such as Roku, have announced the release of 4K-capable streaming boxes.

Older 4K TVs — those made in 2013 or 2014 — do not support 4K streaming because they can’t decode the HEVC video format. Most 4K TVs made in 2015 are fully 4K capable.

Broadband needs to be a minimum of 15Mbps (preferably 25Mbps) and HDMI v2.0 or later is required.

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You can also make your own 4K content by using 4K-enabled cameras. These are readily available on the market from companies like Panasonic and Sony. In addition, many smartphones are 4K-enabled, including the iPhone 6S, 6S Plus, Samsung Galaxy S6, HTC One M9, and the Nexus 6P.

More 4K TV content is increasingly becoming available, so investing in the newer technology is worth it.

4K resolution

4K resolution, also called 4K, refers to a horizontal display resolution of approximately 4,000 pixels. Digital television and digital cinematography commonly use several different 4K resolutions. In television and consumer media, 3840 × 2160 (4K UHD) is the dominant 4K standard, whereas the movie projection industry uses 4096 × 2160 (DCI 4K).

The 4K television market share increased as prices fell dramatically during 2014 and 2015. By 2020, more than half of U.S. households are expected to have 4K-capable TVs,a much faster adoption rate than that of Full HD (1080p).

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Adoption

YouTube and the television industry have adopted 3840 × 2160 as their 4K standard. As of 2014, 4K content from major broadcasters remains limited. On April 11, 2013, Bulb TV created by Canadian serial entrepreneur Evan Kosiner became the first broadcaster to provide a 4K linear channel and VOD content to cable and satellite companies in North America. The channel is licensed by the Canadian Radio-Television and Telecommunications Commission to provide educational content. However, 4K content is becoming more widely available online including on YouTube, Netflix, and Amazon. By 2013, some UHDTV models were available to general consumers in the range of US$600. As of 2015, prices on smaller computer and television panels had dropped below US$400

DVB

In 2014, the Digital Video Broadcasting Project released a new set of standards intended to guide the implementation of high resolution content in broadcast television. Dubbed DVB-UHDTV, it establishes two standards, known as UHD-1 (for 4K content) and UHD-2 (for 8K content). These standards use resolutions of 3840 × 2160 and 7680 × 4320 respectively, with framerates of up to 60 Hz, color depth up to 10 bpc (30 bit/px), and HEVC encoding for transmission. DVB is currently focusing on the implementation of the UHD-1 standard.

DVB finalized UHD-1 Phase 2 in 2016, with the introduction of service by broadcasters expected in 2017. UHD-1 Phase 2 adds features such as high dynamic range (using HLG and PQ at 10 or 12 bits), wide color gamut (BT. 2020/2100 colorimetry), and high frame rate (up to 120 Hz).

Video streaming

YouTube, since 2010, and Vimeo allow a maximum upload resolution of 4096 × 3072 pixels (12.6 megapixels, aspect ratio 4:3). Vimeo's 4K content is currently limited to mostly nature documentaries and tech coverage.

High Efficiency Video Coding (H.265) should allow streaming 4K content with a bandwidth of 20 to 30 Mbit/s.

In January 2014, Naughty America launched the first adult video service streaming in 4K.

Broadcasting

In November 2014, United States satellite provider DirecTV became the first pay TV provider to offer access to 4K content, although limited to selected video-on-demand films. In August 2015, British sports network BT Sport launched a 4K feed, with its first broadcast being the 2015 FA Community Shield football match. Two production units were used, producing the traditional broadcast in high-definition, and a separate 4K broadcast. As the network did not want to mix 4K footage with upconverted HD footage, this telecast did not feature traditional studio segments at pre-game or half-time, but those hosted from the stadium by the match commentators using a 4K camera. BT envisioned that if viewers wanted to watch studio analysis, they would switch to the HD broadcast and then back for the game. Footage was compressed using H.264 encoders and transmitted to BT Tower, where it was then transmitted back to BT Sport studios and decompressed for distribution, via 4K-compatible BT TV set-top boxes on an eligible BT Infinity internet plan with at least a 25 Mbit/s connection.

In late 2015 and January 2016, three Canadian television providers – including Quebec-based Videotron, Ontario-based Rogers Cable, and Bell Fibe TV, announced that they would begin to offer 4K compatible set-top boxes that can stream 4K content to subscribers over gigabit internet service. On October 5, 2015, alongside the announcement of its 4K set-top box and gigabit internet, Canadian media conglomerate Rogers Communications announced that it planned to produce 101 sports telecasts in 4K in 2016 via its Sportsnet division, including all Toronto Blue Jays home games, and "marquee" National Hockey League games beginning in January 2016. Bell Media announced via its TSN division a slate of 4K telecasts to begin on January 20, 2016, including selected Toronto Raptors games and regional NHL games.

On January 14, 2016, in cooperation with BT Sport, Sportsnet broadcast the first ever NBA game produced in 4K – a Toronto Raptors/Orlando Magic game at O2 Arena in London, England. On January 20, also during a Raptors game, TSN presented the first live 4K telecast produced in North America. Three days later, Sportsnet presented the first NHL game in 4K.

