#Post Malone•Circles (Instrumental)

[heymacy]

hello wild geese! 🪿 i was tagged by @energievie to do this week's (very musical) weekly tag wednesday, so here we go! ✨🎶

name: macy

age: 31

location: chicago

favourite instrument to listen to: even tie between piano and violin

instrument(s) you can play: piano, violin, guitar

instrument(s) you'd love to learn to play: cello

do you mostly pay attention to the lyrics or the melody and the artist's voice? kind of a combination of both? i absolutely love the art of songwriting so lyrics are very important to me, but i also love a good sensory, auditory experience

best live performance: Chappell Roan's stage presence is otherworldly. i was in the VIP pit at Gov Ball when she was dressed as the statue of liberty and it was life-changing

artist you would love to see live: DOECHII

best cover: i really love Ryann's cover of "Circles" by Post Malone and Squirrel Flower's cover of "So Hot You're Hurting My Feelings" by Caroline Polachek

overrated artist: Taylor Swift [angry mob descends]

underrated artist: Marina! formerly Marina and the Diamonds. i know she was huge during the 2014 tumblr heyday and Electra Heart changed lives, but i feel like she's been consistently changing the game and inspiring artists for years and doesn't get any of the attention (or accolades) she truly deserves!

an album you listen from beginning to end without skipping a song: The Fame Monster (Deluxe Edition) by Lady Gaga will forever be a no-skips album, also Chappell Roan's The Rise and Fall of a Midwest Princess, Doechii's Alligator Bites Never Heal, Charli xcx's BRAT, and Billie Eilish's When We All Fall Asleep Where Do We Go

A song from your favourite artist you almost always skip: i don't like Die With A Smile by Lady Gaga like, at all. i know it's a huge fucking song and won awards but it's just not my vibe. everything else though? MAGIC

i'm tagging @gardenerian, @iansfreckles, @deedala, @femboymilkovich, @too-schoolforcool, @thepupperino, @mybrainismelted, @michellemisfit, @sickness-health-all-that-shit, @sleepyfacetoughguy, @callivich, @crossmydna, @vintagelacerosette, @darlingian, @stocious, @gallapiech, @mmmichyyy, @creepkinginc, @7x10mickey, @doshiart, & @palepinkgoat 💫

[music-dmt]

From Global Icons to Emerging Talent: A Journey Through Music

The music industry has always been a fascinating blend of tradition and innovation, constantly evolving with new talents, trends, and technologies. From established legends to rising stars, the journey through music is as dynamic as the sounds themselves. One of the forces driving this evolution is HYBE Geffen Records. This collaboration between South Korea's HYBE and the iconic Geffen Records has created a powerhouse that bridges global cultures, combining K-pop's unique appeal with Western music's expansive reach. Their efforts are paving the way for unprecedented opportunities for artists, allowing them to connect with audiences worldwide.

In the ever-expanding world of music, certain moments remain etched in history. A prime example is Billie Eilish’s Oscars 2022 performance, where she captivated the audience with her haunting rendition of "No Time to Die," earning her an Academy Award for Best Original Song. This achievement was not just a win for Billie Eilish but a testament to how younger artists are reshaping the industry. Her ability to combine emotional depth with innovation has made her a role model for aspiring musicians globally.

While new talents continue to rise, the influence of timeless legends cannot be overstated. Kenny G remains one of the most iconic figures in contemporary jazz, with a career spanning decades. His unmatched skill with the saxophone has touched the hearts of millions, demonstrating the enduring power of instrumental music in a world increasingly dominated by digital sounds. Kenny G’s ability to stay relevant, blending classical techniques with modern sensibilities, serves as a beacon of inspiration for both established artists and newcomers.

On the other hand, modern hits like Circles by Post Malone showcase the art of crafting songs that resonate deeply with today's audience. This track, with its blend of melancholic lyrics and a soothing melody, struck a chord globally, becoming one of Post Malone's most celebrated works. It serves as a reminder that music's true power lies in its ability to connect emotionally, irrespective of genre or generation.

Amidst this mix of iconic performances and classic hits, fresh talent is emerging, bringing new perspectives to the table. Illit is a shining example of this new wave. With their unique approach to music, Illit has captivated listeners, proving that originality and authenticity are still the cornerstones of success in the industry. By blending diverse influences and pushing creative boundaries, Illit embodies the future of music.

The interplay of legends like Kenny G, modern icons like Billie Eilish and Post Malone, and rising stars like Illit exemplifies the vibrancy of the music industry. Each contributes to a rich tapestry of sounds, stories, and emotions that continue to captivate audiences worldwide. As platforms like HYBE Geffen Records foster global connections, and as artists reach new heights of creativity and influence, the journey through music remains as thrilling as ever.

[delivermytuneo6]

Music and Culture: A Symbiotic Relationship

Music has always been deeply intertwined with culture, serving as a reflection of societal values, traditions, and emotions. From the soaring beats of dance music to the intricate melodies of Indian classical compositions, music evolves alongside the people and communities that create it. Let’s dive into the rich tapestry of music and culture, exploring how genres and artists continue to shape and be shaped by their surroundings.

Dance Electronic Songs: A Modern Cultural Movement

The rise of dance electronic songs represents a cultural phenomenon that transcends geographical boundaries. Emerging in the late 20th century, electronic dance music (EDM) became a staple in club scenes across Europe and later spread globally. In places like Ibiza, EDM isn't just music—it’s a way of life, attracting millions of visitors annually to its world-famous dance festivals.

The genre’s cultural impact extends beyond nightlife. EDM has become a unifying force, connecting diverse communities through its shared energy and vibrancy. DJs like Avicii, Calvin Harris, and Marshmello have pioneered this movement, creating soundscapes that bring people together on dance floors from New York to Tokyo.

Popular Pop Artists: Voices of the People

Pop music’s mainstream appeal lies in its ability to capture the zeitgeist of the times. Popular pop artists like Beyoncé, Taylor Swift, and Ed Sheeran represent more than just musical talent—they are cultural icons whose influence spans fashion, politics, and social movements.

