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uncleasad · 1 year ago
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Get To Know Tag
It was @evilpenguinrika, in April, with a tag 🗡️
Last Song: “Richard Cory” (YouTube: live version someone showed me the other day [that whole appearance is great!] / Song.link: original album version) [I’ve written about the song before here.]
Favourite Colour: Blue
Currently Watching: About the only thing left I’m still watching is Ghosts 😳
Sweet/Savoury/Spicy: Uh…anything but spicy? Dunno. Iced tea should be sweet, and, well, sweets, but I don’t know that I have food that’s sweet? And I’ve never understood what savory entailed… 😳
Relationship Status: This one instantly took me all the way back to Week 1 of Beginning Arabic and Maha in the Red Book (#this is the way my mind works 😂)—except I am not forlorn about my single status.
Current Obsession: The scent of honeysuckle filling the “spring” air?
Last Thing You Googled: Googled proper, no clue. Last search was trying to find a link for Maha above…without luck.
Tagging: Since @persevereforahappyending tagged me in the other one, I’m returning the favor here 😂 And other regular appearances on my dashboard, @anakinftpadme @whyislenaluthorsohot And to quote EvilPenguinRika when tagging me, “Feel free to do this if you wanna :'D And whoever else who sees this and wants to do it too, go for it!”
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battyaboutbooksreviews · 10 days ago
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Queer Palestinian Books for Pride Month 🍉
Just a reminder: we do exist. ♥️
Please consider sharing this post, whether to show your support for Palestine, to boost awareness of these books (remember, reading is revolutionary), or to show your audience that you offer a safe space. I know it may seem small, but it makes a difference. Trust me. ♥️
Have you read any of these queer Palestinian books? If not, which would you consider reading first? ❓
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fanfiction-obsession · 5 months ago
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Carl is big on ao3. He has one fic and it’s a 125,542 word long novel that he updates weekly about his two gay ocs and their tumultuous enemies to lovers relationship.
It’s based entirely on Perry the Platypus’ relationship with Heinz Doofenshmirtz.
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heritageposts · 2 years ago
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By Ilan Pappe, published 5th of November 2023.
On October 24, a statement by United Nations Secretary-General Antonio Guterres caused a sharp reaction by Israel. While addressing the UN Security Council, the UN chief said that while he condemned in the strongest terms the massacre committed by Hamas on October 7, he wished to remind the world that it did not take place in a vacuum. He explained that one cannot dissociate 56 years of occupation from our engagement with the tragedy that unfolded on that day. The Israeli government was quick to condemn the statement. Israeli officials demanded Guterres’s resignation, claiming that he supported Hamas and justified the massacre it carried out. The Israeli media also jumped on the bandwagon, asserting among other things that the UN chief “has demonstrated a stunning degree of moral bankruptcy”. This reaction suggests that a new type of allegation of anti-Semitism may now be on the table. Until October 7, Israel had pushed for the definition of anti-Semitism to be expanded to include criticism of the Israeli state and questioning the moral basis of Zionism. Now, contextualising and historicising what is going on could also trigger an accusation of anti-Semitism.
. . . article continues on Al Jazeera
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lgbtlunaverse · 6 months ago
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Mdzs fandom: I've got an ironclad objective and unambiguous account of this event as it happened in canon.
Me: Is it actually unambiguous?
Fandom: I don't understand
Me: I want to know if you have an ironclad unambiguous objective account of an event, or an in-universe subjective interpretation where the truth is intentionally left up to speculation?
Fandom: I have the objective account
Me: you're sure? It's fine if you have a subjective interpretation.
Fandom: I have an objective unambiguous account. I do not have a subjective interpretation
Me: Alright! Please give me the objective account.