Dome Productions, a joint venture of Bell Media and Rogers Media (the respective owners of TSN and Sportsnet), constructed a "side-by-side" 4K mobile production unit shared by Sportsnet and TSN's first 4K telecasts; it was designed to operate alongside a separate HD truck and utilize cameras capable of output in both formats. For the opening game of the 2016 Toronto Blue Jays season, Dome constructed "Trillium" – a production truck integrating both 4K and 1080i high-definition units. Bell Media's CTV also broadcast the 2016 Juno Awards in 4K as the first awards show presented in the format.

In February 2016, Univision trialed 4K by producing a closed circuit telecast of a football friendly between the national teams of Mexico and Senegal from Miami in the format. The broadcast was streamed privately to several special viewing locations. Univision aimed to develop a 4K streaming app to publicly televise the final of Copa América Centenario in 4K. In March 2016, DirecTV and CBS Sports announced that they would produce the "Amen Corner" supplemental coverage from the Masters golf tournament in 4K.

After having trialed the technology in limited matches at the 2013 FIFA Confederations Cup, and the 2014 FIFA World Cup (via private tests and public viewings in the host city of Rio de Janeiro), the 2018 FIFA World Cup was the first FIFA World Cup in which all matches were produced in 4K. Host Broadcasting Services stated that at least 75% of the broadcast cut on each match would come from 4K cameras (covering the majority of main angles), with instant replays and some camera angles being upconverted from 1080p sources. These broadcasts were made available from selected rightsholders, such as the BBC in the United Kingdom, and selected television providers in the United States.

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soukacatv · 6 years ago

Text

HDMI Encoder Modulator,16in1 Digital Headend, HD RF Modulator at Soukacatv.com

Household Universal Encoding & Modulation Modulator

HD Encoder To ISDB-T RF Modulator

Older 4K TVs — those made in 2013 or 2014 — do not support 4K streaming because they can’t decode the HEVC video format. Most 4K TVs made in 2015 are fully 4K capable.

Broadband needs to be a minimum of 15Mbps (preferably 25Mbps) and HDMI v2.0 or later is required.

16 IN 1 Digital Modulator Headend System

HD Encoder To DVB-T RF Modulator

More 4K TV content is increasingly becoming available, so investing in the newer technology is worth it.

4K resolution

Dual HD Input Modulator With ISDB-T And DVB-T Modulation

DVB-T And ISDB-T Encoder Modulator

Adoption

DVB

Video streaming

YouTube, since 2010, and Vimeo allow a maximum upload resolution of 4096 × 3072 pixels (12.6 megapixels, aspect ratio 4:3). Vimeo’s 4K content is currently limited to mostly nature documentaries and tech coverage.

High Efficiency Video Coding (H.265) should allow streaming 4K content with a bandwidth of 20 to 30 Mbit/s.

In January 2014, Naughty America launched the first adult video service streaming in 4K.

Broadcasting

In late 2015 and January 2016, three Canadian television providers – including Quebec-based Videotron, Ontario-based Rogers Cable, and Bell Fibe TV, announced that they would begin to offer 4K compatible set-top boxes that can stream 4K content to subscribers over gigabit internet service. On October 5, 2015, alongside the announcement of its 4K set-top box and gigabit internet, Canadian media conglomerate Rogers Communications announced that it planned to produce 101 sports telecasts in 4K in 2016 via its Sportsnet division, including all Toronto Blue Jays home games, and “marquee” National Hockey League games beginning in January 2016. Bell Media announced via its TSN division a slate of 4K telecasts to begin on January 20, 2016, including selected Toronto Raptors games and regional NHL games.

Dome Productions, a joint venture of Bell Media and Rogers Media (the respective owners of TSN and Sportsnet), constructed a “side-by-side” 4K mobile production unit shared by Sportsnet and TSN’s first 4K telecasts; it was designed to operate alongside a separate HD truck and utilize cameras capable of output in both formats. For the opening game of the 2016 Toronto Blue Jays season, Dome constructed “Trillium” – a production truck integrating both 4K and 1080i high-definition units. Bell Media’s CTV also broadcast the 2016 Juno Awards in 4K as the first awards show presented in the format.

In February 2016, Univision trialed 4K by producing a closed circuit telecast of a football friendly between the national teams of Mexico and Senegal from Miami in the format. The broadcast was streamed privately to several special viewing locations. Univision aimed to develop a 4K streaming app to publicly televise the final of Copa América Centenario in 4K. In March 2016, DirecTV and CBS Sports announced that they would produce the “Amen Corner” supplemental coverage from the Masters golf tournament in 4K.

For more, please access to https://www.soukacatv.com.

Company: Dingshengwei Electronics Co., Ltd

Address: Bldg A, the first industry park of Guanlong, Xili Town, Nanshan, Shenzhen, Guangdong, China

Tel: +86 0755 26909863

Fax: +86 0755 26984949

Mobile: 13410066011

Email: [email protected]

Source: dummies & Wikipedia

WHAT IS A 4K (4K resolution) TV? Ultra HD or UHD | Soukacatv.com The 4K TV is an emerging technology that has a resolution of 3,840 x 2,160 pixels, 8 million pixels in total, and that is four times the number of Full HD (1,920 x 1,080).

0 notes