#Probably going to draw a rough picture of them later... a 'concept sketch' of sorts

[weaverofthreads]

On the process of writing a novel...

Ok, so this began as a DM to a very dear friend who had said they were super excited to work on a novel of theirs that they'd abandoned for years, but they felt a bit lost when looking at the project again. They had "too many characters, too many intrigues" and they didn't "know how to create order" for all their ideas. They didn't know "what to keep, what to remove, what to change" and wanted to know if I had any tips.  

I began to reply in messages and then realised I needed to make a whole post out of it, so here it is! All 3k words of it. This is for you, darling! I hope it helps.

Things I found extremely helpful when planning my novel for NaNoWriMo this year, after also taking some time off from it.  

Most of this comes from Alicia Lidwina’s Four-Part article on her NaNoWriMo prep process, and setting up a writer’s notebook, for 2018. You can find the link to the first part here and I highly recommend you check out the whole series of articles for a more in-depth read. 

Content of this ‘essay’: 

Preparation, Groundwork, and Materials

Project 'Stats' & Overview  

Mood, Moodboards, and Key Imagery

Things to Consider, and Important Bullet Points

Get to Know Your Characters  

Chronological Order

Tangential and Preceding Events

Basic Premise, Plot Definition, Sub Plot Ideas  

List of Locations

Scenes

Chapter Outline

NaNo Plan

Additional Notes and Tips for Writing

Ok. Let's begin.  

First of all, I'm not saying that this is the only way to write or organise a novel. It can be tackled in as many ways as there are writers in the universe. This is just the method I used to get my ideas crystallised and organised. 

Preparation, Groundwork, and Materials.  

Take your preparation seriously. I bought a cheap but still nice A4 sketchbook with blank paper for maybe £2 at the local hobby store, and used it solely for the purposes of being my Novel Notebook. It doesn’t have to be a pretty, perfect, Aesthetic(TM) journal at all. Its function is to act as a route-guide through the process.  

I bought a cute sticker from Etsy and used it as the front cover design so that I liked the book and that it felt a little bit special, without being too intimidating to put a mark in. Then I left the very first page blank, and opened it to the first double page. On the left, I wrote ‘Contents’ and then moved on to the right and wrote ‘Project Stats and Overview’.  

I used a pen that was comfortable to write with, which for me was important. I’m a very tactile person, and having nice paper and pens (not necessarily fancy), made the process feel good.

Project Stats and Overview

This is the bare bones of the book, and includes details such as:

Project Working Title: (in my case it’s Weaver of Threads)

Targeted Wordcount: (to give yourself an idea of the scope, but it’s not necessary. For me it’s 50-100k)

Genre: (for me, fantasy)

Series: (will it be one book or more? For me, probably more than one, and at least two).  

Inspiration: (here you can jot down all sorts of things which inspire your world and your writing, and it can be anything. In my case, I began with “density and lore, and feeling of being grounded in a real world from LOTR and Tolkien.” And I went on to include other writers and novels in the fantasy genre, as well as elements from our own world, such as Mongolian herding communities and way of life, the history of the Persian Empire, and Renaissance Florence!).  

Project Timeline: Give yourself a structure, and be realistic. If you know you’re a slow writer who’s prone to distractions, be generous, but if you’re someone who responds well to short deadlines, tighten the time frame up a bit. I said “November 2020 - November 2021 for the whole manuscript” because I know I’m a procrastinator who gets dejected if they shoot past intense deadlines….

Editing Deadline: December 2021-January 2022. I know I can edit fairly quickly, so I made this one much shorter.  

Main Requirements Prior to Starting: What do you need to get sorted before you can get going? It could be purchasing a laptop or figuring out a magic system. In my case, it was the latter.  

What Happens in your novel?: This is not ‘what do your characters do?’, but what, in one sentence, actually happens in the book. For Fellowship of the Ring, you could say ‘a diverse group of people assemble and set off together with the goal of destroying the Ring’. LOADS more stuff actually takes place, obviously, but that’s probably the key thing that happens in that book. So, write the same thing for yours. I’m not going to tell you what happens in mine, because that would spoil it :).  

That took up the first A4 page of my writer’s notebook, and after that, I moved on to Mood and Key Imagery. 

Mood, Moodboards, and Key Imagery

On the left hand side of the page, I wrote down the words and concepts that sprang to mind when I thought of the novel itself. These were in no particular order or placement — just a random cloud of ideas in a rough column on the left hand side of the page — and they included: history, mystery, love, friendship, betrayal, nostalgic, homesick, sense of belonging, sense of place, searching, closeness, secrets… etc. etc.

Then on the right hand side, I wrote down five key words that I wanted to associate with the novel. These would form the ‘visual aesthetic’ in the background of my mind, and could be very easily expressed with a moodboard.

This same process (writing down words and creating a moodboard) could be achieved on a website like Pinterest. Take your time with it, find the right visual clues that really match the essence of your story, and create a final mood board with a limited number of panels that will be your novel’s ‘true north’ when it comes to feelings. If you're artistically inclined too, you could draw sketches of things relevant to your world too.  

While this stage is really important for solidifying the feeling and mood of the novel, don’t get stuck here and spend forever procrastinating on Pinterest or whatever. Once you’ve crystallised that ambiance, it’s time to move on. It’s also perfectly fine to come back to this at a later stage if you find yourself running out of inspiration or drifting a bit. Daydreaming, drawing, mood-board-ing are all great ways to work on your novel on days when you don’t feel like writing.

Things to Consider:

Alicia Lidwina asked herself some questions which helped me get past the ‘block’ that I’d created when thinking about the novel, and those were:

What scares me about this story? (in my case it was the scope of it - it was easy for me to get lost in over-thinking tiny details and get too overwhelmed to handle the big picture)

What will readers take away from it? (in my case, I hoped that it was a sense of friendship, people from desperate cultures finding common ground, and a sense of being grounded in a real, tangible world.

What is its selling point? (essentially, why would an agent/publisher choose yours over the next one in the pile?). Don’t be bashful about this. This is your notebook, so if you’re proud of a feature or aspect of the story, write it down. In my case, there is no ‘Big Bad come to destroy the world’, no Chosen One who is the only one who can stop it. There is an antagonist, but it’s on a personal scale, and that’s the selling point. It’s about two people going on a personal journey to uncover a lost piece of knowledge that’s arguably not all that world-changing on its own, but which means the world to them.  

What will be the three biggest issues in writing the first draft? Identify the three biggest roadblocks, and then take a bulldozer to them. For me, it was time management, getting mentally stuck, and the sheer darned effort of it becoming overwhelming!

Important Bullet Points  

These are five key facts about your novel, distilled from the sections above. They include: What’s at the heart of the story? How long is the story? What’s the narrative focus of the story? What are the maximum number of main characters? And the maximum number of supporting characters (this obviously doesn’t mean you can’t have other, less important characters too!)?  

Relationship between the two main characters is forefront

50-100k words

The novel’s focus is on the characters’ main goal (had to be more vague here so I didn't give it away)

2 main characters

3 supporting characters  

If you find you’ve got too many main characters (not necessarily a bad thing to have a lot of characters - look at A Song of Ice and Fire after all!), then figure out whose story you want to tell here. You can always write another story with other characters in a connected novel, or a sequel. You don’t have to tell everything all at the same time.  

Speaking of characters… 

…Get to Know Your Main Characters:  

Here you can write character sheets for each of your main characters and cast. There are hundreds of these templates available on the internet, asking questions like ‘how would your character react to [insert event]?’ etc. to get to know your character. If this isn’t your thing (it isn’t mine) then at least write down some useful information about them. Rough height and weight, hair, eye and skin colour, general temperament, and any other defining physical or mental traits. 

