#a thousand new realities…..

[bitter-goodbyes]

They’re so funny lol

[walkawaytall]

I need all music recaps to notice when a song has been played back-to-back repeatedly in a single day, recognize that maybe I was Just Going Through Something that day and this isn’t actually a pattern worth capturing, and mark that song as an outlier that should not be counted à la Spiders Georg.

[stealingyourbones]

Quite genuinely and respectfully, you have no knowledge of how much money it costs to invent things. Nor do you understand that Batman is a comic book character and his wealth is a catch all for his billions upon billions of dollars worth of money. It’s literally just so writers can handwave that he can afford [x] item.

okay, controversial batman opinion time! it ruins the character for him to be a billionaire, and he’s only a billionaire because too many people think ‘billionaire’ just means ‘millionaire but cooler’. bruce wayne should just be a millionaire. 

a millionaire has enough money to buy a batcave, a fancy batmobile, a supercomputer, a bunch of esoteric custom-made tools and toys, a couple companies that make enough money to fund a playboy lifestyle and a bunch of high-tech vigilante superheroes. millionaires today, even with inflation, can commission the creation of pretty much any physical item short of their own spaceship, and some of them can even do that. 

a billionaire has enough money to own entire cities and write their own laws and do whatever the fuck they want basically all the time, anywhere. look at disney, tesla, amazon, nestle, walmart. these guys are playing on an almost inconceivable global scale and they are not your friend. these are lex luthor motherfuckers. 

the question keeps being asked, ‘if bruce wayne is so rich, it’s ridiculous that he’s using all that money to run around in a bat costume punching mentally ill people’, and that’s correct if he’s got money on a billionaire’s scale. it’s absurdly irresponsible to have the kind of power that could change how a nation operates, much less local government, and just play night time punch guy with it. batman is the bad guy there. 

but say batman’s ‘just’ a millionaire. he’s the heir of a couple old money families, he’s got a mansion and some land and a private jet, he’s in with the elite of gotham, he can put some pressure on the mayor and the city council and the police– but he’s still on a level with half a dozen other families who have their own millions to throw around, their own ambitions. he can’t actually fix gotham just by throwing money at it, because he will run out of money before all the other rich guys do. 

in this situation, batman does make sense for bruce wayne to invent: a secret guy no one can pin on wayne industries, who can run around taking on organized crime and supervillains at the same time, who isn’t beholden to the social or legal conventions that the superwealthy also flout to play their fucked up games with each other. batman can actually do what a single millionaire can’t. 

batman gets written by batman fanboys to be a power fantasy, but with great power comes great responsibility, etc. at a certain level of wealth his power far outstrips his purpose, and being batman is actually irresponsible for bruce wayne. a hero’s limitations make for better stories. stop writing batman as a billionaire, already. 

[ceilidho]

prompt: you and Price get in an accident (1.6k)

-

He comes into your life like nothing less than divine intervention.

A fender bender, of all things. It’s a bad day and you’re distracted, too busy thinking about your dad calling to tell you that he lost ten thousand from his retirement fund when the stock he’d invested in crashed and how you’re supposed to help him out of this mess, and the roads are slick with that last snowfall of early spring, still unsalted even hours after the snow started. 

So when you slam on the brakes at the last second after noticing the car in front of you stopped at a red light, your car slips on the ice and slides forward, hitting the back of the stopped car and sending it forward a foot. It’s quick and sudden, and though you stepped on the brakes early enough to avoid a worse collision, your head snaps forward with the jolt and the seatbelt yanks you back violently, winding you. 

Your hands go tight around the wheel, eyes so wide that they nearly pop out of your head as you stare at the car directly in front of you. All of the dread in the world pools in your mouth and then down your throat when you swallow, heart galloping in your chest. You almost can’t believe it for a second.

Then the car in front of you—a big, fuck-you SUV that only worsens your anxiety because of all cars to hit, it had to be someone with a fancy, brand new car that probably has a lawyer on speed dial—puts their hazards on and the driver’s side doors opens and reality snaps like a rubberband back into you. With shaky hands, you put your car into park and put your hazards on as well. 

“Oh shit,” you whisper under your breath. An understatement.

A tall man in a brown parka steps out of the car and stares at you through the windshield, a stern expression on his face. He has a beanie pulled down over his head and a full beard, and for a second, the mental image of a bear emerging out of its den flickers in your imagination, all snow-dusted and irritable. 

He’s grizzled and older than you. The only consolation is that he doesn’t match the image of the driver that you had in your head—no seven thousand dollar suit or bluetooth earpiece; instead, he seems like the kind of man who’d drive an old pickup or a schooner, wearing an Aran sweater and a skipper's cap, with a pipe hanging from the corner of his mouth. He seems out of place in the middle of the road in your small town. 

But he is real, and even though you watch him march over to you, you flinch when he raps on the window with his knuckles. 

“Roll the window down,” he instructs, voice muffled through the glass, and you do because the command cuts through the buzzing in your ear. When you do, he reaches into your car with one hand and pops the lock, then takes a step back to open the door. You’d freak out if the situation were different, but you must be in shock because all you can do is stare at him dumbly as he leans into the car and undoes your seatbelt. “C’mon, sweetheart. Out.”

It doesn’t take much coaxing to get you to step out of the car. All he has to do is step back and you get out, knees nearly buckling, like jelly under you. He holds your elbow to steady you. Your elbow feels delicate and tiny in the width of his palm. 

“You alright, sweetheart?” he asks, looking all over your face.

You want to answer him, but all you can do is whimper, “I’m so sorry.”

“Hey, none of that. It was an accident. You alright though? Anything hurt?”

“Uh…I don’t…I don’t know.” It hasn’t really sunk in yet, you think. Maybe tomorrow you’ll be sore all over, but right now you feel fine. On the verge of shaking out of your skin, teeth nearly clattering together, but more or less okay. 

“Nothing too bad then. Wanna give me your insurance so we can deal with this, sweetheart?” 

“Oh. Yeah. Sorry. Let me just—” You move to reach back into your car to fetch your purse, but he stops you, insisting on getting it for you. 

And you let him, docile like a doll, watching as he leans into your car and across the seats to grab your purse, big frame looking comically large in your little car. Looking like he’d barely fit in the front seat if he tried to get in. 

He comes back out with your little purse in hand and opens it, handing you your wallet and purse by its strap. Your fingers are still shaking when you pull out your insurance information and hand it to him. Everything feels surreal and muted, and the tears are going to flow at any minute now if you don’t get a handle on it. 

He must notice because a knuckle fits under your chin and lifts your head up. “Hey, what’s wrong? 

“No, no,” you say, reaching up to swipe your fingers over your eyes. “I’m just—I’m really embarrassed. I’ve never been in an accident before.”

“Nothing to be embarrassed about.” His voice is much softer now, pitched low in the way handlers talk to spooked animals. He puts his thumb to your chin, holding you in place. “No one got hurt. Could’ve been worse than it was, and we’ve both got insurance, so what’s done is done. I don’t look mad, do I?”

Trapped between his thumb and knuckle, you can only give a slight shake of your head. “No.” 

“Then let’s just take it one step at a time and no tears. Okay?”

You sniff. “Okay.”

“Okay. I’m going to call the insurance, so you get back in the car and sit tight, alright?” 

You nod. 

“Good girl,” he says, a hint of praise in his voice. “Put the heat on too. It’s too cold for that jacket.”

That makes you go warm all over, flustered and tongue-tied. Thankfully, he doesn’t seem to expect a response out of you. The only thing he expects you to do is get back in the car and turn the heat back on, the warm air billowing into your face when he leans in to crank it up all the way. 

Though most of the sound is muffled from inside the car, you turn down the heat and crack the window open slightly to hear him give his name to his insurance company. John Price. Even his name evokes the image of him somewhere else in the world, settled into the nooks and crannies of history. 

John handles everything for you while you sit in the car like he told you to, settling everything with the insurance companies and calling for a tow truck right after that. You don’t realize that, of course, until the tow truck pulls up in front of his car and he comes back to usher you out of your car. 

“How am I supposed to get home?” you croak. The tow truck driver hitches your car to the bed of the lift and pulls it up, your little car looking pathetic all alone up there. 

“I’ll drive you home then bring mine in later.”

“Why can’t I drive my car to the garage too?” You’re petulant now that you’ve learned that he won’t bite, and you know it’s petulance because you don’t actually put up much of a fight to get your car taken off the tow truck. 

That petulance trembles when his expression grows stern again. “You’re getting it checked by a mechanic before you get behind the wheel again,” he tells you in no uncertain terms, eyes daring you to contradict him.