Take Beyoncé’s Lemonade, for example, which is not just a pop album but a cultural statement. Similarly, artists like Harry Styles challenge traditional norms of masculinity, using their platforms to advocate for inclusivity and individuality. Pop artists don’t just make music—they inspire lifestyles and ideologies, shaping the cultural narrative for their fans.

India Trending Songs: A Reflection of Diversity

The Indian music industry is a microcosm of the nation’s cultural diversity. Bollywood music, which dominates the country’s airwaves, is a rich blend of traditional Indian instruments and global influences. However, the landscape is not limited to film soundtracks. India trending songs today also include independent artists who bring a fresh perspective to the music scene.

From the soulful ballads of Arijit Singh to the electrifying beats of Badshah, India’s trending music reflects its multifaceted identity. Even regional music, such as Tamil or Punjabi hits, is finding a broader audience thanks to streaming platforms like Spotify and YouTube. These songs often blend traditional folk melodies with contemporary genres, creating a unique cultural fusion.

Post Malone Best Songs: Redefining Modern Music

Few artists embody the blending of culture and music as seamlessly as Post Malone. With his genre-bending style, he has created hits that resonate across different demographics. Tracks like "Circles" and "Rockstar" highlight his ability to weave personal stories into universally relatable anthems.

Post Malone best songs showcase his versatility, spanning genres like hip-hop, rock, and pop. His work reflects the cultural melting pot of contemporary music, where boundaries between genres blur, and audiences embrace diverse sounds.

George Harrison: Bridging East and West

No discussion of music and culture is complete without mentioning George Harrison, the Beatle who brought Indian music to the global stage. Inspired by Ravi Shankar, Harrison introduced sitar sounds in songs like "Norwegian Wood" and "Within You Without You." His spiritual journey in India profoundly influenced his music, leading to a greater appreciation of Eastern philosophies in Western culture.

Harrison’s work exemplifies the symbiotic relationship between music and culture, proving that great artists not only reflect their environments but also expand them. His legacy continues to inspire musicians to explore and embrace new cultural influences.

Music as a Mirror and a Catalyst

Music is both a mirror and a catalyst for cultural change. It reflects the joys, struggles, and aspirations of societies while also challenging norms and inspiring new ideas. Genres like EDM and pop celebrate individuality and freedom, while Indian music cherishes tradition even as it embraces modernity. Artists like Post Malone and George Harrison remind us that music transcends boundaries, fostering unity in diversity.

Your Turn: How Has Music Influenced Your Life?

Music is universal, but its impact is deeply personal. From shaping identities to bringing communities together, its cultural significance is profound. How has music influenced your life? Share your thoughts in the comments below and let’s celebrate the ways in which music and culture continue to evolve together.

[colorisbyshe]

Monthly Music Sept 24

Recent Music (GONNA BE A DANCE-Y ONE, the algorithm knew I went to a dj set, though most of this isnt dnb):

"Amageddon (Flava D Remix) Aespa. Drum & Bass remix to a kpop track that just goes hard

"Do Me This Way" Atlas Genius. Early/mid 2010s radio-friendly alt rock vibes. The nostalgia got me, ngl.

Bad Bunny's song about Hurricane Maria, "Una Velita," feels painfully relevant today with its call from humanity, not neglect from the government.

Baekyun released a new R&B-inspired project, Highlights for me are "Good Morning," "Rendez-Vous," and "Cold Heart" but the entire project is worth checking out if you love smoother, suaver Kpop.

"Clock Hands" Billyrrom. Some of the instrumentals would appeal to you if you like the Persona OSTs, though the singing is just more dreamy Jpop on top of that.

Chanyeol saw his bandmate releasing music and said me too!! My faves off his latest release are: "Black Out," "Hasta La Vista," and "Clover." I think his music is more conventional alt pop, reminds me almost of Post Malone's "Circles" era. Which I did enjoy, ngl.

"Vigilante" & "Closer to God" Fat Dog. I prefer the lead singles but these are great too. Chosic calls this music "crave wave," I call these tracks chaotic and alien. It fucks.

Ibibio Sound Machine came out with "Honey Bee," which is extremely slick and funky. It's a song that crawls up your spine and presses against it. If you want more check out their collab with Joe Goddard, "Progress." It's less funky, more Royksopp-y, but ISM's vocals shiiiine.

More and more dance music--Jamie XX released an album. I wasn't as hot on it as the critics but outside of the singles, "Wanna," "Waited all Night," Still Summer," and "Breather" are my highlights. Just some dreamy electronica that gets a bit conceptual and indulgent.

And back to Kpop... Loossemble released "TTYL" a bubbly, glitchy, and high energy track as well as "Confessions," which is just more straightforwardly part of the current Kpop sound.

Just discovered Luxx Noir London (I don't watch RPDR sorry) and "Light in the Dark" sounds so much like early Gaga meets Pussycat Dolls that I had to shout it out.

"Future Enemies" Yola. Kinda power-poppy. Is power pop a thing? If it is it probably doesn't match what I mean here, lol. Powerful, assertive but poppy and electronic with some bass going on.

Also, Buck Tick put out a live album but it makes me too upset to listen to it so... check it out but also :(

Not so Recent:

"Perfect (Exceeder) [1991 Remix]" Princess Superstar (heard this mixed into a drum & bass set and it went extra hard lmao. DJ who played this was Blanke under his AEON:MODE moniker. Gave him a listen after the show, I rly like his track "Breathe;" it's energetic and chill at the same time.)

"Relieved" Deadletter. UK, punky, horn-filled alt rock.

"Kindred" A Perfect Circle. Just... more APC. A subdued but aching track that builds up to a grittier, more ragged down.

