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gloomwitchwrites · 9 months ago

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Hello, hope you're a having a good day

Could you write something about 141 x reader where the sparring session turns a little too not your usual sparring (if you know what I mean). The reader and them being all sweaty and shit and like the sexual tension that's been there for a while. This idea has been plaguing my mind since forever. Thank youuuu

Haha! Yes! Omg, I love it. Okay, for this, I didn't go full smut. When someone mentions sexual tension, I tend to hyperfocus on that and want to bathe in it. Give me naughty thoughts and flirting-maybe even some actual physical contact that borders on dangerous territory. Give me the yearning! I want to giggle and kick my feet and think about what might happen later. So, I indulged in that regard! I had lots of fun with this. Thank you so much for sending it in!!!

For the masterlist and how to submit your own request, click HERE

Task Force 141 x TF141!Female Reader

Content & Warnings (MDNI): swearing, suggestive themes, knife play, grinding, rough kissing, caught in the act, training, naughty thoughts, mutual yearning

Word Count: 2.4k

ao3 // main masterlist // imagines & what if masterlist

John "Soap" MacTavish

“Come on. Come at me.”

Soap rolls his shoulders and then brings his fists up in a fighting stance. He makes a “go on” gestured with his hands.

Every muscle in your body is sore. Tired doesn’t even begin to describe how you’re feeling. But you want to best Soap. He’s been on your ass for weeks now—insisting that the two of you should spar together. It’s not the sparring that makes you warm and tingly but the way he suggests it.

Always leaning in. Standing far too close. Bumping your shoulder with his.

Soap waits, but you’re not sure how to proceed. So far, you’ve been completely unsuccessful. As if knowing all your moves, Soap has dodged each blow and kick, effortlessly taking you down to the mat every time you thinking you’ve ensnared him.

Stealth is more your thing. Creeping around in the shadows. Taking out opponents from afar. A sniper scope is your friend. Hand-to-hand isn’t.

You lunge for him and Soap steps back. Fist missing him, you sidestep and go for a jab in the stomach. Soap slaps your hand away, and you want to yell in frustration.

“Sloppy today,” chides Soap, grinning like this amuses him.

It probably does. He’s one for a good laugh.

This time you feign, and Soap takes it, moving in. You’re ready for him, turning out of his swing to duck beneath and then aim for the face. Soap rises to block, and opens a clear line to his groin.

Fucking beautiful.

Lifting your foot, you don’t tap him hard, just enough for his cheeks to go pink. Soap grunts, and you chuckle.

“Shouldn’t have left yourself—”

With an oof, your back smacks against the tumble mat beneath you. Soaps snags your wrists and pins them above your head. You go to kick out at him, but Soap’s knees are between your legs. He shoves them wider.

You’re completely trapped beneath him.

And in a completely inappropriate position.

From where you’re pinned, you notice the small beads of sweat on his brow and how a few pieces of hair stick to his skin. Though his chest is covered by a shirt, it’s snug, with every muscle on display. Those powerful thighs of his press against yours in such a way that you’re imagining nothing between your bodies.

Would he feel this powerful over you if the two of you were elsewhere? Perhaps, somewhere more private. Somewhere without a tumble mat. Somewhere with a bed.

“Can’t harm the goods, love,” says Soap, his voice husky. You’re not sure if it’s from the close contact or from the tap you gave his crotch.

“Then don’t leave them vulnerable,” you reply, almost not recognizing the sound of your own voice. It too is husky as if dipped in desire.

The middle of Soap’s brow scrunches slightly. His gaze travels downward to linger on your lips and then further still until you sense him admiring more than he is observing.

“Soap—”

His gaze snaps upward. “Johnny,” he corrects. “Think we’re on closer terms.”

“Are we?” you ask, as his hips start to relax.

The press of him against you is apparent, and the hardness there is poking at you. Insistent. And you don’t want to ignore it.

Instead, you press upward, grinding against him.

Soap—no—Johnny, makes a sound in his throat.

One moment you’re under him and then you’re in his lap, the two of you sitting up, staring into each other’s eyes. Your heart hammers in your chest, and your hands fists the front of his shirt.

“You—”

“Are we interrupting something?”

You and Johnny turn just as Ghost and Gaz enter the gym. Gaz has a towel draped over his shoulder. The water bottle he holds it half-way towards his mouth before he freezes, gaze locked on you and Johnny.

Ghost cocks his head, arms crossed over his chest.

You’re speechless. Lost. Your mind hasn’t caught up.