Next came the Chronological Order

This does not have to represent the final order of the novel’s structure, nor the order in which you write the manuscript, but you need to know what happened within the timeline, and when, in order to be really clear when you’re telling the story. You can write the manuscript out of order, and you can tell the story with flashbacks or in a different order, but you need to have the underlying chronology securely in place so that your writing makes sense and so that you don’t confuse yourself or the readers in the process.  

Preceding and Tangential Events

These don’t need to be in the novel itself, but it may be important to define the sequence of events that also led up to the moment where we pick up your story, and what is happening elsewhere so that you can be sure of these too. In my case, I defined the events that concerned one of the supporting characters’ lives so that I knew how and why they were at the point they are in the story. It relates directly to - and heavily influences - the events of the novel, so I needed to have this person’s history nailed down as well, even though I don't tell it all explicitly in the book (because that would be unnecessary and a bit dull).  

Basic Premise, Plot Definition, and Sub-Plot Ideas (plus writing a synopsis)

Alicia Lidwina defined the story premise helpfully with the following formula:

Story Premise = Main Character + Desire + Obstacle

Pick a different colour for each of these components, and write a short paragraph to explain them in the context of the novel. Alicia Lidwina used the following:

[Main Character] “Harry, an orphan who didn’t know that he’s a wizard, [Desire] got invited into Hogwarts School of Witchcraft and Wizardry and wanted to live his school life to its fullest, [Obstacle] but a certain Dark Lord who killed his parents is trying to rise into powers again and kill him in revenge.

Do this for your novel, and keep it really short.  

Plot Definition: This is even shorter than that! It’s a single sentence!! It’s most closely tied to the desire of the character, and lies at the heart of the story. It’s most likely a distilled version of the ‘what happens in the story’ from the Project Stats page, so check that to see what you wrote there.  

Sub Plot Ideas  

Five bullet points (no more) for things that are happening concurrently and which are related in some way to the main story. For me, Kae and Tomas are doing their research, so that’s the main theme, but beneath that there are a few other related incidents.

Writing a Synopsis - developed out of the points in this section, and includes:

Who the main character is

What the stakes are (the story premise is your guideline)

What the main plot line is

How the MC resolves the problem in the main plot line

How the book ends.

List of Locations  

Start with the main ones and add to it as you go on. Write a little bit of information about them so that you have something to refer back to. I also drew a big old map which I found very helpful and also really fun to do.

List of Scenes

It’s very important to map out every single scene that happens in the novel. Use your timeline to help with this, but remember a scene is not necessarily a chapter. You can have more than one scene within a chapter, but try not to have too many.  

I used small post-it notes (sticky notes) and wrote down things like “M joins K’s clan at the fire and K learns about magic” and “K studies at Citadel, intro to Citadel, magic, and characters” as separate scenes. Once you’ve written down everything that is going to happen (this will take some time! Get a drink and some snacks ready, and go slow), you can stick them into your notebook in the order you’d like to tell the story. Some chapters may have just one scene, while others may have two or three. I didn’t have more than two in any of my chapters, and actually ended up splitting some scenes that I’d made too vague in this section into more chapters. It doesn’t have to be set in stone, but it will form a road map.  

Additions and Notes:  

I left a section of the Scene Outline bit of the notebook blank for things to add in as I went along. I haven’t used it yet, but I might.  

Chapter Outline

I arranged the scenes into the chapters already by sticking them in order, but you could do a chapter outline separately after this. It’s up to you. 

NaNoWriMo plan:  

I did this back in October, and wrote down the main goal for nanoprep, which was to finish the background info. Breaking that down further, I listed - magic (how does it work exactly), geography, and politics. 

After that, it was just a case of writing the 1667 words a day. *spoilers, I got distracted and didn’t do NaNo this year* . What I should have done, was break it up into chunks and write down my goals so that I had something tangible to use as a road map, and I will be doing that now for the novel as I take it up again outside of NaNo. Having check boxes and manageable goals really works for me. Find what will work for you, and if it turns out not to, adapt!

Some final pointers and tips:

Set regular goals for yourself. Whether you work by saying ‘I’ll write 1000 words a day’ or ‘I’ll write something every day’, make a structure for yourself. If you slip and miss a day, week, or month (I didn’t meet NaNo this year because I chose to work on another project instead *slaps forehead*), don’t beat yourself up. Writing is a craft and it takes a long time and a lot of discipline to master a craft.  

Your first draft does not have to be good. At all. Your first draft is just words on paper. A first draft is the block of marble taken from the quarry, and subsequent edits and reworking is the process of carving the sculpture itself. The editing that is done by the publisher or the professional you employ to edit it for you later, is the final polishing. Don’t be demoralised if the block of marble seems very rough when it first lands in your studio. That’s ok!  

Take regular breaks. Writing is hard work, and most people can’t concentrate on something successfully for longer than 55 min's, and if you’re doing that, you’re already doing really well. Personally, I’m at 15-20 on a good day. Write in little sprints of ten minutes or so, and then get up and stretch, look out the window, maybe leave the room, come back in with a fresh approach.  

Stretch your hands, and wear wrist braces when you work. Seriously. I gave myself tendinitis on my first major project, and couldn’t use either hand properly for weeks. The ones I have are these, and they allow me to work safely for much longer.  

Keep hydrated. Have a bottle of water on the desk in front of you between your arms as you type and sip it, otherwise you’ll forget. 2 litres a day is usually recommended, but know your body and drink accordingly.  

Treat yourself. Whether that’s something as simple as a decadent hot chocolate after your first chapter/chunk/sprint is done, or a new notebook or a pen or that sticker set you wanted on Etsy or literally anything nice, reward yourself for the hard work you’ve put in, with tangible things you can look at or experience and say ‘I have that because I did the work’. It’ll help with your sense of achievement, especially if the project is a long one.  

Join a local writer’s group for feedback. With the current Covid-19 chaos, this is probably not possible right now, but getting constructive feedback on your work from someone who hasn’t been cocooned in the project in the way you are, but who respects you as a writer and wants to help you grow, will be invaluable. It’s too easy to exist in a little isolated bubble and think you’re doing ok, when in reality you could be creating bad habits which will be difficult to break later. By these, I mean things like ‘filler words’ you don’t realise you use, or other pit-falls it’s easy to tumble into when you can’t see the wood for the trees…It’s intimidating, and it might take some courage to work up and do, but I promise it’ll help you grow. You don’t have to do what the people suggest, but it’s great to get outside opinions all the same.

Submit work to writing competitions. This will help with showing agents and publishers later down the line that you’re not only committed, but hopefully talented, and will help you to push yourself. Use the world of your novel for the setting, and get to know it by writing short stories on the competition’s theme set there.  

Read. Read the writers you admire, and read them ‘actively’ - figure out exactly what it is about ‘that’ sentence that made you shiver, and use the same techniques in your own work (don’t plagiarise, obviously, but if it was alliteration that made the sentence work so well, use it yourself! Perhaps it was the metre of the line? Great, now you know a rhythm that will drive a sentence forward or slow it down etc.)

Enjoy it. If you’re not enjoying what you’re doing, it’ll show in the work. Take a step back if you start floundering, and ‘interview’ yourself about why it’s not fun any more. Refer back to the sections in the notebook that helped to clarify the plot/process, and see if you’ve wandered away from them. Make yourself answer questions like: ‘What is the main reason I don’t want to do this?’ ‘What is the character’s motivation?’ ‘Should I scrap this section?’ (don’t delete it, but cut and paste it into another ‘scraps’ document, and then start afresh from the last place you were happy with. Nothing is wasted - it all goes into building the world and getting to know the characters, even if it doesn’t get explicitly told in the finished product, so don’t be afraid to do that last bit).  