You don’t. It’s hard to argue with someone so adamant on your wellbeing. A mechanic in later days will tell John, with you by his side, that your car was mostly fine apart from some slight damage to the bumper, but that you made the right call to bring it in just in case the frame cracked during the accident.

John’s arm will be around your waist at the time and he’ll pull you tighter into his side when the mechanic says that. And what do you do but go with it, curling into his side like it’s natural. You’ll have already fucked him by then anyway. It’ll be no less forward than letting him take you for coffee and then back home, following you up to your apartment and into your bed. 

Now though, you let him usher you into the passenger seat of his car and shut the door behind you, the wind cutting off abruptly. It only comes back when the door opens on his side. 

You rattle off your address and watch bemusedly as he programs it into his GPS and hits save. You don’t have the temerity to question him, to poke a hole in the bubble of familiarity ballooning around the two of you. The real world seems far away in his car, like you’re in limbo, the rules different here somehow. 

“How about a coffee?” he asks at the next light, putting his hand on your thigh and shaking when you don’t respond right away. “Does a hot drink sound good right about now?”

“I guess?” you say. In truth, it sounds great, but you’re losing the thread of this conversation, your old preoccupations getting further and further away from you. 

John gives your thigh a squeeze, lingering for a beat before pulling away. “Good. It’ll be a nice little pick me up before we go home. My treat.”

All you can do is nod, your throat dry.

[sirfrogsworth]

First, the pervasiveness of this litter box thing is ridiculous. I think it has been debunked like a thousand times.

And the *actual* reason schools have cat litter has nothing to do with students identifying as cats.

"Columbine High School has been stocking classrooms with small amounts of cat litter since 2017, but as part of ‘go buckets’ that contain emergency supplies in case students are locked in a classroom during a shooting."

But I actually want to talk about the Tootsie Roll Pop gender thing.

They are trying to criticize a child psychologist, Dr. Diane Ehrensaft, who works at a gender clinic.

I'm sure a lot of their audience who see "gender minotaur" or "gender Tootsie Roll Pops" will completely write off this woman and claim she is a nutcase.

But conservatives and Fox News love to omit context and nuance.

Here is the document all of this stemmed from...

The implied Fox narrative is that Dr. Ehrensaft is creating silly genders and then labeling kids as minotaurs or smoothies.

In reality, she is describing all of the creative ways young kids and teens use to explain how they feel about their gender.

These kids probably don't have a lot of information or the vocabulary to express themselves in more traditional terms, so they've come up with analogies to help adults understand what they are feeling.

That doesn't seem ridiculous at all.

And I actually think these kids are quite clever.

So these conservatives are basically making fun of kids who are confused and seeking help to understand themselves.

Real classy.

And if these kids learn adults are making fun of them, they may feel embarrassed to use these communicative tools—making it that much harder for their therapists and doctors to help them.

[timetomarvel]

I had no idea this is happening in NZ right now..

Honestly.. this sounds like they understood aswell what the far right party in Germany already declared publicly. They said "Je schlechter es Deutschland geht, desto besser für die AfD" (the worse off Germany is, the better for the AfD). The far right profits if people are unhappy, angry or (even better) desperate and scared. They offer "simple solutions" that will never work in reality and usually present an enemy that people can blame for their worries. Immigrants, some religion or another, lgbt groups, left politics or any other group they can demonize.

None of that helps with real issues of course. But that is not the goal anyway. They want to make things worse for as many people as possible so those people get angry or desperate and become easy prey for their lies. They direct this anger towards the "enemy" and present themselves as the only ones that do something against this "enemy".

It's a shame.

And it works.

All over the world. More and more while climate change makes living conditions harder and people start to realize (subconsciously at times) something dangerous is happening.

Take it from someone who has been watching and listening to people their whole life. They told us their strategy and given the chance, they act it out.

We all need to vote against it when we still have the chance.

If you know Germany's history, you know what I am talking about.

USA please listen to me: the price of “teaching them a lesson” is too high. take it from New Zealand, who voted our Labour government out in the last election because they weren’t doing exactly what we wanted and got facism instead.

Trans rights are being attacked, public transport has been defunded, tax cuts issued for the wealthy, they've mass-defunded public services, cut and attacked the disability funding model, cut benefits, diverted transport funding to roads, cut all recent public transport subsidies, cancelled massive important infrastructure projects like damns and ferries (we are three ISLANDS), fast tracked mining, oil, and other massive environmentally detrimental projects and gave the power the to approve these projects singularly to three ministers who have been wined and dined by lobbyists of the companies that have put the bids in to approve them while one of the main minister infers he will not prioritise the protection of endangered species like the archeys frog over mining projects that do massive environmental harm. They have attacked indigenous rights in an attempt to negate the Treaty of Waitangi by “redefining it”; as a backup, they are also trying to remove all mentions of the treaty from legislation starting with our Child Protection laws no longer requiring social workers to consider the importance of Maori children’s culture when placing those children; when the Waitangi Tribunal who oversees indigenous matters sought to enquire about this, the Minister for Children blocked their enquiry in a breach of comity that was condemned in a ruling — too late to do anything — by our Supreme Court. They have repealed labour protections around pay and 90 day trials, reversed our smoking ban, cancelled our EV subsidy, cancelled our water infrastructure scheme that would have given Maori iwi a say in water asset management, cancelled our biggest city’s fuel tax, made our treasury and inland revenue departments less accountable, dispensed of our Productivity Commission, begun work on charter schools and military boot camps in an obvious push towards privatisation, cancelled grants for first home buyers, reduced access to emergency housing, allowed no cause evictions, cancelled our Maori health system that would have given Maori control over their own public medical care and funding, cut funding of services like budgeting advice and food banks, cancelled the consumer advocacy council, cancelled our medicine regulations, repealed free prescriptions, deferred multiple hospital builds, failed to deliver on pre-election medical promises, reversed a gun ban created in response to the mosque shootings, brought back three strikes = life sentence policy, increased minimum wage by half the recommended amount, cancelled fair pay for disabled workers, reduced wheelchair services, reversed our oil and gas exploration ban, cancelled our climate emergency fund, cut science research funding including climate research, removed limits on killing sea lions, cut funding for the climate change commission, weakened our methane targets, cancelled Significant National Areas protections, have begun reversing our ban on live exports. Much of this was passed under urgency.

It’s been six months.

[makkir0ll]

between you and your husband, you were the one more…vocal about your love for him. leaving him sweet notes with doodles of the two of you in his lunch, ending all heartfelt messages with x’s, planting a big kiss on his cheek that he pretended to cringe at but in reality he looked forward to it everytime he left the house.

people would always come up to you, telling you that he doesn’t reciprocate his love with words and such and asking you how you dealt with it. truth be told it took a while for you to get used to but soon enough you began to see the signs.

it was the way that every time he got up in the middle of the night to use the bathroom he would tuck your feet back into bed. the way he spent a solid twenty minutes cleaning your phone screen, and with furrowed brows as he placed your new screen protector on, making sure there were no bubbles. it was when you opened his wallet that you saw all the notes you wrote him saved in one pocket of his shitty leather wallet that was begging to be put to rest. it's the way when you come home after a long night out with your friends he takes his time undressing you, removing and placing your jewelry carefully on your bedside table and making sure to gently take off your makeup and of course do your skincare routine that he has memeorized. when he goes out and he spots a little something with your favorite character on it he buys it immediately, not bothering to look at the price tag because the way your eyes would light up when he brought home the little gift was worth more than a billion dollars to him.

it was when on your third month anniversary when the two of you were still dating, while the two of you sat down on the booth next to each other at a restaurant he held your hand and squeezed it three times. signifying the words, i love you. he knew he loved you from the start but was scared it was too soon to say it and this was his silent way of telling you so. and you picked up on it quickly when he started to do it more often.

and on your wedding day, as the two of you stand in front of all your loved ones and the officiator he says the most beautiful vows ever, telling you that "if death do us part then i hope to find you in every lifetime" and once he ended with that sentence, he squeezed your hand three times. i. love. you.

you always knew your husband loved you because his actions spoke a thousand words to you.

.・。.・゜✭・.・✫・゜・。..・。.・゜✭・.・✫・゜・。..・。.・゜

sigh. TSUKISHIMA FREAKING KEI!!!!!!!!, akaashi keiji (he writes notes back to you), KITA. SHINSUKE., iwaizumi hajime (30) athletic trainer, suna rintarou, USHIJIMA, kageyama tobio (squeezed your hand a lot when you started dating), MIYA OSAMU, sakusa kiyoomi, OH OH OH AONE!!,

[kabukinomoe]

YOU ARE DOING EVERYTHING RIGHT

YOU ARE DOING EVERYTHING RIGHT.