But Johnny’s has.

With a twist, Johnny rolls and then lightly tosses you off him as if the two of you were simply practicing and not staring into each other’s eyes.

“You want a go, Lt?” asks Johnny.

Kyle "Gaz" Garrick

“You up for another round?” asks Kyle.

The man is grinning like he could do this all day. You’re sore everywhere—ready to collapse from exhaustion. Hand-to-hand combat is not your thing which is why you’re here in the training room with Kyle.

Yes, you need practice, but you’ve also had your eye on him, admiring him when you think no one is looking. It’s an excuse for some alone time.

“I’d rather eat glass,” you mutter, snatching up your water bottle and drinking the last of it.

“Hate me that much?” he teases.

“So much so that I wanted to spend the afternoon beating your ass.”

Kyle bursts out laughing. He snatches the water bottle out of your hand and aims it at you, squeezing. There’s nothing in it. A few measly drops hit your face and then you lunge for him. Kyle jumps back and extends his arms outward.

“One more round.” He winks. “Come on, love.”

He’s being cheeky, and your blood is pumping.

Kyle tosses your water bottle to the side as you stride forward. His arms go up, and then the two of you are nothing but flying fists and feet. He’s faster, blocking every blow you send his way.

Sweat accumulates on your brow and on the back of your neck, dripping down your spine. You lick your lips, taste the salt from the sweat.

You duck. Swing. Kyle snatches your wrist and twists, pinning your arm behind you. With a sharp jab of your elbow, you nail Kyle in the stomach, freeing yourself.

As you spin to lash out, Kyle is right there, in your space, blocking all movement. You try to step back, to allow space in your next strike, but Kyle rushes in. The two of you are twisted up. Falling. Slamming into the mat on the floor.

You shove and Kyle resists, his strength outmatching yours. With cheek pressed into the mat, you have nowhere to go. You’re completely on your stomach, and all of Kyle’s weight is on you. He breathes heavily, chest heaving. You feel his breath against your skin, and the contact only sends your skin into a shiver.

Your mind drifts, lingering in places it shouldn’t. Worse—Kyle is aroused. His hardness pokes at your ass. But whether he notices or not is unclear.

“You’re improving,” he says.

“I have a good teacher.”

Kyle makes a noise that sounds like agreement. Every muscle is tense, and even Kyle’s hold on you seems laced with something harsh. But then it eases. Softens. His grip loosens enough that you roll onto your side, glancing up at him.

He is so goddamn close. Just a gentle tilt of the head and your lips would meet his. It wouldn’t be that hard. He’s right there.

Kyle blinks, and then his gaze trails downward, lingering on your lips.

“We,” he begins. “We shouldn’t.”

“Why?”

His thumb traces along the side of your throat, and your eyelids flutter with contentment. A little moan escapes you, and you hear Kyle’s sharp inhale.

“Fuck,” he mutters. “Fuck it.”

His thumb becomes his whole hand. Holding you in place, Kyle goes all in, claiming your lips with his. It is dominating, and you happily give in to him.

John Price

Your back hits the tumble mat with a sharp slap. The exposed portions of your shoulders and back sting from the contact.

"Again."

Groaning, you push up to a seated position. "We've been at this for hours."

"And you need practice," counters Price.

He's hatless. And shirtless. Only in cargo pants and boots, Captain Price's bare skin glistens with sweat. You won't pretend that the sight of him like this doesn't intrigue you. For months now you've been observing Captain Price in more than just a professional manner. It's hard not to, and the sweat-drenched man before you isn't helping things.

Captain Price runs his fingers through his hair, taking a step back. The casualness to the movement causes your stomach to twist with desire. Your body betrays you, and you have no idea if these feelings are entirely one-sided. Sometimes you think you might gleam a notion of his thoughts, but it always manages to slip through your grasp.

Price offers his hand, and an idea forms.

You extend yours, but don't close the distance. Price is the one that leans forward to do so. It's the perfect opportunity. When your fingers close around his, you tug back, throwing him off balance.

Price tips forward, and you turn to the side as he crashes down to the mat. In one fluid movement, you roll Price onto his back and straddle his stomach.

"Never let your guard down. That's what you always say."

Price's eyes widen slightly before softening. The corner of his mouth twitches into a hint of amusement. It immediately sends heat flaring through you.

"I do," he replies, and it's nearly a coo.

That smirk of his widens into an actual smile, and then it's you on your back and Price straddling. You strike out with an elbow but Price catches your swing, trapping your arms above your head. He bends forward a bit, and it is then that you feel the stiffness against your stomach.