Good luck!

I hope you found this helpful, and if you have any questions or things you’d like to add to this, please feel free to send me an ask here on Tumblr.

If you’re a new writer hoping to get an agent or publisher, you might also find this post on ‘talking to a published author’ helpful or interesting.

If you would like to keep up to date with my own novel’s progress, you can follow me here on Tumblr, as well as on my writing Instagram @rnpeacock

[wherethestoryhasimagination]

More BoTW ‘sequel’ ideas;

(expanding upon this for @ramune-explosion )

additional links provided :3 likely best to gain full context from them;

SS TP MM

when you pick your starting Rune, your guardian programming is able to access secondary features not able to be run on Slate tech; (the other runes might be available later)

Bombs; instead of only creating bombs full of blue energy, you can also perform a variation of the Guardian’s trademark Beam attack; a quick shot that does the minimal damage of the bombs, usually used to get other explosives to go off, or a charged beam like the Guardian Scouts use; (Upgrades may give you the ‘super armor’ that the scouts get while charging)

Cryonis; instead of only freezing water in block formations, you can now create a Ball of Ice that does everything a Ball can do. roll around, run into things, get bigger if rolling through snow, hit switches... (maybe freeze non-water objects to make them brittle?)

Magnesis; not just moving individual metal objects; you can also electrify them temporarily; (a bit like thunder Blight) (maybe an upgrade will make thrown metal weapons home-in slightly on targets)

Stasis; not just stopping Time; can also accelerate certain objects; (maybe an Upgrade could let you reverse aging time on an object (with a hearty cooldown) to get something to return to where it once was; or maybe that should be the default; idk; stasis is kinda funny; a few possibilities here)

Camera; not just pictures; Advanced Tracking can Highlight Targeted objects, and provide much more specific Arrows, rather than just radar blips. perhaps also highlight enemies through walls? a good utility;

Disguise choice; Gerudo, Goron, Hylian, Zora, Birb... (and perhaps some other ‘secret’ disguises not available at the start) (like Shieka Monk) (customization is a Yes)

you start with just one, but might be able to get others later; each with certain base abilities & potential Upgrades. (some ‘plot shrine’ will give you your first, (maybe more?) upgrade part, which will automatically be used to create your disguise+base ability)

Picking Gerudo Male... As the one with the Triforce of Power... well... that might make things a deal harder at the start; to the point where the Player would be strictly warned about the consequences; A real, No-stealth, Glass cannon kind of choice; The Triforce of Power is Pleased by this Disguise, and leaks out a tiny bit more of its energy to you.

Goron; full Flameguard, but weaker stealth. later upgrades may give one-handed 2-handers, roll attacks, ext...

Zora; the ability to actually swim properly without getting waterlogged; faster swim speeds, (up to the rate at which Sidon went during the divine beast combat), waterfall climbing, ext...

Birb; far superior gliding, a weaker version of Ravioli Gale (which can be upgraded further), better stealth, ext...

Traditional Gerudo; (the advised, easier start choice) well, the Yiga Clan hideout isn’t far from Town; you can easily enter, and very likely get official Training in weapon use as a guard(ian). With Gerudo Town as a base of operations with plentiful access to decent items & gear, things ought to be a bit easier on you...

And if Link just so happens to be hunting you, and has seen through your disguise, (the guy has faced enough Yiga to know their disguises)... Well, they might cause a scene if they tried anything in town. You are safe there. maybe you’ll even sit at the same Bar.

Hylian; highly convincing disguise; upgrades include various quality/ease of life options, better Horse control, and, as a high tier upgrade, the famous ‘slow time’ ability Link possesses. (A Goron or Zora out in the Snow is very suspect, but a Hylian, well, they could be anywhere!)

(bonus surprise?) if you make and wear the full Guardian Armor Set, people might mistake you for Link

(extra thought; would better monster disguises be worth a thought? As a Bokoblin, while people would still call attention to you if you did bad things, it wouldn’t be as harsh a response as if you were found out to be ‘That Rouge Machine!’)

upgrades for your Guardian Tech exist as well; Runes, Tools...

The Scientists probably help you even though they know what you are cause they can be a bit kooky like that; just fascinated to see how you develop.

‘meals’ work differently; (unless you got the Hylian gastro-generator Upgrade)

You have a far more discerning Eye for Guardian Parts; while others might just see a dozen of the same type of Screw, you can tell the differences between them; Some that can be ‘cooked’ into ‘stamina’ restoring ‘meals’, electric resist, temporary hearts... basically all the usual cooking effects; Gemstones can be used in cooking to, with unique effects of their own. like maybe temporary elemental damage, changing the color of your default Guardian weapons to match;

yea, that’s another thing; while nearly every other weapon in the game would be better than them, (unless you upgrade them,) you should always have access to weak variants of the Guardian spear, sword, & Ax; (maybe you can unlock a guardian boomerang, or some other weapon types as well)

The great Plateau is, instead of a dizzying drop, a brutal climb. But, many important things can be found there... The Other Runes, for example, & a Certain Monk living under the shrine of Resurrection who will make sure you EARN those Runes. (maybe you can extract something from the 1-hit obliterator?)

maybe Shrine entrances will take you even further bellow the Shrines to the ‘Maintenance Level’. As a Guardian, you get taken to The Works, presumed to be there to fix things by the Shrine workings.

Also, forget needing to pray in very specific locations to upgrade, to the point where you have a dozen not-Spirit orbs waiting to be used; you are a clever Machine; you can upgrade wherever you want; (though maybe have certain high tier upgrades require a certain location in the maintenance level to get)

Plenty of potential here; it could be a Mechanical mess, or maybe things broke down a while ago, and dirt & rocks & such have gotten in, creating a whole new kind of environment. (might be cool if some variant of Mogma(Skyward Sword Moles) were to be found, with a secret disguise available for them with their own thematic upgrades) (also, at this point, a full and proper skill tree would probably be good; it isn’t as simple as ‘Heart or Stamina’ after all... Though different upgrades may include/be Hearts &or Stamina for different races. (high stamina birbs, high Hearts Goron...) )

|3 ... I’m running out of steam at the moment for ideas on Gameplay quirks... there’s probably something obvious that is a part of the base game that I’m missing...

! ah, Koroks? hmm... there could probably be some kind of excuse for Koroks, if they were to be re-used... either on the Shieka advanced Tech side of things, or the ‘right heart to see them’ side of things.

& Great Fairies... maybe they can help you get some of the last stages in a particular upgrade path, or maybe they physically enhance your non-organic Body, like they do to Armor; give you more health, more stamina, more base-Defense... (Maybe they could be the source of some more... unique, non-machine like upgrades; like the gastro-generator which lets you heal via people food)

Ending Ideas;

there could be just about anything down there. including the ‘neutral-?bad?’ ending; ‘fixing’ things down in The Works is the most lucrative source of Upgrade Parts, but if you Fix Everything... Then a whole lot more than just Shrines, Towers, & those massive Spires around The Castle will start popping up; ‘You did what you were designed to do; now bear witness to the World We Designed you to make; the Era of The Shieka will return’ You Survive;

‘Bad?-POWER’ end, you’ve gone around and blown up all kinds of important stuff; attacked towns & destroyed their fortifications & fully operational Guardian Stalkers... When you make it to the birb Divine Beast, you get a total Power Trip; Controlling the Beast Directly, able to rain down destruction. You Survive;

‘neutral end(s)’ you didn’t really blow anything up, but you didn’t really do all that much good either. When you win the contest being held to find the next Pilot of the Divine Beast, you are found out. You are Targeted; Link is ready to finally settle this;

(if you somehow manage to beat Link;) Zelda won’t stand by & watch Link Die; With her greater control over her Divine Power, and Greater understanding of the Ancient Tech, She Purges your Programming; You Die;

(If Link beats you...) You Die; but by beheading/helm splitting; your Program still exists... You Still have the Triforce of Power... maybe you’ll manage to find a new vessel eventually... you kinda survive in that way; Via... Reincarnation...