Don't get your head in those doubts like, 'Oh, what if I can't shift?' That's not possible. You were chosen to know about shifting for a REASON. There are 8.2 BILLION people in this world. Think about it. 8 BILLION people.

Now, how do you feel? Do you feel special? GOOD. Keep feeling that way. Some of you, not all of you, read these posts on Tumblr but don't really READ them.

'Oh, I'm the creator of my universe.' Yes, but do you really UNDERSTAND that? I feel like for some of you, it's like you're in front of a teacher, and each word just goes in one ear and out the other. Now, shifting isn't this ELABORATE and majestic thing that needs to be taught in a specific way. It's not like driving, okay? There are no rules, no directions, just YOU. Understand that it's just YOU.

That drink in your hand? You created that. The computer or phone you're reading this on? You created that. Everything in this world YOU created.

You are doing everything right. You know what I mean.

You will wake up in your DR. Those sleep methods you're doing? They're working perfectly. You aren't just 'close,' you are THERE. You have always been there, since the beginning of whatever. No need to think you are close, because you are there.

'Oh, but what if I don't shift today?' Shifting isn't something that needs to be rushed. Everything will happen eventually. You have shifted before; you know this. You know you need to just let go and let it happen. Don't overcomplicate it. Listen to yourself. Do you know how stupid you sound? Thousands of people have shifted to their DRs, and somehow you can't? That's just rubbish.

'Oh, what if that shift was just a dream?' What dream feels so real that you can feel the bedsheets? What dream looks like your desired reality so perfectly it has everything, even the rings and jewelry your aunt placed there on the dresser? Why did you get up and look in the mirror and see yourself perfectly and clearly? That was REAL. You shifted. Do not doubt yourself.

'But what if shifting is one elaborate joke?' Seriously? That's one of your doubts? People spend months, YEARS, shifting, and you think people are JOKING? You have spent 5 YEARS knowing about shifting and 2 or 3 actively shifting, and you still think it's a joke? YOU have to be joking with those doubts. This isn't like that one movie people suddenly made up on TikTok and started creating a plot, characters, settings, etc.; this is something real. People have been doing this even before you were born. Now, doesn't that doubt sound silly?

Now, you don't have to be perfect. Listen, people have shifted with doubts. But listen here, if you assume it is true, it is true. 'Oh, he's so in love with me.' Yeah, he is! 'Oh, my cat's super distant. Yeah, they are. Your subconscious isn't this mystical entity trying to work against you. It's like a mirror; if you look in that mirror and say, 'I can't shift,' then your subconscious repeats it. It has an IQ of 0. Like a little kid repeating every word and agreeing with your opinions. You tell that little kid, "Oh, I can shift! Everyone shifts." Then it repeats it; it agrees. That's how simple your subconscious is.

Now, what about intentions? Intentions aren't this super complicated ritual; they're just your thoughts. You don't have to write out your thoughts, burn the piece of paper, and bury the scraps in the ground. Just think. 'Oh, I set my intention to shift.' That's literally all you need to do. Your subconscious will look at you and shrug like, 'Oh okay. Let's shift!' And guess what? BOOM. You're in your DR. Simple. Literally so simple.

Now, some of you are like, "Oh, I did that! But I'm still in my CR." Look deep within yourself. Are you scared of the possibility you're going somewhere new? Or, do you expect to wake up in your CR again after doing your method? Really think about it and begin to change. Tell that subconscious that you don't expect to wake up in your CR, or tell it that you aren't scared; you're excited.

Now, as one of my favorite quotes says,

"You are a consciousness with a body, not a body with a consciousness."

Go shift. Go do your method, or just fall asleep and wake up in your DR. It's that simple. And every time you feel doubts, PERSIST. 'Oh, what if—' NOPE. I am going to shift.

You know about shifting for a reason. You can shift. It is INEVITABLE.

Now don't look at me all dumb; you know this. You've heard it a million times. Don't roll your eyes; THINK, and absorb this information.

Now go do whatever silly little thing you are going to do. But just know, you can shift. You WILL shift.

[This whole thing is for me, but I feel like some of you need it as well.]

some dividers by @si-eunnis

[woantohae]

In my arms || (Bob Reynolds x reader)

Summary: The Thunderbolts are constantly on missions, busy trying to do good and save whoever they can. One of them was Bob Reynolds, the defenseless yet powerful man who is part of this team and family. However, he doesn't participate in these missions so he can continue practicing controlling his powers.

Despite telling them he's capable, the team prefers to give him more time to get used to them, until one mission, when a member of the team is injured. And all Bob can think about is the fury he feels when he hears Y/N being hurt. And how much he wants revenge on whoever did it.

content warnings: angst, he fell first and he fell harder, "avengers" tower, fluff, thunderbolts being a family, violence, curse words, SPOILERS FOR THUNDERBOLTS*, Yelena and Bob being like brother and sister, "touch her and you die" trope.

Author's note: I WATCHED THUNDERBOLTS*!!!! And let me tell you, it was better than i imagined. Honestly, it became one of my favorites and it can easily be in my top 3 of Marvel movies. I just can't describe the experience with enough words, but the waiting was totally worth it ✨️ AND THE POST CREDIT SCENE 👀 MARVEL ATE WITH THAT ONE.

With that being said, i'm excited to tell you that i'm gonna write more of Bob Reynolds 👉🏻👈🏻 So here you go, a one shot with him, wich contains a few spoilers of the movie. At this point our reader will be polaris lol.

Hope you like it and comment what do you think of this one 💌

Bob was getting used to the place.

What had once been Avengers Tower had now become his new "home." He had an incredible view of New York City, several rooms to hang out in, thousands of dishes and meals he'd never been able to prepare in his life, and the pleasant company he shared every day.

The team had made him feel comfortable and part of something worthwhile, despite what they'd gone through to get to this moment.

Bob still felt guilty about what happened when Void took control of him and darkened everything in its path, even when Yelena reminded him it wasn't his fault and that he wasn't alone. The blonde had become a trusted person for him and was always there when he needed her. He told her his secrets and how he felt, and the Russian always gave him advice or a word of encouragement. Even with the trust he had in her, he confided in her something he never thought would happen to him. Or rather, something he thought was impossible to happen in such a short time.

He was attracted to Y/N.

The girl whom his other self had caused to see horrible things from her past, the one who could move metal objects with a simple flick of her fingers, and the one who made his heart race and his cheeks blush. It was a feeling that consumed him every time he was near her or even thought about her.

And Yelena, being the good spy she was and good at reading people, knew how Bob felt about Y/N. She always encouraged him to get closer and talk to her more, but Bob simply couldn't do it. It was not that easy.

"It sounds easy," John says, after hearing the plan for carrying out the mission.

Bob shakes his head to return to reality and ignore such thoughts.

"Wait until we get there and they welcome us with open arms," ​​Bucky says, a hint of amusement in his voice.

"We still made it last time, and look at us here," Y/N replies, shrugging her shoulders.

Ava laughs and shakes her head.

"We'd better get moving," she says.

Bob looks at the group with hope in his eyes, but feels unsure about what he's gonna say.

"Can I come with you, guys?" he asks.

All heads turn to look at him with a mixture of surprise and sympathy for his question. They know he wants to help however he can, but after Void was under control and hadn't appeared for quite some time, they weren't so sure it was a good idea to expose him like that again.

"Bob..." Yelena begins to say.

Bob hurries to explain himself.

"I know what you're gonna say. But I think I'm ready, I know I can control it" Bob says with determination in his voice "I've been practicing and trying to talk to him, so maybe I can do it, today"

"We know, Bobby," says John, "But we must complete the mission without any mistakes or problems along the way."

The brunette looks down and clears his throat, nodding. He raises his gaze to smile and meet Y/N's gaze, who smiles back.

"No, no, I understand," he says dejectedly. "When the time is right, I can come with you."

Bucky pats his shoulder and Alexei gives him a thumbs-up. Despite their attempt to lift his spirits, he can't help but feel useless and without any reason to be in the group, other than washing dishes, tidying the place, or reading books he finds lying around.

He hates the feeling.

But it is what it is, right now. And he has to face it.

After the meeting to organize the plan, the group dispersed to look for the weapons and prepare the car in which they would go to the location. Bob watched from afar as the rest of them prepared, while playing with his fingers. He shifted his gaze to the large window overlooking the city and didn't feel Y/N's presence approaching him.