Price makes no move to hide it, and you don’t dare glance downward.

"You need to do better-"

"Captain."

Price immediately recoils, sitting up and releasing your arms. You twist to look behind you, only to find Ghost and Soap standing nearby. Ghost is ever the silent observer, but Soap's head is slightly tilted to the side, the middle of his brow pinched like he's not sure what's happening.

"Meeting starts in five,” says Soap. “Came to find you."

Price coughs and then he's off you, kneeling and offering you a hand again. You don't try to knock him down.

"Just going over some pointers,” replies Price.

"Pointers?" deadpans Ghost and you shoot him a look. He shrugs at you, gaze lingering before moving to his captain.

"Give me ten minutes. Shower. Then I'll be there."

Captain Price gives you a quick glance before walking off with Soap. Ghost crosses his arms over his chest and just stares.

“What?" you snap

"Pointers," he repeats.

"Oh, fuck off, Simon."

He chuckles and turns to follow the two out of the training room.

Simon "Ghost" Riley

"Your posture is terrible."

"That's very helpful, Lieutenant,” you deadpan.

"Are you sassing me?"

"No."

Simon shakes his head and sighs. “Can’t throw a knife accurately if you’re hunched like a goblin.”

“Goblin,” you mutter under your breath. “Asshole.”

“What was that?”

You clear your throat. “Seems easy, Lieutenant. You just throw the pointy end at the enemy.”

Simon grunts and then grabs your raised arm. "You won't hit anything standing like that."

You resist his pull but you're outmatch when it comes to strength. With one hand on your arm and one on your waist, Simon shifts you into position.

"Like this," he instructs, bringing your arm back. "Firm grip. Feet pointed forward." Simon releases your arm but his hand on your waist remains. "Throw. At the target."

You let the knife fly. It strikes just right of the bullseye.

"Again,” nods Simon.

"Really?"

Simon slowly drops his hand from your waist, the tips of fingers lingering a second longer than necessary.

Removing a knife from his boot, Simon flips it end over end. "We could hone your skills a different way."

"What way?"

“Grab your knife and find out.”

Stalking toward the bullseyes, you yank out the knife, joining Simon in the sparring ring. He bends at the knee, crouching into a fight stance. You mimic the movement.

Simon lunges first and you sidestep. But he's quick for such a large man. He moves around and behind you so fast he's almost a blur.

Grabbing your wrist, Simon lightly twists and pins you against his front, the knife tip pointed at your throat.

"Again,” he growls.

Simon lightly shoves you away. You spin. Striking out. He slaps your arm down and raises his own, the knife tip pointed at your throat for a second time.

"Again."

Showing your teeth, you charge at him, barreling into him at the middle. Simon staggers but doesn't faulter. He attempts to toss you off him, but you remain firm, grabbing hold.

This unloads him, his weight toppling with you. The two of you go down. Simon rolls you onto your back, his body pressed to yours, knife at your throat again.

"Better,” he says. “Still needs improvement."

You go to shove him off, but Simon doesn't budge. He remains where he is, and every point of contact is like an electrical spark. Even his face is close, balaclava nearly scratching against your skin. There is not part of him you’re not touching.

Awareness settles in.

Simon is all hardness over you.

"Have any tips you can give me?" you reply.

His gaze slowly lowers to your lips. His hips shift slightly, something stiff poking against your inner thigh.

“I have one,” he murmurs.

Bet I can guess.

“How do you want it?” he continues.

"You're the expert," you reply softly, hooking your leg over the back of his.

It's an invitation, one you aren't sure he'll take.

There’s a brief pause, and then Simon hums in agreement. It’s a pleased sound, one that instantly makes you shiver. Without taking the knife from your throat, he closes the distance, lips pressing against yours through the balaclava.

Heat erupts, the knife in your hand forgotten on the floor as you grab at him, fingers digging in.

It's only a tease. You want the real thing.

"What's the tip?" you ask once he breaks the connection.

Simon answers by grinding his hips against yours.

That one. Got it.

“We should—”

A door slams from somewhere down the hall. Simon’s head snaps up. The knife disappears, and then Simon is pushing himself away, kneeling beside you. His head is turned toward the main doors, but no one enters.

“It’s late,” you say. No one should be coming this way.

He turns back to you. “Your knife skills are shit.”

You groan. “I know. Goblin hunch. Got it.”