[maximura]

MAXSIX: TOP 22 SONGS OF 2022

Hi tumblr! Wishing you all a Happy New Year in 2023. Things have been absolutely crazy busy down here so I haven’t posted much lately but I hope you’re all safe, healthy and will have a successful year ahead. I thought KPOP gave us an absolutely amazing year of music actually. It was truly the year of the Girl Group and even though I love boy groups more, I have zero complaints. Here’s my Top 22 songs. 

22. That Feeling When by Enhypen. This song is just so comforting for me. I put it on when I’ve had an awful week. It sounds like a walk in the park on a sunny day. The structure, tempo and instrumentation sounds very very similar to Post Malone’s Circles but much softer and less traumatised.  I appreciate that they consistently put out albums with fully-formed songs on them. I don’t think they will ever be my bias group because I just don’t really vibe with them. I don’t understand their identity or personality (as a group). I don’t understand what part of the market they are aiming for. But they are just new so they have time to figure that out. 

21. BTBT by B.I. Oh Kim Hanbin, we meet again, under very very different circumstances this time. It’s been nearly EIGHT YEARS since Ikon debuted and excuse me while I ride this wave of memory and nostalgia for a minute. I’m always proud of how he came back. I wanted to include Illa Illa but that was last year. There’s something so fluid, calm and content about his material now. It’s a lot like the flow of water and I’m sure there’s a whole paragraph about symbolism and rebirth and change in here somewhere but ain’t nobody got time for my essay on him (me included). 

20. Antifragile by LE SSERAFIM. I only checked out this group because I really think Bangs (Chaewon) is a big star and would be an IT Girl if Wonyoung did not already exist. I like Fearlesss and Sour Grapes too but I won’t lie, I am really in my Trash-GG-Pop era and Antifragile is so weird but so catchy. I like the use of these lesser-heard chords and it honestly sounds so enjoyably wrong. Fearless is the more stylish song but sometimes you’d rather wear a fur jacket than black suit, you know? They’re off to a good start but the reason they’re this low on my list is because I cannot really love them yet? There’s no gateway bias for me into LS. Excited for their future output though. 

19. INVU by Taeyeon. She is one of those cases where I truly have to separate the artist from the art to enjoy it. Her voice is just beautiful here and this song is so lush and gorgeous. I really like the bittersweet nature of INVU and the emotion she was able to bring to it. She really connects with the audience and I think it’s why she remains so successful and popular. The rest of her personality? I will not comment on. 

18. Shut Down by Blackpink. Sorry I ended up liking this trash. I know I am already contractually obligated to support all Australians in KPOP but sometimes the Garbage lady did well and needs to be promoted to Garbage Boss. It was a toss up between this and Pink Venom but this won because the Lisa verses bothered me less here. Jennie was always their better rapper anyways and for those who disagree, you are 100% entitled to your (wrong) opinion. 

17. Feel My Rhythm/In My Dreams by Red Velvet. For me, they will never top Bad Boy and Psycho but I enjoyed the classic sampling of Bach in FMR. I’m including both in this because they are so similar and I often listen to them together when I want to be in this very particular mood. They’re just both so pretty and soothing to me and that’s all there is to this comment. Great gowns, beautiful gowns etc. 

16. Ballroom Extravaganza by DPR Ian. The contractual obligation to support all Australians continues. He has some absolutely devastating material to be honest. He writes things that take me back to my disastrous uni years; when I thought I was living in a Hole album but truthfully, I just needed therapy and a good night’s sleep. He’s my Breakdown OST man. If you vibed with anything I just wrote there, you need Christian Yu in your life. I don’t listen to him often because I don’t like revisiting my breakdown eras but the music is very very good. He’s like the music version of Sicario, which is one of the best movies I’ve ever seen but never ever want to see again. 

15. After Like by IVE. It’s just so cute. That’s all. It’s just fun and cute and you can listen to it without any kind of stress or expectation. The sample from Gloria Gaynor had me wondering how rich their management is because damm, not even BTS sampled something this famous. This one is particularly good to have on when you’re getting ready to go out. 

14. Young Luv StayC. This was a song that I instantly understood and connected with. I always thought of this as the sister version of TXT’s Loser = Lover, which was actually my most played KPOP song of 2022, even though it was released August 2021. Sentimental rock songs are just my thing I guess. I really love the tempo of these pop-rock songs and it’s crazy to me that StayC and TXT do the genre SO well but don’t lean more heavily into it. This constant need for re-invention is not always necessary. Sometimes I wish groups could figure out what they do best and stick with it. Not everyone can be Seventeen. 

13. Muddy Water by Stray Kids. This is my favourite Skz song this year and if they don’t play this when I see them live, I will protest loudly and annoyingly. Changbin usually has my favourite verse in every single Skz song but it’s all Felix MVP for this one because I always prefer deeper-rap to chipmunk. Hyunjin’s lower register is so nice to listen to and I’m so frustrated they don’t use it more often. Jisung is flawless as usual and I sit here patiently waiting for him to drop his (likely) psychological Jixtape. No clown music please, give me all the shadows of your mind Han Jisung. 

12. Ash by Seventeen. What a surprise and revelation this song was, tacked to the end of the album like a “Oh yeah we’ll just put one of our best songs here like an afterthought”. This is Vernon’s song and his rap verse is one of the BEST I have heard all year. It is just flawless in its tone, pace and delivery. He’s a really good example of knowing what he does well and perfecting it over time. Black Eye just came out and I absolutely adore his voice on it. He’s just such a revelation and I hope there is more solo material from him in the future. I didn’t think Seventeen could do anything to surprise me anymore but they do it every time. What a group. 

11. HOT by Seventeen. This was the song that got me back into the fandom, after Mansae (seven years ago!) I love the intro. Definitely one of the best intros I’ve heard in a long time because it set the tone immediately. This song always gives me a big hit of energy when it plays, kinda of like taking a sip of Red Bull. I have to just talk about how crazy talented the video editers were. The amount of work that went into the HOT mv blows my mind every day. Whenever I sit and watch it, my head can’t compute that humans put this together. 