"Hey," she said in a soft tone.

Bob turned his head to look at her and smiled delightedly.

"Hey," she asked.

"Are you okay?" she asked.

He nods and laughs softly, pretending to be okay and swallowing the feeling that bothered him.

"Yeah. Yeah, I'm fine"

The girl mimics his smile and stares at him, while Bob feels the heat spread to his cheeks.

"Hey, how about we watch a movie when I get back?" she offers, patting his arm to get his attention.

Bob smiles.

"I was actually thinking it could be a movie night with just us. If you like that idea," Y/N says, crossing her arms and shrugging her shoulders with a smile on her face.

"A movie would be nice. I think it would be fun to have a movie night with the rest of the team," he says awkwardly "We haven't had one of those in a while, so..."

She lets out a soft laugh, thinking how cute he looks all flustered.

"Oh..." he remains silent to calm his nerves until he speaks again so as not to make a fool of himself. "Oh! Yeah, just the two of us. Of course. It could be fun. Count me in!"

Y/N smiles and laughs softly, wich sounds angelical to Bob's ears.

"Great. It's a date" she says.

Bucky calls her to let her know they're about to leave, so she starts walking away from Bob.

"See you, Bob."

"See you. Good luck," Bob says with a dazed smile on his face, remembering the girl's words.

It's a date.

Bob walks to his room with an excited smile, feeling happiness in his chest, but when he remembers the last thing Y/N said, his eyes widen.

"Oh shit! It is a date!"

He needs to prepare for it.

----------

Bob listened and watched from the communications room to see how the team was doing on the mission.

It wasn't going so easy as they planed back in the tower a few hours ago, as they had run into a group of mercenaries who weren't going to give up so easily. The brunette just hoped everyone was okay and managed to complete the mission—and he really hoped Y/N was okay and didn't get hurt.

A feeling of anguish and anxiety was causing Bob's chest to tighten. His leg kept moving as he played with the Rubik's Cube in his hands, unable to complete a color.

The sound of bullets filled his ears, and his jaw clenched as he heard and saw Yelena or Bucky being hit. Alexei grumbled as he tried to pull a man off John to help him, and Ava took care of a few. Y/N tried to stop the bullets as best she could, but there were some hidden snipers she couldn't sense with her powers so easily.

"There's to many of them!" John complains through the earpiece in Bob's ear.

"Fuck! If we don't stop the ones from the roof we cannot go back to the car!" Ava exclaims in an almost exhaustive voice.

"Shit. C'mon guys" Bob whispers while frowning his eyebrows at the scene.

"Bob, can you see how many are on the roof?" Yelena asks from the communicator in her ear.

"Uh, yeah, yeah" he says inmediatly "There's five on the roof. Three of them has guns and two of them are programming something on the computer. Seems like.... oh no"

"What Bob?" Bucky asks.

"It's a bomb! You need to get out of there" Bob says quickly.

"Shit," Yelena curses.

"I can try to stop them. But I need you to cover my back," Y/N says in a confident, hurried tone.

Bob watches as the girl begins to head toward the other side to attack the group of men with guns at the entrance. The others try to stop anyone from attacking her, and she moves stealthily between the bodies to reach the entrance. Bob focuses his attention on the cameras in the building that shows Y/N, his heart aching at what's happening in the footage. Or what could happen.

"Please, be careful," Bob whispers.

Y/N stops the guards' bullets at the entrance with precision in her movements and attacks some who plan to hit her. Bob's eyes glance at the rest of the team as they manage to escape thanks to the distraction caused by the girl with green sparkles flashing from her fingers. However, he doesn't stop for more than five seconds just to check on the girl again. He wants to make sure she's okay, even if it's from behind the computer. Far away from the place where she is right now —just the thought of it makes his inner self freak out.

Something it's beginning to awake inside of him. Something he thought he had buried for his own good.

Or rather someone.

"Y/N, all done. Let's head to the car. I'll try to get to you right away," Bucky orders.

"No. It's okay, I got this," she chimes in stubbornly.

Bob shakes his head.

But before she can do so, a stray bullet hits her shoulder, destabilizing the girl.

"Fuck!" she complains, touching her shoulder.

"Y/N?" Bucky asks worriedly.

"Y/N!" Bob yells, watching as one of the guards hits her with her gun on the back of her head, causing the girl to fall unconscious to the ground.

That's it.

Bob rushes out of the tower's communications room and runs to the balcony, where he takes to the air with determination. He doesn't stop for a second, because time is precious, especially after seeing Y/N getting attacked. The only thing that keeps repeating in his mind is the visual image of the girl being injured, so he moves quickly through the air until he reaches the others. He had seen the coordinates and the area where they were, so it was easy for him to arrive in time.

Bob tries to find the place that the camera allowed him to watched the area in wich the girl was back at the tower, and when he finds it, he is surprised to find that one of the men responsible of attacking Y/N is carrying her unconscious body in his arms. Fury courses through his veins at the sight, and he rushes to stop the bastard. It's as if he's being consumed by darkness, a sensation he knows all too well.

As soon as he's in front of the guy, he stops him and without a second thought, tries to attack him, careful not to hit Y/N. The man looks at him in horror and carefully places the girl's body on the ground, then raises his hands in surrender.

"I'm sorry. I didn't know..." he stumbles, but all Bob sees is red.

He growls and begins to mercilessly beat the man's body, making him bleed, and doesn't stop until he's unconscious. Blow after blow, unleashing all the anger he felt at seeing how the bastard hurt the girl. He can still see her grimace of pain and how her body fell unconscious to the ground, helpless, and who knows what they might have done to her if he hadn't arrived in time.

"Please...." the man begs almost unconscious.

Bob doesn't hear him. He doesn't want to.

And Void doesn't want to too.

The rest of the team arrives at Y/N's location, only to see her lying on the ground with a scarlet stain forming on the shoulder of her suit, while Bob kills the man. Ava approaches the girl's body and makes sure she has a steady pulse, while John makes sure that no one appears and attacks them by surprise.

"Bob," Yelena warns and tries to approach him to make him see reason.

"No! He hurt her. No one can touch her, or hurt her!" he exclaims in a mixture of anger and darkness. "No one! You heard me? Fucking no one!"

The others stare at the scene and notice how Y/N wakes up and observes the state Bob is in. Ignoring the pain in her shoulder, she rushes over to him and wraps her arms around him from behind, resting her face on his.

"Bob, hey. It's okay," she murmurs in his ear, feeling the man begin to slow down the blows, so she tightens her grip on his body. "I'm okay. Everything will be okay."

Bob calms down and brings his now covered in blood hands to Y/N's arms, then turns his body and hugs her with all his strength, trying to cover her body to protect her just in case, and also feel her in his arms and make sure nothing happens to her anymore.

"You are hurt" he whispers in her ear.

"It's just a scratch. I'll be fine" Y/N says with a small smile on her lips.

"He hurt you. I couln't allow him to do it" he says in a broken voice.

Y/N looks at the rest of the team and smiles at them, letting them know she's okay. Kinda. Bucky sighs and shakes his head at the girl in that state, knowing she must be screaming from the pain of the bullet, while Alexei smiles sideways and tries to encourage her from a distance. The blonde russian girl mouths to her that she will get the car ready to go, to wich Y/N nods and indicates her to do so.

"We still have our date," she tells him, still standing with the brunette, glancing at the man's lifeless body.

Bob lets out a sigh and nods his head against Y/N's chest, agreeing with her.

"Our date," he says in a soft tone, relaxing at the touch of her fingers in his hair. Although he can't help but feel anger again when he smells the metallic scent coming from the girl's wound.

"Yeah. Are we still up to that?"

"Definitely" Bob answers and lets out a small laugh.

She smiles and then pulls away from him to look him in the eye. Those blue orbits who watch her with a spark on his eyes.

"So let's go home and have our date, okay?" Bob nods and then lowers his gaze to the girl's wound.

"First, we need to treat your wound," he says, pointing to the red stain on her suit.

"Would you help me with that?"

"You don't have to ask me twice."

They both stare at each other with a small smile on their faces, understanding how much they care for each other and would do anything to keep them safe and viceversa.

Especially Bob.

And as long as Y/N is in his arms, he'll be okay.

[sg-the-mag-by]

This was brilliantly pointed out, Peri IS underqualified for a kid like Dev and I'm wording who assigned him TO Dev in the first place.