Fandom: Here you go. *hands me an in-universe subjective interpretation of something where the truth is intentionally left up to speculation*
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directactionforhope · 9 months ago
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Might fuck around and write a book for real
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darkfictionjude · 8 days ago
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Nia was in love with Crowny for years but Jude said that Nia only loves three persons in her life but Crowny was not one of them 🫣
its so interesting that i'm sometimes referred to in asks directed at me in third person 💀
anyway this blog is nearly 2 years old. I've answered thousands of asks. I've said a lot of shit that i've changed my mind about because the characters show me who they are as a write them. Nia had little screen time before compared to the boys so she was harder to pin down. Now i got her perfectly in my mind
The reason this discrepancy happened is because when i said she loves 3 people i hadn't yet conceived of the idea that she had had a boyfriend that she loved when she was younger. Originally when i said she loves 3 i always meant one of them was crowny. Then the idea of the boyfriend came along and so it didn't align with the 3 people could she would need to love 4
But then i realized she doesn't really love her father, she respects and fears him
she now, still loves 3 people. One of them is crowny, there you go problem solved *wipes hands*
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I’m going to turn this blog into a writblr where all I do is talk about my book
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oneinathousand · 6 months ago
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I recently got the 1995 book Christopher Lee and Peter Cushing and Horror Cinema by Mark A. Miller and decided to put together some of my favorite quotes. I bought the first edition because it was cheaper, but the second edition had some revisions and expansions, what exactly was different I don't know (I'm sure it addressed Lee's big explosion in popularity in the early 2000's among other things), but there's still lots and lots of interesting material in here; plus, to my surprise the copy I got was signed by the author himself back in 1995, so that's pretty cool.
Anyway, here's some quotes for ya:
These first two quotes are Vincent Price talking about Lee and Cushing which I thought were absolutely darling. Here's the one about Lee:
Everybody told me that he was rather stiff and unbending and not very funny. Well, we screamed with laughter from the minute we shook hands until now. We get along just like mad... write each other rude notes and funny letters and telegrams and postcards and, you know, anything we can find that we know will tickle one another. He's one of the few actors in my life that I have stayed in touch with, strangely enough. If you get him on a subject that he likes, he's very warm and vibrant. I think he's got a wonderful sense of humor, but I don't think everybody knows how to get at it. For some reason or other we strike each other as funny, and it's wonderful fun to be with him.
Here's him about Cushing:
He's nothing like Christopher Lee because Peter's a very wiry, little fellow. But Peter is one of the strongest men I ever knew in my life. I had to do several fight scenes with him [in Madhouse]. My God! He can throw you! He doesn't fake it at all. Nobody warned me about this, and I was sort of battered and bruised. He's a very realistic and very serious-minded actor. I like Peter very much, and I hear from him always at Christmas. On our birthdays we send each other the funniest cards we can find too. He's a very gentle, sweet man. I am very, very fond of him.
Cushing was, in fact, not a little man, but of course Price would have seen him as one from his perspective lol... The part about Cushing apparently being incredibly strong is pretty wild considering Price was referring to him during the making of Madhouse, when he had spent the last 2-ish years losing a lot of weight, smoked like a chimney (the book mentions at one point that he could smoke up to 50-60 cigarettes a day before he quit), was a vegetarian, and was in his early 60's. If he was strong enough to toss Price's tall ass around like a rag doll then (which is a very funny mental image), how strong was he during his prime???
Here's a description of the Lee family cheering up Cushing for the holidays during the making of Horror Express:
He faced his first Christmas without Helen and in a country that was not even his own. Luckily he found solace on Christmas Day in the warm family gathering of the Lees in their Madrid hotel. Gitte and Christina had flown over for the holiday, and they invited Peter to spend the day with them. This was the fourteenth film in which they had both acted since The Curse of Frankenstein fifteen years before, and one that offered them many great scenes together. But their best scene together was the one in that Madrid hotel on Christmas in which Peter Cushing received the emotional support he needed so desperately. The next morning Cushing was back at the studio, cheerfully ready for work.
So sweet... For anyone wondering, this book did not mention anything about Lee supposedly comforting Cushing with his presence in case the latter ever had any night terrors while making Horror Express. I'm starting to think that story might be made up! Maybe it was mentioned in the second edition, or maybe it was mentioned in one of the interviews or whatever that Miller used for researching this book. My search for a primary or secondary source continues.
