#Reissue

[golddustsoul-rarities]

BuckinghamNicks billboard spotted in LA!

[k-i-l-l-e-r-b-e-e-6-9]

Black Sabbath - War Pigs

[arcadebroke]

[ancient-qveen]

Emperor & Wrath of the Tyrant 2007 box set scans

[deebeeus]

2014 Les Paul R9 VOS

[toothlespoggers]

and now, the moment you’ve all been waiting for…

WE DID IT BOYYYYYSSSSSS WE WENT TO THE CAFE. GOT THE SANS DRINK!

We got the original one! And one custom of Sneaky!sans what a great trip! The cafe was lovely and the hot chocolates so yummy!!!

if you’re in Tokyo, I’d definitely recommend! They do speak English there so don’t worry.

The little guy in the background is my brother! He ordered the original sans drink! Thank him for that!

and thank Shii for making them!

[itsallmadonnasfault]

@Madonna Bedtime Stories Re -release and Vinyl coming soon ! 🛌🩵🩶🤍

[records-of-records]

Thelonious Monk “Genius Of Modern Music Volume 1” 1951/2019 reissue

Early Monk recorded for Blue Note Records! There’s two volumes of his “Genius Of Modern Music” and I might as well cover both of them now because they have identical covers except for the color. Covering from the mid-1940’s to the very early 1950’s this is foundational jazz. I tend to bounce back and forth between Monk and Bud Powell as my favorite jazzmen. Which makes sense because their stories are strongly intertwined. Some of the best music recorded. He would go on to make great albums his whole career.

And from Volume two…

[longliverockback]

The Band The Last Waltz [SACD] 2015 Mobile Fidelity Sound Lab ——————————————————————— Tracks CD One: 01. Theme from the Last Waltz 02. Up on Cripple Creek 03. Who Do You Love 04. Helpless 05. Stagefright 06. Coyote 07. Dry Your Eyes 08. It Makes No Difference 09. Such a Night

Tracks CD Two: 01. The Night They Drove Old Dixie Down 02. Mystery Train 03. Mannish Boy 04. Further on up the Road 05. The Shape I’m In 06. Down South in New Orleans 07. Ophelia 08. Tura Lura Lural (That’s an Irish Lullaby) 09. Caravan

Tracks CD Tree: 01. Life Is a Carnival 02. Baby Let Me Follow You Down 03. I Don’t Believe You (She Acts Like We Never Have Met) 04. Forever Young 05. Baby Let Me Follow You Down (Reprise) 06. I Shall Be Released 07. The Well 08. Evangeline 09. Out of the Blue 10. The Weight 11. The Last Waltz Refrain 12. Theme from the Last Waltz [with orchestra] ———————————————————————

Rick Danko

Levon Helm

Garth Hudson

Richard Manuel

Robbie Robertson

* Long Live Rock Archive

[dustedmagazine]

Drop Nineteens — 1991 (Wharf Cat)

The Drop Nineteens were still college sophomores at Boston University when, on a quick trip to London to see a girlfriend, Greg Ackell walked a demo around to labels — Creation, Fiction and 4AD. The New England shoegazers hadn’t yet played a show when 4AD’s Colleen Maloney forwarded their cassette to Melody Maker, who promptly named “Mayfield” their Single of the Week. Though hardly even a band yet, Drop Nineteens were already getting called “the American Slowdive,” a band that none of the principals had, at that time, ever heard.

1991 gathers the material from that first home-dubbed cassette release, the one that got Drop Nineteens started. Following close on the reissue of the band’s landmark Delaware ahead of the Drop Nineteens first album of new material in 30 years, these songs capture the swirl and echo and sway of a band about to make an impact.

“Mayfield” opened the door, erupting out of a wind tunnel here, with scrambling drums, a wall of three guitars, and vocals that slip in and out of the noise-storm, hitting an ethereal harmony or a yearning chorus, then sinking back into a mass of static and hum.Yet other songs were arguably even stronger, the wheeling, spiralling “Shannon Waves,” the dream pop delicate “Kissing the Sea” which turned the mic over to Paula Kelly. A formidable guitarist and the group’s only female member, her haunted vocal sweetness plays counterpart to Ackell’s more conventional Brit pop romanticism. 

A second cassette demo, called The Summer Session, is also included here, this one with Hannah Yampolsky singing (Kelly was out touring with another band). Here, a few months after the Mayfield demo, the band’s attack is sharper and more assured, but the singing dissolves into the ether. “Daymom,” follows a clanking, ominous bassline, not so different from the one that propels the Cure’s “Fascination Street.” The vocal sound is pretty but frictionless; all atmosphere no forward motion.“Soapland,” too, showcases some driving percussion and slashing guitars, but doesn’t really cohere into a legible song. The band was missing Kelly—and she rejoined soon after this second set of demos.

These demos were never reworked into album versions.The band started fresh when it recorded its best-known album Delaware. As recently as a year ago, hardcore fans were still trading tips about bootlegs copies and YouTube versions of this material, so it’s great to have it in a readily accessible format. Yet ultimately, the songs have a provisional quality, provocatively lovely but elusive and unfinished.If you love shoegaze or the Drop Nineteens or both, though, this is well worth checking out.

Jennifer Kelly

[k-i-l-l-e-r-b-e-e-6-9]

Deftones - Passenger

[20y2]

[transparentfossil]

VINTAGE PFLUEGER REISSUE KENT FLOATER NIB #2-1999-DUDLEY MURPHY COLLECTION

[deebeeus]

A quick break from the @elmiravintageguitars pics to show you the main reason I have a smile permanently plastered to my face these days:

2014 Gibson Custom 1959 Les Paul Reissue.

[burlveneer-music]

Akira Miyazawa + Soul Leon - Karajishi Botan - Sound Fuji reissue of 1969 King Records (Japan) LP; not technically a library album as I think they're all covers (?), but the cinematic arrangements by Masao Yagi make it function as one.

"Karajishi Botan" is a rare and wonderful masterpiece by the great saxophonist Akira Miyazawa—renowned for his deeply evocative jazz works inspired by Japan's landscape, such as "Yamame", "Iwana", and "Kiso." This time, he turns his attention to themes from “ninkyo movie songs,” enka, and military song, with all tracks arranged into jazz-rock and rare groove style by the brilliant Masao Yagi. The earthy flute leads the way in “Abashiri Bangaichi,” infused with a flavor reminiscent of Ethiopian funk. “Ruten” features a Latin jazz-rock arrangement with striking conga and vibraphone interplay. And “Zatoichi Komoriuta” opens with a killer drum break, unfolding into a silky, sensual groove laced with rich saxophone lines. Each track forms part of a mystifying yet captivating Japanese groove sound spectacle that radiates a unique presence. While the full personnel for the mysterious unit “Soul Leon” remains unknown, the tight sonic quality and powerful groove suggest the possibility that this recording dates to just before the formation of Sound Ltd. in 1969. Enjoy!

[japanesecds]

Masayoshi Takanaka - An Insatiable High

Released: 26 Jun 2013 Japan