10. Guerrilla by ATEEZ. The most surprising song for me this year. It was at once the most expected thing from Ateez and so damm unexpected. I didn’t think any group would lean this hard into this genre because Korean versions of anything but pop is always a diluted Hello-Kitty version. I feel like it announced them in a Big Way and I love watching them riding this wave. Every time I listen to them I thank the Universe that they managed to get Jongho in the line up. I think this needed to be their title track (for the impact) but the album absolutely had even better songs on it.

9. Cheers by Seventeen. The confidence and arrogance and cockiness involved here was so tasty to witness. Also: Seungcheol ass. Yeah, I play this one a lot and whenever I blast it driving, my lil Kompressor thinks he’s a Nissan GTR in Tokyo Drift. 

8. Wildfire by Monsta X. I know the bare minimum about this group so I had the lowest of expectations but the longevity of this song on my playlist truly surprised me. It’s a slutty club jam with torment and a narrative that I totally understand. I have always maintained that the writing, production and depth of this song is what ‘Red Lights’ was striving to be. I think you need to have lived through some shit to bring the necessary conviction to songs like this. Do I feel that Chan has been through a soul destroying toxic relationship? No. Do I believe Hyungwon has one every Sunday? Absolutely. I pray every day for him to release a solo version of this. 

7. Attention by New Jeans. The first thing I heard from them and man, what an introduction. A total breath of fresh air in the age of mash-up noize songs. It took me a long time to figure out what I really like about them and it’s the minimalism. KPOP is so crazy and OTT where More is More so when you get something stripped back like this, it seems new. 

6. Cyberpunk by Ateez. The World: Movement was one of the most solid albums released this year and it absolutely blows my mind whenever end of year lists don’t at least acknowledge how cohesive it is and how TIGHT that production was, like damm, they really kept only the choice cuts. I love the journey of Cyberpunk because when it started, my brain just went: Bladerunner 2049 Club Jam. The Hongjoong-Mingi rap though, worth buying the entire album for. They just never disappoint me. If you see Song Mingi today, please tell him that I love him. 

5. Hype Boy by New Jeans. This song reminds me SO much of 2nd Gen SM girl groups. It reminds me of S.E.S, who were the first Kpop group that I knew about and loved. This is just a very very good and well written song. There’s really nothing else to it. When the music is so solid, there doesn’t need to be anything else added to the equation. By sounding 2nd Gen, they’ve managed to make groups like Itzy and NMIXX sound so dated and messy in comparison. 

4. Run BTS by BTS. Well well well. And look what we have here. It took years of utterly whelming material for me to get something like this from them again. This is so fun, memorable, catchy and full of the attitude and personality I think they kinda lost along their way to infamy. It sounds like 2nd Grade lost all its baby fat and graduated from college with $3 in its pocket. If you think I sound like an old person then get off my lawn. 

3. Ring by TXT. Kang Taehyun is my favourite boy on this entire list and this song is his (feat. Yeonjun’s rap, which is one of his best imo). It’s cute but not saccharine. It’s simple without being one of those superficial filler songs on an album. It’s lighthearted but performed seriously well. Anyways, Kang Taehyun is my favourite boy. Did I tell you how Taehyun is my favourite boy. No? Well he is my favourite boy. Ok. That is that all.

2. Ditto by New Jeans. Australians in KPOP always outsell but an Australian-Vietnamese Girl in KPOP? Represent, Pham Hanni. This song and the MVs were like a shot of Nostalgia Cocaine straight into my veins. It hit really hard in a way I was not expecting and I was thinking about all the friends from school that I don’t see anymore. I hope they continue to provide to us with great, well written (age appropriate) music. I have my own issues with their management and can only hope good things for them in the future. This just came out like 5 minutes ago and I already love it. 

1. Love Dive by IVE.��Even if I didn’t like this song (which I do), I can comfortable give it the title of Song of the Year. This is the perfect representation of them as a concept: high teen, unattainable but not intimidating, cool but not in a way that alienates kids who grew up unpopular. The minimalistic structure and tight production of this song is 10/10 but the things that truly made it for me are the ethereal angel vocals and that beat pause before the chorus at the end. The choices......they are flawless. Future Classic already. 

[runnning-outof-time]

Music Tag Game 🎶

Rules Music taste is a very telling thing. Create a new post and name 1-5 your favourite songs in each category. Don't be afraid to be too obvious! Tag users you want to get to know better. Don't forget to have fun :)

Thanks so much to @loveisalwaystheanswer and @there-goes-thefighter for tagging me - I’m sorry it took me so long to get to this 🥰

Putting it under the cut because there’s a lot…I’ve added links to all of the songs if you wanna check them out:

———

Last songs: Rose by Allan Rayman , Too Bad by Rival Sons , Wild Eyes by The Glorious Sons , Matador by Brother Elsey

Best songs from TV/movie: I’m IN LOVE with The Revanent’s score … I also love Keep the Wolves Away by Uncle Lucius (from Yellowstone) , Young and Beautiful by Lana Del Rey (from The Great Gastby) and Life Is A Highway by Rascal Flatts (from Cars).