Here's actress Lorna Heilbron about Cushing and Lee during the making of The Creeping Flesh:
Peter Cushing is a brilliant actor I think. I was, of course, playing his daughter, and Peter had quite recently lost his wife Helen and was grieving for her and was very open about this. He related to me as a father and was tremendously caring and supportive, especially as he felt that I resembled Helen, so we had a rather intense relationship where I felt he really "lived" his part in the film. He came the first day on the set with his script covered, literally covered, with notes he had written about what he felt his character would do or be feeling at any particular time. He also knew down to the last detail what props he would require and had obviously chosen his costumes with immense care. Within all this careful forethought he was very flexible so that if an actor gave him something unexpected, he would respond to this and was willing to go with what was happening "now". He was charming, courteous, and clever and was dearly liked and admired by everyone. At that time he was, as I said, feeling very sad and so was clearly very vulnerable. He would take himself on his own to have a bit of a wander and, I suspect, a jolly good cry. I adored him. I didn't get to know Christopher Lee so well, mostly because I didn't actually have many scenes with him and partly because he kept "himself to himself" as we say over here. I remember he had a most wonderful singing voice, of which he was justly proud, and which would go ringing round the corridors of Shepperton. The crew called him "Rabbity Lee" because he loved to talk, which he did very amusingly and at some length. I have often felt he was a much better actor than some of his material. He and Peter seemed close and distant at the same time. They probably didn't have that much in common apart from a very strong symbiotic working relationship.
Rabbity Lee… 🥲
Next is Price, Lee, and Cushing's opinions on House of the Long Shadows, which I feel each perfectly encapsulate their personalities.
Vincent Price spoke bitterly about the film in 1991: "A disaster - because the man, whoever - I can't even remember his name; psychosomatically I've forgotten it - the guy who directed it and the [editor] who cut it... they just cut all the comedy out of it... I hated it. Desi Arnaz, who was very good in it - they just turned it all over to him so that you never had the four people you wanted to see ever doing anything at all. That was that stupid director." When asked in 1992 if he agreed with Price that the film constituted a missed opportunity for the all-star team-up, Christopher Lee quickly responded: "I do, without a doubt. He was absolutely right. It's the old, old story: get it on film, finish it in time and on budget, and if it's in focus, we can sell it." Asked also of his memories of Pete Walker directing him, Lee replied simply, "He didn't." Peter Cushing's only complaint is that he suffered from bronchitis while making the film in a cold, damp, seventeenth-century manor house in Hampshire that had no heat. Because he found working with Lee, Price, and Carradine to be "a joy," Cushing summed up the film as "lovely to do."
Speaking of House of the Long Shadows, I wanted to bring up one particular criticism Mark A. Miller had of the movie to be very ironic if you've been in the fandom for this era of horror whatsoever on Tumblr. Miller absolutely hated the iconic "bitch" line from Price, saying of it:
Instead of the good-natured, funny lines that work so well in horror send-ups like The Raven, A Comedy of Terrors, and Young Frankenstein, in this film we only hear Price's character call Lee's a "bitch" - the embarrassing epitome of the script's nasty, witless spirit. After Price's line, the film seems more like a cruel practical joke on the venerable cast than an amusing parody of their images.
I agree with many of Miller's takes throughout the book, but definitely not all of them, and this is a case of that. That line's the best part of the movie! It's Vincent Price saying "bitch" in cursive, it's so delicious! Did Miller hate fun? I can't ask him because he's dead. What if the line was an ad-lib from Price, huh? If Miller knew how popular that moment is on this website, he'd probably be baffled, lol.