(good end; helping make things right with The World) :) You win the Divine Beast Pilot Contest, and you get to Fly it all the way to Hyrule Castle... (bad end if you start shooting; Link rips you from the controls, & fights you; same kind of results as neutral ends) But, once there... Link & Zelda finally realize who/what you are; much later than they do the other time; you must be acting much more like a real person...

Link has The Master Sword at the Ready, but... has their doubts about how much of a threat you are...

You drop the disguise...

You drop to your Knees...

You distill information in the way that is traditional for Ancient Shieka Tech...

...

You start to Cry...

In a moment of recognition, Link catches a drop with their Shieka Slate...

Your Memories begin to play back on the screen...

The beauty you’ve seen in this World... How much better it is than The World the ancient Shieka had planned...

The joy in meeting new people...

The help you’ve offered... The help you’ve gotten...

Your acts of kindness... And the kindness you’ve been shown in turn...

Every Smile you have seen along the way...

Your perspective of Link and Zelda... Fearsome Destroyers who hold control over whether you live or die...

...

You tell them that you don’t want to die...

...

And they tell you that everything is going to be ok...

[kiyoitsukikage]

First Databook Character Sheets

Yoshi! @silalcarin asked me to do Hinata's concept art + Masashi-sensei's inteview (which, I discovered, is not really an interview, but a description of the pictures).

To be honest, I might have misinterpreted your request (maybe you just wanted the part regarding Hinata), but the interview was very interesting and I got carried away (especially after I saw that there was also something about Jiraiya). So...

Some terms you’ll meet in this interview:

- 設定 settei. I translated it with “setting”, “creation”, “design”, “character sheet” and so forth. Basically, it’s a character’s or a place’s concept art, to be used as a reference (it can be both for the artist’s staff, for the animators or for the artist himself, for later uses).

- 先生 sensei. It obviously means ‘teacher’, but it’s also the form you use when you speak to artists who became famous in their field: when they say sensei here, they mean Masashi Kishimoto.

- イメージ ime-ji. I often translated it with ‘mental image’. It’s a loanword from the English ‘image’, sometimes used as a verb meaning ‘visualise’. It has mostly to do with the author’s imagery of the world.

- 世界観 sekaikan. Literally, the ‘vision of the world’ (I translated it with various words). It’s the outlook of the fictional world, how the world of Naruto looks like. In this interview, it’s mostly used with the expression ‘slightly off’ (when Masashi-sensei decided to discard an idea because it would sound inconsistent/weird in the Narutoverse).

- 読切 yomikiri. ‘Non-serialised story’ (though I should have translated it as ‘one-shot’ or ‘pilot’ probably), as opposed to the Naruto serialisation. I guess they’re referring to this one. I think that’s something a newbie artist draws for manga editors, a sort of let’s-try-and-see-if-the-readers-like-the-story.

- 打合わせ uchiawase. I translated it as “preparatory meeting”, I guess that’s something the artist and the producers do before publishing stuff. It can also mean “previous arrangement”.

- 担当 tantou. Translated it with “the ones in charge”, maybe I should have gone with “supervisor” or something. But, ah, you get the idea.

There. The numbers correspond to the pictures. Anything between square brackets is something I added up to clarify my translation.

[Sideband:] Character sheets

The Nine-Tailed Mythological Fox Spirit

1

“This is the non-serialised Naruto”

The non-serialised Naruto had the appearance of a human, but he was a fox inside.

Though in the present setting the mythological fox spirit is sealed inside Naruto…

Before the serialisation was decided, I changed it in a preparatory meeting with the ones in charge of it.

The demon fox is intense, they said.

No matter if he takes a human shape, he’s a fox really, then the readers won’t be able to sympathise with Naruto… they said.

And I also ended up thinking something like… “that’s pretty true” (laugh).

2

“This is the Nine-Tails drawn for the first time”

This is the Nine-Tailed Mythological Fox Spirit I drew in the spur of the moment as the image expanded [in my mind].

And then, since I was pleased with it, I used it as it is also in the main event [as opposed to preparatory sketch].

I traced it with a lightbox (laugh).

For this reason, I drew nothing but that after all, the Nine-Tails (laugh).

However, also the appearance of the present world of “Naruto” spread from it in some respects. Of course, also things like the creation of the characters and the development of the story expanded.

So it’s like the concept art drawn in order to transmit the story and the setting to the staff, when you make a movie.

 [I always rejoice internally when I see an awesome artist being a lazy bum. Because retracing a previous painting is something I’d totally do.]

The faces on the Hokage Rock [lit: the Hokage Face Rock, though I couldn’t find a corresponding term in English – it’s only called the ‘Hokage Rock’]

1

“There was a dog”

That’s the only thing that could upset the present appearance of the “Naruto” world from the root (laugh).

As a matter of fact, the Third Hokage was a dog, at the beginning.

He was the dog the Second Hokage had, an exceptionally awesome dog, so I tried to make him elected as Hokage in the setting.

Though I thought “It’d be interesting if a dog stood at the summit of the village, what would happen…”

However, in the end I thought that it would be slightly off with the appearance of the world, and I gave it up.

That’s why the present Third was supposed to be a dog.

So I changed it right before the serialisation, erased only the face of the dog in a hurry and it disappeared in the trash (laugh). I used the other parts as they were though.

Hokage

[Actually I’ve read a post long ago in Tumblr where they answered exactly that question, and my greatest regret is that I haven’t saved it and now I can’t add a link here, because it was freaking hilarious]

2

“There’s a heinous face (laugh)”

My mental image of the Hokage wasn’t quite settled at first. The first and the Second… I had put an x-mark on the First, but they haven’t changed much from now since the mental image in relation to these two was good enough; however, the Third and the Fourth Hokage are impressively different.

The Fourth had a rather heinous face (laugh).

Well, I had various things going on in my mind.

Design sketches 

1

“The Grass Nin looked like a troop”

The Grass Nin looked like a troop but they couldn’t convince me and I changed them. So, I drew them again, but… this guy (on the bottom right) suddenly turned into Orochimaru, so… finally I was pleased with it and made up my mind about various things (laugh).

2

“Lovable pugs”

They are the ninja dogs I thought about when Kakashi uses the Earth Release: Tracking Fang Technique. There’s also Pakkun. I like pugs, because they’re cute (laugh). When I drew him, while I made them chat about various things in my imagination I expanded the character’s personality.

3

“The mental image had almost settled”

The jōnin I thought about before the serialisation began… I mean, the design sketch of the sensei and others. If you look at them, it’s already clear who was going to become which character. Well, if the mental image came clearly, I kinda made up my mind in one shot (laugh).

4

“I just drew it out of fun”

That’s just what I drew out of fun, right (laugh). This was what I drew once to convey my mental image of Hinata to my assistant though. I intended to draw it being aware of the appearance of the world, but… it turned into a more modern-style girl (laugh).