Favorite songs about love (happy or not): When It’s Love by Van Halen , Light My Love by Greta Van Fleet , All Your’n by Tyler Childers , Rock and a Hard Place by Bailey Zimmerman

Songs that could be the soundtrack to your life: I Walk on Water by KALEO , Panic Attack by The Glorious Sons , Love All by The Badlees , Dreamer by Brother Elsey , Makin’ It by Bishop Gunn , Mountain Hymn by Rhiannon Giddens

Songs that always make you want to dance: CAROUSEL by 5 Seconds of Summer , A Bit of Both by Allen Stone , Through the Echoes by Paolo Nutini , Circles by Post Malone , Hey Gringo by KALEO

Songs that always make you want to cry: Pink Motel by The Glorious Sons , Every Light In The House by Trace Adkins , Hold On Till May by Pierce the Veil

Songs with the best lyrics: Two States by The Badlees , Repeat by Luke Hemmings , Fine Line by Harry Styles

Songs you want to listen to when you're alone in the car: Over Now by Post Malone , IV. Sweatpants by Childish Gambino , Space Bound by Eminem , Easy Come, Easy Go by Daveed Diggs and Rafael Casal , FOR YOUR LOVE by Måneskin (I listen to explicit songs alone…can’t be cursin in front of my momma)

Songs that bring you back to yourself when your life is a mess: Matador by Brother Elsey, I’m Not Here Anymore by The Badlees, Stone by Whiskey Myers , Comedown by Luke Hemmings , White Noise by The Glorious Sons

Favourite instrumental songs: The Wheel by Woody Jackson (from Red Dead Redemption 2) , Gehanna by Thomas Newman (from 1917) , Free State of Jones by Nicholas Britell (from Free State of Jones)

Songs that make you feel like you're invincible and very cool: All Directions by Rival Sons , Fear of Falling by The Badlees , The Weight of Dreams by Greta Van Fleet , Bulls In The Bronx by Pierce the Veil

Guilty pleasure songs you're embarrassed to admit that you like: What Makes You Beautiful by One Direction…? Idk if I have any guilty pleasure songs because I’ll rep all of my music proudly.

Songs that can describe your current mood: Shapeless Art by The Glorious Sons , Word of Mouth by Allan Rayman , Bleach by 5 Seconds of Summer , Good Day by Brett Eldredge

If you wanted to be serenaded, what songs would you prefer: Adore You by Harry Styles , My Fair Lady by KALEO , Shameless by Garth Brooks , The One You Need by Brett Eldredge

Songs you'd recommend everybody to listen to (you can explain why if you want):

End of Forever by Rival Sons

On top of this amazing music in this song, the lyrics make me feel like I’m standing on the top of a mountain with the wind coming towards me. This band’s music is amazing - I highly recommend listening to them.

White Noise by The Glorious Sons

It’s got the same feeling as the song above. I don’t quite know what the lyrics mean, but I feel them in my soul. This band’s music is also amazing - I highly recommend them as well.

Stardust Chords by Greta Van Fleet

I guess I’m on a roll with songs that make you feel like you’re standing at the edge of the Earth haha … this song is much like the two above it. It feels like an entire ethereal experience. I also highly recommend this band.

Diamonds in the Coal by The Badlees

I love this song and this band because they’re local for me and it feels like they’re singing about me and the places I’ve seen/been. This song is the perfect example of that.

Alabama by Bishop Gunn

I love the storytelling in this song. It took me a couple listens to get what the twist was, but it was surely an ‘aha’ moment once I realized it.

———

Tagging (no pressure): @dandelionprints @cillmequick @look-at-the-soul @l1-l4 @midnightmagpiemama

[wildflowers-soul]

Restarting my tumblr from scratch and looking for blogs to follow and friends to make, I listed some stuff that I'm into currently/recently but really, I enjoy just about anything and everything and I get along with anybody.

Movies: Marvel, Mamma Mia, After, Rent, The Last Five Years; Rom-coms, thrillers, musicals, drama

TV: Grey's Anatomy, Station 19, Criminal Minds, Manifest, Gilmore Girls, All American, SWAT, Ginny and Georgia, Julie and The Phantoms, Degrassi, Fate Winx Saga, The Umbrella Academy, On My Block, Pretty Little Liars, The Circle, Naruto, Boruto, Black Clover

Music: Juice Wrld, Mayday Parade, Pierce The Veil, Sleeping With Sirens, A Day to Remember, Post Malone, Gnash, Cimorelli, Games We Play; pop punk, emo, lofi/chillhop, rap, acoustic, instrumental, musical theatre

Activities/Interests: Nature, Art, Music, Science, Books, Writing, Painting, Crafting, Singing, Smoking, Drinking, Food, Psychology, Disney, Space

Fun Facts: 26, Bisexual, Latina, Plus Size, Florida.

[stylesnews]

A year ago, the guitar was in dire straits. With songs like Travis Scott’s “Sicko Mode,” Ariana Grande’s “7 Rings,” Lizzo’s “Truth Hurts” and Panic! At the Disco’s “High Hopes” among the most consumed of 2019, programmed beats and horns were the sonic flavors of popular music. Sure, there were outliers — the Jonas Brothers’ “Sucker,” Maroon 5’s “Memories” and Post Malone’s “Circles” among them — but as the rock and alternative genres embraced artists like Billie Eilish, whose innovative music made the traditional band approach feel outdated, the days of chords and solos seemed numbered if not headed towards irrelevance.

Then came the coronavirus pandemic and things changed. Forced to perform from home or in rooms not intended for live music during lockdown, many artists went back to basics and out came the trusty six-string. For iHeartRadio’s “Living Room Concert for America” in March, Foo Fighters’ Dave Grohl played an acoustic Guild on “My Hero”; Billie Joe Armstrong from Green Day strummed to his band’s “Boulevard of Broken Dreams”; and even Eilish, with her collaborator brother Finneas, sang her hit “Bad Guy” accompanied by only a Fender acoustic. Other benefit livestreams like Global Citizen’s “One World Together At Home” event saw the Rolling Stones, Keith Urban and Shawn Mendes strip down their hit songs for unplugged versions. And in April, Miley Cyrus delivered an emotional cover of Pink Floyd’s “Wish You Were Here” on “Saturday Night Live” with Andrew Watt, himself a COVID survivor, on guitar.

At the same time, there was an electric guitar solo being heard on one of the most-played songs in the United States. Harry Styles’ “Adore You,” which has logged 1.1 million radio spins in 2020, according to Mediabase, and has been streamed more than 400 million times, per Alpha Data, features the playing of Kid Harpoon (real name: Tom Hull), Styles’ friend and producer, who handled the guitar parts for much of the Brit’s excellent “Fine Line” album, released in Dec. 2019. As it turns out, the melody of the solo, which also serves as the bridge to “Adore You,” was first hummed by Styles for Hull to emulate. “I did it with my mouth into a microphone,” Styles told Variety in October. “And then Tom sent me this video trying to get it to sound the same. He spent a couple of hours getting it.”