This is an early 20 something being suddenly thrust into parenthood with a 9 to 10 year old kid(step parent situation here) who has no real idea except what books they've read. And Cosmo and Wanda easily sliding into the their Godparenting Role with Dev as well as Hazel really nails it home that instead of just focusing on the books Peri should have been looking for advice from all the fairies who'd been godparenting when Cavepeople roamed the earth(ie his parents mostly). But he needed to show off his independence and maturity which is good but not for a job that literally requires you to be a Parental figure to a kid.

Peri should have been assigned to at least someone like Hazel, who isn't an extreme case. But I do see fairies pushing Peri to be Dev's godparent because of his parent's legacy and that in turn forced him to just be a fun little "toy" for Dev to command rather than someone to comfort him. Peri's entrance actually gives away how Dev was going to see having him, someone to make him stand out even more and in a way that made everyone around him jealous and envious, but that all fell apart once Da Rules came into Dev's wishes.

While these two definitely weren't the best match at first, I think if a Season 2 is greenlit and the writers have Peri want to FIGHT to stay Dev's godparent I can see them both realizing their faults(Peri's immaturity and ill-preparedness on what it means to be a fairy godparent to a kid like Dev, and Dev letting his "daddy issues" hold him back as well) and wanting to try again. Only this time maybe Dev understands that he can't wish for love of a parent who isn't giving it, but he can make wishes that help him form better bonds with the people(and fairies) who want to love him and give him the family he deserves.

Once again Fairly Oddparents giving us Found Family feels! Thank you for reading my rambles.

(One more thing I have an AU where my fairy OC is assigned to Dev after everything that happens, and while he isn't as experienced as Cosmo and Wanda, he understands the kind of care that Dev actually needs and is willing to twist the rules and Dev's initial wishes around to better help both of them. Nothing actually rule breaking, just for example giving Dev a buffet set up of cupcakes and watching Dev try them to figure out what flavors he likes best. Oh and he's Peri's boyfriend, sorry Perirep shippers!)

Ok so last week I saw the videos/screenshots talking about fop Peri which got me a bit curious about this show, and after seeing “Battle of the Dimmsonian” and especially the Cosmo-Wanda-Peri part of “Lost in Fairy World” (there’s someone on Tumblr posting clips of all the Peri-centric moments since his debut), I was genuinely impressed with how the characters were written and I wanted to gush about them! On top of doing some overanalysis of those characters. Btw I also saw some clips from “Operation: Birthday Takeback” (again the Cosmo-Wanda-Peri side of it).

So here’s a post talking about Cosmo and Wanda’s relationship with Peri, Peri in general, Peri with Dev and a few other random thoughts about the early episodes given this made me start to watch the show (ended up making it its own post), though I haven’t gone far yet (I’m on like episode 5-6, which is episode 4a or something). On that note, take what I say in this post with a HUGE grain of salt since I don’t have the full context for Dev’s character arc.

Tl;Dr: The Fairywinkle-Cosmas are adorable, loving but also realistic in their portrayal.

Peri is the definition of “20 years-old who recently left his parents’ home” and I love him for it.

Dev and Peri are a terrible match due to Peri’s inexperience, Dev not taking him seriously, and Dev’s daddy issues making it hard for him to connect with a fairy who has loving parents.

(Btw on top of the characters moments, what made me start to watch the show is also the fact it’s apparently incredibly wholesome and fun + apparently the writers of “Infi//nity Train” worked on it (and if that’s true it’s crazy how nobody is talking about it to bring in new fans; I mean remember when the Duck//tales reboot came out and everyone pointed out how the writers of Gra//vity Falls worked on it? We should do the same thing here, at least again if it’s true) + Hartman isn’t involved and it’s hilarious how the creator of those characters not getting involved is a good thing)

Oh and spoilers for “Battle of the Dimmsonian”, “Lost in Fairy World” and “Operation: Birthday Takeback”! (4.6k Words below)

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Ok so “Lost In Fairy World” and why I love its characters’ writing so much. I’m actually going to start by the lesson at the end and build from there as it seems like the best way to get a train of thought going.

So the lesson of the episode for me was basically a “new hire vs experienced employees” with a second layer added due to the three fairies being family, and that’s already something I really appreciate!

By the end of the episode, Cosmo and Wanda learn that they need to back off and let Peri do his thing. He’s an adult, he got hired for a reason, let him do his own trial and error and learn his own way. But at the same time, Peri shouldn’t be afraid to ask for help or advice if he needs it, the more experienced people are here for that! And again, there’s the family layer to that discussion that I really like, with Cosmo and Wanda being particularly clingy bc Peri is their son, while Peri is particularly embarrassed to ask them for help because they’re his parents, probably not helped by the fact he likely very recently left their home and seeks his independence.

And that’s another thing I absolutely love after watching this episode and “Battle of the Dimmsonian”, with “Operation: Birthday Takeback” adding to it as well: Honestly, Peri has to be one of the most realistic depictions of “20-something who just left his parents’ house” I’ve ever seen (yeah I don’t watch much stuff outside of cartoons, working on that). They somehow managed to make him very clearly be an adult with adult responsibilities, all the while giving him a level of inexperience and immaturity that reminds you he’s still young.

Giving some examples, the way he talks in general makes it obvious he’s an adult, and when introducing himself to Dev + telling him he can’t visit Fairy World in “Lost in Fairy World”, he has that suave put-together personality to himself. But at the same time this suave personality crumbles the second Dev opens him mouth.

And on top of that, Peri’s one day into his job and his already exhausted, spends the entirety of his debut episode worrying about what his parents will think of his career choice, and in stressful situations tends to turn towards others for help very quickly (reading Da Rules, low-key panicking a bit and looking at his parents in “Lost in Fairy World”, hiding when facing Vicky, moments like those).

There are also those moments where he either acts or sounds childish (with his voice even getting a bit higher), like when Wanda asks if he has a godkid plus him hiding behind his wand right before that, and earlier on when he didn’t want them to see him, the “my wand is missing” line and tracker line in “Lost in Fairy World” (the “sowwy” when telling them his tracker is off tho), the ending of this episode as well when he apologizes to them, also when his parents tell Jorgen that Peri did nothing wrong and he lets them take the fall, or that moment in “Operation: Birthday Takeback” when he goes “moooom” with a whine.

That’s actually something I absolutely love about those interactions, and why I find them realistic. It could have been SO easy for the writers to make Peri act like an adult all the time while his parents are the coddling cringy kind that make him look like a kid. But instead, it comes from both sides. You can clearly tell from how Cosmo and Wanda act that he’s their baby boy, but you can also see from Peri’s dialogues and actions that they are his parents. And I am so happy they took this direction!

So yeah, Peri is the most “young adult who just left the nest” ever and I absolutely adore this characterization. He’s an adult with a job and responsibilities, but he’s still young and can find himself relying on his parents or talking to them in a childish way. Such good character work!

Another thing I love about their dynamic that we see very well in “Lost in Fairy World” is just how much those three love each other. That’s something I did hear about this show, that it was a lot more fun and sweet (compared to the og which could be very cruel and cynical when it wanted), and you can really see it with those three.

With Cosmo and Wanda taking over Peri’s job, you can tell they’re not doing it out of any malice or feeling that Peri can’t do it. Heck if you pause at the scene where Peri tells Dev he can’t go to Fairy World, after he’s done talking and right before Cosmo takes another picture, you can see Cosmo and Wanda looking at Peri with the biggest smile (and it’s adorable!). And it’s the same with the rest of the episode. If anything, they’re so used to taking care of godkids that they just do it out of habit, without realizing they’re causing an issue.

Heck I’d even theorize that their behavior is partly due to their time with Timmy, hence it being a force of habit. For a long time (possibly 50 years if that one secret wish is canon), Poof/Peri was with his parents helping with Timmy, but he wouldn’t do much besides granting wishes. Poof couldn’t talk, so most of the time he’d just stand there while his parents did all of the talking. I wouldn’t be surprised if some of this was the reason why Cosmo and Wanda are straight up talking over Peri in “Lost in Fairy World”, they just got used to do so when taking care of Timmy and are now getting back into this habit.

On top of that, Cosmo and Wanda are just excited to finally be with their son again after their 10 thousand years-long vacation. Plus, when Peri does call them out, by the end of it they acknowledge their mistake and apologize, promising to back off. And while they remain cuddly towards him, from the looks of it they did stop coming in-between Peri and Dev, letting their son do his thing.