Discard

1

“The huge guy was deleted…”

He reached the level of rough sketch, but the just huge and unattractive guy was likely to be deleted from the moment he appeared already. In the preparatory meeting with the people in charge, we ended up saying “he doesn’t make your heart throb from a reader’s point of view, right?”.

Moreover, it was the scene that shows Gaara’s first battle, so I resolutely drew it again.

[In the first caption, it says 金太郎とペットのポチ Kintarou to petto no Pochi. I’m unsure about the meaning, I guess it’s the ‘pet called Kintarou’. Apparently, petto no Pochi is  something like ‘Spotty the pet’ (pet with a ridiculously common name).]

2

“I planned to use it in the Land of Waves volume”

Originally, there wasn’t Zabuza and I had planned to use this character. But I gave it up for the same reason of the discarded character of the page before. (Ah! It’s the character I had made earlier, haha…) I think just about the fact of making the enemy characters entry on stage, that is, how they’re likely to hurt the protagonists. [Twisted sentence here: I guess he means that when he creates villains, he also need to think how they’ll look appearing on the scene and the impact on the protagonists.]

3

“Serious taste…”

Naruto had just graduated from school so I thought it was okay even if I made him act in a funny way. However, it had turned completely like a story set in a school [学園もの gakuenmono I think it’s intended as a manga genre]… I had forgot about the whole “ninja” thing.

Sound effects lettering

Appearance pattern

1

“That’s incredibly unskilful”

That’s sound effects lettering practice. They’ve been incredibly poor from the time of the non-serialised story (laugh). I often practiced using various comic strips as a reference. Well, even now they’re not my strong suit really (laugh).

2

“Having a mental image of moving pictures”

It’s the thing in which I drew some pattern of the production of the scene where a ninja appears, or the scene where they disappear, having a mental image of moving pictures. Once inside your head, the action turns into a moving picture. Then, you draw thinking about the composition you cut out from there.

Signature

[The pictures in which he practiced his signature say (in this order): Masashi (with the ma and sa character written as one), Masashi (all linked together), Kishimoto Masashi (stand-alone characters), Kishimoto (above) Masashi (below, ma and sa together), Kishimoto Masashi (current signature).]

3

“That’s Naruto’s face together with the signature”

When I write my signature, I put the face of the protagonists. Well, that looks like the practice of that. The Naruto I drew here are all smiling, but I often thought what kind of expression I should do.

4

“I decided on the spot”

When the serialisation was decided, some friends came and saw me. So, make us an autograph, they said. That time, I ended up saying “Crap… I haven’t thought about my signature!” (laugh). I decided on the spot. Saying “Which should I choose, let’s do this” with my friends.

Jiraiya

1

“At the beginning, [I decided to] make a fatty middle-aged man”

I had decided from before the serialisation that Jiraiya would certainly appear even in “Naruto”, because of his fame in various ninja legends. At the beginning, I decided that I’d make him a fatty middle-aged man… that he’d transform in an unattractive-faced middle-aged man (like the picture at the very top) when he got angry or excited seeing pretty girls. That that’s why he got stronger when he transformed, but not good-looking. However, I thought that drawing him differently would have been troublesome (laugh). Though he was also supposed to use frogs that are carried on both his shoulders, in the same illustration.

Once, I made them do a two-man comedy act in the character sheet called “Husband and Wife Frog” (laugh).

However, it was difficult from the prospective of the design, so I also give it up…

  [I love how he dug out his old ideas, years later, to create Fukasaku and Shima and Jiraiya’s Sage Mode.]

Summoning Animals

2

“The oriental dragons and western dragons are different” [Actually, it’s “dragons and dragons are different”, with the first being ドラゴン doragon, the transliterated English word dragon, and the second being 竜 tatsu, the Chinese dragon]

This is the dragon I drew thinking that I’d make it Naruto’s summoning. In my mental image, Chinese dragons have a thin body. And western dragons are chubby and have big feet. So, that is an overly fat Chinese dragon (laugh). It became fat and looks like a western dragon…

3

“Speaking of ninjas, there’s the mental image of frogs”

That’s Gamabunta’s first design. But in the preparatory meeting, since he’s a toad I added warts and made him a toad. Then, I also decided to make him express himself in the Hiroshima dialect. So, I said “I come from the Okayama prefecture, near Hiroshima, so leave it to me” (laugh).

Frontispiece

1

“It’s a compilation of ideas”

Before the serialization, I drew some reasonable ideas for the frontispiece. I’ve almost never used them though (laugh). However, the picture in which [Naruto] is gardening appears (JC vol.3 pag.86).

2

“Imagining Naruto that makes graffiti”

That’s what I drew while thinking in what way I could make Naruto paint graffiti on the Hokage Rock.

It’s also the picture I thought I’d use in the first chapter, yes.

3

“I discarded it myself”

I drew it to use as the first chapter’s frontispiece, but when I thought that to point Naruto’s gaze towards the readers it became unnatural, so I discarded it. It was also slightly off with the appearance of the world (laugh).

Clouds

“Anyway, I love clouds”

That’s the thing in which I just drew Naruto and clouds imagining a moving picture, not to use or not use it.

I’ve liked clouds since I was a child, and also the sky (laugh). That’s why I love things like comics where there are clouds and the sky, and fantasy in which the clouds are whirly like the “Neverending Story” (laugh). I think I want to draw something like that once, too, though. It’d be nice one more whole chapter, a story in which they fly among the clouds (laugh).

...phew, that was long. But very interesting (artistically speaking)~

EDIT (CLARIFYING TRANSLATION)

So, @silalcarin asked me to include in this post something we've discussed about.

Her question was: Were Ibiki, Iruka, Kakashi, Hinata, Anko, etc., were all of these character sketches the earliest concept art? Were these characters the earliest characters Kishimoto created after Naruto himself?

(Apparently, there's a dispute about whether Sakura was created before Hinata or not. Silalcarin also provided me with a translation, made by Koshej back in 2013, which you can read here)

My answer: First of all: yes, they are early sketches. The first line of the paragraph says 連載が始まる前に, which is literally “before the serialization began”. I don’t know where that “I have designed the characters at a very early stage." comes from, to be honest: the Japanese raw of the title says イメージはほぼ決まってました, “the mental image had almost settled/I had almost made up my mind”. So, the other translation is not *wrong*, content-wise, but it’s not what the text says (more like a free interpretation of it). As for the order of creation, I admit I have no idea. The text doesn’t clearly say if they’re the very first characters, or if they’ve been created early in general. I think it’s difficult to say which characters he created first… because I remember I’ve seen other character sketches, which Kishimoto provided at the end of some Naruto chapters (I remember there were Iruka, Konohamaru, Kakashi, Sakura and Sasuke as well), together with some other he discarded in the end. Long story short: 1) yes, Anko and co. are pre-serialized sketches, 2) Koshej’s translation is not wrong in general, but mine is closer to the original one (that’s why I had a hard time explaining the terms, and sometimes my translation is almost unreadable), 3) there’s no way to tell which character was created first after Naruto, unless you’re Kishimoto himself I guess (or at least, this databook doesn’t clarify it here).