Why include a guitar solo when most pop songs would never dare? “I feel it’s kind of like ‘La La Land’ saving jazz  — only for rock ‘n’ roll,” Styles cracked when posed with the question. But more seriously speaking, Variety‘s Hitmaker of the Year added: “I’m not a spearheader of the movement, like, ‘Let’s bring back guitars.’ There’s plenty of times when [a song] doesn’t sound better with a guitar, and you don’t use it. But a lot of the references I grew up with have guitars; and it’s the first instrument I played, so it makes sense that I would like the sound of them more. I don’t think the guitar is dying. Guitars are great and always have been.”

In fact, guitar sales in 2020 have been robust. Music retailer Sweetwater reports more than 50% year-over-year growth in guitar purchases, with even larger increases during the peak COVID months of April, May and June “when customers most likely hunkered down to practice and create music after watching all of the streaming video they could handle,” according to a rep for the Indiana-based company.

The spike extended to other string instruments as well, which saw growth of more than 70% year-over-year in the price range of $299 or lower. The metric indicates that “new players are joining the fold,” says Sweetwater, which has been in business for over four decades and operates online. (Competitor Guitar Center, with more than 250 physical locations in the U.S., did not fare as well, filing for Chapter 11 bankruptcy protection last month.)

Even in the virtual world, learning to play an instrument has taken off during lockdown. The platform Yousician, which provides interactive learning for guitar, bass, ukulele, piano and voice, currently reigns as the No. 1 app for music instruction while its sister product, GuitarTuna, is tops for guitar tuning.

Ask current writers and producers working in pop and hip-hop about their process and you soon learn that an acoustic guitar is often the beginning or the essence of a hit song. Among Variety‘s 2020 Hitmakers, the trio of Taz Taylor, Charlie Handsome and KC Supreme credited a guitar loop as the foundation for Trevor Daniel’s “Falling.” For Maren Morris’ “The Bones,” producer Greg Kurstin noted: “The first thing I noticed was Jimmy Robbins’ guitar hook; I wanted to keep the song rooted in that.”

“So many hit songs from 2020 started with a acoustic or electric guitar, whether it be a melody line or simple progression,” says songwriter and producer Jenna Andrews, whose recent credits include BTS’ “Dynamite” and Benee’s “Supalonely.”

And often, those guitar-based foundations remained through the finished product — for instance, 24KGoldn’s “Mood,” with its impossibly catchy sun-kissed guitar riff, and Powfu’s “death bed (coffee for your head).”

“I know it sounds kinda old school, but I love it when a well-recorded acoustic pops off on the radio,” says Sam Hollander, whose hits include the aforementioned “High Hopes” and Fitz and the Tantrums’ “HandClap.” “The bulk of my songs tend to be born on guitar. Without that foundation, the lyrics and melodies never really emote the heartbeat and emotion that I’m trying to dial in. There’s just a general warmth to it that’s hard to replicate. It’s like the warmest chocolate chip cookie.”

“I think the prevalence of guitar in 2020 has a lot to do with hip-hop producers using more emo and punk-rock influences,” offers Angie Pagano, whose AMP management company represents Tommy Brown (Ariana Grande, Blackpink) and Mr. Franks, among others. “Juice Wrld really helped bring this into the mainstream over the last few years. We’re seeing a great blend of emo and trap these days.”

Indeed, the year’s most-consumed hits leaned hip-hop — Roddy Ricch’s “The Box” landed at No. 1 on the Hitmakers list with Future and Drake, Jack Harlow and Megan Thee Stallion in the Top 10 — but even DaBaby’s “Rockstar,” the No. 3 song of the year, referenced a guitar in its chorus, albeit alongside mention of a Glock pistol. That visual may go against what Hollander calls “the Kumbaya vibe of the guitar,” but the song still features an acoustic strum at its core.

In the case of Styles’ 2020 successes, which also include the ubiquitous “Watermelon Sugar,” his producer further explained that, while aware of what was reacting on the charts at the time they were recording, Styles wasn’t about to chase the trends. Said Tom Hull: “We [thought], we can’t play the commercial game in terms of what’s happening right now. What we can do is make music that really resonates with us. There’s no blueprint. You just have faith. We love records from the ’70s and ’80s; weird prog rock music that might be a seven-minute instrumental; then you’re listening to Shania Twain, like, ‘This is awesome, too.’ The goal was to make something we will always love, and if it completely flops commercially, at least we know we love it. We have that.”

[love-n-purple]

17 Questions, 17 People

Thank you @thebluesunflower44 💜

1. Nickname: 🌸

2. Zodiac: leo

3. Height: 172 cm

4. Hogwarts House: ?

5. Last thing I googled: Užice

6. Song stuck in my head: Pokora - Boris Režak

7. Number of followers: 70 I think

8. Amount of Sleep: 4-5 hours

9. Lucky Number: 4

10. Dream Job: designing wind parks, or something like that. anything that has to do with renewable energy I guess

11. Wearing: hoodie and sweatpants

12. Favorite Author: Meša Selimović maybe

13. Favorite Instrument: accordion

14. Aesthetic: I really don't know

15. Favorite Song: hmm let's say Circles - Post Malone

16. Favorite Animal Noise: I've never thought about this😅

17. Random: I love goats <3

You're all welcome to do this if you want☀️

[pissjesus]

I know it’s been several days but uhhhhh here’s a part 2 of this ask <3

Lennon’s dedicated his immortal life to attending as many concerts as he possibly can, especially for underground bands performing in cramped bar basements, so he has a ton of CDs and merch for bands no ones heard of. His vagabond lifestyle began in the 90s so he has a soft spot for that time period. He likes the Red Hot Chili Peppers, Rob Zombie, Nine Inch Nails, Blur, and Nirvana. He’s been very into Manëskin as well lately