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uncleasad · 4 months ago
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The reblog chain was starting to get a little long, so…
Thanks 😏 for the tag @persevereforahappyending
slow burn or love at first sight // fake dating or secret dating // enemies to lovers or best friends to lovers // oh no there is only one bed or long-distance correspondence // hurt-comfort or amnesia // fantasy au or modern au // mutual pining or domestic bliss // smut or fluff // canon-compliant or fix-it // reincarnation or character death // one shot or multi chapter // kid fic or roadtrip fic // arranged marriage or accidental marriage // high school romance or middle aged romance // time travel or isolated together // neighbors or roommates // sci-fi au or magic au // body swap or gender bend // angst or crack // apocalyptic or mundane
(Some of these were surprisingly difficult to choose, while others were ones where I had no preference 😂)
Tagging: @evilpenguinrika @junglejam @avengerskye @toriwritesstories @the0fi @poppyseedxx if you want!
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battyaboutbooksreviews · 4 months ago
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❤️ Black History Month - Queer Books + Black Authors
🦇 Good evening, beloved bookish bats. I hope you're having a wonderful weekend so far! Are you trying to read more queer books this year? More books by diverse authors? Books by black authors, not only for Black History Month, but all year long? Do I have a list for you (now featuring four new slides / 48 new books!).
❓What queer book and/or book featuring black characters have you recently read? Which one is on your tbr?
❤️ The Taking of Jake Livingston - Ryan Douglass ❤️ Mademoiselle Revolution - Zoe Sivak ❤️ Brown Girl Dreaming - Jacqueline Woodson ❤️ Alex Wise vs. the End of the World - Terry J. Benton-Walker ❤️ The Forest Demands its Due - Kosoko Jackson ❤️ Monstrous - Jessica Lewis ❤️ Thank You for Sharing - Rachel Runya Katz ❤️ Salt the Water - Candice Iloh ❤️ Trailer Park Prince - Andre L. Bradley ❤️ Blessings - Chukwuebuka Ibeh ❤️ Escaping Mr. Rochester - L.L. McKinney ❤️ Whenever You’re Ready - Rachel Runya Katz
❤️ Blood Justice - Terry J. Benton-Walker ❤️ Something Kindred - Ciara Burch ❤️ Infinity Alchemist - Kacen Callender ❤️ Vagabonds! - Eloghosa Osunde ❤️ Songs of Irie - Asha Ashanti Bromfield ❤️ Love and Sportsball - Meka James ❤️ Dead Girls Walking - Sami Ellis ❤️ Sleep Like Death - Kalynn Bayron ❤️ Where Shadows Meet - Patrice Caldwell ❤️ Family Meal - Bryan Washington ❤️ Where Sleeping Girls Lie - Faridah Àbíké-Íyímídé ❤️ Leather, Lace, and Locs - Anne Shade
❤️ Brooms - Jasmine Walls & Teo DuVall ❤️ Lush Lives - J. Vanessa Lyon ❤️ Second Night Stand - Karelia & Fay Stetz-Waters ❤️ Broughtupsy - Christina Cooke ❤️ Skye Falling - Mia McKenzie ❤️ It’s About Damn Time - Arlan Hamilton & Rachel L. Nelson ❤️ The Color Purple - Alice Walker ❤️ And Then He Sang a Lullaby - Ani Kayode ❤️ Till the Last Beat of My Heart - Louangie Bou-Montes ❤️ Stars in Your Eyes - Kacen Callender ❤️ Prince of the Palisades - Julian Winters ❤️ Icarus - K. Ancrum
❤️ The Black Period - Hafizah Augustus Geter ❤️ How Long Til Black Future Month? - N. K. Jemisin ❤️ The Poisons We Drink - Bethany Baptiste ❤️ I Think They Love You - Julian Winters ❤️ Dear Senthuran - Akwaeke Emezi ❤️ Another Brooklyn - Jacqueline Woodson ❤️ D'Vaughn and Kris Plan a Wedding - Chencia C. Higgins ❤️ So Let Them Burn - Kamilah Cole ❤️ Sister Outsider - Audre Lorde ❤️ Red at the Bone - Jacqueline Woodson ❤️ How to Live Free in a Dangerous World - Shayla Lawson ❤️ I’m So (Not) Over You - Kosoko Jackson