Also worth noting that, despite doting on Peri, they still very much talk to him like they would talk to an adult. Yes they hug him a lot (and I mean a lot) and call him pet names, and they were definitely excited to see him again in “Lost in Fairy World”, but other than that they clearly respect him as an adult, listening to him and trusting him. I’m not going to list examples because it’s basically every dialogue in which they don’t “baby” him. That being said I feel like “Operation: Birthday Takeback” displays it the best from what I’ve seen of it.

As for Peri’s side on this, he’s annoyed by his parents stepping in but it’s obvious he doesn’t hate them at all, quite the opposite. He just wants them to take him seriously as an adult, which is understandable. Also the fact he isn’t afraid to call them out is a very good sign. On that note, I love how when telling them his tracker is off, he actually apologizes (though he doesn’t have to, his reasoning for turning it off is understandable, and I appreciate he tells them those reasons!).

Also I live for that scene at the beginning of “Operation: Birthday Takeback” when his parents ask for a tour of the house (btw love Wanda telling him they’re ready to get him out of there if needed), they show interest in his suggestion, which makes Peri smile sheepishly. It’s such a cute moment and to me really shows Peri wanting to be seen as an adult and enjoying being seen that way by them, but also how he’s clearly attached to them! Idk it’s just a very cute moment! I love those three!

Also kind of a last minute addition before moving to Peri and Dev but looking at “Operation: Birthday Takeback”, I can’t help but laugh at how at the very beginning, the second the godkids are doing their own thing, Cosmo and Wanda throw themselves at their son. It’s very sweet. Also I love the implication that they’re here bc they’re Hazel’s godparents and need to stay with her, but also they really wanted any excuse to see their son!

And the reason why I say last minute addition is because this made me realize that Cosmo and Wanda do act pretty differently towards the godkids compared to Peri, which I find to be an interesting detail that makes their characters more complex in a way. Like yes, Cosmo and Wanda are very parental types, but to an extent you can see a line between them being with their godkids, who they are here to mentor and steer in the right direction for a few months until the kid is happy, and them being with their son, who they raised from infancy and isn’t going anywhere.

Now that’s not to say that Cosmo and Wanda don’t love their godkids, it’s obvious how much they adore those kids and care for them and probably remember each and every single one of them, but yeah you can still see a bit of a difference. At the very least, from what I’ve seen so far they can’t help but hug Peri literally everytime they have an excuse to do so, while having a bit more boundaries with Hazel.

But again, that’s a last minute thought and I’ve only seen a handful of episodes, so I might be wrong on that. Take it with a grain of salt. Still, I find it interesting to have those characters who are basically social workers and how there’s a bit of a difference between the kids they take care of for their “job” and the kid they have in their personal life. Again, that’s not to say they aren’t attached to the godkids, they are.

But yeah, all of this to say, the way the Fairywinkle-Cosma family is written in “Lost in Fairy World” honestly blew me away and really got me invested into watching this show, with “Battle of the Dimmsonian” and “Operation: Birthday Takeback” only adding to it (and I’m probably looking way too much into this and making it sound like the writing of this episode is much deeper than it actually is; I’m obsessed with this disaster (affectionate) of a family, help).

As for the part about Peri and Dev, basically there’s an element of Cosmo and Wanda talking over Peri in “Lost in Fairy World” that I wanted to explore, but then “Operation: Birthday Takeback” came out and there’s that moment in the “breakup” scene where Dev talks about his father not noticing his fairy while Peri is being hugged by his parents in the background. And while this is a visual gag, Cosmo and Wanda’s action in this scene actually fits very well thematically and made me realize something about how Dev might feel about Peri.

So now you’re getting a whole section about how Dev and Peri are a terrible match for each other, due to three main reasons:

1. The one everyone already talked about, Peri is severly underqualified. While you could say he’s been a godparent since he was a baby, back then all he did was grant wishes while his parents dealt with the talking + emotional support. Not only was he doing a small part of the job, he also had his parents, other more qualified fairies, helping him. Also the scene with Vicky tells us that Peri doesn’t have the best memories of his time as a baby, which is fair enough.

(note that I believe he was 7-8 years old when he had to say goodbye to Timmy, so he does remember him. As for Vicky, Timmy’s parents likely stopped hiring her once their son was 13-14, hence why Peri only has blurry memories of her, he would’ve been a toddler at best by then)

So yeah, Dev is Peri’s first kid, and Peri is not qualified for him. He loses his patience with the cupcakes, bites back when Dev is short and snappy with him (the classroom scene at the end of the “under//tale” episode, yeah I haven’t watched this one outside of this scene; and the beginning of “Operation: Birthday Takeback” with the flying shoes) and don’t get me started on Peri telling Dev in “Battle of the Dimmsonian” to give the staff back because “what will my parents say if my first godkid dies on me!”

Like PERI??? MAYBE DON’T SAY TO THE KID WITH ABANDONMENT ISSUES THAT YOU ONLY CARE ABOUT HIS WELLBEING BECAUSE YOU WANT TO IMPRESS YOUR PARENTS??? JUST A THOUGHT???

(note that I do believe Peri cares for Dev, it’s just that what he says here really comes off as him not caring, and since Dev is the one hearing what Peri says in that scene...)

Also obviously there’s the ending of “Operation: Birthday Takeback”. Tbh I don’t blame Peri much for this one since, again, he’s severely underqualified, but yeah his response to Dev’s wish was not the right one, which is reflected by Dev reacting with a frustrated scream which honestly made me feel bad for this kid. Peri going “as you wish” is just too distant and “professional”. That’s a kid in a vulnerable state! He needed comfort! Sure Peri had to go because Dev literally wished for it, but a more qualified fairy would have known what to say, if only something along the lines of “take all the time you need, I’ll be there for you once you feel better”.

So yeah, Dev is deeply hurting and a complete newbie who doesn’t have the patience or positivity for it was not going to make things better.

2. What I originally wanted to say about “Lost in Fairy World” before 3. showed its head: I think Cosmo and Wanda being around inadvertently makes things worse for the duo.

Thing is, Dev is a difficult kid. Because of that, I think that in order for him to open up to his fairy, said fairy needs to earn his respect so to speak. And not to say Dev’s fairy should be full on authoritative, but yeah they definitely need to be someone Dev respects and listens to, which is not the case for Peri. And I think the main reason why has to do with Peri’s relationship with his parents.

Basically, kids are smarter than we give them credit for and are observant as well. And what did Dev see his fairy do? Spend the first day on the job being terrified of meeting his parents who turned out to be incredibly sweet people. Then in “Lost in Fairy World” it honestly looks like Peri, Cosmo and Wanda just wanted to catch up and brought the kids for the heck of it, and Dev gets to see his fairy being babied by his parents, along with said parents talking over him. Then as said before there’s also Peri going “mooom” in front of Dev in “Operation: Birthday Takeback”.

And about “Lost in Fairy World”, there’s that moment in the beginning where Cosmo and Wanda tell Dev he can’t go to fairy world, only for Peri to step in and basically repeat the exact same thing as his parents (the “trial” part from Cosmo and “I can’t let you go” from Wanda). And while this line is a joke, I do think it’s important for Peri to put his foot down like that.

Because yeah, Peri is the one Dev should be listening to. It’s not just a question of “this is Peri’s job”, it’s also about Dev seeing Peri as an adult. But with Cosmo and Wanda, it’s a bit more complicated.

This is also another element I really like about this episode, Peri needing to be the one doing the talking so that Dev can take him seriously as a potential guardian.

But yeah, the thing is, it’s not working. Peri’s immaturity shines with his lack of patience for the kid, which Dev picks up on, leading the two of them to get snappy with each other on “even ground” in a way, which doesn’t help Peri’s case. And on top of that you have Cosmo and Wanda, who even with their eccentric side remain mature adults (and I love how them being eccentric doesn’t make them seem any less adult; love adults being allowed to have fun and be themselves without being shamed or called childish for it!).

Now as far as I’m aware the show never really talks about this, but I honestly wouldn’t be surprised if Cosmo and Wanda being around played a role in Dev’s perception of Peri. Not only because of them being mushy parents as previously discussed, but also because they are clearly older and more experienced than Peri, making it harder for Dev to take Peri seriously. Hopefully this makes sense?

And speaking of Dev with Cosmo and Wanda, I actually get the feeling he somewhat respects them? At least more than Peri? And on that note, there’s that scene at the very beginning of “Operation: Birthday Takeback” that I find both adorable but also pretty depressing when it comes to Dev.

When Cosmo, Wanda and Hazel show up, they ask if Dev’s dad is here, to which he mentions “Project H”. And at that Cosmo makes a comment about this project being a big surprise party, and yeah this moments gets me.