So, uhmm, that's what I have to say on the matter. Silalcarin also gave me this link (in which you can read further thoughts on the matter)

Last but not least, I feel like to add a link to another interview I translated, from the fourth databook, in which they talk about character creation and such (unfortunately, the part about Sasuke's creation was too difficult for me to translate, so once again I can't give an answer to the question "were Hinata and company created before Sasuke and Sakura")

[rebelinksart]

Hi ree! So im going to be selling my art at a con in artist alley! Are there any tips I should know? (i met you at a con last year, thats why im asking you)

Oh gee golly, there’s a whole lot to cover there, and I dunno what all you’ve already got figured out, but I’ll go ahead and touch on all the basics and feel free to send another ask or pm me if you want me to expand on anything! Also, sorry for sitting on this for so long, but I wanted to make sure I covered everything I wanted too. I’ll still probably forget a lot but, oh well.

So here we go! Ree’s guide to Convention Survival!

1- You’re going to do both better and worst then you expect!

Go ahead and erase everything you expect to occur at this convention. Chances are you aren’t going to get signed on to your favorite developer (Though I do have friends who’ve made connections at cons that lead to that later down the line ;3), but you’re going to do okay, people will show interest in your work, and you’re gonna learn a lot. I dunno it this is universal, but before every con i find myself in a constant back and forth between the best-and-worst case scenarios that leave me exhausted and nauseous before the event, yet always find myself in between both extreme scenarios. You’re going to do okay! I believe in you :D

2- You gotta talk to folks!

My first conventions, no exaggeration, were a bit of a nightmare. I found it hard to sell art and harder to make connections. This nightmare, however, was COMPLETELY self caused. There’s a billion artists in the artists alley. Even more than art, people are there looking for an artist. In order to draw folks in, you have to engage them! For me this was super rough because I’m introverted as all get out. What helped me break out of my little shell and make some friends and moolah was creating a persona to use as a sort of personality-shield while in these situations. While I’m by no means the expert on all this, the way I went about figuring out who I was gonna ‘pretend to be’ during cons was by looking at my art and figuring out how it made me feel, and then playing that feeling up to an extreme. The result’s an odd hybrid of Tour Guide Barbie and Tracer. I find myself going to this extra chipper form of myself whenever I need to engage with folks now, because it’s something I’ve practiced enough that I know how to use it as a way of socializing and engaging with folks. Find whatever little tricks and characterizations you need to make it easy to talk to folks, and then talk to everyone. Say hello to anybody who’ll make eye contact, ask folks who stop how the con’s been for them, ect. 

2.5- You gotta get folks to talk to you!

This was a little trick that I actually learned from my mentor! Once you’ve gotten people to stop at your table, get them to talk to you. Ask them questions about their day! If they express interest in a particular print that they like, ask them if they like the series its based off of: who their favorite character was, what they though of the sequel, who they main, etc. Phrase things so that it stops being a conversation between a buyer and seller, but between two fans of a similar thing. If you met me at a con, chances are you saw me doing this in action. It feels a little awkward at first, but not only is it a good way of getting folks more interested in your work, it’s a great way to make connections and friends. I’ve met so many cool folks through conventions, and a majority of them I met from them stopping and pointing out a picture I had for sale. 

3- Have a variety of stuff for sale

This is one I’m still working on learning, but it’s very important- try to have a good variety of stuff available! This comes in two varieties- First, have stuff based off a lot of different media. Have a good mix of movies, comics, games, cartoons, anime, etc. Try not to let yourself have 20 prints of your favorite show and then a handful of other things . Try to keep it balanced. Second, try to have your work available in a variety of forms. The main way to sell art is as a print, but the more options you have the more interested people are gonna be, and the more likely you’ll be able to sell something to someone hesitant about buying. Popular options asides from prints are stickers, buttons, charms, notebooks, phone cases, pillows, and magnets. Along with that, if you feel like being a bit busier during the convention, bring some art supplies and offer sketch commissions! In my experience a whole lot of folks come to cons just for sketch commissions- During my cons I’ll end up having to take things back to my hotel room and draw through the evening just to cover all the commissions I get. 

3.5- Ask other artists about the stuff they sell!

Again, if you’re as introverted as I am, this may be hard, but i highly encourage having someone watch your table for a bit so you can walk around the artist alley. Look for products/art styles/ concepts you like, then walk up to the artist and ask them how they made it, what programs they used, where they ordered it. A lot of folks aren’t gonna really be interested in giving away ‘trade secrets’ or whatever, but this is an industry, not a competition, and I guarantee there will be some artists there that will let you know about a cheap place to order good stickers from or a cool free art program. Plus, art friends are always the best friends to have, and those connections will get you a whole lot of cool info down the line. 

4- Remember to have fun!

This is gonna be a ‘do as I say, not as I do’ sort of thing. It can be easy to get hyper focused on the need to do well at your convention. However there’s a lot of cool things to experience, and you shouldn’t make yourself miss out on them! See if you can get someone to watch your booth if there’s a panel you’re interested in, see what activities are going on after the artist alley closes, buy something neat for yourself. Work can be pleasure too!

LAST SILLY LITTLE BONUS POINTS

-Every con I’ve been to has rules about food, but every con I’ve been to artists take food into the alley while they’re working. While I dunno the rules on it all, every con I pack my bag full of at least 3 Neuro Sonic’s and a bunch of skittles and granola bars to keep me going. Haven’t been yelled at yet. I say get your munch on and see if you can avoid pricey convention food.

-Also, probably not healthy advice, but caffinate HEAVILY. You know those Neuro Sonic things I mentioned five seconds ago? They sell em in Walmart, and are the only reason I’ve ever survived a convention ever. Coffee, soda, tea, whatever you gotta do. Keep yourself kicking.

-If you’re still looking for places to buy products, Vistaprint is my go-to for most my stuff. Good prints, great business cards, I plan on ordering some of their cards and notebooks for my next con.They also have sales all the time, which is super rad.

-Oh snap, BUSINESS CARDS. If you don’t have some, get some. If you have some, GET MORE. That was the biggest surprise my first convention, is the sheer amount of business cards people will take. Like good golly. Get yourself a ton of business cards

That’s all I can think of right now. Let me know if you have any other questions, or if you’d like me to rant more about stuff! And good luck at your convention! You’re gonna do great! <3

[whifferdills]

idk if you're still doing fic requests, but i've had this half-formed idea kicking around in my head and i trust you'd be able to bring it to life: 12 builds an inspector gadget style dildo/sex toy machine thing. i don't know what else would happen (like i said: half-formed) but that seems like it'd be a fun fic. alternatively, maybe another Kate Lethbridge/12 one because that pairing doesn't get nearly enough attention.

ooh, i’ve refined it a bit more if you’re at all interested: Clara asked him to build one and he gets more excited about the gadgets than the dildo, and ends up being hilariously unusable. but also sexy? idk; i trust what you come up with.            

So You Want to Build a Sex Machine12/Clara, not explicit but still risque, comedy mostly, ~1k words

(read on Ao3 instead)

Here’s what you’ll need.

1.

Considerations: materials, feasibility, semantics, ethics, use-case scenarios, mechanics both internal and external. The fulfillment of desire, what ‘want’ means; how to create it, or find it; friction. Erotic as a poorly-translated word from a language you do not speak and that your ship will not speak on your behalf.

2.

Google searches:

sexual requirements of the average human

sexual requirements of the unusual human

sex toy personality quiz

Metallica

how can i know what she wants without asking what she wants

3.

The three ‘R’s: Research, Research, Research.

3A

An hour spent watching videos of anonymous amateur fucking and masturbation.

3B

Two minutes spent with your hand wrapped experimentally around what you’d let someone assume was a cock, if anyone were around to notice. Three minutes with your right thumb pressed into the spot just below your rib cage, where your key is still lodged. You feel nothing, and an aching empty sort of wrongness, in that order.