❤️ Felix Ever After by Kacen Callender ❤️ Under the Udala Trees by Chinelo Okparanta ❤️ Warrior of the Wind by Suyi Davies Okungbowa ❤️ I'm a Wild Seed by Sharon Lee De La Cruz ❤️ Real Life by Brandon Taylor ❤️ Ruthless Pamela Jean by Carol Denise Mitchell ❤️ The Unbroken by C.L. Clark ❤️ Labyrinth Lost by Zoraida Córdova ❤️ Skin Deep Magic by Craig Laurance Gidney ❤️ The Death of Vivek Oji by Akwaeke Emezi ❤️ That Could Be Enough by Alyssa Cole ❤️ Work for It by Talia Hibbert
❤️ All Boys Aren't Blue by George M. Johnson ❤️ The Deep by Rivers Solomon ❤️ How to Be Remy Cameron by Julian Winters ❤️ Running With Lions by Julian Winters ❤️ Right Where I Left You by Julian Winters ❤️ This Is Kind of an Epic Love Story by Kacen Callender ❤️ The Weight of the Stars by K. Ancrum ❤️ This Is What It Feels Like by Rebecca Barrow ❤️ Son of the Storm by Suyi Davies Okungbowa ❤️ Black Boy Joy by Kwame Mbalia ❤️ Legendborn by Tracy Deonn ❤️ The Wicker King by K. Ancrum
❤️ Pet by Akwaeke Emezi ❤️ You Should See Me in a Crown by Leah Johnson ❤️ Once Ghosted, Twice Shy by Alyssa Cole ❤️ Cinderella Is Dead by Kalynn Bayron ❤️ Let's Talk About Love by Claire Kann ❤️ A Spectral Hue by Craig Laurance Gidney ❤️ Power & Magic by Joamette Gil ❤️ The Black Veins by Ashia Monet ❤️ Treasure by Rebekah Weatherspoon ❤️ The Sound of Stars by Alechia Dow ❤️ Black Leopard, Red Wolf by Marlon James ❤️ Full Disclosure by Camryn Garrett
❤️ The Black Flamingo by Dean Atta ❤️ Meet Cute Diary by Emery Lee ❤️ A Phoenix First Must Burn (edited) by Patrice Caldwell ❤️ Rise to the Sun by Leah Johnson ❤️ Things We Couldn't Say by Jay Coles ❤️ Black Boy Out of Time by Hari Ziyad ❤️ Darling by K. Ancrum ❤️ The Secrets of Eden by Brandon Goode ❤️ Ace of Spades by Faridah Àbíké-Íyímídé ❤️ Off the Record by Camryn Garrett ❤️ Honey Girl by Morgan Rogers ❤️ The Henna Wars - Adiba Jaigirdar
❤️ How to Dispatch a Human by Stephanie Andrea Allen ❤️ Black Girl, Call Home by Jasmine Mans ❤️ The Essential June Jordan (edited) by Jan Heller Levi and Christoph Keller ❤️ A Master of Djinn by P. Djèlí Clark ❤️ A Blade So Black by L.L. McKinney ❤️ Clap When You Land by Elizabeth Acevedo ❤️ Dread Nation by Justina Ireland ❤️ Punch Me Up to the Gods by Brian Broome ❤️ Masquerade by Anne Shade ❤️ One of the Good Ones by Maika Moulite & Maritza Moulite ❤️ Soulstar by C.L. Polk ❤️ 100 Boyfriends by Brontez Purnell
❤️ Hurricane Child by Kacen Callender ❤️ Quietly Hostile by Samantha Irby ❤️ A Little Kissing Between Friends - Chencia C. Higgins ❤️ The Death of Vivek Oji by Akwaeke Emezi ❤️ If It Makes You Happy by Claire Kann ❤️ Sweethand by N.G. Peltier ❤️ This Poison Heart by Kalynn Bayron ❤️ Better Off Red by Rebekah Weatherspoon ❤️ Friday I’m in Love by Camryn Garrett ❤️ Rainbow Milk by Paul Mendez ❤️ Memorial by Bryan Washington ❤️ Patsy by Nicole Y. Dennis-Benn
❤️ Sorrowland by Rivers Solomon ❤️ How to Find a Princess by Alyssa Cole ❤️ Yesterday is History by Kosoko Jackosn ❤️ Mouths of Rain (edited) by Briona Simone Jones ❤️ Dead Dead Girls by Nekesa Afia ❤️ Love's Divine by Ava Freeman ❤️ The Prophets by Robert Jones Jr ❤️ Odd One Out by Nic Stone ❤️ Symbiosis by Nicky Drayden ❤️ Thanks a Lot, Universe by Chad Lucas ❤️ The Passing Playbook by Isaac Fitzsimons ❤️ Giovanni’s Room by James Baldwin