Because for a second there, Dev actually smiles. He knows that what his dad is doing has nothing to do with the party, he says so himself in response to Cosmo, but he still smiles, because he understands that Cosmo is trying to cheer him up and appreciates the effort. Idk this gets me, especially also seeing the way Wanda and Peri are looking wary as Cosmo keeps talking, clearly unsure of how Dev will react.

Like am I making a big deal out of a ten seconds moment? Probably. But there’s just something about this sad kid closing himself off whenever his problems are brought up, acting like an entitled brat most of the time as a coping mechanism, yet when this random adult he vaguely knows tries to cheer him up, he’s able to understand it and appreciate it. Idk, again, it just gets me. And sadly it really shows how bad of a match Peri and Dev are. Peri hasn’t been able to get any sort of progress with this kid, but the second his dad shows up and talks a bit suddenly the kid is giving a sincere smile. Yeah…

Now granted in regards to Dev respecting Cosmo and Wanda more, it might also have to do with them not being his godparents, considering Dev is basically using Peri as some sort of servant at times since he’s a spoiled brat and all.

Finally for this part, I want to bring up that scene in the secret lair with Vicky showing up, because to me this is a very good example of Peri actually failing Dev, which in this case will make the kid not take him seriously (on top of not earning his trust and being frustrated with him).

Now I will say, I can’t blame Peri for panicking the way he does upon seeing Vicky (btw I forgot to mention it earlier but the way he goes “lalala” and continues while turning into a drone and looking at the banging door in horror is so real. Again Peri is peak young adult energy). He’s had to deal with that woman since he was a literal infant, of course he’s going to be traumatized!

Still, Dev doesn’t know that. All he knows is that there’s this scary lady his and Hazel’s fairies know about, but he has no idea what history is between them outside of “she was terrible to our previous kid and scares us”. Also he’s 10 and has a bad home-life making him selfish, I don’t think he can fully understand the adults around him being traumatized.

But yeah, all this to say, in this scene, Peri is completely paralyzed, hiding behind the others waiting for Vicky to leave, letting his parents do the talking. And yep, we yet again go back to Cosmo and Wanda being the mature adults around here. Also worth noting that once Vicky puts on the nice act, Hazel stops being afraid of her but Dev still looks intimidated!

In that moment, Peri should have been there to protect Dev. That’s his job as a godfairy. His kid was scared and in potential danger. Yet Peri did absolutely nothing. Instead he stayed hidden, technically behind his kid which means using Dev as cover, and who came to both his and Dev’s rescue? Cosmo and Wanda, the other two fairies in the room, who are clearly more mature and are Peri’s parents.

And again, I don’t blame Peri for being paralyzed in fear like that, but how do you explain that to Dev? How do you tell that kid that he’s braver than his adult magical all-powerful fairy? That while he had to stand and somewhat confront Vicky, that adult fairy that’s supposed to protect him went hiding behind mommy and daddy? Hell from what I’ve seen, earlier in the episode the kids do stand up to Vicky, which makes Peri’s actions worse!

So yeah, hopefully this whole part makes sense as it feels a bit like a mess. The main takeaway here is that Dev needs a fairy that he can see as an almost parental figure, someone he clearly views as an adult and respects as such, that way he can have someone he can trust and be comfortable with, easing him into breaking down his walls. But Peri isn’t any of that. He’s a young adult which makes him still quite immature, and on top of that his parents basically live next door, thus leading Dev to see his fairy getting treated like a kid. It just can’t work out between them as long as they stay like that.

3. Finally, the part related to that moment of Dev talking about his dad while looking at the fairies: Dev has some serious daddy issues related to his father never paying attention to him on account of being a piece of shit who only cares about himself. And the thing is, Dev doesn’t have anyone he can relate to on that front (saying this since it’s hard for him to open up, so having someone with similar issues could be a bit of a push for him).

Hazel has caring parents whose main issue is being busy, on top of her fairies who clearly love her and spend a lot of time taking care of her. Now I haven’t seen much of the school kids but also Dev isn’t exactly close to any of them apparently? Meaning that in any case he can’t relate to them.

Then there’s this fairy that shows up, meant to cater to him but also help him emotionally, and wouldn’t you know this guy talks about wanting to impress his parents and being afraid of them! No but seriously, thinking about it, I can’t help but wonder if for a moment Dev thought he and Peri could bond over family issues, at least subconsciously. But nope! As soon as Peri reunites with his folks, turns out they’re the sweetest most loving parents ever.

I’m actually surprised that from the looks of it the show doesn’t draw a parallel between Dev and Peri on that front. I mean you have a kid with an incredibly absent parent who wants nothing more than to get his dad’s attention, being taken care of by a fairy who finds his parents’ attention suffocating and just wants them to leave him alone. There’s interesting storytelling potential here, especially when taking into account how much those two struggle to get along (basically Peri’s family situation making Dev feel worse in a way due to his confusion as to why Peri puts a bit of distance between himself and his parents)

Which loops back to that scene at the end of “Operation: Birthday Takeback” with Peri getting hugged by his parents while Dev is opening up about his daddy issues and how this visual gag fits the theme of the scene. Dev is feeling like shit about his father not loving him meanwhile the fairy that’s supposed to take care of him is being cuddled by his incredibly loving parents who adore him.

On that note, there’s an element I haven’t touched on in this episode, and it’s the fact that Hazel and Dev were in trouble with Vicky but didn’t have their fairies to protect them due to the trio visiting the house. While this scene is another example of Peri failing Dev, what I find most interesting about it is the fact that Peri “abandoned” Dev to spend time with his parents. Idk, I can’t help but think that this detail twists the knife even further for Dev. Not only was his fairy not here to protect him, but his absence is due to him hanging out with his parents who love him and wanted to spend time with him.

Speaking of which, I wonder if Dev is also angry at the fact that Cosmo and Wanda are able to take care of Hazel and be there for her whenever she needs while still finding the time to hang out with their son and be involved in his life. In a way it’s further proof that Dale is an atrocious parent, at least when taking into account Dev’s pov since I doubt a kid his age spends a lot of time hanging out with other parents, so Cosmo and Wanda are basically the only couple he can compare his father to. Basically I could see Dev noticing how much Cosmo and Wanda do and it making him feel even worse about why his dad doesn’t love him the same.

But yeah all this to say, just like everyone else in his life, Peri can’t understand Dev’s issues with his father, issues that are the core reason why he has a fairy in the first place. On top of that, Peri not only has the one thing Dev wants, but the kid sees him push it away on numerous occasions.

And that’s the end of what I wanted to say here. Hopefully this isn’t too much of a mess since I’m writing this while sick + sleep-deprived due to illness + haven’t watched much of the show past a few episodes and the clips on Tumblr.

On that note, yet again please take this post with a grain of salt, especially the Dev-Peri part. I originally just planned on gushing about “Lost in Fairy World” and how much I love the Fairywinkle-Cosma in it, but seeing the ending of “Operation: Birthday Takeback” made me want to talk a little more about Dev. That being said given how little I’ve watched there’s probably a lot I’m missing about this kid, so by no means do I think this analysis is perfect (also, the fact I’m writing this while ill…). Now Dev does seem to be a “predictable” character, hence why I feel somewhat comfortable writing this despite seeing so little, but again I might be wrong.

(Btw when I say Dev is predictable I’m in no way saying it negatively, quite the opposite! I love that him getting a fairy low-key made him worse, and I’m very curious as to how they’re going to resolve him spiraling the way he’s currently doing.)

In any case, thanks for reading!

