hell bent // heaven sent
meta below cut!
i wanted to do a screencap study and when i saw this one of clara oswald i knew that i could pair it with the legendary shot of 12 at the table.
i wanted there to be contrasting colors. the reference of 12 was already warm and orange like the page 1 leaf that’s near and dear to clara. so i saturated clara’s reference with blue to evoke imagery of the TARDIS as well as create a dichotomy, “hell vs heaven.” they both share the same isolating and desolate feeling.
as far as lighting goes, i love that the doctor is more illuminated yet also less decipherable. that’s the type of person he is, only allowing you to see what he wants you to see. you’ll never know fully what he’s thinking. then there’s clara who’s shrouded but wears her emotions on her sleeve, always touched by melancholy. and there’s a single spotlight on them, the most clever people around, but what use is that without company, without a companion?
the techniques chosen for each piece varied too bc i used different brushes. clara’s was more free form with larger strokes. where as the doctor’s required a finer brush to capture all the detailed color blocks.
120 notes
·
View notes
Robbing a bank. robbing a whole bank. Beat that for a date ;)
with the cunty little leg kick
2K notes
·
View notes
DOCTOR WHO
The Name of The Doctor | The Witch's Familiar
1K notes
·
View notes
Do you think I care for you so little that betraying me would make a difference?
DOCTOR WHO (2005– )
S08E11: Dark Water
2K notes
·
View notes