❤️ Little & Lion by Brandy Colbert ❤️ My Government Means to Kill Me by Rasheed Newson ❤️ Pleasure and Spice by Fiona Zedde ❤️ No Gods, No Monsters by Cadwell Turnbull ❤️ The Stars and the Blackness Between Them by Junauda Petrus ❤️ Filthy Animals by Brandon Taylor ❤️ The City We Became by N.K. Jemisin ❤️ Peaces by Helen Oyeyem ❤️ The Beauty That Remains by Ashley Woodfolk ❤️ Every Body Looking by Candice Iloh ❤️ Bingo Love by Tee Franklin, Jenn St-Onge, Joy San ❤️ The Heart Does Not Bend by Makeda Silvera
❤️ King and the Dragonflies by Kacen Callender ❤️ By Any Means Necessary by Candice Montgomery ❤️ Busy Ain't the Half of It by Frederick Smith & Chaz Lamar Cruz ❤️ Girl, Woman, Other by Bernardine Evaristo ❤️ Sin Against the Race by Gar McVey-Russell ❤️ Trumpet by Jackie Kay ❤️ Remembrance by Rita Woods ❤️ Daughters of Nri by Reni K. Amayo ❤️ You Know Me Well by Nina LaCour ❤️ The Summer of Everything by Julian Winters ❤️ Butter Honey Pig Bread by Francesca Ekwuyasi ❤️ Gingerbread by Helen Oyeyem
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saturnianstudios · 6 months ago
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fictionadventurer · 1 year ago
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I think I underestimated how cool it is that Little House books are a "woman remembers her childhood" children's classic by an author from a working-class and rural background. Most working-class books of the genre have urban settings, and most rural girlhood classics come from a family that's in a fairly stable community--maybe not rich, but comfortable enough that they don't have to worry about whether they'll make it through a winter.
Laura Ingalls grew up dirt poor in a family that knew how to grow or build or hunt or make everything that they needed, because they had to. Yet when she grew up, she got into a position where she could publish about it. Which is pretty astounding, because people in her situation are usually too busy doing the farmwork to write about it--they don't have connections to the publishing industry. Yet she did, so we get to hear from someone who knows that farm and small-town setting intimately, and not because she grew up and and ran off to the city as soon as she could escape, but because she still lives it and loves it and advocates for it.
She knows the details of that life and loves it. Like, she genuinely cares about raising the chickens, not as a housewife's hobby, but as an important source of meat, eggs and money for the family. It's grounded, earthy, sensible, but also romantic, because she while she's doing farm work or house work she's noticing the little moments of beauty or thinking about the big issues of life. But it took a long series of coincidences to get this ordinary farm wife into a position of wanting to write, being able to write, and having a national audience for her writing, so I just want to appreciate how amazing it is that it happened.
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little-ratsnake · 23 days ago
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sketches of wife to ease the yearnery as i prepare for finals
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gingerswagfreckles · 7 months ago
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Challenging blatant misinformation on this website is such a headache lol. "Imagine blindly believing the US government/police/etc etc 🤪🤪" Babe I absolutely do not blindly believe the US gov/police on anything. You're just mad I'm not blindly believing YOU. 🙄
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tanyaluca · 1 year ago
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Goodbye Winter…
Tanya Luca
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