[communistkenobi]

(taken from a post about AI)

speaking as someone who has had to grade virtually every kind of undergraduate assignment you can think of for the past six years (essays, labs, multiple choice tests, oral presentations, class participation, quizzes, field work assignments, etc), it is wild how out-of-touch-with-reality people’s perceptions of university grading schemes are. they are a mass standardised measurement used to prove the legitimacy of your degree, not how much you’ve learned. Those things aren’t completely unrelated to one another of course, but they are very different targets to meet. It is standard practice for professors to have a very clear idea of what the grade distribution for their classes are before each semester begins, and tenure-track assessments (at least some of the ones I’ve seen) are partially judged on a professors classes’ grade distributions - handing out too many A’s is considered a bad thing because it inflates student GPAs relative to other departments, faculties, and universities, and makes classes “too easy,” ie, reduces the legitimate of the degree they earn. I have been instructed many times by professors to grade easier or harder throughout the term to meet those target averages, because those targets are the expected distribution of grades in a standardised educational setting. It is standard practice for teaching assistants to report their grade averages to one another to make sure grade distributions are consistent. there’s a reason profs sometimes curve grades if the class tanks an assignment or test, and it’s generally not because they’re being nice!

this is why AI and chatgpt so quickly expanded into academia - it’s not because this new generation is the laziest, stupidest, most illiterate batch of teenagers the world has ever seen (what an original observation you’ve made there!), it’s because education has a mass standard data format that is very easily replicable by programs trained on, yanno, large volumes of data. And sure the essays generated by chatgpt are vacuous, uncompelling, and full of factual errors, but again, speaking as someone who has graded thousands of essays written by undergrads, that’s not exactly a new phenomenon lol

I think if you want to be productively angry at ChatGPT/AI usage in academia (I saw a recent post complaining that people were using it to write emails of all things, as if emails are some sacred form of communication), your anger needs to be directed at how easily automated many undergraduate assignments are. Or maybe your professors calculating in advance that the class average will be 72% is the single best way to run a university! Who knows. But part of the emotional stakes in this that I think are hard for people to admit to, much less let go of, is that AI reveals how rote, meaningless, and silly a lot of university education is - you are not a special little genius who is better than everyone else for having a Bachelor’s degree, you have succeeded in moving through standardised post-secondary education. This is part of the reason why disabled people are systematically barred from education, because disability accommodations require a break from this standardised format, and that means disabled people are framed as lazy cheaters who “get more time and help than everyone else.” If an AI can spit out a C+ undergraduate essay, that of course threatens your sense of superiority, and we can’t have that, can we?

[livelaughlovebeinggod]

you literally have the power to wake up in a whole different reality tomorrow.

want to wake up in dubai tomorrow? alrighty~

want to spawn a few thousand dollars in ur bank account rn? done!

want to fly or teleport wherever you want? sure~

want to have a whole new family? it's already done lol

want a certain dress in ur closet rn? it's there~

absolutely anything is possible instantly. you're literally omnipotent. emphasis on the word omnipotence.

you're god. remember that. just decide. it's already yours.

there's NO separation between what u r and what u want to be. you're already IT.

you're limitless.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[makingqueerhistory]

can I just say. I grew up in Trinidad. I miss the trans women :( it's changed. I wish they'd remember.

For those just looking in, this is a reference to a book I just read called Going to Trinidad, which is nonfiction with the summary:

"For more than four decades, between 1969 and 2010, the remote former mining town of Trinidad, Colorado was the unlikely crossroads for approximately six thousand medical pilgrims who came looking for relief from the pain of gender dysphoria. The surgical skill and nonjudgmental compassion of surgeons Stanley Biber and his transgender protege Marci Bowers not only made the phrase “Going to Trinidad” a euphemism for gender confirmation surgery in the worldwide transgender community, but also turned the small outpost near the New Mexico border into what The New York Times once called “the sex-change capital of the world.”"

The book explores the realities of this, as well as some of the patients who had varying experiences with earlier iterations of gender confirmation surgery and the medical system around that. One of the things it talks about is the erasure of this history, and I can definitely understand how that would feel for someone who actually lived through the transition. One of the reasons queer history is so vital to share is because of things like this, if the town had its way, it might have disappeared from the collective memory.

[lotuzies]

𝜗𝜚 humanizing your dr — and why you don't necessarily need it.

.𖥔 ݁ ˖⌗﹒ there are countless posts that will help you "humanize your dr", in other words, make it seem a bit more "realistic". now, although i am not against it, i mean sure, it's great for visualization, i'm not entirely for it, because it's following the premise that shifting requires a detailed process, requires specific steps in order to do it, and that's just not true.

i have seen many shifting content creators (specially on shifttok (get out of there) (seriously)) claiming that the reason why you haven't shifted yet is because you put your dr on a pedestal, then they proceed to "humanize it", listing a bunch of struggles you might encounter when you shift.

now, let me make clear the bottom line of this post: the way you perceive your desired reality does NOT influence whether you shift or not.

when someone claims that the way you perceive your dr is wrong, or that is something that needs to be changed/improved, they are reinforcing the idea that in order to shift you NEED something, you need to do certain things. (and thats WRONGGGGGHSJSHQGGAG)

shifting is simply putting your perception of this reality to another. that's it. that is the definition of shifting, that is the only thing you actually need to do.

as long as you keep endlessly looking for ways to try and stop putting your dr on a pedestal, the more you will keep persisting on the idea that something NEEDS to be changed, that shifting is this whole difficult process. and if you're familiar with the law of assumption, you already know where this is going, persisting = manifesting it into reality. and just like that, you end up in this loop of searching for something that doesn't exist in the first place.

also, this goes hand in hand with the fact that you don't necessarily need visualization. i do believe it's a great tool to shift, at least for me, but not a must due to the same reason i already listed above. so if you're not great with it, stop stressing about it.

so, it genuinely doesn't matter if you put your dr on a pedestal or if you don't even care for it as much — you are already there, the only thing you'll do is perceive it.

"alright izzy, nice! but how do i change my perception to there, then?"

ehhh, it's not really changing, it's more about recognizing it, because, like i said, you are already there. once again, nothing NEEDS to be CHANGED, stop chasing that "something", stop living in that illusion.

as to how you actually recognize it, i can't really tell you something concrete because it's different for everyone, and i'm sure you've seen thousands of methods, some may work better for you then others. what you can do is implement this new info into your attempts. (still, i can make a post explaining what works for me and why it does)

in other words: put your dr on a pedestal all you want, it's okay. WHY would that even stop you lmao?

also, lil side note: but i HATEEE when people say "humanizing your dr" (as in telling you that's what's stopping you from shifting) and then list a bunch of stuff like "oh you'll stub your toe!" "you'll get sick" "you'll break your nail!" mf if i shift to a reality where that doesn't happen simply because i am a god, then what. THEN WHAT. not everything needs to be realistic or logical. gosh. (it's fine if u do it just for visualizing tho)

that is all, byebye & go shift

[puppysuh]

just received news (new main story branch) that sylus is a gamer and suddenly i am streamer!sylus pilled…

i feel like he’d hold the same amount of traction as corpse husband did in the quarantine era… he’s mostly famous for his voice, and his viewers go wild for his handcams when streaming.

he has the fingers of a greek god, and his comments are always full of thirsty girls begging for him to do obscene things, like wrap his fingers around their necks or finger them until they burst. whilst streamer!sylus loves to bathe in all of the attention, in reality, he knows that there’s only one girl who he would grant such pleasures.

his viewers are unaware of the fact that he has a girlfriend until you feature randomly in one of his streams, sitting in his lap with your hands folded on top of your thighs and a dolled up in a pretty pink skirt that left nothing to the imagination. streamer!sylus continues on as usual despite the extreme influx of comments, speaking to his viewers whilst all but ignoring the pretty problem perched right in between his spread legs.

the viewers go wild. some comments are angry that you’ve “taken their man” (even though he wasn’t even theirs to begin with), whilst others beg him to do something to the doll on his lap: touch her, tease her, even just talk to her, just acknowledge her presence instead of ignoring her.

"you want me to play with her?" donations trickle in like heavy rainfall when one of his hands grasps the meat of your exposed thigh on camera, for all of his ten thousand viewers to see. "that depends... she hasn't quite been a good girl lately."

you fight the urge to whine out loud. streamer!sylus has abandoned his game in favour of running his large hands up and down your bare thighs, and although the camera doesn't catch your faces, you can feel his lips ghosting your neck. "not a sound, sweet girl," he whispers, just quietly enough so the mic doesn't pick up. "you don't want them to know what you're hiding under that skirt, do you?"

he's right. the viewers don't know that, whilst he's pinching and poking the flesh of your thighs, underneath, he's slowly grinding his hips upwards, edging his rock hard cock up against your cervix with each shallow thrust. they don't know that you've been cockwarming him for hours, and they certainly don't know that you're on the verge of cumming, right there, on stream, for ten thousand people to see.

"what do you think, kitten," he asks, and your eyes flick over to the chat, full of comments asking why the stream has gone silent. "do you think i should let you cum? right here for all of them to see?"

"sylus ..."

"that concludes today's stream." he closes the game before thanking everyone for the numerous subs and donations like clockwork, but his hips still continue their excruciatingly slow pace. "it's been a pleasure to have you all, and i apologise for cutting the stream short, but..."

"...i have more pressing matters to attend to."

a/n : hands up who thinks i’m never gonna finish the new branch 😂😂🙋‍♀️

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