Rottie likes metal and rap, and is always looking for new and unique bands— though he doesn’t have the means to go out and find them like Lennon, so he spends his time digging through SoundCloud. He might roll his eyes at Slipknot and AC/DC, but he has a place in his heart for Metallica and their 7 years of good music. His knowledge of Norwegian black metal is unrivaled and he bothers to know the difference between the sub-genres of metal. His other favorites include Witch Mountain, GWAR, Body Count, the Hu, Voice of Baceprot, Death Grips, and CORPSE

Frank hit her immortal stride in the early days of the goth scene in the 70s and 80s, but that doesn’t mean she’s stuck in her ways. She frequents underground concerts like Lennon, and finds herself running into him more often than she’d like. Her favorites are Sousxie and the Banshees, Ghost, Ozzy Ozzborne, Halestorm, and The Scary Bitches

Juno likes anything loud and grating to anyone else. She’s the most likely to show you a song and preface it with “hey listen to this it’s fucking garbage.” She likes nu-metal, rap, noise music, industrial, and club bangers. Her favorites are Mindless Self Indulgence, Korn, Insane Clown Posse, Tool, Danny Brown, Slayyyter, Girl Pusher, and Die Antwoord

They also all play instruments: Lennon plays drums, Rottie plays bass, Juno plays guitar, and Frank sings on top of being classically trained in multiple instruments including piano, violin, and flute. Rottie also sings but doesn’t like doing it in front of people. Juno calls herself a producer but her music is best described as “strange and unnerving”

I miss those “character theme song” videos people used to do where at least one of the songs was “You’re gonna go far kid” so if I had to pick some songs that I think fits each of them:

Lennon: Freaking out the Neighborhood by Mac Demarco, Arm Candy by Record Heat, and Californication by Red Hot Chili Peppers

Rottie: Circles by Post Malone, All Alone by Gorillaz, and Destroya by My Chemical Romance

Frank: Zombie by the Cranberries, Runs in the Family by Amanda Palmer, and Ew by Emily Deahl

Juno: Where’s My Juul? by Lil Mariko, Edgelord by Dorian Electra, XS by Rina Sawayama

[caffeinated-engineeringstudies]

17 questions 17 people

Thank you @gammastudies and @veralernt for tagging me! (✿◠‿◠)

Nickname: Burnsey (a play on my last name....) and Rach sometimes

Zodiac: Aries

Height: 5′10 (where are my tall girls at?)

Hogwarts House: Ravenclaw

Last thing I Googled: how to manually add in a route on Strava (Answer: you have to have a pro account)

Song Stuck in my Head: I don’t really get songs stuck in my head much anymore (used to all the time when I swam competitively though). 

Number of Followers: around 2k (and I love each and everyone of you)

Amount of sleep: 10ish hours today.... It’s Xmas break and I take my breaks seriously

Lucky Number: 7 usually, but 52 is my fave number cause it’s an inside joke between me and my highschool friends

Dream Job: If we’re talking actual dream jobs (as in I’m not actually shooting for it) I think a broadway actress or an actress on a TV show would be amazing... If we’re talking what I am actually dreaming of becoming: a coastal engineering consultant working on beach nutrition and erosion protection somewhere in California or the East Coast

Wearing: workout leggings and my uni sweater

Favorite Song: this is too specific, I change my favorite songs all the time. I’m following Abi’s lead by saying Spotify Wrapped told me it was Circles by Post Malone

Favorite Instrument: I can play the guitar, but my favorite instrument is probably the violin

Aesthetic: cottage core at heart, a complete disaster irl

Favorite Author: Leigh Bardugo, because I adore her world building capability as well as the racial and LGBTQ representation in her books

Favorite Animal Noise: Cats purring while they sit on your lap

Random: I have always had a bit of an identity crisis growing up and still now because I moved around a lot. I was born in the states to Canadian parents, but spent all my teenage years growing up in Switzerland, and now my parents live in Germany.... So if I ever act as if I am from one of those places it’s because depending on the scenario I feel like I am and like to relate to others ahaha

Feel free to ignore the tags if you aren’t interested, still haven’t fully figured out which of my mutuals enjoy these lol

I tag: @hlikesrocks @soaked-in-starlight @evalearns @pecanstudy

[wyattvsmusic]