3C

Five hours spent watching videos of people unboxing new dildo shipments. It’s satisfying, watching them crack open the packaging and methodically assess the contents,

4.

Plans. I know it seems weird, to plan ahead of time, but trust me on this.

Four-One

Two mood boards, one on the ship - in a private room tucked far away - with magazine clippings taped to a dry erase board, and one on Pinterest that is followed immediately by a user named KinkyDave17. Hey there, Kinky Dave.

Four-Two

Fifty rough concept sketches, loose and easy. One drawing of Mr. Blobby holding a sign reading “There is no such thing as ethical consumption under capitalism” (it’d seemed funny at the time). Ten selected and elaborated upon; five chosen and explored with attention to detail. Four mugs of tea, two of which are immediately forgotten and eventually absorbed back into the timestuff of the ship.

Four-Three

One sketch, and fifty variations. The implication and execution of multiple penetrative devices. Orifices, modularity. Texture, color, the minutiae of hydraulics. Desire diagrammed. Both mood boards gradually evolve into evidence that Sammy Hagar is a fixed event in time and space. The Pinterest board is immediately followed by GuitarDave1975. Hey, Guitar Dave.

Four-Four

One variation, ten life-size mock-ups. Cannibalize parts from automobiles and electric pianos. Use similarly-shaped objects as stand-ins for dildos. Create a Catherine wheel of bananas. Remember, belatedly, that that’s probably not how sex works. Take a mental note of the texture and firmness of the bananas anyway. Eat one. Eat four more, and regret it instantly. Thrust, vibration, pressure, response, haptic feedback and precision stimulation. Turn the motor on and watch it spin as you eat a sixth banana.

5.

On the mood board in your ship, tape a picture of her over Sammy Hagar so it looks she has Sammy Hagar’s body, or that Sammy Hagar has her face. Resist the sudden impulse to punch the dry erase board. Resist the constant impulse to do something sentimental. Do it anyway. Say something that pretends to be mean, like your human pastimes are ridiculous at best or it’s just an interesting engineering problem, that’s all. Touch the picture of her face, or Sammy Hagar’s face, touch the picture of the face gently and try to think positively about the ten failed attempts littering the room. Eleven, the eleven failed attempts. Or is it twelve, now?

6.

Immediately realize it’s been Eddie Van Halen all along. Spend an hour arguing in the comments section of a YouTube video with a user named, simply, Dave. We meet again, Dave.

7.

Punch the whiteboard, delete the Pinterest account. Sit down on the middle of the floor with a cup of tea. Make a mental list of all the times you can recall her making a face or a noise or a motion, an indication that there was something in her body you only partially recognize:

When you’d had your hand inside her, knuckle-deep, fingers crooked

The time it took for the red mark to show after you bit the skin on her neck, just under her ear

Not sure but it was a Tuesday local time and you were on your knees

8.

why not ask her, Dave will type. or just fuck her lol. Pause. Type back, shut it you sorry excuse for an internet avatar i never liked you anyway. Turn off your personal computation device with a degree of petty, misdirected anger. You will still be on the floor, at this point. Stretch your legs out and then lay down and press the palm of your right hand to the spot just under your rib cage where your key still is, where it’ll always be, where it’s throbbed inside you since before you left home.

9.

Ask her. Ask her, ask her, stammering and fumbling. Make sure it’s a Tuesday local time. You aren’t on your knees but you might as well be. Ask her what she wants.

And she’ll say, you, and she’ll laugh, but not in a mean-spirited way. Pull out your diagrams, your lists from your pockets. Put them back.

Say No, I mean specifically, in terms of the specific thing. Make a gesture that implies fucking and also hopefully how you understand and accept and regret your inadequacy in this area.

You, she’ll say again.

But for when you’re not there, or you’re there and you can’t, or you can but you’re not enough. What does she want? What’s better than you, what’s the ideal?

Don’t you get it yet? she’ll ask.

From here, futures splinter. It could go any way, there is a near-infinite set of possibilities. But if you take her hand and stay, it’ll be one of the good ones.

10.

Let her lead you to her bedroom on the ship, where she feels safe. Let her hold you. Admit you spent the better part of two days, local time, inventing her a sex machine. She’ll roll her eyes and say I’ve got it covered, but thanks I guess, gesturing to her proudly-displayed collection of dildos and vibrators and a fair few things you’ve never even seen before, despite at least three Googles. You nod and feel a certain awe come over you.

11.

Guide her hand to your belly, the spot just below your rib cage. Feel your key move inside you. Try not to cry.

Go down on your knees; it worked once before.

12.

Later, return to the Van Halen fan forum and ask Dave if he’s David Lee Roth, and if so, is he a fixed temporal event. He won’t respond.

[63824peace]

Wednesday, 2nd of november 2005

I am not a maiden--I am a man. Yet I am an Otome-za, one born beneath the astrological sign of the Virgin.

I only bear this trait because I was born on August 24. If I had been born a few days later, I would have been born under the Lion. When I was a boy I would lie that I was a Leo. Obviously, Leo sounded better than Virgo. My boyhood friends used to say, "Hide-chan, you're a Leo? Lucky!" They envied my lie.

Kids think that Leo is cooler than livestock constellations such as Taurus the Bull, Aries the Ram, and Capricorn the Goat. They likewise prefer Leo to smaller animal constellations like Pisces the Fish, Cancer the Crab, and Scorpio the Scorpion.

I don't care about that stuff anymore. After all, I'm forty years old. Today I think that an Otome-za is just as fine as anything else under the heavens.

I turned on the television news this morning and noticed a program called Today's Horoscope. This really irritated me. I don't want someone else to decide my day's future so early in the morning.

For me it's not an issue of belief or disbelief. I simply don't want to hear anything like, "Virgos should expect such-and-such things to happen." It will haunt me throughout the day.

I usually take a bathroom break or busy myself otherwise whenever Today's Horoscope starts. I don't mind hearing my fortune if my star is in a good position, but I feel terrible all day if the outlook is dour.

I was too slow this morning. I heard my horoscope.

According to the program, Virgo currently holds the fourth position among the twelve zodiacal signs. That's certainly not bad-but neither is it particularly good. I would have been quite nervous had I needed to deliver our "sons" to Aoyama today.

However, I received the advice, "You should eat ramen today." So I walked to the restaurant Gogyo in Tokyo's Nishi Azabu district. I hadn't been there in a while. I ordered a jumbo-sized ramen in scorched soy sauce, with a bowl of rice and chashao topping.

I can't deny that today's horoscope floated through my mind. I thought that Fortune might smile upon me if I ate ramen. After all, that's what my horoscope recommended.

I ate with high hopes for good tidings. Then I splashed and stained my shirt with soup from my scorched soy sauce ramen.

Is this supposed to be a sign of good luck?

I bought a copy of Yusaku Matsuda: the Complete Collection at the bookstore. The book used to sell only online, so it's a pretty rare find. Now they're reprinting it to sell in stores.

Mr. Yusaku Matsuda is greater than an actor or a celebrity idol... he is one of my generation's heroes. I esteem him as highly as Steve McQueen. I was attracted to more than just his performance and his looks. I admired his whole way of life.

I wonder if we'll ever see an actor like him again. The thought occurs to me every time I turn a page, see his picture, or read his words.

He flew from this world so young... he was only thirty-nine years old. I suddenly realized that I'm already older than him.

We held our second brainstorming session for the new project.

...what? Shinta and the prospective future director are absent.

Okamura apologized. "They've been working hard these days."