Simon snorts, and offers his hand. You take it, and he pulls you into a seated position. “Just a few more rounds,” he says, and then with a husky twinge to his tone, “and then I’ll go make sure the locker room is clear.”

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livingsurreal · 7 months ago

Text

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it. He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

#emmrich #emmrich volkarin #emmrich x rook #emmrook #emmrich meta post #meta post #character study #dragon age #dragon age veilguard #dragon age the veilguard #da #datv #dav #surrealthoughts

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harmomay · 3 months ago

Text

LADS MEN with an autistic s/o!!

─── ⋆⋅☆⋅⋆ ───

xavier, zayne, rafayel & sylus

Suprisingly knows a lot about it! Goes as far as to be aware of the whole ‘masking’ process.

Generally speaking, he’s a free weighted blanket. Will go out of his way to make sure he’s wearing clothing without that texture when cuddling.

His whole home is pretty much an autism safe space already. No overhead lighting. Everywhere is soft and quiet.

Not being the most expressive man out there, he definitely empathises and understands if you do the same thing. Especially if going nonverbal/are overwhelmed. Will print out a bunch of those communication cards, might even use some of them himself.

Sometimes is taken aback by sudden moments of hyperfocus, silently observing with interest as your attention span for this one thing is seemingly unbreakable.

Personally prefers the straight-to-the-point conversations.

If you get tired a lot, especially from socialisation, he will definitely encourage nap times after work.

Immediately asks what he can do to support you. As a doctor, he’s very much used to the medical approach and may be more focused on how it negatively impairs your life. Though, he’s quick to change his perspective.

The more he does independent research as well as the input from you, the more he resonates with a lot of the traits. Personally, I see a lot of autistic traits such as social awkwardness, hyperfixations etc. (though important to acknowledge there are social factors as to why he’s so ‘cold’) in him and let’s be real- he’s probably at one point been told by someone he’s autistic. Hadn’t really looked into it until you came along.

Personally I think that Zayne is such a good doctor in the story is because he empathises with his patients on a much deeper level, but isn’t really good at expressing it externally (hence the ‘coldness’)- something which i’ve found through experience seems to correlate with a lot of autistic peoples’ experiences

He probably knows a few good pediatricians, occupational therapists and asks for recommendations regarding accommodations for you. Your experiences also encourage him to bring more awareness to sensory-friendly spaces within the hospital for patients.

Will get butterflies in his stomach listening to you infodump about your latest fixation, noting the way your eyes have that light in them and you speak with such passion about it.

“Hey, I’M the one who’s artistic!”

Completely misinterprets it at first, but immediately realises his mistake once you repeated yourself. Being in the art space, he’s come across a few artists who had communicated about their experience within their work. Even with his limited knowledge, he’s eager to find out more. Maybe even be an inspiration for another piece. Referring to overstimulation as a tsunami makes him understand it better. Talk to him about autism in fishy terms please.

If there’s a certain texture you like, he’d incorporate it into his pieces upon the pretense of ‘being innovative’ within his art.

Prepares an allocated room for your sensory accommodations. If you need white noise, the beach waves are just an added bonus.

If you tend to speak in a blunt/matter-of-fact manner, he finds it very endearing and easier to tease you. Though, it can take him off guard sometimes depending on what you say.

Unconsciously picks up some of your stims. If you flap your hands around as a stim, he WILL call you a fish. Might also ask if you’re doing a mating ritual. Though, only if he’s sure that you’re in a mood for his comments.

Changes some of the ways he communicates to you so it’s more straight-forward/doesn’t rely on social cues.

You had best believe that this man would immediately provide a room in his base specifically catered toward your sensory needs. Essentially, it’s a personalised panic room. Here are the requirements he gave Luke and Kieran to organise:

A/C and Heating are completely adjustable

Dim/Gentle lighting

Couches, Beds, Beanbags

Weighted Blankets, Plushies

Soundproof Panelling

Shelves to store items regarding special interests

ALWAYS HAVE ADDITIONAL SET OF HEADPHONES!

Drawers for fidgets.

The twins, although their lore is quite limited, feel to me like they have ADHD. Otherwise, Sylus has a little bit of knowledge regarding some traits as they often overlap. Nonetheless, he will happily listen and have Mephisto take notes.

Finds the different thinking process a very valuable tool in his field of work. Sometimes you’d pick up on some random detail that not even Mephisto could recognise and he’d just smile to himself.

He empathises a lot with being the target of social outcasting, and if it does occur to you his heart will practically shatter. Resonates with you on a deeper level.

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