Big Sean - Detroit 2 ALBUM REVIEW

For me, Big Sean is pretty hit or miss. The last Big Sean album that I enjoyed a good portion of was Dark Sky Paradise, which came out 5 years ago. The last album of Big Sean’s that I listened to was 2017′s I Decided. which I did not like very much. That album was the reason I completely skipped over his collab album with Metro Boomin, which I heard fans had mixed opinions about. I wasn’t planning on listening to Big Sean’s next album but a bunch of details about it drew me in. The first thing is that it is called Detroit 2, which is the sequel to his 2012 mixtape Detroit, which is one of Sean’s best projects. Another thing was the album’s impressive tracklist and all the features on it. Lastly, the promotional singles for this album surprised the shit out of me. I’m talking about the ones that didn’t make the album like Overtime, which I think is one of the best songs that Big Sean has ever put out. He seriously snapped on that and the beat change made it even better. The song Single Again with Jhene Aiko was also really great. All these details made me confident that this album was going to be better than I Decided. and my expectations were met and even surprised me because I think this is Sean’s best work to date. I wanna start with the production. While not every beat on this album is phenomenal, it is clearly a step above his last album. Most of the beats are produced by Hit-Boy who has been on a victory lap of production. My favorite song on the album is Lucky Me. Sean is really rapping his ass off and then it gets to the beat switch which is fucking great. Sean’s flow is crazy on this song. The following track is yet another favorite: Deep Reverence featuring the late Nipsey Hussle. Body Language with Ty Dolla $ign and Jhene Aiko is more laidback but yet another album standout and it’s mostly the features on this song that steal the show but Sean holds his own. One detail I liked about this album is that he included the Story interludes like he did on the Detroit mixtape. The interludes feature stories from Dave Chappelle, Erykah Badu, and Stevie Wonder who talks about SEEING a piano for the first time. It made it feel like a true sequel even though they sound like completely different parts of Sean’s career (because they are). Harder Than My Demons was another standout because the beat is something I wouldn’t picture Sean rapping on. It’s a lot faster and bouncy than the average Big Sean beat. Although I like the sample and the bounce a lot, the bedspring sound in the background was annoying at first but I got around to not minding it. Anderson .Paak is the feature king and steals the show on Guard Your Heart, which features Wale as well. In terms of rapping, Sean strays away from the corny dad jokes and stays mostly reflective, whether it’s about relationships, his career or his childhood. His best lyrical moments are on the song Full Circle, where he talks about his goals coming full circle with the way his career turned out. I love the line, “Full circle like losin' friends from baggin' up yay to rappin' for Ye,” which is how he got signed to G.O.O.D. Music. While there are plenty of highlights on this album, Detroit 2 is far from perfect. The album is way too long and there are quite a few skips and forgettable songs, including Wolves featuring Post Malone. Although Sean stands out on his own album, he sometimes gets outshined by the features. One song that easily catches the eyes and ears is Friday Night Cypher, a 9-minute long posse cut featuring all rappers from Detroit. I wasn’t too familiar with all the names on this song but all the features did a good job. I liked the rapping which is the purpose of the track but I really did not like the first beat which is the main instrumental for the majority of the song. I liked the beat switches but the transitions between those beats weren’t very clean. I love the fact that the song features both underground and mainstream Detroit rappers. Kash Doll really showed up to rap and so did Boldy James, who had one of the best moments as he’s the first to rap over the best beat on the song. In terms of best verse, that award easily goes to Royce Da 5′9″. I wish the first beat didn’t come back for Eminem’s verse but it sadly did and it didn’t really work in Eminem’s favor. His verse was good though. I’ve always considered Detroit easily a Top 5 Hip Hop city and this song shows that there is a ton of talent there. I highly recommend Apollo Brown’s Sincerely Detroit album if you’re looking for a Detroit Hip Hop gem. Detroit 2 has its issues but they don’t stop it from being Big Sean’s best album yet.

Fav Tracks: Lucky Me, Deep Reverence, Body Language, Harder Than My Demons, Guard Your Heart, Respect It, Full Circle, Still I Rise

[the-iridescent-phoenix]

music asks! 8, 24, 43?

8. Is there an artist or song that you like, despite being of a genre you don’t usually like?

Circles by Post Malone

24. Do you play any instruments?

Not yet! There’s quite a few I’d love to learn to play someday tho!

43. Do you enjoy musicals? If so, what’s your favorite?

I do actually! Tho I haven’t been to one, it’s probably the most basic answer, but my favorite is Phantom Of The Opera. I have so many memories attached to that musical (more specifically the movie), and I think it’s the first musical I’d listened to

Thank you! 💜

[its-spongewinxmashups]

On A Hillside Looking Up (Zealyn & Various Artists mashup)

Out of all of the mashups I’ve done, this is my favorite one.

Songs:

On A Hillside Looking Up (Instrumental and Live Acapella made by me)

death bed by Powfu ft. beabadoobee (Acapella made by Niclas Rösch) 

Lose by NIKI (Acapella) 

the 1 by Taylor Swift (Acapella made by JulianSwift 13) 

Circles by Post Malone (Acapella)

and 

Iridescent by Linkin Park (Acapella) 

I hope you enjoyed the track. Don't forget to like, reblog, follow and share. I own nothing but my interpretation of this mashup idea.

[arctimon]

Hi there ~ Okey, a little ask, What do you think about those heacannons? - Hiro : Fan of Bolt and Fall Out Boy -Tadashi : Fan of Winnie Pooh and Owl City

I don’t really have a lot of insight movie-wise because I’ve never really thought about that before.  Bolt is a good choice for Hiro; I’m not sure about Winnie the Pooh for Tadashi.  I feel like that’s a movie that Honey Lemon made the whole gang watch one night. XP  Nothing wrong with that, of course. In terms of music, though, I’ve thought about that a lot more. I imagine that both Hamadas are very much into sounds and not necessarily lyrics.  Fall Out Boy has these great instrumental songs and Owl City has very good electronica inspirations, so it fits.  I think they would listen to the music for the notes and not necessarily for the words being spoken, since they have to have all of their attention on building these delicate robots. My own little headcanon is that Hiro inherited Tadashi’s music library after his death and listens to it a lot in his room.  As I wrote in Overnight, he has his own sound system built into the bedroom so that he can crank the music as much as he wants and the Cafe can’t hear him. But, I know that as Hiro gets older, and he starts dealing with more situations, his musical choice is going to get a little more lyric- and emotion-based.  You know, loneliness, love songs, angry at the world, the whole nine yards.

So (and this is just my own thinking) he listens to a lot of Lauv (”Modern Loneliness”, “So Tired”), Bazzi (”Beautiful”, “Mine”), and maybe a little Troye Sivan (”Dance To This”, “Youth”) for the more deep-thought songs, and then when he needs to just vent and have people yell in his ear, he switches to the NF (”Leave Me Alone”, “The Search”), Post Malone (”Goodbyes”, “Circles”), and maybe Logic (”1-800-273-8255″, “One Day”). Of course, that might just be a little bit of me being put into Hiro’s personality.  But he’s a kid.  He’s going to have his music choices evolve as he gets older. But yeah, definitely the Fall Out Boy, too! EDIT: And that’s not even counting that in my stories that once Hiro finds out who Karmi’s favorite artist is, he essentially downloads all of The Weeknd’s music, which she unfortunately for him (but fortunately for readers for the awkwardness and romantic tension) she finds out about in Overnight (Chapter 5 - Burn The Midnight Oil).