So what did yesterday's parting words even mean?! My thoughts clicked to the fact that the Virgin holds the fourth zodiacal slot.

I had no choice then but to enter the glass room with Okamura and Murashu, and Murashu isn't even involved with the project. At that point only four people (including myself) knew the project's details. I started explaining the outline to Murashu.

Now five people know about it. I'll limit my number of confidantes to these five only. It's better to involve only a few people. When we create a game, we must protect the core idea above everything else.

We conversed for about an hour. The project has an original concept as well as a deep technical side. We naturally focused our conversation on the technical aspects. We need to develop the concept and the technological feasibility independent of each other. I'll test the concept along with the actual program once our missing team members return.

By the end, our meeting had turned from a brainstorming session into a presentation of the idea to Murashu. I asked his opinion, and he said, "Looks interesting." His eyes sparkled.

In my experience, mediocre projects are usually accepted and admired during their drafting stages. Really original projects receive a lot of skeptical criticism. The Metal Gear Solid games and Boktai were ripped to pieces at first.

Maybe this project won't turn out so well after all.

Something good happened while I ate ramen. Ms. Ayumi Kinoshita visited my office to cover a story for GS Satellite. They will publish the story in mid-November.

We haven't seen each other since TGS a little over a month ago. She has changed her hair style since then--she's adopted a more boyish look.

I think that she's prettier like this.

I had her experience the TOBIDAC!D version of herself that will fly out toward our audience.

Let me illustrate the 3D mechanism for HIDEOBLOG's readers. It looks like this without TOBIDAC!D attached.

She gave me her autograph at TGS.

I have mentioned my admiration for Da Vinci on various occasions recently. I know I've mentioned it during interviews and in articles that I've written. The gallery at the Hills has hosted the Leonardo Da Vinci Exhibition since September, and they have Da Vinci's Codex Leicester.

The Mori Arts Center has the authentic Codex Leicester (owned by Mr. Bill Gates) on display. This marks the book's first visit to Japan.

The event was probably precipitated by the influence of the popular novel The Da Vinci Code. Still, the chance to see the Codex doesn't come along often. I can't pass this up. I may never see it again in my whole life if I don't go now.

I want to see it no matter what the cost.

The exhibition will remain open until November 13. For weeks I have said to myself, "The exhibition is just next door, so I can see it any time I please." Then today I reflected on my actual situation. I realized that I wouldn't have much time to see it, due to responsibilities like next week's business trip to Korea. Today is my last chance.

"I'm in a tight spot!"

I panicked.

"Well, all right... it looks like I don't have anything left to do... I only need to walk over and see it now."

I saw Murashu right when I thought this. It occurred to me that we had gone shopping together earlier, and that I've set aside today to spend with him.

Perhaps Murashu ranks fourth in my own destiny like I rank fourth in the Zodiac. The zodiacal fourth rank is neither particularly good nor bad, so Murashu shouldn't bring bad luck... though he certainly won't bring much good fortune either.

Fortunately the exhibition stays open until 10 P.M. during November. I can make it in time even if I leave at this late hour. They probably extended the hours so that people can access the panoramic viewing platform. It's the time of the season for stargazing.

Murashu and I headed to the Da Vinci Exhibition.

The exhibition hall was more crowded than one might expect at this hour. Half of the folks were couples trying to enjoy the shadows for a bit of romance. The other people were legitimate Da Vinci fans.

The real Da Vinci fans came alone, age or sex regardless. They emanated a sort of frenzied, vibrant air from their bodies.

Honestly, I couldn't care less about the handholding couples. The guys are likely preoccupied with thoughts like, "I'll hook up with her tonight for sure!"

I couldn't entirely accept the serious art fanatics' company either. They're a tough bunch. They tended to stick in one place, right in front of the exhibition displays. They hogged the informational areas. They wouldn't give up their places easily. And still... as a Da Vinci lover myself, I felt a strange and deep affection for them when I saw their obstinate passion.

I momentarily fell under the illusion that I was in the Ueno Art Museum rather than the Hills.

I saw the actual Codex Leicester. It's definitely five centuries old. Strong light would damage the materials, so they are kept under soft light for fixed intervals only.

People formed a wall in front of the manuscript while it was lighted. The light snapped off after a fixed amount of time, and then it clicked on again. The process repeated over and over.

The total display consisted of eighteen sheets of paper pressed individually between panes of glass, so that a total of thirty-six leaves were displayed. Each sheet of paper was dimly lit within an individual booth, and then it returned to darkness. The light and darkness alternated at irregular intervals.

Visitors flitted to the lighted booths like moths making shadows out of a light bulb's midsummer gloam. It was pretty difficult to see the pages in sequence.

The exhibition conditions also required reduced humidity and temperature, so it was quite cold. A man needed patience and fortitude to see everything. Once in a while, though, if I stood in front of a darkened booth, the light would turn on as though greeting my presence. Occasionally the intervals of light corresponded with my movement. It must have been coincidental, but I still felt as though I had touched Da Vinci in those moments.

I bought a booklet featuring a replica of the Codex Leicester. I also bought various goods relating to the Vitruvian Man. I love that drawing.

I took my newly purchased replica of the Codex Leicester in hand after I returned to the office. "Perhaps there is something in here written about Hideo," I mused.

I looked among the mirrored script and rough sketches, but of course I found nothing. I couldn't have found what I looked for, and I knew that. I just have this strange delusion sometimes.

I become enamored by handwriting's charm when I look through the Codex Leicester and Yusaku Matsuda: the Complete Collection. Characters penned by hand have distinct expressions. Perhaps those expressions embody characteristics of the person who set the characters in ink... his perception, strength, peculiar idiosyncrasies, emotions, and even his facial expressions. The script evokes an awareness of more than silent words. We can see the visual presence of the ideas behind the writing, and we can hear the sounds behind the words.

Kadokawa Press published a complementary book for the whole MGS mythos in 2004 titled Metal Gear Solid Naked. I wrote the book's preface in my own handwriting. That was head editor Mr. Yano's idea.

I initially protested the suggestion since my handwriting is so awful. Writing by hand makes me feel awkward and uncomfortable.

Encountering the Codex Leicester makes me think now that Mr. Yano had the right idea.

The 21st century will use digital writing preserved on personal computers as its standard archiving medium. The letters appear as they should; they're impervious to fluctuations in light and temperature; and they won't deteriorate in time.

They are practically eternal records… yet they lack charm.

Da Vinci wrote in mirrored characters... he wrote completely backwards. Even though we can't read them easily, the pressure of a pen stroke and the gaps between lines and letters give us a sense of the words' spirits. Da Vinci lives in each drawn character.

As an example of my larger point, suppose that HIDEOBLOG were to go on display after five centuries. I feel disappointed just imagining it... the sentences will line up too perfectly.

Nothing can match the impact of handwritten diaries and articles.

I hope that someone in the future invents a device that can create something akin to handwriting. It should be a digital device that operates like an analog device. It could change the color, shape, and size of the script according to measurements of the writer's emotional and physical condition. I would want this new machine to record the writer's sensations and physical environment in addition to letters.

At night I swam in the gym.

Back at home, I wrote my blog while listening to L'Arc-en-Ciel's album Awake and Hyde's single Countdown.

The day that my horoscope called "fourth rank" concluded without incident. It wasn't that bad, all in all.

Tonight I conversed with Da Vinci, five centuries gone. I sensed that I heard his voice speaking to me....

"Hideo, you don't need to be recognized and fully appreciated just yet. A day will come when you are truly understood. Continue writing HIDEOBLOG until then.

"Come on... it doesn't even need to be handwritten...."